The Guardian asked twenty nine writers to give their 10 Rules for Writing Fiction. Those given by Jonathan Franzen (The Corrections) were arguably the pithiest, and we list them below. The full lineup of writers (including Elmore Leonard, Margaret Atwood, and Richard Ford) can be found here. (The New Yorker has since followed up with some commentary on the Guardian list.)
- The reader is a friend, not an adversary, not a spectator.
- Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.
- Never use the word “then” as a conjunction – we have “and” for this purpose. Substituting “then” is the lazy or tone-deaf writer’s non-solution to the problem of too many “ands” on the page.
- Write in the third person unless a really distinctive first-person voice offers itself irresistibly.
- When information becomes free and universally accessible, voluminous research for a novel is devalued along with it.
- The most purely autobiographical fiction requires pure invention. Nobody ever wrote a more auto biographical story than “The Metamorphosis”.
- You see more sitting still than chasing after.
- It’s doubtful that anyone with an internet connection at his workplace is writing good fiction.
- Interesting verbs are seldom very interesting.
- You have to love before you can be relentless.
via @kirstinbutler
Read More...A quick fyi: Starting this morning, Stanford Continuing Studies opened registration for its spring lineup of online writing courses. Offered in partnership with the Stanford Creative Writing Program (one of the most distinguished writing programs in the country), these online courses give beginning and advanced writers, no matter where they live, the chance to refine their craft with gifted writing instructors. As you will see, there are a couple of courses offered in conjunction with The New York Times. The idea here is that you’ll learn writing from a Stanford writing instructor and then get your work reviewed by a New York Times book critic/writer. Quite a perk. And the courses sell out quickly. For more information, click here, or separately check out the FAQ and the testimonials.
Caveat emptor: These classes are not free, and I helped set them up. So while I wholeheartedly believe in these courses, you can take my views with a grain of salt.
Loudon Wainwright III has released a new album, Songs for the New Depression, that fittingly features “The Krugman Blues,” an homage to the Princeton, Nobel Prize-winning economist, Paul Krugman, who has documented America’s economic spiral in The New York Times. You can watch the Krugman Blues above, and get the full album at Wainwright’s web site.
via The New Yorker
Read More...More and more, the Dalai Lama has been developing an interest in what modern science has to say about human emotion — or, more particularly, how neuroscience makes sense of meditation and compassion. Partly as a result, Stanford University has launched The Center for Compassion and Altruism Research and Education, which is delving deeper into these questions. The clip above features Daniel Goleman, the bestselling science journalist (Emotional Intelligence and Destructive Emotions), talking about the Dalai Lama’s work on this front. You can find the full conversation with Goleman at Bigthink.com, a good resource for thought-provoking video.
Read More...A quick wrap up of the cultural items we tweeted and re-tweeted this week via our Twitter stream. You can start following us here: @openculture
Ok, it’s not really Werner Herzog. Just a little playful satire. A guess at how the German director might reinterpret/read the children’s classic Curious George. This version is dark and existential.
Read More...You can’t get good democracy without science, and you can’t get good science without democracy. That’s why great political and scientific revolutions have historically gone hand-in-hand. It’s an intriguing argument that Timothy Ferris (UC Berkeley) makes in his new book, The Science of Liberty, and debates in an interview with Michael Krasny, aired last week on KQED in San Francisco. You can stream the interview below, or access it via mp3 or iTunes.
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What’s My Line? aired on CBS from 1950 to 1967, making it the longest-running game show in American television history. During its eighteen seasons, the show featured hundreds of celebrities, including some of America’s leading cultural figures. The clip above dusts off the 1960 appearance made by Carl Sandburg, the poet, writer, and three time winner of the Pulitzer Prize. And now for a video that’s not all fun and games: here’s audio of Sandburg reading his antiwar poem Grass. (You can also get more free audio recordings of Sandburg’s poetry over at the Internet Archive.)
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This imaginative bit was a student’s final project for an art course. The flipbook, made entirely out of biro pens, was created with 2100 pages of drawings and took about 3 weeks to develop. Needless to say, the student got an A.
Thanks to @kirstinbutler for flagging this one.
Read More...A team of researchers from the University of Pennsylvania spent a good six months studying The New York Times list of most-e-mailed articles, hoping to figure out what articles get shared, and why. And here’s what they essentially found:
People preferred e‑mailing articles with positive rather than negative themes, and they liked to send long articles on intellectually challenging topics… Perhaps most of all, readers wanted to share articles that inspired awe, an emotion that the researchers investigated after noticing how many science articles made the list.
This goes a long way toward explaining why 3.4 million people have watched The Known Universe since mid December. And, as Bill Rankin rightly suggested to me, it says something good about online culture, and what makes Open Culture work as a site. Each day, we try to give you a little awe and challenge. And for our next post: 10,000 Galaxies in 3D.
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