Paulo Coelho on How to Handle the Fear of Failure

The road to suc­cess runs right through fail­ure. It’s an idea that’s get­ting a lot of atten­tion late­ly. Ear­li­er this month, the Berghs School of Com­mu­ni­ca­tion in Stock­holm orga­nized an exhi­bi­tion around the whole premise that “suc­cess nev­er hap­pens with­out tak­ing risks. And risks are what you’re capa­ble of tak­ing when you over­come the fear of fail­ing.” But how to do that? How to take that leap? The exhi­bi­tion put that ques­tion to artists and thinkers who know suc­cess in a very inti­mate way. (See full list on Brain­Pick­ings here.) That includes Paulo Coel­ho, the author of The Alchemist, a book that has sold 65 mil­lion copies across 150 coun­tries, and he had this to say:

I’m nev­er par­a­lyzed by my fear of fail­ure… I say “Ok, I’m doing my best… ” And, from the moment that I can say that I’m doing my best … I sit down, I breathe, and I say “I put all of my love into it, I did it with all my heart.” … And whether they like [the book] or not is irrel­e­vant, because I like it. I’m com­mit­ted to the thing that I did. And so far nobody has crit­i­cized or refused it. When you put love and enthu­si­asm into your work, even if peo­ple don’t see it, they know it’s there, that you did this with all of your body and soul, so that is what I encour­age you to do.

It’s a good thought, which gets pur­sued on a par­al­lel track by Tim Har­ford. In 2005, Har­ford wrote the best­selling book, The Under­cov­er Econ­o­mist, and now he returns with Adapt: Why Suc­cess Always Starts with Fail­ure. Speak­ing yes­ter­day on KQED in San Fran­cis­co, the writer, some­times likened to Mal­colm Glad­well, talked about the impor­tance of exper­i­men­ta­tion, tak­ing cal­cu­lat­ed risks, and cre­at­ing room for fail­ure, some­thing that mat­ters as much to indi­vid­u­als as it does to cor­po­ra­tions or nations try­ing to solve dif­fi­cult prob­lems. You can lis­ten to the full inter­view here.

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Watch Selected Cannes Films for Free (For A Limited Time Only)

We’ve already writ­ten about the excel­lent film blog MUBIdai­ly, which is pub­lished by the online screen­ing room Mubi.com. We’ve nev­er real­ly pushed Mubi itself, even though the site fea­tures a wide selec­tion of inde­pen­dent and for­eign films. It’s a sub­scrip­tion site, and we pre­fer to focus on cul­tur­al offer­ings that you can access free of charge.

Still, for the next month, you can watch cer­tain films on Mubi free of charge — specif­i­cal­ly, selec­tions from mul­ti­ple years of Cannes’ La Semaine de la Cri­tique (Crit­ics’ Week), one of the fes­ti­val’s most con­sis­tent­ly inter­est­ing side­bars. Each year a pan­el of inter­na­tion­al crit­ics selects a cur­rent crop of shorts and fea­tures from first and sec­ond time direc­tors, and now MUBI has made a num­ber of past selec­tions freely avail­able online. The selec­tion is a lit­tle uneven, but still often inspir­ing. Of the choic­es offered at Mubi’s mini-ret­ro­spec­tive, we rec­om­mend the Japan­ese film Chick­en Heart, the clever Swedish short Seeds of the Fall, and espe­cial­ly Round Da Way  (Las­cars), a live­ly French ani­mat­ed fea­ture about life in the projects. You can watch Round Da Way above.

The full selec­tion is avail­able for free on Mubi until June 30th, with a caveat or two: Each film is only free for its first 1,000 view­ings, you do need to reg­is­ter to watch, and there may be some geo­re­stric­tion at work (though we can’t say for sure since we’re based in the US).

And final­ly, of course, don’t miss our big curat­ed col­lec­tion of 380 Free Movies, which includes a few major films from Cannes too.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

 

Endeavour’s Launch Viewed from Booster Cameras

Here’s the good stuff that nerdgasms are made of. NASA has released a video that lets you hitch a ride on the May 16th launch of the Space Shut­tle Endeav­our. The video runs 37 min­utes; it’s nar­rat­ed by a NASA offi­cial; and it loops around and lets you see the launch from sev­er­al dif­fer­ent van­tage points.

