Thug Notes Demystifies 60 Literary Classics (from Shakespeare to Gatsby) with a Fresh Urban Twist

Gen­tle read­er, if you feel your knee jerk­ing at Thug Notes, may I sug­gest tak­ing a moment to gaze beyond the gold bling and du-rag favored by its fic­ti­tious host, lit­er­a­ture lover Sparky Sweets, PhD.

Or do we think YA author John Green should hold the monop­oly on wit­ty, break­neck decon­struc­tions of clas­sic lit­er­a­ture? No shade towards Green. The Crash Course empire he’s cre­at­ed with his sci­en­tist broth­er, Hank, pro­vides a great and enter­tain­ing ser­vice to stu­dents of all ages. His cute-nerd vibe makes him an appeal­ing host.

But there’s more than one way to skin a cat.

A poor choice of metaphor, giv­en the fic­ti­tious Dr. Sweets’ soft spot for baby felines. It’s not some­thing he talks about on the show, but he fre­quent­ly tweets pho­tos of him­self in their oh-so-cud­dly com­pa­ny, tag­ging them #kit­ten­ther­a­py.

He (or per­haps head writer / pro­duc­er Jared Bauer) also turns to Twit­ter to dis­sem­i­nate quotes by the likes of Cer­vantes (“Dili­gence is the moth­er of good for­tune”) and Orwell (“Either we all live in a decent world, or nobody does”).

Thug Notes’ tagline “clas­sic lit­er­a­ture, orig­i­nal gangs­ta” may be its punch­line, but the humor of incon­gruity is not its sole aim.

Come­di­an Greg Edwards, who plays Sparky Sweets, told The New York Times that the project is “triv­i­al­iz­ing academia’s attempt at mak­ing lit­er­a­ture exclu­sion­ary by show­ing that even high­brow aca­d­e­m­ic con­cepts can be com­mu­ni­cat­ed in a clear and open fash­ion.”

Amen. As Sparky Sweets observes fol­low­ing Simon’s mur­der in the Lord of the Flies above, “Whoo, this $hit (is) get­tin’ real!”

Is there a dan­ger that white teenage boys who love com­e­dy and hip hop, who are indif­fer­ent to lit­er­a­ture, and who know few black peo­ple and/or urban dwellers, might run around imi­tat­ing their favorite parts of these videos, not real­iz­ing that their attempt to embody the char­ac­ter is per­pet­u­at­ing a stereo­type in a bad way?

Yes.

Is there an equal or greater dan­ger that a reluc­tant stu­dent might be prod­ded in a pos­i­tive direc­tion by Sparky’s zesty, insight­ful take on their assigned read­ing?

Resound­ing­ly, yes.

Thug Notes’ dis­cus­sion of racism as por­trayed in To Kill a Mock­ing­bird is not the longest I’ve ever heard, but it is the most straight­for­ward and brac­ing. It got my blood going! I’m inspired to drag my dog eared paper­back copy out and give it anoth­er read! (Maybe I’ll have a Scotch and play some clas­si­cal music. Sparky does that too.)

I’m hop­ing the kids at the high school a cou­ple of blocks away — who, for the record, look and sound far more like Sparky than they do me — will be encour­aged to sup­ple­ment their read­ing of this book, and oth­ers, with Thug Notes.

As an out-of-char­ac­ter Greg Edwards, bear­ing as much resem­blance to Sparky Sweets as Stephen Col­bert does to his most famous cre­ation, told inter­view­er Tavis Smi­ley:

We don’t want to stop kids from read­ing the book. We just want to open up doors. Maybe teach­ers can use it. It’s hard being a teacher nowa­days. You’re under­paid, you’re over­worked, the class­rooms are full, the kids are crazy, so throw this on and maybe it’ll spark one kid’s atten­tion.

As of this writ­ing, Thug Notes has tack­led dozens of titles (you can watch them all here, or right below), a heap­ing help­ing of banned books, and four of Shakespeare’s plays (above).

