The Zen Wisdom of Alan Watts Animated by the Creators of South Park, Trey Parker and Matt Stone

in Animation, Life, Religion | March 17th, 2013

Alan Watts began pop­u­lar­iz­ing the teach­ings of Zen Bud­dhism, Hin­duism, and Tao­ism in Amer­i­ca dur­ing the 1950s. He taught at the Acad­e­my of Asian Stud­ies in San Fran­cis­co, wrote Way of Zen and oth­er best­selling books, gave talks on the radio (lis­ten here), and devel­oped TV pro­grams intro­duc­ing Amer­i­cans to the seem­ing­ly exot­ic prac­tice of med­i­ta­tion. Don’t miss his 1960 TV pro­gram called “The Silent Mind.”

Watts died almost 40 years ago, but his lega­cy remains alive, part­ly thanks to his son, part­ly thanks to vin­tage videos cap­tured on YouTube, and part­ly thanks to peo­ple like Trey Park­er and Matt Stone — that’s right, the cre­ators of South Park. There’s not much infor­ma­tion known about them, but some­where back in 2007, Park­er and Stone pro­duced videos that ani­mat­ed (audio) lec­tures giv­en by Watts many moons ago. The top­ics deal with music, life, and philo­soph­i­cal per­son­al­i­ty types. Mean­while, the aes­thet­ic is dis­tinct­ly South Parkean, minus the out­ra­geous pot­ty humor, of course. The project is an old favorite of ours and today we decid­ed to bring it back.

Relat­ed Con­tent:

Alan Watts Intro­duces Amer­i­ca to Med­i­ta­tion & East­ern Phi­los­o­phy (1960)

Alan Watts On Why Our Minds And Tech­nol­o­gy Can’t Grasp Real­i­ty

“The Cen­tral Phi­los­o­phy of Tibet” by Robert Thur­man, Colum­bia Uni­ver­si­ty. Added to the Phi­los­o­phy Sec­tion of our list of Free Online Cours­es

What If Mon­ey Was No Object?: Thoughts on the Art of Liv­ing from East­ern Philoso­pher Alan Watts

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A Gallery of Stanley Kubrick Cinemagraphs: Iconic Moments Briefly Animated

in Animation, Film, Technology, Web/Tech | March 16th, 2013

shining2_32677

Type “stu­pid ani­mat­ed gif”—or words to that effect—into your pre­ferred search engine and you’ll be reward­ed with an abun­dance of ger­mane mate­r­i­al.

Mean­while a search on “ani­mat­ed gif of Stan­ley Kubrick rolling in his grave” fails to yield any­thing of sig­nif­i­cance.

Pity. I guess we’ll just have to imag­ine how the late per­fec­tion­ist and cel­e­brat­ed direc­tor would have react­ed to a gallery of his most icon­ic images, down­loaded and doc­tored into infi­nite­ly loop­ing, min­i­mal­ly ani­mat­ed snip­pets.

clockwork_27123

Per­haps I pre­sume. Per­haps he’d be pray­ing for some­one to rean­i­mate him, so he could haunt the realm of the late night cha­t­rooms, his every obser­va­tion and opin­ion punc­tu­at­ed with a lan­guid Sue Lyons lift­ing her head in Loli­ta, or a dia­bol­i­cal Clock­work Orange toast.

Admit­ted­ly, the longer one watch­es George C Scot­t’s Gen­er­al Turgid­son work­ing over a mouth­ful of gum, or Jack Nichol­son act­ing four kinds of crazy, the more tempt­ing it is to put togeth­er a cin­ema­graph of one’s own. That’s the high fly­ing term assigned to the form by artist Kevin Burg and pho­tog­ra­ph­er Jamie Beck who alleged­ly invent­ed (and lat­er trade­marked) it while cov­er­ing New York Fash­ion Week. To quote super­mod­el Coco Rocha, as they do on their web­site, “it’s more than a pho­to but not quite a video.”