You start with liftoff, trav­el­ing at 1300 miles per hour. Then, about two min­utes lat­er, the rock­et boost­ers sep­a­rate from the shut­tle, and you then twist with them. The sec­ond loop starts around the 7:20 mark, and don’t miss the splen­did view at 9:40 …

Relat­ed Con­tent:

The Best of NASA Space Shut­tle Videos (1981–2010)

NASA Cap­tures Giant Solar Storm

NASA Zooms into Spi­ral Galaxy

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Kubrick’s A Clockwork Orange: Malcolm McDowell Looks Back

A few days ago, we linked to the recent Col­lid­er inter­view with Mal­colm McDow­ell, the star of Stan­ley Kubrick­’s 1971 clas­sic, A Clock­work Orange. One of the high­lights of the piece is a short video clip in which the now 68-year-old actor describes the ori­gins of the film’s icon­ic — and hor­rif­i­cal­ly vio­lent — “Singing in the Rain” scene.

You can catch a much younger McDow­ell dis­cussing that same scene in 1972, start­ing at minute 6:30 of the inter­view below. For kicks, slide back to minute 4:15, and watch the cocky 28-year-old give his inter­locu­tor a sharp dress­ing down for dar­ing to sug­gest that Mr. Kubrick could be “dif­fi­cult” to work with:

via @DangerMindsBlog

Relat­ed con­tent:

Stan­ley Kubrick­’s Fil­mog­ra­phy Ani­mat­ed

Killer’s Kiss: Where Stan­ley Kubrick­’s Film­mak­ing Career Real­ly Begins

Kubrick vs. Scors­ese Mon­tage

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Darren’s Big DIY Camera

Pho­tog­ra­ph­er Dar­ren Samuel­son spent a good year research­ing his big cam­era. Then it was time to build it. The bel­lows came first, craft­ed over two hard weeks on his liv­ing room floor. Next came the rear por­tion of the cam­era, and even­tu­al­ly the front, the rails, and the rest. All told, sev­en months of lov­ing labor went into mak­ing Dar­ren’s big DIY cam­era, capa­ble of pro­duc­ing 14×36-inch neg­a­tives. (By the way, it also used x‑ray film.) At long last, it was time to give things a try at San Fran­cis­co’s Lands End. The short doc­u­men­tary above shows you the rest. Don’t miss the images at the 2:20 mark…

Jimmy Fallon Nails the Bob Dylan Impersonation

He looks like Bob Dylan. He sings like our birth­day boy Bob Dylan. And yet he’s cov­er­ing per­haps the cheesi­est 80s sit­com theme song ever made — which makes it all the more hilar­i­ous…

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Pop-Motion Animation: A New Take on the Flip Book

When Dul­cidio Caldeira of the agency Para­noid BR was com­mis­sioned recent­ly to cre­ate a one-minute com­mer­cial mark­ing MTV Brazil’s 21st birth­day, he end­ed up re-imag­in­ing one of animation’s old­est forms: the flip book. The result is a work of inspired silli­ness, with char­ac­ters like Gene Sim­mons, Slash, Ozzy Osbourne—even Ozzy’s bat—appearing on a long line of bal­loons being popped at a rate of ten per sec­ond. Caldeira and col­lab­o­ra­tors Andre Faria and Guga Ket­zer used a laser to line up hun­dreds of bal­loons along a 656-foot (200-meter) set of tracks. It took them 24 hours to shoot.

Via: Print Mag­a­zine

Peter Sellers Performs The Beatles “A Hard Day’s Night” in Shakespearean Voice

Back in 1964, Peter Sell­ers (aka Chief Inspec­tor Clouse­au in The Pink Pan­ther films) made a cameo appear­ance on “The Music of Lennon and McCart­ney,” a tele­vi­sion pro­gram pro­duced at the height of Beat­le­ma­nia. The schtick? To read the lyrics of A Hard Day’s Night in a way that com­i­cal­ly recalls Lau­rence Olivier’s 1955 per­for­mance of the open­ing solil­o­quy from Richard III. It starts famous­ly “Now is the win­ter of our dis­con­tent â€¦â€ť (See full text here.)

On a very relat­ed note, don’t miss:

Peter Sell­ers Reads The Bea­t­les’ “She Loves You” in Four Voic­es

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For Bob Dylan’s 70th Birthday, Footage From His Earliest NYC Days

Rock star, folk singer, poet, and nation­al trea­sure Bob Dylan turns 70 today, and just in case you haven’t made plans to mark the occa­sion, we’ve got a few options for you: If you’d like some com­pa­ny, you can check out this Google map of all the sep­tu­a­ge­nar­i­an cel­e­bra­tions world­wide to see if there will be one in your home­town. Or you can re-read Joe Queenan’s bril­liant­ly incor­rect assess­ment of the rebel at 50 in Spy Mag­a­zine. And if you’re feel­ing soli­tary and reflec­tive, there’s always Chron­i­cles Vol. 1 and Dylan­Ra­dio by can­dle­light.

