Hunter S. Thompson’s Decadent Daily Breakfast: The “Psychic Anchor” of His Frenetic Creative Life

Image  via Wiki­me­dia Com­mons

Is break­fast real­ly the most impor­tant meal of the day?

It cer­tain­ly seems so from all the care­ful­ly staged pho­tos of overnight oat­meal on Insta­gram.

The phys­i­cal and men­tal ben­e­fits are well doc­u­ment­ed. A nutri­tious meal in the morn­ing boosts blood glu­cose lev­els, improv­ing con­cen­tra­tion, boost­ing ener­gy lev­els and main­tain­ing healthy weight.

Sad­ly, many Amer­i­cans gob­ble their break­fasts on the fly. How many hun­dreds of film and tele­vi­sion scenes have you seen where­in the main char­ac­ters hur­tle through the kitchen snatch­ing bananas, gra­nola bars, and trav­el mugs on their way to the door?

The late gonzo jour­nal­ist Hunter S. Thomp­son would sure­ly not have approved, though he may have enjoyed the sense of supe­ri­or­i­ty these morn­ing scram­bles would have engen­dered.

This was a man who bragged that he could “cov­er a hope­less­ly scram­bled pres­i­den­tial cam­paign bet­ter than any six-man team of career polit­i­cal jour­nal­ists on The New York Times or The Wash­ing­ton Post and still eat a three-hour break­fast in the sun every morn­ing.”

Report­ing for Rolling Stone in “Fear and Loathing on the Cam­paign Trail 76,” he inti­mat­ed that he viewed break­fast with the “tra­di­tion­al­ized rev­er­ence that most peo­ple asso­ciate with Lunch and Din­ner.”

One won­ders who exact­ly he meant by “most peo­ple”?

Tex­ans? The Irish? Rabelais?

Regard­less of whether he had been to bed, or what he had got­ten up to the night before, he insist­ed upon a mas­sive repast—consumed al fres­co, and prefer­ably in the nude. The sun he enjoyed bask­ing in was usu­al­ly at its zenith by the time he sat down. The meal, which he called the “psy­chic anchor” of “a ter­mi­nal­ly jan­gled lifestyle, con­sist­ed of the fol­low­ing:

Four bloody Marys

Two grape­fruits

A pot of cof­fee

Ran­goon crêpes

A half-pound of either sausage, bacon, or corned beef-hash with diced chilies

A Span­ish omelette or eggs Bene­dict

A quart of milk

A chopped lemon for ran­dom sea­son­ing

Some­thing like a slice of Key lime pie

Two mar­gar­i­tas

And six lines of the best cocaine for dessert

Last sum­mer, a Dan­ish Vice reporter recre­at­ed Thompson’s break­fast of choice, invit­ing a poet friend (and “aspir­ing alco­holic”) to par­take along with him. It end­ed with him vom­it­ing, naked, into a shrub. His guest, who seems to be made of stur­dier stuff, praised the eggs bene­dict, the Bloody Marys, and dessert.

Thomp­son pre­ferred that his first meal of the day be con­sumed solo, in order to get a jump on the day’s work. In addi­tion to the edi­ble menu items, he required:

Two or three news­pa­pers

All mail and mes­sages

A tele­phone

A note­book for plan­ning the next twen­ty four hours

And at least one source of good music

Read “Fear and Loathing on the Cam­paign Trail 1976” here. The key break­fast quote reads as fol­lows:

I like to eat break­fast alone, and almost nev­er before noon; any­body with a ter­mi­nal­ly jan­gled lifestyle needs at least one psy­chic anchor every twen­ty four hours, and mine is break­fast. In Hong Kong, Dal­las, or at home—and regard­less of whether or not I have been to bed—breakfast is a per­son­al rit­u­al that can only be prop­er­ly observed alone, and in a spir­it of gen­uine excess. The food fac­tor should always be mas­sive: Four bloody Marys, two grape­fruits, a pot of cof­fee, Ran­goon crêpes, a half-pound of either sausage, bacon, or corned beef-hash with diced chilies, a Span­ish omelette or eggs Bene­dict, a quart of milk, a chopped lemon for ran­dom sea­son­ing, and some­thing like a slice of Key lime pie, two mar­gar­i­tas, and six lines of the best cocaine for dessert… Right, and there should also be two or three news­pa­pers, all mail and mes­sages, a tele­phone, a note­book for plan­ning the next twen­ty four hours, and at least one source of good music… All of which should be dealt with out­side, in the warmth of the hot sun, and prefer­ably stone naked.

And just in case, here is a recipe for Crab Ran­goon Crepes…

Relat­ed Con­tent:

How Hunter S. Thomp­son Gave Birth to Gonzo Jour­nal­ism: Short Film Revis­its Thompson’s Sem­i­nal 1970 Piece on the Ken­tucky Der­by

Hear the 10 Best Albums of the 1960s as Select­ed by Hunter S. Thomp­son

Read 11 Free Arti­cles by Hunter S. Thomp­son That Span His Gonzo Jour­nal­ist Career (1965–2005)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

A Demonstration of Perfect Samurai Swordsmanship

The age of the samu­rai has long since end­ed, but does its spir­it live on? You might well feel that, despite every­thing, the flame of the samu­rai still burns in Japan today after watch­ing the swords­man­ship skills on dis­play in the clip above. Or per­haps we should call it swordswom­an­ship: the mod­ern-day war­rior exe­cut­ing those per­fect cuts is the daugh­ter of grand­mas­ter Fumon Tana­ka, and her bear­ing and self-pos­ses­sion bring to mind the onna bugeisha of old Japan. And as we see, gen­der mat­ters not at all in the stark real­i­ty of blade on bone — or in this case, blade on a sim­i­lar­ly dense stalk of bam­boo.

