Lou Reed — Velvet Underground Frontman, Influential Solo Musician — Dead at 71

Rolling Stone is report­ing that Lou Reed, whose music career began with The Vel­vet Under­ground in the 1960s, before becom­ing an influ­en­tial solo artist in the 70s, has died. He was 71 and had under­gone a liv­er trans­plant back in May. Whether that’s relat­ed to the cause of death remains unknown. We will fol­low up with a length­i­er reflec­tion on the life and times of Lou Reed. But, for now, we want to make you aware of this sad news and present some of our favorites clips of Reed and the VU. We start you off, above, with Reed singing a live funk ver­sion of “Sweet Jane,” a song first released on VU’s 1970 album, Loaded. It was per­formed in Paris in ’74, with Prakash John play­ing bass and Steve Hunter on gui­tar. To delve deep­er into Reed’s career, we sug­gest you watch the 1998 doc­u­men­tary, Rock and Roll Heart. It’s from PBS’s Amer­i­can Mas­ters series and runs 75 min­utes.

More Lou:

Hear New­ly-Released Mate­r­i­al from the Lost Acetate Ver­sion of The Vel­vet Under­ground & Nico (1966)

Warhol’s Screen Tests: Lou Reed, Den­nis Hop­per, Nico, and More

Hear 38 Ver­sions of “Sep­tem­ber Song,” from James Brown, Lou Reed, Sarah Vaugh­an and Oth­ers

Sell­ing Cool: Lou Reed’s Clas­sic Hon­da Scoot­er Com­mer­cial, 1984

Philip Glass & Lou Reed at Occu­py Lin­coln Cen­ter: An Art­ful View

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Enjoy a Philosophy Brain Teaser; Play the Free Mind Boggler App from the University of Liverpool

mind boggler

Can you beat the Mind Bog­gler, the world’s “most fiendish philo­soph­i­cal brain-teas­er” brought to you by Phi­los­o­phy in the City, a project cre­at­ed out of the Depart­ment of Phi­los­o­phy at the Uni­ver­si­ty of Liv­er­pool? Want­i­ng to bring phi­los­o­phy into “the real world,” Phi­los­o­phy in the City cre­at­ed a free app that presents a new puz­zle each week, in the form of a “jum­bled-up philo­soph­i­cal quote.” All you have to do is cor­rect­ly re-order the puz­zle to unlock fur­ther read­ing, includ­ing infor­ma­tion about the philoso­pher in the spot­light that par­tic­u­lar week, plus exclu­sive com­men­tary and analy­sis pro­vid­ed by schol­ars from the Uni­ver­si­ty of Liv­er­pool. You can play the game in “easy mode” or “hard mode,” and also against the clock, just to add a bit of pres­sure. Right now, the app is only avail­able on the Apple plat­form. Hope­ful­ly Android is around the cor­ner.

Enjoy the app, and if you find your­self want­i­ng to go deep­er, then check out the almost 100 phi­los­o­phy cours­es in our col­lec­tion of 750 Free Online Cours­es.

Relat­ed Con­tent:

Take First-Class Phi­los­o­phy Lec­tures Any­where with Free Oxford Pod­casts

Intro­duc­ing Wire­less Phi­los­o­phy: An Open Access Phi­los­o­phy Project Cre­at­ed by Yale and MIT

Down­load 90 Free Phi­los­o­phy Cours­es and Start Liv­ing the Exam­ined Life

Lis­ten to the Pod­cast: The His­to­ry of Phi­los­o­phy … With­out Any Gaps

The His­to­ry of Phi­los­o­phy, from 600 B.C.E. to 1935, Visu­al­ized in Two Mas­sive, 44-Foot High Dia­grams

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An Awkward/NSFW Interview with Nirvana Producer Steve Albini (Plus B‑52 Frontman Fred Schneider)

Record engi­neer Steve Albi­ni got a fair amount of press last month when the music world cel­e­brat­ed the 20th anniver­sary of Nir­vana’s In Utero, an album Albi­ni helped ush­er into the world in 1993. It would be Nir­vana’s last stu­dio record­ing.

