Read 14 Great Banned & Censored Novels Free Online: For Banned Books Week 2014

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We well know of the most famous cas­es of banned books: James Joyce’s Ulysses, Hen­ry Miller’s Trop­ic of Can­cer, Allen Ginsberg’s Howl. In fact, a full 46 of Mod­ern Library’s “100 Best Nov­els” have been sup­pressed or chal­lenged in some way. The Amer­i­can Library Asso­ci­a­tion main­tains a page that details the charges against each one. Harp­er Lee’s To Kill a Mock­ing­bird saw a chal­lenge in the Ver­non Verona Sher­ill, New York school dis­trict in 1980 as a “filthy, trashy nov­el” and in 1996, Lin­dale, Texas banned it from the advanced place­ment Eng­lish read­ing list because it “con­flict­ed with the val­ues of the com­mu­ni­ty.” Steinbeck’s Grapes of Wrath has a lengthy rap sheet, includ­ing total ban­ning in Ire­land (1953), Mor­ris, Man­i­to­ba (1982), and all high school class­es in Kanawha, Iowa (1980). The list of cen­sored undis­put­ed classics—every one of which sure­ly has its own piece of giant store art in Barnes & Nobles nationwide—goes on.

In many ways this is typ­i­cal. “The banned books lists you’ll find in many libraries and book­stores,” writes John Mark Ockerbloom at Everybody’s Libraries, “doesn’t [sic] focus much on the polit­i­cal samiz­dat, secu­ri­ty exposés, or por­tray­als of Mohammed that are the objects of forcible sup­pres­sion today. Instead, they’re often full of clas­sics and pop­u­lar titles sold wide­ly in book­stores and online—or dom­i­nat­ed by books writ­ten for young read­ers, or assigned for school read­ing.” Are these lists—and the banned books cel­e­bra­tions that occa­sion them—just “shame­less pro­pa­gan­da” as con­ser­v­a­tive Thomas Sow­ell alleges? “Is it wrong to call these books banned?” asks Ockerbloom in his essay “Why Banned Books Week Mat­ters.” Of course he answers in the neg­a­tive; “not if you take read­ers seri­ous­ly. An unread book, after all, has as lit­tle impact as an unpub­lished book.” Books that don’t pass muster with admin­is­tra­tors, school boards, library asso­ci­a­tions, and leg­is­la­tors of all kinds, argues Ockerbloom, can be as inac­ces­si­ble to young read­ers as those that get destroyed or ful­ly sup­pressed in parts of the world with­out legal pro­vi­sions for free speech.

This sit­u­a­tion is in great part reme­di­at­ed by the free avail­abil­i­ty of texts on the inter­net, whether those cur­rent­ly under a ban or those that—even if they line the shelves in brick and mor­tar stores and Ama­zon warehouses—still meet with fre­quent chal­lenges from com­mu­ni­ty orga­ni­za­tions eager to con­trol what their cit­i­zens read. Today, in hon­or of this year’s Banned Books Week, we bring you free online texts of 14 banned books that appear on the Mod­ern Library’s top 100 nov­els list. Next to each title, see some of the rea­sons these books were chal­lenged, banned, or, in many cas­es, burned.

  • The Great Gats­by, by F. Scott Fitzger­ald (Read Online)

This sta­ple of high school Eng­lish class­es every­where seems to most­ly get a pass. It did, how­ev­er, see a 1987 chal­lenge at the Bap­tist Col­lege in Charleston, SC for “lan­guage and sex­u­al ref­er­ences.”

Seized and burned by postal offi­cials in New York when it arrived state­side in 1922, Joyce’s mas­ter­work gen­er­al­ly goes unread these days because of its leg­endary dif­fi­cul­ty, but for ten years, until Judge John Woolsey’s deci­sion in its favor in 1932, the nov­el was only avail­able in the U.S. as a boot­leg. Ulysses was also burned—and banned—in Ire­land, Cana­da, and Eng­land.

Orwell’s total­i­tar­i­an night­mare often seems like one of the very few things lib­er­als and con­ser­v­a­tives can agree on—no one wants to live in the future he imag­ines. Nonethe­less, the nov­el was chal­lenged in Jack­son Coun­ty, Flori­da in 1981 for its sup­pos­ed­ly “pro-com­mu­nist” mes­sage, in addi­tion to its “explic­it sex­u­al mat­ter.”

