LyriÂcists must write conÂcreteÂly enough to be evocaÂtive, yet vagueÂly enough to allow each lisÂtenÂer his perÂsonÂal interÂpreÂtaÂtion. The nineÂteen-sixÂties and sevÂenÂties saw an espeÂcialÂly rich balÂance struck between resÂoÂnant ambiÂguÂiÂty and masÂsive popÂuÂlarÂiÂty — aidÂed, as many involved parÂties have admitÂted, by the use of cerÂtain psyÂchoacÂtive subÂstances. Half a cenÂtuÂry latÂer, the visions induced by those same subÂstances offer the closÂest comÂparÂiÂson to the strikÂing fruits of visuÂal artiÂfiÂcial-intelÂliÂgence projects like Google’s Deep Dream a few years ago or DALL‑E today. Only natÂurÂal, perÂhaps, that these advanced appliÂcaÂtions would soonÂer or latÂer be fed psyÂcheÂdelÂic song lyrics.
The video at the top of the post presents the ElecÂtric Light OrchesÂtra’s 1977 hit “Mr. Blue Sky” illusÂtratÂed by images genÂerÂatÂed by artiÂfiÂcial intelÂliÂgence straight from its words. This came as a much-anticÂiÂpatÂed endeavÂor for Youtube chanÂnel SolarProphet, which has also put up simÂiÂlarÂly AI-accomÂpaÂnied preÂsenÂtaÂtions of such already goofy-image-filled comÂeÂdy songs as Lemon Demon’s “The UltiÂmate ShowÂdown” and Neil CiciereÂga’s “It’s Gonna Get Weird.”
YoutuÂber Daara has also creÂatÂed ten entries in this new genre, includÂing Queen’s “Don’t Stop Me Now,” The Eagles’ “Hotel CalÂiÂforÂnia,” and (the recentÂly-feaÂtured-on-Open-CulÂture) Kate Bush’s “RunÂning Up That Hill.”
Jut above appears a video for David Bowie’s “StarÂman” with AI-visuÂalÂized lyrics, creÂatÂed by YoutuÂber AidonÂtÂknow. CreÂatÂed isn’t too strong a word, since DALL‑E and othÂer appliÂcaÂtions curÂrentÂly availÂable to the pubÂlic proÂvide a selecÂtion of images for each prompt, leavÂing it to human users to proÂvide specifics about the aesÂthetÂic — and, in the case of these videos, to select the result that best suits each line. One delight of this parÂticÂuÂlar proÂducÂtion, apart from the booÂgieing chilÂdren, is seeÂing how the AI imagÂines varÂiÂous starÂmen waitÂing in the sky, all of whom look susÂpiÂciousÂly like earÂly-sevÂenÂties Bowie. Of all his songs of that periÂod, sureÂly “Life on Mars?” would be choice numÂber one for an AI music video — but then, its imagery may well be too bizarre for curÂrent techÂnolÂoÂgy to hanÂdle.
RelatÂed conÂtent:
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities, lanÂguage, and culÂture. His projects include the SubÂstack newsletÂter Books on Cities, the book The StateÂless City: a Walk through 21st-CenÂtuÂry Los AngeÂles and the video series The City in CinÂeÂma. FolÂlow him on TwitÂter at @colinmarshall, on FaceÂbook, or on InstaÂgram.