New titles will be added every oth­er Tues­day. I can’t wait.

Relat­ed Con­tent:

Alexan­der Hamil­ton: Hip-Hop Hero at the White House Poet­ry Evening

The Can­ter­bury Tales Remixed: Baba Brinkman’s New Album Uses Hip Hop to Bring Chaucer Into the 21st Cen­tu­ry, Yo

Do Rap­pers Have a Big­ger Vocab­u­lary Than Shake­speare?: A Data Sci­en­tist Maps Out the Answer

Ayun Hal­l­i­day is an author, home­school­er, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

George Orwell’s Final Warning: Don’t Let This Nightmare Situation Happen. It Depends on You!

More than 60 years after his death and the close­ly pre­ced­ing pub­li­ca­tion of his best-known nov­el 1984, we look to George Orwell as a kind of prophet of the ills of cor­po­ratism, social­ism, author­i­tar­i­an­ism, total­i­tar­i­an­ism — any pow­er­ful ‑ism, essen­tial­ly, in which we can find nasty, free­dom-destroy­ing impli­ca­tions. The BBC doc­u­men­tary Orwell: A Life in Pic­tures, which we fea­tured a few years back, makes a point of high­light­ing Orwell’s “warn­ing” to what he saw as a fast corporatizing/socializing/authoriatarianizing/totalitarianizing world. In the film’s final dra­ma­tized scene above (watch the com­plete film here), the re-cre­at­ed Orwell him­self makes the fol­low­ing omi­nous pre­dic­tion:

Allow­ing for the book, after all, being a par­o­dy, some­thing like 1984 could actu­al­ly hap­pen. This is the direc­tion the world is going in at the present time. In our world, there will be no emo­tions except fear, rage, tri­umph, and self-abase­ment. The sex instinct will be erad­i­cat­ed. We shall abol­ish the orgasm. There will be no loy­al­ty except loy­al­ty to the Par­ty. But always there will be the intox­i­ca­tion of pow­er. Always, at every moment, there will be the thrill of vic­to­ry, the sen­sa­tion of tram­pling on an ene­my who’s help­less. If you want a pic­ture of the future, imag­ine a boot stamp­ing on a human face, for­ev­er. The moral to be drawn from this dan­ger­ous night­mare sit­u­a­tion is a sim­ple one: don’t let it hap­pen. It depends on you.

This fic­tion­al­ized Orwell — much like the real Orwell — does­n’t mince words. But as with most unminced words, these mask a more com­pli­cat­ed real­i­ty. Though Orwell fans may find each indi­vid­ual piece of this speech rec­og­niz­able, espe­cial­ly the bit about the boot and the face, the man him­self nev­er spoke it — not in this form, any­way.

It mix­es doc­u­ment­ed state­ments of Orwell’s with words from the text of 1984, and its dra­mat­ic clos­er [“Don’t let it hap­pen. It depends on you!”] comes, as writes Barnes and Noble’s Steve King, from a post-pub­li­ca­tion press release direct­ed by pub­lish­er Fredric War­burg toward read­ers who “had mis­in­ter­pret­ed [Orwell’s] aim, tak­ing the nov­el as a crit­i­cism of the cur­rent British Labour Par­ty, or of con­tem­po­rary social­ism in gen­er­al.” The quo­ta­tion from the press release was “soon giv­en the sta­tus of a last state­ment or deathbed appeal, giv­en that Orwell was hos­pi­tal­ized at the time and dead six months lat­er.”

You can read more at georgeorwellnovels.com, which pro­vides a great deal of con­text on this press release, which runs, in full, as fol­lows:

It has been sug­gest­ed by some of the review­ers of Nine­teen Eighty-Four that it is the author’s view that this, or some­thing like this, is what will hap­pen inside the next forty years in the West­ern world. This is not cor­rect. I think that, allow­ing for the book being after all a par­o­dy, some­thing like Nine­teen Eighty-Four could hap­pen. This is the direc­tion in which the world is going at the present time, and the trend lies deep in the polit­i­cal, social and eco­nom­ic foun­da­tions of the con­tem­po­rary world sit­u­a­tion.

