We’ll never fully know how anything looked in Shakespeare’s time, much less how the Bard’s own plays did when first performed on the stage of the Globe Theatre.[...]
Say what you will about Kim Kardashian. (Go ahead, I’ll wait.)
Yes, she may only be famous for being rich and famous—not a particularly admirable cultural achievement. But, “and this is the big word: B-U-T-T-,” says Helen Mirren, “it’s wonderful that you’re allowed to have a butt nowadays… Thanks to Madame Kardashian.
In 1900, Thomas Edison traveled to Paris to document the many wonders of the Exposition Universelle, and the city itself. Among the sights captured with his kinetoscope cameras were the Expo’s moving sidewalks, the Champs-Élysées, and the previous Exposition Universelle’s crown jewel, the Eiffel Tower, now eleven years old.[...]
FYI: Ian McKellen, who first made his reputation performing at the Royal Shakespeare Company in the 1970s and 80s, has just released the first of a series of iPad apps meant to make Shakespeare’s plays more accessible, especially for high school and college students.[...]
April 23 is the 400th anniversary of Shakespeare’s death, an event so far in the past that it can be celebrated as a second birthday of sorts.
The New York Public Library’s contribution to the festivities has an endearingly homemade quality.
We here at Open Culture hardly have to tell you that, when a play often called the wittiest comedy in the English language meets the English actor often called the greatest of his generation, you won’t want to miss the resulting performance.[...]
Here at Open Culture, when we think of authors who write work made for the movies, we do, of course, think of names like Dan Brown, J.K. Rowling, and Robert Ludlum — but even more so of names like Samuel Beckett, whose pushing of aesthetic and intellectual boundaries on the stage we welcome now more than ever on the screen.[...]
You’ve got to pick-a-pocket or two, boys
You’ve got to pick-a-pocket or two.
Unlike the Artful Dodger and other light-fingered urchins brought to life by Charles Dickens and, more recently, composer Lionel Bart, professional pickpocket Apollo Robbins confines his practice to the stage.
In the graduate department where I once taught freshmen and sophomores the rudiments of college English, it became common practice to include Shakespeare’s Titus Andronicus on many an Intro to Lit syllabus, along with a viewing of Julie Taymor’s flamboyant film adaptation.[...]