In a recent post on Open Cul­ture, Josh Jones described Albi­ni as fol­lows:

Jour­ney­man record pro­duc­er Steve Albi­ni … is per­haps the cranki­est man in rock. This is not an effect of age. He’s always been that way, since the emer­gence of his scary, no-frills post-punk band Big Black and lat­er projects Rape­man and Shel­lac. In his cur­rent role as elder states­man of indie rock and more, Chicago’s Albi­ni has devel­oped a rep­u­ta­tion as kind of a hardass. He’s also a con­sum­mate pro­fes­sion­al who musi­cians want to know and work with.

In the video above cre­at­ed by leg­endary com­ic out­fit Sec­ond City, Albi­ni sits down (lit­er­al­ly) to talk with a stand­ing, awk­ward Tuck­er Wood­ley. It’s amus­ing, cer­tain­ly uncom­fort­able, and occa­sion­al­ly Not Safe for Work. We also have Wood­ley’s inter­view with Fred Schnei­der, of the B‑52s,  below.

Thanks to our read­er Nate D. for send­ing this along.

Fol­low us on Face­bookTwit­ter and Google Plus and make us part of your dai­ly social media diet.

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Watch 8 New Video Essays on Wes Anderson’s Films: Rushmore, The Royal Tenenbaums & More

We Wes Ander­son-watch­ers have only just begun eager­ly antic­i­pat­ing the The Grand Budapest Hotel, the direc­tor’s next live-action film star­ing Ralph Fiennes, F. Mur­ray Abra­ham, and new­com­er Tony Revolori (and fea­tur­ing, need we even add, a cer­tain Bill Mur­ray). But see­ing as it won’t appear in the­aters until March of next year, we’ll for now have to busy our­selves with its trail­er and var­i­ous oth­er pieces of Ander­so­ni­ana. Among the most intrigu­ing new items in this group we have a book called The Wes Ander­son Col­lec­tion, an in-depth exam­i­na­tion of Ander­son­’s fil­mog­ra­phy built around a book-length con­ver­sa­tion (think Hitchcock/Truffaut, albeit pos­sessed of a dif­fer­ent sen­si­b­li­ty, to put it mild­ly) with crit­ic Matt Zoller Seitz. The videos here from his blog on RogerEbert.com adapt cer­tain sec­tions of the book on Ander­son­’s first five pic­tures: Bot­tle Rock­et, Rush­moreThe Roy­al Tenen­baumsThe Life Aquat­ic with Steve Zis­sou, and The Dar­jeel­ing Lim­it­ed. 

The Wes Ander­son Col­lec­tion is a book that was about twen­ty years in the mak­ing,” says Zoller Seitz in the book’s trail­er. “When Wes and Owen Wil­son got their short film Bot­tle Rock­et into the Sun­dance Film Fes­ti­val, I went to meet them at a burg­er joint in Dal­las. We were play­ing pool togeth­er. I’m pret­ty sure Wes won. About three years ago, our paths crossed again, and the result was this book. I love Wes’ style. I think if he were a writer, he’d be some­body like a Hem­ing­way, who does­n’t use a lot of adjec­tives. He takes var­i­ous influ­ences and turns them into some­thing that’s unique­ly his. There’s a charm, and a famil­iar­i­ty, and an easy­go­ing qual­i­ty to all his movies. His movies reward rewatch­ing.”

Some com­plain that Ander­son “just makes the same movie over and over again,” but giv­en what the film­mak­er has demon­strat­ed of his com­mand of cin­e­ma at this point in his career, you almost might as well also accuse Ozu of just mak­ing the same movie over and over again. “I think the detail-obsessed fetishists are real­ly going to dig this book,” Zoller Seitz adds. If Ander­son hap­pens to count any of those among his fans, this book may well have a chance.

… Hold the phones. The final install­ments are now out, and we’ve added them to the post.