Again the tar­get of right-wing ire, Orwell’s work was chal­lenged in Wis­con­sin in 1963 by the John Birch Soci­ety, who object­ed to the words “mass­es will revolt.” A 1968 New Sur­vey found that the nov­el reg­u­lar­ly appeared on school lists of “prob­lem books.” The rea­son most often cit­ed: “Orwell was a com­mu­nist.”

  • Slaugh­ter­house Five, by Kurt Von­negut (Audio)

Vonnegut’s clas­sic has been chal­lenged by par­ents and school boards since 1973, when it was burned in Drake, North Dako­ta. Most recent­ly, it’s been removed from a sopho­more read­ing list at the Coven­try, RI high school in 2000; chal­lenged by an orga­ni­za­tion called LOVE (Liv­ing­stone Orga­ni­za­tion for Val­ues in Edu­ca­tion) in How­ell, MI in 2007; and chal­lenged, but retained, along with eight oth­er books, in Arling­ton Heights, IL in 2006. In that case, a school board mem­ber, “elect­ed amid promis­es to bring her Chris­t­ian beliefs into all board deci­sion-mak­ing, raised the con­tro­ver­sy based on excerpts from the books she’d found on the inter­net.” Hear Von­negut him­self read the nov­el here.

London’s most pop­u­lar nov­el hasn’t seen any offi­cial sup­pres­sion in the U.S., but it was banned in Italy and Yugoslavia in 1929. The book was burned in Nazi bon­fires in 1933; some­thing of a his­tor­i­cal irony giv­en London’s own racist pol­i­tics.

The Nazis also burned Sinclair’s nov­el because of the author’s social­ist views. In 1959, East Ger­many banned the book as “inim­i­cal to com­mu­nism.”

  • Lady Chatterley’s Lover, by D.H. Lawrence (Read Online)

Lawrence court­ed con­tro­ver­sy every­where. Chat­ter­ly was banned by U.S. cus­toms in 1929 and has since been banned in Ire­land (1932), Poland (1932), Aus­tralia (1959), Japan (1959), India (1959), Cana­da (1960) and, most recent­ly, Chi­na in 1987 because it “will cor­rupt the minds of young peo­ple and is also against the Chi­nese tra­di­tion.”

This true crime clas­sic was banned, then rein­stat­ed, at Savan­nah, Georgia’s Wind­sor For­est High School in 2000 after a par­ent “com­plained about sex, vio­lence, and pro­fan­i­ty.”

Lawrence endured a great deal of per­se­cu­tion in his life­time for his work, which was wide­ly con­sid­ered porno­graph­ic. Thir­ty years after his death, in 1961, a group in Okla­homa City call­ing itself Moth­ers Unite for Decen­cy “hired a trail­er, dubbed it ‘smut­mo­bile,’ and dis­played books deemed objec­tion­able,” includ­ing Sons and Lovers.

  • Naked Lunch, by William S. Bur­roughs (Audio)

If any­one belongs on a list of obscene authors, it’s Bur­roughs, which is only one rea­son of the many rea­sons he deserves to be read. In 1965, the Boston Supe­ri­or Court banned Bur­roughs’ nov­el. The State Supreme Court reversed that deci­sion the fol­low­ing year. Lis­ten to Bur­roughs read the nov­el here.

Poor Lawrence could not catch a break. In one of many such acts against his work, the sen­si­tive writer’s fifth nov­el was declared obscene in 1922 by the rather unimag­i­na­tive­ly named New York Soci­ety for the Sup­pres­sion of Vice.

  • An Amer­i­can Tragedy, by Theodore Dreis­er (Read Online)

Amer­i­can literature’s fore­most mas­ter of melo­dra­ma, Dreiser’s nov­el was banned in Boston in 1927 and burned by the Nazi bon­fires because it “deals with low love affairs.”

You can learn much more about the many books that have been banned, sup­pressed, or cen­sored at the Uni­ver­si­ty of Pennsylvania’s “Banned Books Online” page, and learn more about the many events and resources avail­able for Banned Books Week at the Amer­i­can Library Association’s web­site.