Specif­i­cal­ly the dan­ger lies in the struc­ture imposed on Social­ist and on Lib­er­al cap­i­tal­ist com­mu­ni­ties by the neces­si­ty to pre­pare for total war with the U.S.S.R. and the new weapons, of which of course the atom­ic bomb is the most pow­er­ful and the most pub­li­cized. But dan­ger lies also in the accep­tance of a total­i­tar­i­an out­look by intel­lec­tu­als of all colours.

The moral to be drawn from this dan­ger­ous night­mare sit­u­a­tion is a sim­ple one: Don’t let it hap­pen. It depends on you.

George Orwell assumes that if such soci­eties as he describes in Nine­teen Eighty-Four come into being there will be sev­er­al super states. This is ful­ly dealt with in the rel­e­vant chap­ters of Nine­teen Eighty-Four. It is also dis­cussed from a dif­fer­ent angle by James Burn­ham in The Man­age­r­i­al Rev­o­lu­tion. These super states will nat­u­ral­ly be in oppo­si­tion to each oth­er or (a nov­el point) will pre­tend to be much more in oppo­si­tion than in fact they are. Two of the prin­ci­pal super states will obvi­ous­ly be the Anglo-Amer­i­can world and Eura­sia. If these two great blocks line up as mor­tal ene­mies it is obvi­ous that the Anglo-Amer­i­cans will not take the name of their oppo­nents and will not dra­ma­tize them­selves on the scene of his­to­ry as Com­mu­nists. Thus they will have to find a new name for them­selves. The name sug­gest­ed in Nine­teen Eighty-Four is of course Ing­soc, but in prac­tice a wide range of choic­es is open. In the U.S.A. the phrase “Amer­i­can­ism” or “hun­dred per cent Amer­i­can­ism” is suit­able and the qual­i­fy­ing adjec­tive is as total­i­tar­i­an as any­one could wish.

If there is a fail­ure of nerve and the Labour par­ty breaks down in its attempt to deal with the hard prob­lems with which it will be faced, tougher types than the present Labour lead­ers will inevitably take over, drawn prob­a­bly from the ranks of the Left, but not shar­ing the Lib­er­al aspi­ra­tions of those now in pow­er. Mem­bers of the present British gov­ern­ment, from Mr. Attlee and Sir Stafford Cripps down to Aneurin Bevan will nev­er will­ing­ly sell the pass to the ene­my, and in gen­er­al the old­er men, nur­tured in a Lib­er­al tra­di­tion, are safe, but the younger gen­er­a­tion is sus­pect and the seeds of total­i­tar­i­an thought are prob­a­bly wide­spread among them. It is invid­i­ous to men­tion names, but every­one could with­out dif­fi­cul­ty think for him­self of promi­nent Eng­lish and Amer­i­can per­son­al­i­ties whom the cap would fit.

Read­ers can still find plen­ty to quib­ble with in Orwell, but sure­ly that counts as a point toward his sta­tus as an endur­ing­ly fas­ci­nat­ing writer. The les­son, how­ev­er much we may mis­in­ter­pret its deliv­ery — and indeed, how much Orwell him­self may some­times seem to mis­de­liv­er it — holds steady: don’t let it hap­pen. How not to let it hap­pen, of course, remains a mat­ter of active inquiry.