The Dar­jeel­ing Lim­it­ed

Fan­tas­tic Mr. Fox

Moon­rise King­dom

Grand Budapest Hotel

Relat­ed Con­tent:

Wes Ander­son from Above. Quentin Taran­ti­no From Below

Bill Mur­ray Intro­duces Wes Anderson’s Moon­rise King­dom (And Plays FDR)

Wes Anderson’s First Short Film: The Black-and-White, Jazz-Scored Bot­tle Rock­et (1992)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Learn to Sing the Harmonies of Famous Beatles Songs with Master Harmonist Galeazzo Frudua

A recent Metafil­ter post intro­duces us to Galeaz­zo Frud­ua, a musi­cian from Bologna, Italy who, “pos­sess­es an uncan­ni­ly good ear for har­mo­ny, and has pro­duced a series of videos that painstak­ing­ly and expert­ly ana­lyze and demon­strate for you the vocal har­monies employed in var­i­ous Bea­t­les songs.” These detailed tuto­ri­als, writes the Metafil­ter poster, are made all the more watch­able by Frud­u­a’s “per­cep­tive com­men­tary, capa­ble singing voice, unas­sum­ing man­ner, impres­sive video edit­ing skills and, hey, his charm­ing Ital­ian accent.”

In his first tuto­r­i­al, for “Nowhere Man” (above), Frud­ua begins by intro­duc­ing “Lennon voice”: “Lennon voice is very sim­ple, and it goes like this.” And, hand­i­ly, flaw­less­ly, it does. Frud­ua, who seems to be record­ing in the back of a restau­rant, match­es the tone of Lennon, McCart­ney, and Harrison’s har­monies sep­a­rate­ly and togeth­er impres­sive­ly. He par­tic­u­lar­ly favors Rub­ber Soul. Hear his “In My Life” below. He calls it “one of the best per­for­mances ever of John Lennon in the Bea­t­les” as well as “a fan­tas­tic cam­pus on learn­ing how to sing.”

Anec­do­tal­ly, hav­ing worked with choir singers, opera singers, and a capel­la singers, I can say that Frudua’s abil­i­ty is not par­tic­u­lar­ly rare but is the effect of con­stant prac­tice. One Metafil­ter poster puts it well: “It’s not hard if you have a bit of an ear, and some expe­ri­ence.… Har­monies are a kind of lan­guage. Spend some time learn­ing the gram­mar and a few phras­es and it can open up quick­ly.” Frudua’s not only a mas­ter of vocal har­mo­ny, he’s also an expert luthi­er and builds cus­tom gui­tars for dozens of Ital­ian artists. In his break­down below of “You Nev­er Give Me Your Mon­ey,” the intro to the Abbey Road med­ley, Frud­ua takes on a par­tic­u­lar­ly dif­fi­cult har­mo­ny, as he explains in great detail in his care­ful intro­duc­tion to the song’s har­mon­ic gram­mar. He tells us we can use this tuto­r­i­al “as a guide for your Bea­t­les’ trib­ute band or repro­duce them in your home record­ing.” You may do those things if you wish. Or you could watch Frud­ua do them bet­ter. See his full series here.

Relat­ed Con­tent:

Hear the Iso­lat­ed Vocal Tracks for The Bea­t­les’ Cli­mac­tic 16-Minute Med­ley on Abbey Road

John Lennon’s Raw, Soul-Bar­ing Vocals From the Bea­t­les’ ‘Don’t Let Me Down’ (1969)

Decon­struct­ing The Mas­ter Track of The Bea­t­les’ “Sgt. Pepper’s Lone­ly Hearts Club Band”

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Download Vintage Film Posters in High-Res: From The Philadelphia Story to Attack of the Crab Monsters

philadelphiastory

FreeVintagePosters.com offers “hun­dreds of high qual­i­ty print­able posters in adver­tis­ing, trav­el, food/drink, art, movies, west­erns, mil­i­tary, mag­ic and much more.” You may have an inter­est in all those facets of human expe­ri­ence, but we imag­ine you’ll find espe­cial­ly appeal­ing the site’s selec­tion of high-res­o­lu­tion film posters, suit­able for print­ing at home or else­where and hang­ing on walls in need of cinephilic flair.