Tana­ka, show­ing an imper­fect­ly cut piece of bam­boo, explains that its curved edge means “your left and right hands are not bal­anced. If a samu­rai decap­i­tates a man with this bad tech­nique, it would cause great pain. It has to be one pre­cise cut. That is the way of the samu­rai.”

His daugh­ter then demon­strates just how hand­i­ly she can attend to any of your decap­i­ta­tion needs, halv­ing the bam­boo with what her father deems “a per­fect straight cut.” Though it only takes a sin­gle stroke, that sin­gle stroke comes as the cul­mi­na­tion of years and years of work toward mas­tery — and work that, in this mod­ern onna bugeisha’s case, no doubt began ear­ly indeed.

The Smith­son­ian Chan­nel pro­duced this video as part of their series Samu­rai Head­hunters, more of whose mate­r­i­al on “how these elite knights actu­al­ly lived, loved, fought, and died” you can watch on Youtube. If you’d like a more in-depth sense of how their sword tech­niques work, have a look at Masayu­ki Shimabukuro’s video series on samu­rai swords­man­ship, which begins with an episode on the basics and con­tin­ues on to sub­jects like pos­tures, two-hand cuts (as seen exe­cut­ed on those bam­boo stalks), and flick­ing the blood — that last per­haps more use­ful in feu­dal Japan than 21st-cen­tu­ry Tokyo, or for that man­ner every­where else, but a good samu­rai has always known how to hon­or the past.

Relat­ed Con­tent:

Japan­ese Crafts­man Spends His Life Try­ing to Recre­ate a Thou­sand-Year-Old Sword

Female Samu­rai War­riors Immor­tal­ized in 19th Cen­tu­ry Japan­ese Pho­tos

A Hyp­not­ic Look at How Japan­ese Samu­rai Swords Are Made

Hand-Col­ored 1860s Pho­tographs Reveal the Last Days of Samu­rai Japan

Meet Yasuke, Japan’s First Black Samu­rai War­rior

Leg­endary Japan­ese Author Yukio Mishi­ma Mus­es About the Samu­rai Code (Which Inspired His Hap­less 1970 Coup Attempt)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

175+ College Admissions Offices Promise Not to Penalize High School Students Who Get Suspended for Protesting Peacefully Against Gun Violence

Image by Lorie Shaull, via Flickr Com­mons

“Will my admis­sion get rescind­ed if I get sus­pend­ed for engag­ing in a school walk-out meant to bring atten­tion to the school shoot­ing issue?” That’s a ques­tion many high school stu­dents have posed to col­lege admis­sions offices around the coun­try, espe­cial­ly after some high school offi­cials threat­ened to sus­pend stu­dents tak­ing part in anti-gun demon­stra­tions.

Many lead­ing uni­ver­si­ties have since issued pol­i­cy state­ments and giv­en these stu­dents their bless­ing and sup­port. In a post called “In Sup­port of Stu­dent Protests,” Han­nah Mend­lowitz, from Yale’s Admis­sions Office, writes:

[W]e con­tin­ue to get the ques­tion: will Yale look unfa­vor­ably upon dis­ci­pline result­ing from peace­ful demon­stra­tions?

The answer is sim­ple: Of course not.

To the stu­dents who have reached out to us with these con­cerns, we have made clear that they should feel free to par­tic­i­pate in walk-out events to bring atten­tion to this issue with­out fear of reper­cus­sion. Yale will NOT be rescind­ing anyone’s admis­sion deci­sion for par­tic­i­pat­ing in peace­ful walk­outs for this or oth­er caus­es, regard­less of any high school’s dis­ci­pli­nary pol­i­cy. I, for one, will be cheer­ing these stu­dents on from New Haven.

And on the offi­cial Twit­ter feed for the Brown Uni­ver­si­ty, a tweet reads:

Appli­cants to Brown: Expect a social­ly con­scious, intel­lec­tu­al­ly inde­pen­dent cam­pus where free­dom of expres­sion is fun­da­men­tal­ly impor­tant. You can be assured that peace­ful, respon­si­ble protests against gun vio­lence will not neg­a­tive­ly impact deci­sions on admis­sion to Brown.

And that’s just the tip of the ice­berg. Below, find a list of 175+ uni­ver­si­ties that have grant­ed sim­i­lar assur­ances, along with links to their state­ments. The list comes from Alex Gar­cia, who is main­tain­ing a reg­u­lar­ly-updat­ed Google Doc. Access it online here.

Again, you can refer to this Google Doc for more updates.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Free: The Best Books for Learning Modern Statistics

A quick fyi: Dan Kopf, an eco­nom­ics reporter, has a tip that seemed worth pass­ing along. Over at Quartz, he writes:

As a for­mer data sci­en­tist, there is no ques­tion I get asked more than, “What is the best way to learn sta­tis­tics?” I always give the same answer: Read An Intro­duc­tion to Sta­tis­ti­cal Learn­ing. Then, if you fin­ish that and want more, read The Ele­ments of Sta­tis­ti­cal Learn­ing. These two books, writ­ten by sta­tis­tics pro­fes­sors at Stan­ford Uni­ver­si­ty, the Uni­ver­si­ty of Wash­ing­ton, and the Uni­ver­si­ty South­ern Cal­i­for­nia, are the most intu­itive and rel­e­vant books I’ve found on how to do sta­tis­tics with mod­ern tech­nol­o­gy… You can down­load them for free.