Relat­ed Con­tent:

George Orwell Explains in a Reveal­ing 1944 Let­ter Why He’d Write 1984

For 95 Min­utes, the BBC Brings George Orwell to Life

The Only Known Footage of George Orwell (Cir­ca 1921)

George Orwell and Dou­glas Adams Explain How to Make a Prop­er Cup of Tea

George Orwell’s Five Great­est Essays (as Select­ed by Pulitzer-Prize Win­ning Colum­nist Michael Hiltzik)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

A Cabinet of Curiosities: Discover The Public Domain Review’s New Book of Essays

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Many of the reg­u­lars to the glo­ri­ous pages of Open Cul­ture might be famil­iar with The Pub­lic Domain Review project, hav­ing been fea­tured on OC a fair few times. From six­teenth-cen­tu­ry wood­cuts on how to swim to hand-col­ored pho­tographs of nine­teenth-cen­tu­ry Japan, you will have seen links to all sorts of his­tor­i­cal odd­i­ties and delights that we’ve gath­ered from var­i­ous archives and high­light­ed on The Pub­lic Domain Review. In addi­tion to these short­er col­lec­tion posts, since we start­ed in 2011, we’ve also pub­lished a steady stream of long-form essays on sim­i­lar won­ders from the his­tor­i­cal record. It is with great plea­sure this week to announce that The Pub­lic Domain Review has com­piled a selec­tion of these essays into a brand-new beau­ti­ful book!

Spread across six themed chap­ters – Ani­mals, Bod­ies, Words, Worlds, Encoun­ters and Net­works – the col­lec­tion includes a total of thir­ty-four essays from a stel­lar line up of con­trib­u­tors, includ­ing Jack Zipes, Frank Delaney, Col­in Dick­ey, George Prochnik, Noga Arikha, and Julian Barnes.

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There’s a whole host of weird and won­der­ful top­ics explored: from the case of Mary Toft, the woman who claimed to give birth to rab­bits, to William Warren’s search for the coor­di­nates of Eden; from Thomas Browne’s odd litany of imag­ined arte­facts, to the phrase­books of the invent­ed lan­guage Volapük; from the strange lit­er­ary fruits of the “it-nar­ra­tive” fad, to epic verse in praise of a cat named Jeof­fry; from a his­to­ry of the paint­ed smile, to the bizarre world of medieval ani­mals tri­als.

The col­lec­tion is not all obscu­ri­ties and unknown tales. We have some big hit­ters in there too. Great essays on fig­ures you will no doubt have heard of — the Broth­ers Grimm, Proust , Flaubert, Joyce — but all approached from new angles and illu­mi­nat­ed by unfa­mil­iar lights.

With 146 illus­tra­tions, more than half of which have been new­ly sourced espe­cial­ly for the book, this is very far from sim­ply the web­site in print form. It is a beau­ti­ful object in and of itself, lov­ing­ly designed by writer and design­er Nicholas Jeeves.

Any­how, I hope I’ve enticed you all suf­fi­cient­ly to check out the page on the site for more details, and per­haps even to place an order or two! If you would like to grab your­self a copy then do make sure to put your order in before mid­night on Novem­ber 26th as up until then we’ll be offer­ing the book for a spe­cial dis­count­ed rate and also ensur­ing deliv­ery by Christ­mas.

Adam Green is the co-founder and edi­tor of The Pub­lic Domain Review.

The Complete Ulysses: Alec Baldwin, Garrison Keillor, Bob Odenkirk & Others Read Joyce’s Opus Aloud

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Per­haps you’ve held off on lis­ten­ing to Re:Joyce, Frank Delaney’s line-by-line, episode-by-episode pod­cast exe­ge­sis of James Joyce’s Ulysses, because you want to lis­ten not just to a break­down of the nov­el, but to the nov­el itself. If so, then boy, have we got anoth­er ongo­ing project for you to fol­low: The Com­plete Ulysses, which has a man­date to record every word of Ulysses as “the first Amer­i­can pro­duc­tion” of the book “using most­ly Amer­i­can and Irish-Amer­i­can actors like Alec Bald­win, John Lith­gow, Jer­ry Stiller, Gar­ri­son Keil­lor, Anne Meara, Wal­lace Shawn, Bob Dishy, Anne Enright, Bob Odenkirk, Pulitzer-Prize-win­ning poet Paul Mul­doon, and Caraid O’Brien as Mol­ly Bloom.” The pro­duc­ers have planned to make avail­able record­ings of each chap­ter as soon as they fin­ish them, “on almost all cur­rent and future audio media.” You can browse the so-far com­plet­ed mate­r­i­al here.