You might, for exam­ple, choose to put up the orig­i­nal poster for George Cuko­r’s The Philadel­phia Sto­ry, which promis­es you a “Howl with Your Favorite Hol­ly­wood Stars” — Cary Grant, Katharine Hep­burn, and James Stew­art, in this case. Or if you pre­fer west­erns to come­dies, per­haps you’d like to print out one of the three avail­able posters of 1971’s John Wayne-star­ring Big Jake, my favorite of which pitch­es the movie with a sim­ple if odd equa­tion: “Big John = Big Jake = Big West­ern.” (Note: you can watch 21 John Wayne west­erns here.)

bigjake

Though the site’s col­lec­tion slants toward clas­sic Amer­i­can films, it also has sheets used to adver­tise them abroad. Below you see the pho­to­col­lage-like Japan­ese poster for Bil­ly Wilder’s Some Like It Hot. And the lover of camp will find much to enjoy as well. Might I sug­gest Attack of the Crab Mon­sters? What­ev­er your taste, if you decide to head out to the print shop and com­mis­sion a paper ver­sion of any of these image files in a larg­er size than you can print at home, do con­sult StandardPosterSize.net, which, true to its name, pro­vides all man­ner of infor­ma­tion on the var­i­ous siz­ings of U.S. stan­dard posters, met­ric stan­dard posters, U.S. movie posters, and U.K. movie posters. If that sounds like a lit­tle too much has­sle, you could always just down­load your favorite poster and set it as your desk­top back­ground. Before you sign off, make sure you check out our col­lec­tion 575 Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, etc. It’s some­thing no cin­e­ma lover should miss.

some-like-it-hot-vintage-movie-poster-japanese-www.freevintageposters.com

via Men­tal Floss

Relat­ed Con­tent:

50 Film Posters From Poland: From The Empire Strikes Back to Raiders of the Lost Ark

Japan­ese Movie Posters of 10 David Lynch Films

100 Great­est Posters of Film Noir

64 Years of Posters for the Cannes Film Fes­ti­val

John Wayne: 21 Free West­ern Films Online

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Mashup Artist “Kutiman” Travels to Tokyo and Creates an Incredible Musical Postcard

Israeli musi­cian and video artist Ophir Kutiel, aka Kuti­man, gained notice culling and remix­ing unre­lat­ed per­form­ers’ Youtube videos for his extreme­ly col­lab­o­ra­tive-feel­ing Thru You project.

With 2011’s Thru Jerusalem, the urge to con­nect fel­low musi­cians went live, as he left his com­put­er to film local instru­men­tal­ists per­form­ing tunes of their choice in var­i­ous city set­tings. Back in Tel Aviv, he edit­ed the results into one of his sig­na­ture mashups, not to men­tion a vir­tu­oso musi­cal trav­el­ogue.

Now he’s trav­eled even fur­ther afield to Tokyo, cap­tur­ing forms both tra­di­tion­al and ultra-mod­ern, for the first in a new series of orig­i­nal shorts from PBS Dig­i­tal Stu­dios.

Mayuko Kobayashi plucks serene­ly at the strings of a koto. Turntab­list KEIZOma­chine!, half of the break­beat duo Hifana, scratch­es in his stu­dio. The diminu­tive Ishii Chizu­ru pounds a taiko drum. Inven­tor May­wa Den­ki (aka Novu­michi Tosa) demon­strates his adorable Ota­ma-Tone. (Cur­rent­ly marked down in the Muse­um of Mod­ern Art’s gift shop, for those look­ing ahead to their hol­i­day shop­ping lists.)

The desire to inte­grate the ancient and the new is best embod­ied by kimono-clad Mako­to Takei, who clos­es his eyes on a high-rise bal­cony as he plays a shakuhachi flute, the ver­ti­cal city serv­ing as back­drop.

Add a pink haired Hara­juku girl, a string of red lanterns, innu­mer­able cell phones, some pixel­lat­ed video game char­ac­ters, an aged tem­ple or two, and sev­er­al teem­ing inter­sec­tions, then blend at top speed!