We chose to go with the love­ly “Guess I’m Doing Fine” from the singer’s ear­li­est days in New York City (now avail­able on “The Wit­mark Demos: 1962–1964,” the lat­est install­ment of The Boot­leg Series. Watch the trail­er here). The 20-year old’s voice sounds a bit thin and plain­tive, and the lament per­haps under­cut by the many miles of road he has­n’t yet trav­elled, espe­cial­ly when he moans:

No, I ain’t got my child­hood
Or friends I once did know.
But I still got my voice left,
I can take it any­where I go.

But don’t be too hard on young Bob­by Zim­mer­man… He was a whole lot old­er then, and he’s younger than that now.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Lost Films: Identify Missing Cinema Through Crowdsourcing

Can you iden­ti­fy the man in this pic­ture? The archivists at Lost Films hope you can. The image is tak­en from footage of a vin­tage film that no one has been able to iden­ti­fy. Accord­ing to the descrip­tion that goes with the still, all we know now is that this odd­ly-dressed  char­ac­ter is an escaped con­vict named “Hem Lock.” The movie is prob­a­bly Amer­i­can, and it was most like­ly shot some­where around 1923. If you think you can add some more infor­ma­tion, it’s time for you to sign up.

More than 80 per­cent of silent films and a high per­cent­age of old sound films have been lost or are now unac­count­ed for. Lost Films is a col­lab­o­ra­tive effort among film soci­eties in Ger­many, France, Poland, New Zealand, and sev­er­al oth­er coun­tries to help iden­ti­fy and locate some 3,500 lost or miss­ing films through crowd­sourc­ing. Any­one can become a mem­ber and then upload clips and images from “mys­tery movies” to the site, and also com­ment on the as-yet-unti­tled stills and images that have already been uploaded. The site also con­tains a heart­en­ing list of films that have been recent­ly been recov­ered.

The project is fund­ed by the Ger­man Fed­er­al Cul­tur­al Asso­ci­a­tion.

Be sure to find many silent and ear­ly sound movies (among oth­er things) in our col­lec­tion of Free Movies Online.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Leo Strauss: 15 Political Philosophy Courses Online

strauss-large

In 1949, Leo Strauss, the Ger­man-Jew­ish emi­grĂ©, land­ed at The Uni­ver­si­ty of Chica­go, where he spent decades teach­ing and writ­ing on polit­i­cal phi­los­o­phy, espe­cial­ly the polit­i­cal thought of the Ancients. Strauss’ think­ing skewed con­ser­v­a­tive, and if he was some­times con­tro­ver­sial while alive, he has become only more so in death (1973). Nowa­days he’s con­sid­ered right­ly or wrong­ly the “intel­lec­tu­al god­fa­ther of the neo-con­ser­v­a­tive polit­i­cal move­ment,” if not an “intel­lec­tu­al force behind the Bush admin­is­tra­tion’s plan to invade Iraq.” Although Strauss com­ment­ed occa­sion­al­ly on con­tem­po­rary pol­i­tics (Harper’s has more on that), he spent most of his time work­ing through major philo­soph­i­cal texts, and through his com­men­taries, devel­op­ing his own philo­soph­i­cal posi­tions, which were gen­er­al­ly hos­tile to the Enlight­en­ment project and mod­ern individualism/liberalism.

Strauss was unques­tion­ably an influ­en­tial fig­ure even if he still divides us, and now, cour­tesy of U. Chica­go, you can lis­ten to 15 of his phi­los­o­phy sem­i­nars online. They were record­ed between 1959 and 1973, and some rep­re­sen­ta­tive titles include Montesquieu’s The Spir­it of the Laws (a course that Paul Wol­fowitz took dur­ing the ear­ly 70s), Niet­zsche’s Beyond Good and Evil, Hobbes’ Leviathan, and Hegel’s The Phi­los­o­phy of His­to­ry.

More sem­i­nars will be com­ing online. For now, we have cat­a­logued all 15 exist­ing sem­i­nars in the Phi­los­o­phy sec­tion of our big col­lec­tion of 1100 Free Online Cours­es.

Relat­ed Con­tent:

Wal­ter Kaufmann’s Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

Phi­los­o­phy with John Sear­le: Three Free Cours­es

Exis­ten­tial­ism with Hubert Drey­fus: Four Free Phi­los­o­phy Cours­es

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