Relat­ed Con­tent:

74 Free Banned Books (for Banned Books Week)

Allen Gins­berg Reads His Famous­ly Cen­sored Beat Poem, Howl (1959)

North Car­oli­na Coun­ty Cel­e­brates Banned Book Week By Ban­ning Ralph Ellison’s Invis­i­ble Man … Then Revers­ing It

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

Readers Predict in 1936 Which Novelists Would Still Be Widely Read in the Year 2000

colophon

Few know as much about our incom­pe­tence at pre­dict­ing our own future as Matt Novak, author of the site Pale­o­fu­ture, “a blog that looks into the future that nev­er was.” Not long ago, I inter­viewed him on my pod­cast Note­book on Cities and Cul­ture; ever since, I’ve invari­ably found out that all the smartest dis­sec­tions of just how lit­tle we under­stand about our future some­how involve him. And not just those — also the smartest dis­sec­tions of how lit­tle we’ve always under­stood about our future. Take, for exam­ple, the year 1936, when, in Novak’s words, “a quar­ter­ly mag­a­zine for book col­lec­tors called The Colophon polled its read­ers to pick the ten authors whose works would be con­sid­ered clas­sics in the year 2000.” They named the fol­low­ing:

At first glance, this list might not look so embar­rass­ing. Nobel lau­re­ate Sin­clair Lewis remains oft-ref­er­enced, if much more so for Bab­bitt (Kin­dle + Oth­er For­mats – Read Online Now), his 1922 indict­ment of a busi­ness-blink­ered Amer­i­ca, than for It Can’t Hap­pen Here, his best­selling Hitler satire from the year before the poll. Most Amer­i­cans pass­ing through high school Eng­lish still bump into Willa Cather, Robert Frost (four of whose vol­umes you can find in our col­lec­tion Free eBooks), and per­haps Eugene O’Neill (like­wise) and Theodore Dreis­er (espe­cial­ly through Sis­ter Car­rieKin­dle + Oth­er For­mats – Read Online Now) as well.

Some of us may also remem­ber Stephen Vin­cent Benét’s epic Civ­il War poem John Brown’s Body from our school days, but it would take a well-read soul indeed to nod in agree­ment with such selec­tions as New Eng­land his­to­ri­an James Truslow Adams and now lit­tle-read (though once Sin­clair- and Dreis­er-acclaimed) fan­ta­sist James Branch Cabell. The well-remem­bered George San­tayana still looks like a judg­ment call to me, but what of absent famous names like F. Scott Fitzger­ald, William Faulkn­er, Ernest Hem­ing­way, or maybe James Joyce? The Colophon’s edi­tors includ­ed Hem­ing­way on their own list, but which writ­ers do you think stand as the Fitzger­alds and Faulkn­ers of today — or, more to the point, of the year 2078? Care to put your guess on record? Feel free to make your pre­dic­tions in the com­ments sec­tion below.

via @ElectricLit/Smith­son­ian

Relat­ed Con­tent:

The 10 Great­est Books Ever, Accord­ing to 125 Top Authors (Down­load Them for Free)

The 25 Best Non-Fic­tion Books Ever: Read­ers’ Picks

The Books You Think Every Intel­li­gent Per­son Should Read: Crime and Pun­ish­ment, Moby-Dick & Beyond (Many Free Online)

600 Free eBooks for iPad, Kin­dle & Oth­er Devices

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

The Guggenheim Puts 109 Free Modern Art Books Online

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Back in Jan­u­ary, 2012, we men­tioned that the Guggen­heim (the Frank Lloyd Wright-designed mod­ern art muse­um in NYC) had put 65 art cat­a­logues on the web, all free of charge.

We’re hap­py to report that, between then and now, the num­ber of free texts has grown to 109. Pub­lished between 1937 and 1999, the art books/catalogues offer an intel­lec­tu­al and visu­al intro­duc­tion to the work of Alexan­der Calder, Edvard Munch, Fran­cis BaconGus­tav Klimt & Egon Schiele, Fer­nand Léger, and Kandin­sky. Plus there are oth­er texts (e.g., Mas­ter­pieces of Mod­ern Art and Abstract Expres­sion­ists Imag­ists) that tack­le meta move­ments and themes.