The prod­uct may be a bit ear­split­ting at times, but that in itself is fit­ting giv­en the loca­tion. Thru Tokyo is a mar­velous audio-visu­al post­card from 21st-cen­tu­ry Edo, Japan.

Relat­ed Kuti­man Videos:

Kuti­man Mash­es Led Zep’s Black Dog: 80 Clips Stitched into One

The Moth­er of All Funk Chords

The Sounds of Jerusalem

Ayun Hal­l­i­day feels the trav­el bug bit­ing yet again. Fol­low her @AyunHalliday

David Sedaris Sings the Oscar Mayer Theme Song in the Voice of Billie Holiday

I’m going to make your Fri­day, right here, right now. Above, we have a clip of David Sedaris doing a dead-on Bil­lie Hol­i­day impres­sion while singing the famous Oscar May­er theme song. The clip is an out­take from a 1998 episode of This Amer­i­can Life where Sedaris talks about his child­hood fan­ta­sy of singing com­mer­cial jin­gles in Hol­i­day’s voice. You can catch the jin­gles around the 9:00 mark (lis­ten here) … and again at the 17:45 mark. But I’d real­ly encour­age you to lis­ten to the full tale from the very start (6:00). Day made?

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Duke Ellington’s Sym­pho­ny in Black, Star­ring a 19-Year-old Bil­lie Hol­i­day

Bil­lie Hol­i­day Sings ‘Strange Fruit’

Bil­lie Holiday–The Life and Artistry of Lady Day: The Com­plete Film

David Sedaris Reads You a Sto­ry By Miran­da July

Find Sto­ries Read by David Sedaris on our list of 800 Free Audio­Books

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Every Word of Joyce’s Ulysses Printed on a Single Poster

Once upon a time Blot­to Design, a design firm based in Berlin, won­dered: what would hap­pen if you print­ed an entire book on a sin­gle poster? Could you still read it? How would it look when framed and hung on a wall?

And so they devel­oped a pro­to­type, liked what they saw, and have since turned 20 large books into posters — books like Home­r’s Ili­ad, Jane Austen’s Pride and Prej­u­dice, Melville’s Moby Dick, and Joyce’s Ulyssesall 265,222 words of it. Posters cost 20 euros a piece. Browse through the shop here. And get more back­sto­ry from Wired here.

Relat­ed Con­tent:

See What Hap­pens When You Run Finnegans Wake Through a Spell Check­er

Hen­ri Matisse Illus­trates 1935 Edi­tion of James Joyce’s Ulysses

Vin­tage Lit­er­ary T‑Shirts

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Noam Chomsky Schools 9/11 Truther; Explains the Science of Making Credible Claims

We don’t often write up videos post­ed by 9–11 Truthers, but you can watch an inter­est­ing exchange when this par­tic­u­lar Truther con­fronts well-known lin­guist and polit­i­cal observ­er Noam Chom­sky dur­ing the ques­tion ses­sion after the lat­ter’s talk at the Uni­ver­si­ty of Flori­da. “You’ve men­tioned quite a few con­tra­dic­tions from the media and their pre­sen­ta­tions on things, and I think the most noto­ri­ous case of this is with Sep­tem­ber 11, 2001,” says the Truther after tak­ing the micro­phone. “You want­ed to see a con­sen­sus of engi­neers and spe­cial­ists that under­stand the actu­al struc­tures of these build­ings and their pos­si­ble col­lapse, and there is such a group. It’s called Archi­tects and Engi­neers for 9–11 Truth.” As the Truther gets into the “con­sen­sus of over 2000 of them,” the mod­er­a­tor inter­rupts, won­der­ing if he actu­al­ly has a ques­tion. (Sure­ly we’ve all endured these moments in ques­tion seg­ment.) But the Truther con­tin­ues: “This con­sen­sus shows that Build­ing 7, the third build­ing that fell on 9/11, fell in freefall speed as the [Nation­al Insti­tute of Stan­dard and Tech­nol­o­gy] report acknowl­edges. Are you ready to come for­ward and jump on board with 9/11?” Thus asked to com­ment on whether the media has cov­ered up the man­ner in which this par­tic­u­lar build­ing col­lapsed, Chom­sky replies with a defense of stan­dard sci­en­tif­ic pro­ce­dures.