“The project began more than 30 years ago,” says The Com­plete Ulysses’ site, “when [radio sta­tion] WBAI broad­cast a marathon read­ing of Ulysses from the Shake­speare & Co. book­store at 81st and Broad­way in New York.” Book­store own­er Lar­ry Joseph­son “took the idea of a long-form radio read­ing of Ulysses to Isa­iah Shef­fer, then Artis­tic Direc­tor of Sym­pho­ny Space.” This result­ed in Blooms­day on Broad­way, an 18-hour “live, staged read­ing of excerpts from Ulysses and oth­er Irish lit­er­a­ture and song.” Hav­ing then cre­at­ed Radio Blooms­day, a WBAI read­ing series “fea­tur­ing live and pre-record­ed read­ings from Ulysses and lots of oth­er things Irish,” Joseph­son “got the ‘insane’ idea of record­ing the entire book, which will run about 30 hours.”

Ambi­tious, yes, but then the same applies to Re:Joyce, and indeed to Ulysses itself, which you can find in our col­lec­tion of Free eBooks. Joyce has long had a way of inspir­ing cre­ators to exe­cute their own “insane” ideas, and this one in par­tic­u­lar gives his own work a whole new means of expres­sion. Tun­ing into Radio Blooms­day has, for a few years now, appeared as a main­stay on var­i­ous press out­lets’ “what to do on Blooms­day” lists, but with The Com­plete Ulysses, you cer­tain­ly don’t need to wait until June 16 for a Joycean expe­ri­ence; these days, a prop­er­ly equipped iPod can turn every day into Blooms­day.

If you can’t wait for The Com­plete Ulysses to be com­plet­ed, you can always down­load a read­ing of Ulysses in its entire­ty here (in audio for­mat).

Note: The draw­ing above is none oth­er than Leopold Bloom, drawn by Joyce him­self in 1926, when his eye­sight was fail­ing. We have more on that sto­ry here.

Relat­ed Con­tent:

Every­thing You Need to Enjoy Read­ing James Joyce’s Ulysses on Blooms­day

James Joyce’s Ulysses: Down­load the Free Audio Book

Hen­ri Matisse Illus­trates 1935 Edi­tion of James Joyce’s Ulysses

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Download the Complete Sherlock Holmes, Arthur Conan Doyle’s Masterpiece

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I still remem­ber the thrill I felt when I hap­pened upon a set of the com­plete Sher­lock Holmes sto­ries at an antique store. For a mere ten dol­lars, I acquired hand­some­ly bound, suit­ably pati­na-of-age-bear­ing edi­tions of each and every one of the sleuth of 221B Bak­er Street’s adven­tures that Sir Arthur Conan Doyle ever wrote. In addi­tion to this thrill, I also got a few sur­pris­es: first that all of those sto­ries com­bined — the sto­ries that made Holmes and his assis­tant Dr. John Wat­son into house­hold names of near­ly 130 years’ stand­ing — fit into two not-espe­cial­ly-large books; sec­ond, that Holmes solved his mys­ter­ies not just in 56 short sto­ries but four nov­els as well; and third, that many of those short sto­ries and nov­els dif­fered intrigu­ing­ly in tone and con­tent from my expec­ta­tions. So many mod­ern adap­ta­tions — all those tele­vi­sion series up to the BBC’s new and expen­sive-look­ing Sher­lock, the ear­ly CD-ROM com­put­er game, Hayao Miyaza­k­i’s steam­punk ani­ma­tion Sher­lock Hound, Guy Ritchie’s Robert Downey Jr.-showcasing Hol­ly­wood films — have con­vinced us we “know” Sher­lock Holmes, which makes it all the more fas­ci­nat­ing to inves­ti­gate, as it were, the orig­i­nal lit­er­a­ture.