Find An Intro­duc­tion to Sta­tis­ti­cal Learn­ing in PDF for­mat here. And The Ele­ments of Sta­tis­ti­cal Learn­ing here. Physical/hard copies can be pur­chased respec­tive­ly here and here.

We’d also rec­om­mend sup­ple­ment­ing these resources (both now avail­able in our col­lec­tion of Free Math Text­books) with video-based class­es found on our list of Free Math Cours­es, a sub­set of our big col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Quartz

Relat­ed Con­tent:

Against All Odds: A Gen­tle Intro­duc­tion to Sta­tis­tics Host­ed by Har­vard Geneti­cist Par­dis Sabeti (Free Online Course)

Sta­tis­tics Explained Through Mod­ern Dance: A New Way of Teach­ing a Tough Sub­ject

Flo­rence Nightin­gale Saved Lives by Cre­at­ing Rev­o­lu­tion­ary Visu­al­iza­tions of Sta­tis­tics (1855)

Leo Tolstoy Makes a List of the 50+ Books That Influenced Him Most (1891)

War and PeaceAnna Karen­i­naThe Death of Ivan Ilyich —many of us have felt the influ­ence, to the good or the ill of our own read­ing and writ­ing, of Leo Tol­stoy. But whose influ­ence did Leo Tol­stoy feel the most? As luck would have it, we can give you chap­ter and verse on this, since the nov­el­ist drew up just such a list in 1891, which would have put him at age 63.

A Russ­ian pub­lish­er had asked 2,000 pro­fes­sors, schol­ars, artists, and men of let­ters, pub­lic fig­ures, and oth­er lumi­nar­ies to name the books impor­tant to them, and Tol­stoy respond­ed with this list divid­ed into five ages of man, with their actu­al degree of influ­ence (“enor­mous,” “v. great,” or mere­ly “great”) not­ed.

It comes as some­thing of a rar­i­ty, up to now only avail­able tran­scribed in a post at Northamp­ton, Mass­a­chu­setts’ Val­ley Advo­cate:

WORKS WHICH MADE AN IMPRESSION

Child­hood to the age of 14 or so

The sto­ry of Joseph from the Bible — Enor­mous

Tales from The Thou­sand and One Nights: the 40 Thieves, Prince Qam-al-Zaman — Great

The Lit­tle Black Hen by Pogorel­sky - V. great

Russ­ian byliny: Dobrynya Nikitich, Ilya Muromets, Alyosha Popovich. Folk Tales — Enor­mous

Puskin’s poems: Napoleon — Great

Age 14 to 20

Matthew’s Gospel: Ser­mon on the Mount — Enor­mous

Sterne’s Sen­ti­men­tal Jour­ney — V. great

Rousseau Con­fes­sions — Enor­mous

Emile — Enor­mous

Nou­velle Héloise — V. great

Pushkin’s Yevge­ny One­gin — V. great

Schiller’s Die Räu­ber — V. great

Gogol’s Over­coat, The Two Ivans, Nevsky Prospect — Great

“Viy” [a sto­ry by Gogol] — Enor­mous

Dead Souls — V. great

Turgenev’s A Sportsman’s Sketch­es — V. great

Druzhinin’s Polin­ka Sachs — V. great

Grigorovich’s The Hap­less Anton — V. great

Dick­ens’ David Cop­per­field — Enor­mous

Lermontov’s A Hero for our Time, Taman — V. great

Prescott’s Con­quest of Mex­i­co — Great

Age 20 to 35

Goethe. Her­mann and Dorothea — V. great

Vic­tor Hugo. Notre Dame de Paris — V. great

Tyutchev’s poems — Great

Koltsov’s poems — Great

The Odyssey and The Ili­ad (read in Russ­ian) — Great

Fet’s poems — Great

Plato’s Phae­do and Sym­po­sium (in Cousin’s trans­la­tion) — Great

Age 35 to 50

The Odyssey and The Ili­ad (in Greek) — V. great

The byliny — V. great

Vic­tor Hugo. Les Mis­érables — Enor­mous

Xenophon’s Anaba­sis — V. great

Mrs. [Hen­ry] Wood. Nov­els — Great

George Eliot. Nov­els — Great

Trol­lope, Nov­els — Great

Age 50 to 63

All the Gospels in Greek — Enor­mous

Book of Gen­e­sis (in Hebrew) — V. great

Hen­ry George. Progress and Pover­ty — V. great

[Theodore] Park­er. Dis­course on reli­gious sub­ject — Great

[Fred­er­ick William] Robertson’s ser­mons — Great

Feuer­bach (I for­get the title; work on Chris­tian­i­ty) [“The Essence of Chris­tian­i­ty”] — Great

Pascal’s Pen­sées — Enor­mous

Epicte­tus — Enor­mous

Con­fu­cius and Men­cius — V. great

On the Bud­dha. Well-known French­man (I for­get) [“Lali­ta Vis­tara”] — Enor­mous