Any­one inter­est­ed in the his­to­ry of the Guggen­heim will want to spend time with a col­lec­tion called “The Syl­labus.” It con­tains five books by Hilla Rebay, the muse­um’s first direc­tor and cura­tor. Togeth­er, they let you take a close look at the art orig­i­nal­ly housed in the Guggen­heim when the muse­um first opened its doors in 1939.

To read any of these 109 free art books, you will just need to fol­low these sim­ple instruc­tions. 1.) Select a text from the col­lec­tion. 2.) Click the “Read Cat­a­logue Online” but­ton. 3.) Start read­ing the book in the pop-up brows­er, and use the con­trols at the very bot­tom of the pop-up brows­er to move through the book. 4.) If you have any prob­lems access­ing these texts, you can find alter­nate ver­sions on Archive.org.

You can find many more free art books from the Get­ty and the Met below.

Relat­ed Con­tent:

Down­load Over 250 Free Art Books From the Get­ty Muse­um

Down­load 397 Free Art Cat­a­logs from The Met­ro­pol­i­tan Muse­um of Art

800 Free eBooks for iPad, Kin­dle & Oth­er Devices

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William Gibson Reads Neuromancer, His Cyberpunk-Defining Novel

With 1984’s Neu­ro­mancer, William Gib­son may not have invent­ed cyber­punk, but he cer­tain­ly crys­tal­lized it. The nov­el exem­pli­fies the tra­di­tion’s man­date to bring togeth­er “high tech and low life,” or, in the words of Gib­son him­self, to explore what “any giv­en sci­ence-fic­tion favorite would look like if we could crank up the res­o­lu­tion.”

It may have its direct pre­de­ces­sors, but Gib­son’s tale of hack­ers, street samu­rai, con­spir­acists, and shad­owy arti­fi­cial intel­li­gences against vir­tu­al real­i­ty, dystopi­an urban Japan, and a vari­ety of oth­er inter­na­tion­al and tech­no­log­i­cal back­drops remains not just arche­typ­al but, unusu­al­ly for old­er tech­nol­o­gy-ori­ent­ed fic­tion, excit­ing.

Now you can not only read Gib­son’s cyber­punk-defin­ing words, but hear them in Gib­son’s voice: a 1994 abridged edi­tion, released only on cas­sette tapes and now long out of print, resides in MP3 form online here .

You can get a taste of this par­tic­u­lar Neu­ro­mancer audio­book and its pro­duc­tion in the clip above. I always appre­ci­ate hear­ing authors read their own work, but peo­ple will sure­ly dis­agree about whether the laid-back tones of a man who often describes him­self as thor­ough­ly un-cut­ting-edge ide­al­ly suit the mate­r­i­al. If you think it does­n’t, or if you don’t like the abridged-ness of this edi­tion, you suf­fer no lack of alter­na­tives: Arthur Addi­son read an unabridged one for Books on Tape in 1997, in 2011 Robert­son Dean read anoth­er one for Pen­guin Audio­books, and in 2012 Jeff Hard­ing did yet anoth­er. (Note: You can down­load the Dean edi­tion for free via Audi­ble if you enroll in their 30 Day Free Tri­al. We have more details on that here.) Those who have found them­selves hooked on the inter­net, in any of its mod­ern forms, will cer­tain­ly hear a lot of pre­science in Gib­son’s con­cep­tion of tech­nol­o­gy as addic­tive drug. But in my expe­ri­ence, cyber­punk sto­ries, too, can prove fierce­ly habit form­ing. Rather than the first cyber­punk nov­el, or the most impor­tant one, or the gen­re’s blue­print, let’s just call Neu­ro­mancer the gate­way.