These days, espe­cial­ly giv­en the recent rul­ing (just re-affirmed by the Supreme Court) that Conan Doyle’s Sher­lock Holmes sto­ries “are no longer cov­ered by Unit­ed States copy­right law and can be freely used by cre­ators with­out pay­ing any licens­ing fee to the Conan Doyle estate,” you can down­load the com­plete Sher­lock Holmes canon in a vari­ety of ebook for­mats, from PDF to ePub to ASCII to MOBI for Kin­dle. If you pre­fer lis­ten­ing to read­ing, Lib­rivox has made avail­able three dif­fer­ent ver­sions of Sher­lock Holmes in audio­book form. How­ev­er you choose tech­no­log­i­cal­ly to expe­ri­ence the Sher­lock Holmes canon, I rec­om­mend tak­ing it on chrono­log­i­cal­ly, begin­ning with the 1887 nov­el A Study in Scar­let — less a mys­tery, to my mind, than the scary tale of a mur­der­ous Mor­mon sect — to 1927’s “The Adven­ture of Shoscombe Old Place,” Holmes’ final Conan Doyle-penned adven­ture. Some­where in the mid­dle — in 1893’s “The Final Prob­lem,” to be pre­cise — Holmes’ cre­ator tried to kill the beloved detec­tive off, but the read­ing pub­lic would have none of it. What about Sher­lock Holmes sto­ries had got them so hooked that they could suc­cess­ful­ly demand a res­ur­rec­tion? Now you, too, can find out, with­out even hav­ing to spend the ten dol­lars, let alone go to the antique store.

Bonus: Below, you can lis­ten to The New Adven­tures of Sher­lock Holmes, an old-time radio show that aired in the US from Octo­ber 2, 1939 to July 7, 1947.

Relat­ed Con­tent:

Sher­lock Holmes Is Now in the Pub­lic Domain, Declares US Judge

Arthur Conan Doyle Dis­cuss­es Sher­lock Holmes and Psy­chics in a Rare Filmed Inter­view (1927)

Arthur Conan Doyle & The Cot­tin­g­ley Fairies: How Two Young Girls Fooled Sher­lock Holmes’ Cre­ator

Arthur Conan Doyle Fills Out the Ques­tion­naire Made Famous By Mar­cel Proust (1899)

1,000 Free Audio Books: Down­load Great Books for Free 800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

28 Important Philosophers List the Books That Influenced Them Most During Their College Days

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The web site Demasi­a­do Aire recent­ly asked “some of the world’s most impor­tant philoso­phers which three books influ­enced them the most while under­grad­u­ate stu­dents.” And, from what we can tell, they got a good response. 28 influ­en­tial philoso­phers duti­ful­ly jot­ted their lists, and, for at least the past day, Demasi­a­do Aire has been offline, seem­ing­ly over­whelmed by traf­fic. Thanks to the Inter­net Archive’s Way­back Machine, we can recov­er these lists and pro­vide you with a few high­lights. We have added links to the texts cit­ed by the philoso­phers. The free texts have an aster­isk (*) next to them.

Charles Tay­lor (McGill Uni­ver­si­ty):

Phénoménolo­gie de la Per­cep­tion, Mau­rice Mer­leau-Pon­ty

The Broth­ers Kara­ma­zov*, Fyo­dor Dos­to­evsky

Jalons pour une théolo­gie du Laï­cat, Yves Con­gar

Daniel Den­nett (Tufts Uni­ver­si­ty):

“That’s easy:

Word and Object, Quine.