Lao-Tzu. Julien [S. Julien, French trans­la­tor] — Enor­mous

The writer at the Val­ley Advo­cate, a Tol­stoy afi­ciona­do, came across the list by sheer hap­pen­stance. “On my way to work, I found some­thing just for me in a box of cast-off books on a side­walk,” they write: a biog­ra­phy of Tol­stoy with “some­thing cool­er inside”: a “yel­lowed and frag­ile New York Times Book Review clip­ping” from 1978 con­tain­ing the full list as Tol­stoy wrote it. “Gold,” in oth­er words, “for this wannabe Tol­stoy schol­ar.” If you, too count your­self among the ranks of wannabe Tol­stoy schol­ars — or indeed cre­den­tialed Tol­stoy schol­ars — you’ll no doubt find more than a few intrigu­ing selec­tions here. And if you sim­ply admire Tol­stoy, well, get to read­ing: learn not how to make the same things your idols made, I often say, but to think how they thought. Not that any of us have time to write War and Peace these days any­way, though with luck, we do still have time to read it — along with The Thou­sand and One NightsDavid Cop­per­fieldThe Odyssey, and so on. Many of these works you can find in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Note: An ear­li­er ver­sion of this post orig­i­nal­ly appeared on our site in July, 2014.

Relat­ed Con­tent:

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

Why Should We Read Tolstoy’s War and Peace (and Fin­ish It)? A TED-Ed Ani­ma­tion Makes the Case

Vin­tage Footage of Leo Tol­stoy: Video Cap­tures the Great Nov­el­ist Dur­ing His Final Days

The Com­plete Works of Leo Tol­stoy Online: New Archive Will Present 90 Vol­umes for Free (in Russ­ian)

Leo Tolstoy’s Fam­i­ly Recipe for Mac­a­roni and Cheese

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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When Archie Bunker’s Advice on Gun Control Becomes Mainstream GOP Policy (1972)

The more things change, the more the talk­ing points stay the same. Just swap teach­ers for air­plane pas­sen­gers, and watch a sil­ly sit­com punch­line morph into actu­al GOP pol­i­cy.

The Truth Behind Jane Austen’s Fight Club: Female Prize Fights Were a Thing During the 18th Century

The first rule of Fight Club is: you do not talk about Fight Club. 

The sec­ond rule of Fight Club is: you DO NOT talk about Fight Club! 

- Chuck Palah­niuk, Fight Club

Could it be a case of autho­r­i­al over­sight that all sub­se­quent rules are exclu­sive­ly con­cerned with such prac­ti­cal mat­ters as dress and fight dura­tion?

Giv­en the macho rep­u­ta­tion of both the book and the film adap­ta­tion, it seems like the third rule of Fight Club should be: you DO NOT talk about the fact that a fair num­ber of Edwar­dian ladies were badass bare knuck­le fight­ers.

Because doing so might dimin­ish Fight Club’s street cred just a bit­sy…

Film­mak­er (and pop­u­lar audio­book nar­ra­tor) Emi­ly Jan­ice Card has a good deal of fun in Jane Austen’s Fight Club, above, mar­ry­ing Palahniuk’s tropes to the social mores of England’s Regency peri­od.

“No corsets, no hat pins and no cry­ing,” Tyler Dur­den stand-in Lizzie instructs the eager young ladies in her cir­cle. Soon, they’re proud­ly sport­ing bruis­es beneath their bon­nets and stray blood spots on their tea dress­es.

While young women of the fic­tion­al Ben­net sis­ters’ social class refrained from bru­tal fisticuffs, there’s ample evi­dence of female com­bat­ants from the pro­le­tar­i­an ranks. They fought for mon­ey, and occa­sion­al­ly to set­tle a dis­agree­ment, train­ing hard for weeks in advance.

Their bouts drew spec­ta­tors to the amphithe­ater owned by box­ing pro­mot­er James Figg, and the mar­velous­ly named Hock­ley in the Hole, a seedy estab­lish­ment whose oth­er attrac­tions includ­ed bear­bait­ing, bull­bait­ing, and fight­ing with broadswords and cud­gels.

The female fist fight­ers chal­lenged each oth­er with paid notices in local papers, like this one from “cham­pi­oness and ass-dri­ver” Ann Field of Stoke New­ing­ton:

Where­as I, Ann Field, of Stoke New­ing­ton, ass-dri­ver, well known for my abil­i­ties, in box­ing in my own defense wher­ev­er it hap­pened in my way, hav­ing been affront­ed by Mrs. Stokes, styled the Euro­pean Cham­pi­oness, do fair­ly invite her to a tri­al of her best skill in Box­ing for 10 pounds, fair rise and fall; and ques­tion not but to give her such proofs of my judg­ment that shall oblige her to acknowl­edge me Cham­pi­oness of the Stage, to the sat­is­fac­tion of all my friends.

Mrs. Stokes prompt­ly announced her readi­ness to come out of retire­ment:

I, Eliz­a­beth Stokes, of the City of Lon­don, have not  fought in this way since I fought the famous box­ing- woman of Billings­gate 29 min­utes, and gained a com­plete vic­to­ry (which is six years ago); but as the famous Stoke New­ing­ton ass-woman dares me to fight her for the 10 pounds, I do assure her I will not fail meet­ing her for the said sum, and doubt not that the blows which I shall present her with will be more dif­fi­cult for her to digest than any she ever gave her ass­es.

Rather than keep­ing mum on Fight Club, these female pugilists shared Muham­mad Ali’s flare for drum­ming up inter­est with irre­sistibly cocky word­play.