“In fact, you’re right that there’s a con­sen­sus among a minis­cule num­ber of archi­tects and engi­neers. They are not doing what sci­en­tists and engi­neers do when they think they’ve dis­cov­ered some­thing. What you do is write arti­cles in sci­en­tif­ic jour­nals, give talks at the pro­fes­sion­al soci­eties, go to the civ­il engi­neer­ing depart­ment at MIT or Flori­da or wher­ev­er you are, and present your results, then pro­ceed to try to con­vince the nation­al acad­e­mies, the pro­fes­sion­al soci­ety of physi­cists and civ­il engi­neers, the depart­ments of the major uni­ver­si­ties, that you’ve dis­cov­ered some­thing. There hap­pen to be a lot of peo­ple around who spend an hour on the inter­net and think they know a lot physics, but it does­n’t work like that. There’s a rea­son there are grad­u­ate schools in these depart­ments.” But has­n’t the gov­ern­ment intim­i­dat­ed those who know the real sto­ry from speak­ing out against the offi­cial line? “Any­body who has any famil­iar­i­ty with polit­i­cal activism knows that this is one of the safest things you can do. It’s almost risk­less. Peo­ple take risks far beyond this con­stant­ly — includ­ing sci­en­tists and engi­neers.” Chom­sky has more to say about the facts we can use, the opin­ions he dis­avows, and the forces dri­ving the Iraq War in the remain­der of the sev­en-minute clip. “We will let you be the judge of his response,” say the video’s notes. Indeed.

via Crit­i­cal The­o­ry

Relat­ed Con­tent:

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Clash of the Titans: Noam Chom­sky and Michel Fou­cault Debate Human Nature and Pow­er on Dutch TV, 1971

Noam Chom­sky vs. William F. Buck­ley, 1969

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Men In Commercials Being Jerks About Coffee: A Mashup of 1950s & 1960s TV Ads

Found­ed by Rick Prelinger in 1983, The Prelinger Archives have amassed thou­sands of “ephemer­al” films — adver­tis­ing, edu­ca­tion­al, indus­tri­al, and ama­teur films of “his­toric sig­nif­i­cance” that haven’t been col­lect­ed else­where. We’ve fea­tured some gems from the Archive in months past. Remem­ber How to Spot a Com­mu­nist (1955) or Have I Told You Late­ly I Love You (1958)?

Among oth­er things, the archive fea­tures some 2,000 pub­lic domain films, which peo­ple are free to remix and mashup how­ev­er they like. Some time ago, Shaun Clay­ton got into the spir­it, took a series of 1950’s and 60’s-era cof­fee com­mer­cials from the Archives (like the one below), and “edit­ed them down to just the moments when the guys were the biggest jerks to their wives about cof­fee.” The point of the exer­cise, I’d like to think, was­n’t just to show men being jerks for the sake of it, but to throw into stark relief the dis­turb­ing atti­tudes cours­ing through Amer­i­can adver­tis­ing and cul­ture dur­ing that era. And noth­ing accom­plish­es that bet­ter than mash­ing up the scenes, plac­ing them side by side, show­ing them one after anoth­er. It gives a clear his­tor­i­cal real­i­ty to views we’ve seen treat­ed artis­ti­cal­ly in shows like Mad Men.

Just for the record, I make my own cof­fee.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

This is Cof­fee!: A 1961 Trib­ute to Our Favorite Stim­u­lant (from the Prelinger Archive)

“The Vertue of the COFFEE Drink”: An Ad for London’s First Cafe Print­ed Cir­ca 1652

Black Cof­fee: Doc­u­men­tary Cov­ers the His­to­ry, Pol­i­tics & Eco­nom­ics of the “Most Wide­ly Tak­en Legal Drug”

The His­to­ry of Cof­fee and How It Trans­formed Our World

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