The con­cept of mind*, Gilbert Ryle

Philo­soph­i­cal Inves­ti­ga­tions, Lud­wig Wittgen­stein

“I got to study with Quine and Ryle, but Wittgen­stein had died before I encoun­tered his work”.

Alexan­der Nehamas (Prince­ton Uni­ver­si­ty):

Apol­o­gy of Socrates*, Pla­to

Nico­machean Ethics*, Aris­to­tle

Ethics*, Spin­oza

“Also, I should point out that Nietzsche’s On the Geneal­o­gy of Moral­i­ty* had a huge effect on me when I was a grad­u­ate stu­dent and had a for­ma­tive influ­ence on my philo­soph­i­cal devel­op­ment”.

David Chalmers (Aus­tralian Nation­al Uni­ver­si­ty):

“I was an under­grad­u­ate stu­dent in math­e­mat­ics rather than phi­los­o­phy, but the answer is”:

Gödel, Esch­er Bach, Dou­glas Hof­s­tadter

The Mind’s I, Dou­glas Hof­s­tadter & Daniel Den­nett

Rea­sons and Per­sons, Derek Parfit

You can view lists by oth­er philoso­phers, includ­ing Alain de Bot­ton, Wendy Brown, Peter Mil­li­can, and more here. The image above comes via by MjYj.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

44 Essen­tial Movies for the Stu­dent of Phi­los­o­phy

Down­load 100 Free Phi­los­o­phy Cours­es and Start Liv­ing the Exam­ined Life

Philoso­pher Por­traits: Famous Philoso­phers Paint­ed in the Style of Influ­en­tial Artists

Free Online Phi­los­o­phy Cours­es

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Springsteen’s Favorite Books & Reading List

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Image by Michele Lucon, via Wiki­me­dia Com­mons

Bruce Spring­steen will make his debut as a chil­dren’s author next Tues­day, with the release of Out­law Pete. In advance of that lit­er­ary event, The New York Times inter­viewed Spring­steen about the books on his read­ing list and his lit­er­ary tastes. They ask:

What books are cur­rent­ly on your night stand?

I just fin­ished “Moby-Dick,” which scared me off for a long time due to the hype of its dif­fi­cul­ty. I found it to be a beau­ti­ful boy’s adven­ture sto­ry and not that dif­fi­cult to read. Warn­ing: You will learn more about whales than you have ever wished to know. On the oth­er hand, I nev­er want­ed it to end. Also, “Love in the Time of Cholera,” by Gabriel Gar­cía Márquez. It sim­ply touched on so many aspects of human love.

Who is your favorite nov­el­ist of all time, and your favorite nov­el­ist writ­ing today?

I like the Rus­sians, the Chekhov short sto­ries, Tol­stoy and Dos­toyevsky. I nev­er read any of them until the past four years, and found them to be thor­ough­ly psy­cho­log­i­cal­ly mod­ern. Per­son­al favorites: “The Broth­ers Kara­ma­zov” and, of course, “Anna Karen­i­na.”

Cur­rent favorites: Philip Roth, Cor­mac McCarthy and Richard Ford. It’s hard to beat “Amer­i­can Pas­toral,” “I Mar­ried a Com­mu­nist” and “Sabbath’s The­ater.” Cor­mac McCarthy’s “Blood Merid­i­an” remains a water­mark in my read­ing. It’s the com­bi­na­tion of Faulkn­er and Ser­gio Leone’s spaghet­ti west­erns that gives the book its spark for me. I love the way Richard Ford writes about New Jer­sey. “The Sports­writer,” “Inde­pen­dence Day” and “The Lay of the Land” are all set on my stomp­ing grounds and, besides being poignant and hilar­i­ous, nail the Jer­sey Shore per­fect­ly.