Ref­er­ences to adver­saries fight­ing in “close jack­et, short pet­ti­coats, and hol­land draw­ers … with white stock­ings and pumps” sug­gest that the adver­saries played to the spec­ta­tors’ pruri­ence, though not always. Unlike the 20th-cen­tu­ry stunt of biki­ni clad jel­lo wrestling, sex appeal was not oblig­a­tory.

In a chap­ter devot­ed to pub­lic enter­tain­ments, sports and amuse­ments, Alexan­der Andrews, author of The Eigh­teenth Cen­tu­ry or Illus­tra­tions of the Man­ners and Cus­toms of Our Grand­fa­thers, doc­u­ments how the Mer­ry Wives of Wind­sor, a crew com­prised of “six old women belong­ing to Wind­sor town” took out an ad seek­ing “any six old women in the uni­verse to outscold them.”

On June 22nd, 1768, a woman called Bruis­ing Peg “beat her antag­o­nist in a ter­ri­ble man­ner” to win a new chemise, val­ued at half a guinea.

In 1722, Han­nah Hyfield of New­gate Mar­ket, resolved to give her chal­lenger, Eliz­a­beth Wilkin­son, “more blows than words,” promis­ing to deliv­er “a good thump­ing.” Both par­ties agreed to hold a half-crown in their fists for the dura­tion of the fight. William B. Boul­ton, author of 1901’s Amuse­ments of Old Lon­don, spec­u­lates that this was a prac­ti­cal mea­sure to min­i­mize scratch­ing and hair-pulling.

Time trav­el to an 18th-cen­tu­ry female bare knuck­les fight via Female Sin­gle Com­bat Club’s exhaus­tive cov­er­ageSarah Murden’s excel­lent analy­sis of John Collet’s paint­ing, The Female Bruis­ers, above, or Jere­my Freeston’s short doc­u­men­tary avail­able on YouTube.

Relat­ed Con­tent:

Watch Author Chuck Palah­niuk Read Fight Club 4 Kids

Ste­vie Nicks “Shows Us How to Kick Ass in High-Heeled Boots” in a 1983 Women’s Self Defense Man­u­al

Ernest Hemingway’s Delu­sion­al Adven­tures in Box­ing: “My Writ­ing is Noth­ing, My Box­ing is Every­thing.”

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Underrated Albums That You Want the World to Know About: What’s on Your List?

This is not an easy post to write. I am going to talk about some­thing per­son­al. Yes, it’s time to dis­cuss under­rat­ed albums, a term that can mean so many things to so many peo­ple that we might as well talk about under­rat­ed dreams. But dreams can be shared, at least in pop cul­ture and the sub­cul­tur­al cav­erns beneath it. And peo­ple can share opin­ions about an under­rat­ed album, espe­cial­ly in the dis­parate com­mu­ni­ties of the inter­net, where devo­tees can find each oth­er eas­i­ly.

When I was younger this was not so easy. One might dis­cov­er an album at a local indie record shop and buy it just for the cov­er, hav­ing no idea what lay with­in. There were no songs on YouTube, Spo­ti­fy, or iTunes. (My generation’s walk­ing to school in the snow, uphill both ways.) One made chance dis­cov­er­ies at live shows and in the pages of print mag­a­zines. In such prim­i­tive con­di­tions, it was easy to find records that you and only you loved, from start to fin­ish, some­times believ­ing you must be the only per­son who had ever heard them.

As Richard Met­zger puts it at Dan­ger­ous Minds, in writ­ing about an under­rat­ed EP from a high­ly under­rat­ed band, “In the pre-Inter­net days, record col­lec­tion was more than mere­ly a hob­by. It was almost like… a way of life.”

I take this lit­tle nos­tal­gic trip to say that for me, under­rat­ed albums tend to fold into the cat­e­go­ry of under­rat­ed artists. Dis­cov­er­ing them wasn’t a mat­ter of cred—not at first. It was a secre­tive and pri­vate act, a tiny ado­les­cent rebel­lion against the bad taste of friends and fam­i­ly. Giv­en such musi­cal solip­sism, I find it hard to gauge what makes an album under­rat­ed. You’ll find lists aplen­ty, and they are odysseys of dis­cov­ery for the adven­tur­ous. Lists filled with less­er-known records from very well-known artists. Lists made of pic­ture gal­leries. Lists quot­ing such high-cred stars as Kurt Cobain, Björk, and Arcade Fire.

As for myself, I could go on for days, but humbly offer here a few eclec­tic albums that—start to finish—have cap­ti­vat­ed me over the years for var­i­ous rea­sons. At the top, hear “Which Witch,” from TK Webb’s crim­i­nal­ly under­rat­ed 2006 Phan­tom Parade, an album of plain­tive laments that sounds like a truck stop ashtray—hypnotic road­house coun­try blues played by the Vel­vet Under­ground with vocals parked some­where between Tom Waits and Cap­tain Beef­heart.

Below it, hear a short excerpt from what is very like­ly the strangest live album ever record­ed: Wire’s 1981 Doc­u­ment & Eye­wit­ness. It’s hard to imag­ine lis­ten­ing to it with­out the lin­er notes in hand, but the over­dubbed con­ver­sa­tion on “Everything’s Going to Be Nice” will give you a taste of what the con­cert was like. The band, writes Pitch­fork, “had pushed their art-stu­dent ten­den­cies to the break­ing point, turn­ing what was expect­ed to be a pogo-fueled punk show into a Dadaist, per­for­mance-art spec­ta­cle com­plete with Mor­ris-danc­ing bells and a live goose.”

