In the graduate department where I once taught freshmen and sophomores the rudiments of college English, it became common practice to include Shakespeare’s Titus Andronicus on many an Intro to Lit syllabus, along with a viewing of Julie Taymor’s flamboyant film adaptation.[...]
How fitting that the head of The Addams Family would harbor a lifelong obsession with author Edgar Allan Poe.
In the spirit of full disclosure, we should clarify that the true Poe fanboy is not the fictional Gomez Addams, but rather the first actor to bring the character to life, John Astin, of television fame.
The Great White Way is littered with flops.
Critic Frank Rich eviscerated a 1988 musical based on Stephen King’s Carrie, lamenting that a potential camp masterpiece wound up as “a typical musical-theater botch.
Earlier this month, we featured Marcel Marceau, surely the most famous mime ever to live, performing the progression of human life, from birth to death, in four minutes. In the video above, you can watch him using his hands to act out something equally elemental: the battle between good and evil.[...]
We’ve long been able to read books online. More recently, the internet has also become a favored distribution system for movies, and certainly we’ve all heard more than enough about the effects of downloading and streaming on the music industry.[...]
Of the rare and extraordinary times in U.S. history when the U.S. government actively funded and promoted the arts on a national scale, two periods in particular stand out.[...]
1949’s Death of a Salesman is one of the most enduring plays in the American canon, a staple of both community and professional theater.
Playwright Arthur Miller recalled that when the curtain fell on the first performance, there were “men in the audience sitting there with handkerchiefs over their faces. It was like a funeral.
In 1935, a 19-year-old Orson Welles—just becoming well-known as a radio actor—found himself part of the Federal Theatre Project, a New Deal program started to help struggling writers, actors, directors, and theater workers.[...]
I never thought I could love an audio recording of Lewis Carroll’s Alice in Wonderland (technically Alice’s Adventures in Wonderland and its sequel, Through the Looking-Glass) more than I love the unabridged version narrated by Christopher Plummer.[...]