The rest of the inter­view touch­es on his favorite New Jer­sey writer (had to ask that); the writ­ers who most inspired his song­writ­ing (spoil­er alert, Flan­nery O’Con­nor is one of them); his favorite book about music; the unex­pect­ed books on his shelves (hel­lo Bertrand Russell’s “The His­to­ry of West­ern Phi­los­o­phy”); and much more. Read the inter­view in its entire­ty here, and also see today’s Times piece on the new, open-access, aca­d­e­m­ic jour­nal about Spring­steen. It’s called Boss.

Note, you can find most of the clas­sic books he men­tions in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Relat­ed Con­tent:

Bruce Spring­steen Plays East Berlin in 1988: I’m Not Here For Any Gov­ern­ment. I’ve Come to Play Rock

Bruce Spring­steen and Pink Floyd Get Their First Schol­ar­ly Jour­nals and Aca­d­e­m­ic Con­fer­ences

Heat Map­ping the Rise of Bruce Spring­steen: How the Boss Went Viral in a Pre-Inter­net Era

Download The Complete Works of Edgar Allan Poe: Macabre Stories as Free eBooks & Audio Books

With Hal­loween fast approach­ing, let us remind you that few Amer­i­can writ­ers can get you into the exis­ten­tial­ly chill­ing spir­it of this cli­mat­i­cal­ly chill­ing sea­son than Edgar Allan Poe (1809–1849). And giv­en that he lived and wrote entire­ly in the first half of the 19th cen­tu­ry, few Amer­i­can writ­ers can do it at so lit­tle finan­cial cost to you, the read­er. Today we’ve col­lect­ed Poe’s freely avail­able, pub­lic domain works of pure psy­cho­log­i­cal unset­tle­ment into five vol­umes of eBooks:

And five vol­umes of audio­books as well (all the bet­ter to work their way into your sub­con­scious):

And if, beyond per­haps read­ing here and there about pits, pen­du­lums, ravens, and casks in Italy, you’ve nev­er plunged into the canon pro­duced by this trou­bled mas­ter of let­ters — Amer­i­can Roman­tic, acknowl­edged adept of the macabre, inven­tor of detec­tive fic­tion, and con­trib­u­tor to the even­tu­al emer­gence of sci­ence fic­tion — your chance has come. If you feel the under­stand­able need for a lighter pre­lim­i­nary intro­duc­tion to Poe’s work, hear Christo­pher Walken (speak­ing of Amer­i­can icons) deliv­er a sur­pris­ing­ly non-exces­sive­ly Walkeni­fied inter­pre­ta­tion of “The Raven” at the top of the post. Below, we have a 1953 ani­ma­tion of “The Tell-Tale Heart” nar­rat­ed by James Mason:

After watch­ing these videos, you’ll sure­ly want to spend Hal­loween time catch­ing up on every­thing else Poe wrote, after which you’ll under­stand that true scari­ness aris­es not from slash­er movies, malev­o­lent pump­kins, or tales of hooks embed­ded in car doors, but from the sort of thing the closed-eyed nar­ra­tor of “The Pit and the Pen­du­lum” means when he says, “It was not that I feared to look upon things hor­ri­ble, but that I grew aghast lest there should be noth­ing to see.”

The Com­plete Works of Edgar Allan Poe per­ma­nent­ly reside in our twin col­lec­tions: 1,000 Free Audio Books: Down­load Great Books for Free and 800 Free eBooks for iPad, Kin­dle & Oth­er Devices

Relat­ed Con­tent:

Watch the 1953 Ani­ma­tion of Edgar Allan Poe’s “The Tell-Tale Heart,” Nar­rat­ed by James Mason

Down­load a Free, New Hal­loween Sto­ry by Neil Gaiman (and Help Char­i­ties Along the Way)

Watch Goethe’s Haunt­ing Poem, “Der Erlkönig,” Pre­sent­ed in an Art­ful Sand Ani­ma­tion

“A Haunt­ed House” by Vir­ginia Woolf

Watch Nos­fer­atu, the Sem­i­nal Vam­pire Film, Free Online (1922)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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