This track rep­re­sents a brief inter­lude in the midst of record­ings that cap­ture the sound of a band tak­ing itself apart onstage before a bewil­dered audi­ence clam­or­ing for the hits (or, rather, the hit, “I2XU” from their clas­sic debut Pink Flag.)

In the Spo­ti­fy playlist above, in addi­tion to these two albums, hear for­mer Scream­ing Trees singer Mark Lanegan’s Bub­ble Gum, Eng­lish rock­a­bil­ly revival­ist Hol­ly Golight­ly & Dan Melchoir’s Des­per­ate Lit­tle Town, Afro-Turk­ish singer Esmeray’s 2013 col­lec­tion of hits En lyi­leriyle Esmer­ay (hits in her native land, maybe, but sad­ly not well known in the Eng­lish-speak­ing world), post-rock pio­neers Bark Psy­chosis’s 1994 Hex; the alter­na­tive­ly hyp­not­ic and hys­ter­i­cal Cana­di­an indie rock­ers Frog Eyes’ 2002 debut The Bloody Hand; Pissed Jeans’ most­ly ter­ri­fy­ing Hope for Men; Gillian Welch’s trad folk/country Soul Jour­ney (don’t miss clos­er “Wreck­ing Ball”); and the Sta­ple Singers under­rat­ed ear­ly albums Uncloudy Day & Will the Cir­cle Be Unbro­ken.

Depend­ing on my mood, these are albums I lis­ten to straight through—and think, while doing so, every­one should hear this. But of course the list is biased. Like telling peo­ple about your dreams, telling peo­ple about your favorite, under­rat­ed albums can nev­er approach the expe­ri­ence of lis­ten­ing to them your­self. Nonethe­less, read­er, a per­son­al ques­tion: what would you put on your list? What albums do you want fel­low OC read­ers to put on their radar? Tell us in the com­ments below. And if we get enough good replies, who knows, maybe we’ll pull togeth­er a big meta playlist we all could share.

Relat­ed Con­tent:

Hear the 50 Best Post-Punk Albums of All Time: A Nos­tal­gia-Induc­ing Playlist Curat­ed by Paste Mag­a­zine

The His­to­ry of Punk Rock in 200 Tracks: An 11-Hour Playlist Takes You From 1965 to 2016

Lis­ten to Rolling Stone’s “500 Great­est Songs of All Time” in One Stream­able Playlist

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The History of Cartography, the “Most Ambitious Overview of Map Making Ever,” Is Now Free Online

Worth a quick men­tion: The Uni­ver­si­ty of Chica­go Press has made avail­able online — at no cost — the first three vol­umes of The His­to­ry of Car­tog­ra­phy. Or what Edward Roth­stein, of The New York Times, called “the most ambi­tious overview of map mak­ing ever under­tak­en.” He con­tin­ues:

Peo­ple come to know the world the way they come to map it—through their per­cep­tions of how its ele­ments are con­nect­ed and of how they should move among them. This is pre­cise­ly what the series is attempt­ing by sit­u­at­ing the map at the heart of cul­tur­al life and reveal­ing its rela­tion­ship to soci­ety, sci­ence, and reli­gion…. It is try­ing to define a new set of rela­tion­ships between maps and the phys­i­cal world that involve more than geo­met­ric cor­re­spon­dence. It is in essence a new map of human attempts to chart the world.

If you head over to this page, then look in the upper left, you will see links to three vol­umes (avail­able in a free PDF for­mat). My sug­ges­tion would be to look at the gallery of col­or illus­tra­tions for each book, links to which you’ll find below. The image above, appear­ing in Vol. 2, dates back to 1534. It was cre­at­ed by Oronce Fine, the first chair of math­e­mat­ics in the Col­lège Roy­al (aka the Col­lège de France), and it fea­tures the world mapped in the shape of a heart. Pret­ty great.

Vol­ume 1

Gallery of Col­or Illus­tra­tions

Vol­ume 2: Part 1

Gallery of Col­or Illus­tra­tions (Plates 1–24)
Gallery of Col­or Illus­tra­tions (Plates 25–40)

Vol­ume 2: Part 2

Gallery of Col­or Illus­tra­tions (Plates 1–16)
Gallery of Col­or Illus­tra­tions (Plates 17–40)

Vol­ume 2: Part 3

Gallery of Col­or Illus­tra­tions (Plates 1–8)
Gallery of Col­or Illus­tra­tions (Plates 9 –24)

Vol­ume 3: Part 1

Gallery of Col­or Illus­tra­tions (Plates 1–24)
Gallery of Col­or Illus­tra­tions (Plates 25–40)

Vol­ume 3: Part 2

Gallery of Col­or Illus­tra­tions (Plates 41–56)
Gallery of Col­or Illus­tra­tions (Plates 57–80)

If you buy Vol 1. on Ama­zon, it will run you $248. As beau­ti­ful as the book prob­a­bly is, you’ll prob­a­bly appre­ci­ate this free dig­i­tal offer­ing. The series will be added to our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Note: An ear­li­er ver­sion of this post appeared on our site in August, 2015.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Down­load 67,000 His­toric Maps (in High Res­o­lu­tion) from the Won­der­ful David Rum­sey Map Col­lec­tion

A Won­der­ful Sci­en­tif­ic Map of the Moon from 1679: Can You Spot the Secret Moon Maid­en?