Be fore­warned that it’s not a project for the Pho­to­shop new­bie. Maybe the instruc­tion­al video below just makes it seem so.  (Though if you’re look­ing for an instruc­tion­al video on how not to make an instruc­tion­al video, this is very instruc­tion­al indeed. If not, stick with a more straight for­ward, non-film-based how to. Stan­ley Kubrick, this guy ain’t.)

Relat­ed Con­tent:

The Cin­ema­graph: A Haunt­ing Photo/Video Hybrid

Sig­na­ture Shots from the Films of Stan­ley Kubrick: One-Point Per­spec­tive

Napoleon: The Great­est Movie Stan­ley Kubrick Nev­er Made

Ayun Hal­l­i­day rec­om­mends Stan­ley Kubrick­’s “Paths of Glo­ry” in its orig­i­nal form.

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Peter Gabriel and Genesis Live on Belgian TV in 1972: The Full Show

in Music | March 15th, 2013


Here’s a rare treat for fans of ear­ly 70s pro­gres­sive rock: Peter Gabriel and Gen­e­sis togeth­er at the begin­ning of the band’s clas­sic peri­od, per­form­ing live on the Bel­gian TV show Pop Shop in March of 1972. The half-hour film cap­tures the group a lit­tle more than a year after Phil Collins and Steve Hack­ett joined, and before Gabriel start­ed dress­ing up in out­landish cos­tumes. The line­up includes Gabriel on flute, tam­bourine and lead vocals, Collins on drums and back­ing vocals, Hack­ett on lead gui­tar, Tony Banks on key­boards and rhythm gui­tar, and Michael Ruther­ford on bass and rhythm gui­tar. Here’s the setlist:

  1. “The Foun­tain of Salmacis”
  2. “Twi­light Ale­house”
  3. “The Musi­cal Box”
  4. “The Return of the Giant Hog­weed”

The songs are all from the 1971 album Nurs­ery Cryme, except “Twi­light Ale­house,” which the group had been per­form­ing live since 1970 but would­n’t release on an album until 1998, when the song was includ­ed in the boxed set Gen­e­sis Archive 1967–75. Gabriel co-found­ed Gen­e­sis in 1967 and left the band in 1975. Collins then took over on lead vocals.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Peter Gabriel and His Big Orches­tra Play Live at the Ed Sul­li­van The­ater

Kei­th Moon, Drum­mer of The Who, Pass­es Out at 1973 Con­cert; 19-Year-Old Fan Takes Over

Watch Pink Floyd Plays Live in the Ruins of Pom­peii (1972)

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BBC Radio Adaptation of Neil Gaiman’s Neverwhere Begins Saturday: A Preview

in Radio | March 15th, 2013

Amer­i­can radio dra­mas, once the pride of the medi­um, died out soon after the rise of tele­vi­sion. But U.S. lis­ten­ers in search of con­tin­ued dra­mat­ic inno­va­tion over the air­waves need only turn their ears toward the oth­er side of the Atlantic, where the BBC has kept the craft in stur­dy work­ing order. This Sat­ur­day, March 16, brings the debut of a much-antic­i­pat­ed BBC Radio 4 series adapt­ed from the work of a British sto­ry­teller with inter-gen­er­a­tional, inter­na­tion­al appeal, and a hybrid fan­tas­ti­cal-real­ist sen­si­bil­i­ty all his own. The writer? Neil Gaiman. The dra­ma? Nev­er­where. Astute fans will know that Gaiman craft­ed this “urban fan­ta­sy” series first as a tele­vi­sion series, and then as a nov­el. It went on to become a com­ic book, then a stage pro­duc­tion and now, adapt­ed by Dirk Mag­gs, a radio play. Has the man’s work tran­scend­ed all lim­its of form?