Galileo’s Moon Draw­ings, the First Real­is­tic Depic­tions of the Moon in His­to­ry (1609–1610)

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

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Google Digitizes and Puts Online a Vast Archive of Latino Artworks and Artifacts

You can’t under­stand human cul­ture in the 21st cen­tu­ry with­out under­stand­ing Amer­i­can cul­ture, and as any­one who’s spent time in most any major U.S. city knows, you cer­tain­ly can’t under­stand Amer­i­can cul­ture with­out under­stand­ing Lati­no cul­ture. I write this while trav­el­ing in Los Ange­les, a city that makes that point with par­tic­u­lar­ly impres­sive force, but just a few moments with an overview of Lati­no art will under­score the vital­i­ty it has pro­vid­ed Amer­i­ca, and thus the world. You could do lit­tle bet­ter for such an overview than the Google Cul­tur­al Insti­tute’s brand new Lati­no Cul­tures in the U.S. project, a siz­able free dig­i­tal archive of Lati­no art and arti­facts of Lati­no his­to­ry.

Forbes’ Veron­i­ca Vil­lafañe quotes Google and Youtube Head of His­pan­ic Com­mu­ni­ca­tions Jesús Gar­cía as describ­ing the archive as “a labor of love for many Googlers and part­ner insti­tu­tions. It was a project that was more than a year in the mak­ing and took a small army to help dig­i­tize the 2,500 new art­works and curate 69 new exhibits.”

As a whole it offers “over 4,300 archives and art­works — includ­ing Diego Rivera murals — relat­ed to the Lati­no expe­ri­ence in the U.S., mul­ti­me­dia exhibits in Eng­lish and Span­ish and vir­tu­al tours of his­toric sites, as well as pro­files of key Lati­no fig­ures, such as Cesar Chavez, Dolores Huer­ta and Supreme Court Jus­tice Sonia Sotomay­or.”

Google Head of Lati­no Com­mu­ni­ty Engage­ment Lau­ra Mar­quez notes that it also allows you to “vis­it some of the most vibrant neigh­bor­hoods in the U.S. — the homes to and cen­ters of Lati­no cul­ture— by way of his­toric pho­tographs or unmiss­able loca­tions on Google Street View, all from your phone.” You’ll also find “ultra-high res­o­lu­tion images of icon­ic Lati­no murals, such as Diego Rivera’s Detroit Indus­try from the Detroit Insti­tute of Arts.” Using the for­mi­da­ble explorato­ry plat­form of Google Earth, the project has also cre­at­ed a whole Lati­no Murals in the U.S. sec­tion, from River­a’s work in Detroit to José Clemente Oroz­co’s Prometheus in Cal­i­for­nia to the Mia­mi Arti­sans’ Free­dom Tow­er mur­al at Mia­mi Dade Col­lege.

You can also browse the Lati­no Cul­tures in the U.S. Project’s offer­ings by form, includ­ing dance, film, music, and style. And though the designs of Oscar de la Renta, the songs of Glo­ria Este­fan, the paint­ings of Frank Romero (and, of course, lowrid­ers) have drawn the inter­est of many a non-Lati­no toward Lati­no cul­ture, what has done quite so much out­reach as the food? Google’s project even cov­ers that ter­ri­to­ry with con­tent like an edi­to­r­i­al fea­ture on “Fast Food, Tor­tillas, and the Art of Accept­ing Your­self” by Javier Cabral, a food crit­ic based, and well known, in — where else? — Los Ange­les.

Relat­ed Con­tent:

The Bat­tle for LA’s Murals

Charles & Ray Eames’ Short Film on the Mex­i­can Day of the Dead (1957)

Google Puts Online 10,000 Works of Street Art from Across the Globe

Google Lets You Take a 360-Degree Panoram­ic Tour of Street Art in Cities Across the World

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

What the Map of the United States Would Look Like If All 50 States Had Equal Populations

In the U.S., recent elec­toral events with which we’re all quite famil­iar have prompt­ed one par­tic­u­lar rad­i­cal re-eval­u­a­tion of the polit­i­cal sys­tem, among many oth­ers: we find every­one from high-pro­file Con­sti­tu­tion­al schol­ars to anony­mous com­menters engaged in debates about the neces­si­ty, or demo­c­ra­t­ic legit­i­ma­cy, of the Elec­toral Col­lege. While the debate may not be new, it has reached an urgent inten­si­ty, and hap­pens to occur at a time when every­thing seems up for grabs. When Neil Free­man pro­posed redraw­ing state bor­ders on his pre­scient­ly-named design site Fake is the New Real back in 2012, he cre­at­ed the map above (view it in a larg­er for­mat here) to even­ly dis­trib­ute the country’s pop­u­la­tion. He did so with the dis­claimer, “this is an art project, not a seri­ous pro­pos­al.”

The idea might get a more seri­ous recep­tion these days. Nonethe­less, the iner­tia of tra­di­tion has­n’t less­ened any. Not only is it total­ly unlike­ly that states would ever be redrawn and renamed, but the Elec­toral Col­lege is also a found­ing insti­tu­tion, emerg­ing at the first Con­sti­tu­tion­al Con­ven­tion when James Madi­son first pro­posed it in 1787. Since then, PBS’s Kamala Kelkar wrote on Novem­ber 6th, 2016, “the Elec­toral Col­lege sys­tem has cost four can­di­dates the race after they received the pop­u­lar vote.” Two days lat­er that num­ber went up to five.