When Nev­er­where begins, non‑U.K. res­i­dents can lis­ten on the BBC’s site here. At the moment, it offers a slew of pre­view clips to give you a fla­vor of just how Gaiman’s mate­r­i­al sounds as inter­pret­ed by cast includ­ing James McAvoy, Natal­ie Dormer, Bene­dict Cum­ber­batch, and Christo­pher Lee. With just music, sound effects, and the voic­es of these for­mi­da­ble thes­pi­ans, the BBC’s experts will tell Gaiman’s sto­ry of two Lon­dons: “Lon­don Above,” the one we all know and some of us love, and “Lon­don Below,” the city’s under­ground par­al­lel inhab­it­ed by the grotesque, the flam­boy­ant, the anachro­nis­tic, or—depending on your feel­ings about Lon­don Above—the more grotesque, the more flam­boy­ant, and the more anachro­nis­tic. Hear what hap­pens between these two visions of Lon­don with Nev­er­where’s first, hour-long episode on Sat­ur­day and its sub­se­quent five half-hour episodes from Mon­day, March 18 onward. All episodes will stay avail­able on demand until March 29. You can read more details on the BBC Radio 4 Nev­er­where about page.

Relat­ed Con­tent:

Neil Gaiman’s Free Short Sto­ries

Neil Gaiman Launch­es New Crowd­sourced Sto­ry­telling Project (Spon­sored by the New Black­Ber­ry)

The BBC Presents a New Drama­ti­za­tion of Orwell’s 1984, with Christo­pher Eccle­ston as Win­ston Smith

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

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Creative Commons Announces “School of Open” with Courses to Focus on Digital Openness

in Education, Law, Online Courses, Wikipedia | March 15th, 2013

Just in time to cel­e­brate Open Edu­ca­tion Week, here comes a new ini­tia­tive, the School of Open, a learn­ing envi­ron­ment focused on increas­ing our under­stand­ing of “open­ness” and the ben­e­fits it brings to cre­ativ­i­ty and edu­ca­tion in the dig­i­tal age.

Devel­oped by the col­lab­o­ra­tive edu­ca­tion plat­form Peer to Peer Uni­ver­si­ty (P2PU) with orga­ni­za­tion­al sup­port from Cre­ative Com­mons, the School of Open aims to spread under­stand­ing of the pow­er of this brave new world through free online class­es.

We hear about it all the time: Uni­ver­sal access to research, edu­ca­tion and culture—all good things, with­out a doubt—made pos­si­ble by things like open source soft­ware, open edu­ca­tion­al resources and the like.

But what are these var­i­ous com­mu­ni­ties and what do they mean? How can we all learn more and get involved?

School of Open has rolled the con­ver­sa­tion back to square one so that under­stand­ing the basics is easy. Through a list of new cours­es cre­at­ed by users and experts, peo­ple can learn more about what “open­ness” means and how to apply it. There are stand-alone cours­es on copy­right, writ­ing for Wikipedia, the col­lab­o­ra­tive envi­ron­ment of open sci­ence, and the process behind mak­ing open video.

These free cours­es start March 18 (sign up by click­ing the “start course” but­ton by Sun­day, March 17):

These free cours­es are open for you to take at any time:

The approach at P2PU encour­ages peo­ple to work togeth­er, assess one another’s work, and pro­vide con­struc­tive feed­back. It’s a great place to learn how to design your own course, because the design process is bro­ken down step-by-step, and course con­tent is vet­ted by users and P2PU staff. The tuto­r­i­al shows you how the process works.

P2PU is also a place to learn more about what is open con­tent and what is not. Par­tic­i­pants in the ongo­ing course Open Detec­tive learn to iden­ti­fy open source media and then demon­strate mas­tery by mak­ing some­thing of their own using only open con­tent. What if you’re real­ly, real­ly proud of the resource you cre­ate in Open Detec­tive? Take it to the next lev­el and get a Cre­ative Com­mons license to make your work avail­able with­out giv­ing up full copy­right. You guessed it, there’s a course for that too.

Open Edu­ca­tion Week is in full swing (through Mon­day the 18th). There’s a full sched­ule of webi­na­rs to check out, includ­ing dis­cus­sions about the impli­ca­tions of open access for polit­i­cal struc­tures like the World Bank, and the impact of open, glob­al teach­ing in Syr­ia.

Relat­ed Con­tent:

Total Noob to Learn­ing Online? P2PU’s Peer-to-Peer Cours­es Hold Your Hand

700 Free Online Cours­es

A Meta List of MOOCs

What Entered the Pub­lic Domain in 2013? Zip, Nada, Zilch!

Noam Chom­sky Spells Out the Pur­pose of Edu­ca­tion

Kate Rix writes about dig­i­tal media and edu­ca­tion. Vis­it her web­site at .

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Clash of the Titans: Noam Chomsky & Michel Foucault Debate Human Nature & Power on Dutch TV, 1971

in Philosophy | March 14th, 2013

Today, we’re revis­it­ing the clash of two intel­lec­tu­al titans, Noam Chom­sky and Michel Fou­cault. In 1971, at the height of the Viet­nam War, the Amer­i­can lin­guist and the French theorist/historian of ideas appeared on Dutch TV to debate a fun­da­men­tal ques­tion: Is there such a thing as innate human nature? Or are we shaped by expe­ri­ences and the pow­er of cul­tur­al and social insti­tu­tions around us? The thinkers answered these ques­tions rather dif­fer­ent­ly, giv­ing view­ers a fair­ly suc­cinct intro­duc­tion to their basic the­o­ries of lan­guage, knowl­edge, pow­er and beyond.

42 years lat­er, you can watch the debate on YouTube in parts or in its entire­ty. Above you will find two excerpts that show you the high­lights, com­plete with sub­ti­tles. Below you can watch the entire debate online, from start to fin­ish. Sub­ti­tles should be pro­vid­ed, but if you have any prob­lems, you can read a full tran­script of the debate online (it’s entire­ly in Eng­lish), or pur­chase a copy in book for­mat.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Michel Fou­cault: Free Lec­tures on Truth, Dis­course & The Self (UC Berke­ley, 1980–1983)

Michel Fou­cault – Beyond Good and Evil: 1993 Doc­u­men­tary Explores the Theorist’s Con­tro­ver­sial Life and Phi­los­o­phy

An Ani­mat­ed Intro­duc­tion to Michel Fou­cault, “Philoso­pher of Pow­er”

Noam Chom­sky Spells Out the Pur­pose of Edu­ca­tion

Jacques Lacan Speaks; Zizek Pro­vides Free Cliffs Notes

Down­load 130 Free Phi­los­o­phy Cours­es: Tools for Think­ing About Life, Death & Every­thing Between

Read Chez Fou­cault, the 1978 Fanzine That Intro­duced Stu­dents to the Rad­i­cal French Philoso­pher

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Donald Barthelme’s Syllabus Highlights 81 Books Essential for a Literary Education

in Books, Literature | March 14th, 2013

barthelme_1a

We’ve had a lot of fun—and some debate—lately with read­ing lists from peo­ple like Carl Sagan, Neil DeGrasse Tyson, and even Mar­i­lyn Mon­roe (via her library). And we’ve fea­tured under­grad­u­ate syl­labi from the teach­ing days of David Fos­ter Wal­lace and W.H. Auden. Now for some­thing more-or-less for­mal than those. This one comes via a 2003 piece by Kevin Mof­fett in McSweeney’s spin-off The Believ­er (10 years old this month—I know, right?). The list (first page above and full list below) has a some­what illus­tri­ous her­itage. Com­piled by post­mod­ernist writer Don­ald Barthelme for his stu­dents at the Uni­ver­si­ty of Hous­ton, it then made its way to Barthelme’s stu­dent, South­ern writer Pad­gett Pow­ell. The list then came to Mof­fett when he was a stu­dent of Powell’s at the Uni­ver­si­ty of Flori­da.

barthelme_2a

Con­sist­ing of 81 books, most­ly nov­els and short sto­ry col­lec­tions (and the work of Samuel Beckett—“entire”), and most­ly twen­ti­eth-cen­tu­ry mod­ernist fic­tion, the list came to Pow­ell with Barthelme’s instruc­tion to attack the books, “in no par­tic­u­lar order, just read them.”