Still, whether one deems it nec­es­sary, super­flu­ous, or deeply per­ni­cious, it’s hard­ly con­tro­ver­sial to note that this elect­ing body comes from an era so unlike our own as to be unrec­og­niz­able. A time when, as some founders argued, writes Akhil Reed Amar at Time, “ordi­nary Amer­i­cans across a vast con­ti­nent [lacked] suf­fi­cient infor­ma­tion to choose direct­ly and intel­li­gent­ly among lead­ing pres­i­den­tial can­di­dates.” This might still be the case for var­i­ous rea­sons. But putting aside man­u­fac­tured fil­ter bub­bles and vast dis­in­for­ma­tion cam­paigns, most Amer­i­cans now have instant access, if they want it, to more infor­ma­tion than they know what to do with.

When we look at the pri­ma­ry sources, we find the actu­al rea­son for the Elec­toral Col­lege: slav­ery. Madi­son, notes Kelkar, “now known as the ‘Father of the Con­sti­tu­tion,’” was a slave­hold­ing Vir­gin­ian who wor­ried vocal­ly that North­ern states would have a decid­ed advan­tage, since upwards of 40% of the pop­u­la­tion in South­ern states con­sist­ed of enslaved peo­ple, who, of course, would not be cast­ing votes. Madison’s propo­si­tion includ­ed the infa­mous and dehu­man­iz­ing “three-fifths com­pro­mise,” which his­to­ri­an Paul Finkel­man argues enabled Thomas Jef­fer­son to win over John Adams in 1800.

Despite this his­to­ry, most peo­ple are taught that the sys­tem arose sole­ly to “bal­ance the inter­ests,” Amar writes, “of high-pop­u­la­tion and low-pop­u­la­tion states.” This sounds like a polit­i­cal­ly neu­tral inten­tion. But Free­man doesn’t ques­tion the legit­i­ma­cy of the Elec­toral Col­lege, call­ing it “a time-hon­ored, log­i­cal sys­tem” that he thinks should be pre­served. And yet, he writes, “it’s obvi­ous that reforms are need­ed.”

“The fun­da­men­tal prob­lem of the elec­toral col­lege,” Free­man writes, “is that the states of the Unit­ed States are too dis­parate in size and influ­ence. The largest state is 66 times as pop­u­lous as the small­est and has 18 times as many elec­toral votes. This increas­es the chance for Elec­toral Col­lege results that don’t match the pop­u­lar vote.” This is hard­ly the only issue. But is Freeman’s pro­pos­al a more sta­ble solu­tion to major flaws in U.S. nation­al elec­tions than sim­ply scrap­ping the Elec­toral Col­lege alto­geth­er? He makes the fol­low­ing argu­ment, in a series of bul­let-point­ed advan­tages. His map:

  • Pre­serves the his­toric struc­ture and func­tion of the Elec­toral Col­lege.
  • Ends the over-rep­re­sen­ta­tion of small states and under-rep­re­sen­ta­tion of large states in pres­i­den­tial vot­ing and in the US Sen­ate by elim­i­nat­ing small and large states.
  • Polit­i­cal bound­aries more close­ly fol­low eco­nom­ic pat­terns, since many states are more cen­tered on one or two metro areas.
  • Ends vary­ing rep­re­sen­ta­tion in the House. Cur­rent­ly, the pop­u­la­tion of House dis­tricts ranges from 528,000 to 924,000. After this reform, every House seat would rep­re­sent dis­tricts of the same size. (Since the cur­rent size of the House isn’t divis­i­ble by 50, the num­bers of seats should be increased to 450 or 500.)
  • States could be redis­trict­ed after each cen­sus — just like House seats are dis­trib­uted now.

Free­man based the map–featuring new states like “Mesabi,” “Ogal­lala,” “Big Thick­et,” “Chi­nati,” and “King”–on data from the 2010 Cen­sus, which, inci­den­tal­ly, actu­al­ly did change the dis­tri­b­u­tion of elec­tors in 2012. The Cen­sus “records a pop­u­la­tion of 308,745,538 for the Unit­ed States,” he notes, “which this map divides into 50 states, each with a pop­u­la­tion of about 6,175,000.”

He does seem to down­play the dis­ad­van­tages, list­ing only two con­cerns about dupli­cat­ed coun­ty names and a “shift in state laws and pro­ce­dures.” Free­man doesn’t men­tion the high like­li­hood of civ­il war or wide­spread social unrest if such a mas­sive redis­tri­b­u­tion of the country’s state pop­u­la­tions were ever attempt­ed. Giv­en the exam­ples of pitched legal bat­tle fought dai­ly over con­gres­sion­al redis­trict­ing of ger­ry­man­dered states, it’s also prob­a­ble noth­ing like this plan would ever make it through the courts. Con­sid­ered as an “art project” or thought exper­i­ment in civics, how­ev­er, who knows? It just might work….

via Men­tal Floss

Relat­ed Con­tent:

Sal Khan & the Mup­pets’ Grover Explain the Elec­toral Col­lege

Why Socrates Hat­ed Democ­ra­cies: An Ani­mat­ed Case for Why Self-Gov­ern­ment Requires Wis­dom & Edu­ca­tion

The “True Size” Maps Shows You the Real Size of Every Coun­try (and Will Change Your Men­tal Pic­ture of the World)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness


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