This Mof­fett did, and his sto­ry of how he sought the books—in the used book­shops, ware­house sales, and libraries of north Florida—lends to his expe­ri­ence the air of a sub­ur­ban knight’s quest tale, with Mof­fett as under­dog hero. The list spans a range of dif­fi­cul­ty, from the aca­d­e­m­ic obscu­ran­tism of Roland Barthes to the gen­er­al acces­si­bil­i­ty of Updike (Barthelme mod­est­ly exempts him­self). But the text that turns Mof­fett from dif­fi­dent to avid read­er, Flan­nery O’Connor’s “A Late Encounter With the Ene­my,” also turns his “res­o­lu­tion into a vow.” It’s almost as though his engage­ment with Barthelme’s list ini­ti­ates him into a mys­ti­cal order of lan­guage.

barthelme_3a

The list itself, as you can see from the scans, shows the wear of sev­er­al pairs of hands—hands hold­ing late-night cof­fees in col­lege-town cafes and felt-tip pens with which to make tiny check­marks of accom­plish­ment. We do not know from Moffett’s piece whose hands did the cof­fee-spilling, check­mark­ing, and anno­tat­ing, whether Powell’s, Moffett’s, or some stu­dent or pri­vate read­er unmen­tioned. Some of the books left unchecked are those with which I have had read­er­ly epipha­nies: Borges’ Oth­er Inqui­si­tions, Barthes’ Mytholo­gies, Beck­ett (“entire”), Toni Morrison’s Song of Solomon. And what strikes me, as with all such lists, are the num­ber of books I haven’t read but have wished to, meant to, promised that I would. Per­haps it’s not too late to turn a res­o­lu­tion to a vow and hit the stacks.

Here is the com­plete list:

Relat­ed Con­tent:

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

W.H. Auden’s 1941 Lit­er­a­ture Syl­labus Asks Stu­dents to Read 32 Great Works, Cov­er­ing 6000 Pages

Carl Sagan’s Under­grad Read­ing List: From Pla­to and Shake­speare, to Hux­ley and Gide

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

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Bob Dylan and Van Morrison Sing Together in Athens, on Historic Hill Overlooking the Acropolis

in Music | March 13th, 2013

“For­eign Win­dow” and “One Irish Rover”:

On a sum­mer day in 1989, Van Mor­ri­son and Bob Dylan met up in Greece and brought their acoustic gui­tars to the place in Athens where the ancients believed the mus­es lived. Philopap­pos Hill, tra­di­tion­al­ly known as the Hill of the Mus­es, ris­es high above the Athens Basin and has a com­mand­ing view of the Acrop­o­lis. It was June 29. Dylan had just wrapped up a Euro­pean tour the night before at Panathi­naiko Sta­di­um, and Mor­ri­son was trav­el­ing with a BBC crew for an Are­na doc­u­men­tary that would be broad­cast in 1991 as One Irish Rover: Van Mor­ri­son in Per­for­mances. The two leg­endary singer-song­writ­ers played sev­er­al of Mor­rison’s songs: “For­eign Win­dow” and “One Irish Rover,” above, and “Crazy Love,” below. A fourth song, “And It Stoned Me,” was appar­ent­ly cut from the film.

“Crazy Love”:

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The Won­drous Night When Glen Hansard Met Van Mor­ri­son

Bob Dylan and The Grate­ful Dead Rehearse Togeth­er in Sum­mer 1987. Lis­ten to 74 Tracks.

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

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