Relat­ed Con­tent:

Cyber­punk: 1990 Doc­u­men­tary Fea­tur­ing William Gib­son & Tim­o­thy Leary Intro­duces the Cyber­punk Cul­ture

Take a Road Trip with Cyber­space Vision­ary William Gib­son, Watch No Maps for These Ter­ri­to­ries (2000)

Tim­o­thy Leary Plans a Neu­ro­mancer Video Game, with Art by Kei­th Har­ing, Music by Devo & Cameos by David Byrne

William Gib­son, Father of Cyber­punk, Reads New Nov­el in Sec­ond Life

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Wonderfully Weird & Ingenious Medieval Books

Medieval Books

Lei­den Uni­ver­si­ty book his­to­ri­an Erik Kwakkel describes his tum­blr site as fol­lows: “I post images from medieval books.” In the words of Samuel L. Jack­son on the immor­tal Snakes on a Plane, you either want to see that, or you don’t. Pre­sum­ing you do (and giv­en your pre­sum­able sta­tus as an Open Cul­ture read­er, it strikes me as a safe bet) know that Kwakkel does­n’t main­tain just any old images of medieval books; his posts tend to high­light the askew, the obscure, and the inno­v­a­tive, fur­ther demon­strat­ing that we need not find the “dark ages” dull. At the top of the post, you can see one pho­to of the sev­er­al he post­ed of the biggest books in the world, in this case the “famous Klencke Atlas” from the 16th cen­tu­ry. “While they are rare, such large spec­i­mens,” writes Kwakkel, “they do rep­re­sent a tra­di­tion. Choir books, for exam­ple, need­ed to be big because they were used by a half cir­cle of singers gath­ered around it in a church set­ting. If you are impressed with the size of these objects, just imag­ine turn­ing their pages!”

Siamese Books

Above, we have an exam­ple of what Kwakkel calls “Siamese twins,” two books bound as one using an odd bind­ing “called ‘dos-à-dos’ (back to back), a type almost exclu­sive­ly pro­duced in the 16th and 17th cen­turies.” You could read one text one way, then turn the thing over and read a whole oth­er text the oth­er way. “You will often find two com­ple­men­tary devo­tion­al works in them, such as a prayer­book and a Psalter, or the Bible’s Old and New Tes­ta­ment. Read­ing the one text you can flip the ‘book’ to con­sult the oth­er” — no doubt a handy item, giv­en the reli­gious pri­or­i­ties of the aver­age read­er in the Europe of that era. The ani­mat­ed image below high­lights a relat­ed and equal­ly unusu­al bind­ing effort, a dos-à-dos from the late 16th cen­tu­ry con­tain­ing “not two but six books, all neat­ly hid­den inside a sin­gle bind­ing (see this motion­less pic to admire it). They are all devo­tion­al texts print­ed in Ger­many dur­ing the 1550s and 1570s (includ­ing Mar­tin Luther, Der kleine Cat­e­chis­mus) and each one is closed with its own tiny clasp.”

dos a dos

If this kind of high­ly vin­tage, labor-inten­sive book­mak­ing gets your blood flow­ing, make sure to see see also Traité des couleurs ser­vant à la pein­ture à l’eau, the 700-page 17th-cen­tu­ry guide to col­ors we fea­tured in July, and which Kwakkel cov­ered on his blog back in April: “Because the man­u­al is writ­ten by hand and there­fore lit­er­al­ly one of a kind, it did not get the ‘reach’ among painters — or atten­tion among mod­ern art his­to­ri­ans — it deserves.” Just one more rea­son to appre­ci­ate the inter­net, even if, as a medi­um, you far pre­fer the medieval book.

Keep tabs on Kwakkel’s tum­blr site for more unusu­al finds, and don’t miss his oth­er blog, Medieval Frag­ments, where he and oth­er schol­ars delve more deeply into the won­der­ful world of medieval books.

Medieval Color

Relat­ed Con­tent:

Wear­able Books: In Medieval Times, They Took Old Man­u­scripts & Turned Them into Clothes

Dutch Book From 1692 Doc­u­ments Every Col­or Under the Sun: A Pre-Pan­tone Guide to Col­ors

Medieval Cats Behav­ing Bad­ly: Kit­ties That Left Paw Prints … and Peed … on 15th Cen­tu­ry Man­u­scripts

Dante’s Divine Com­e­dy Illus­trat­ed in a Remark­able Illu­mi­nat­ed Medieval Man­u­script (c. 1450)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Download for Free 2.6 Million Images from Books Published Over Last 500 Years on Flickr

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Thanks to Kalev Lee­taru, a Yahoo! Fel­low in Res­i­dence at George­town Uni­ver­si­ty, you can now head over to a new col­lec­tion at Flickr and search through an archive of 2.6 mil­lion pub­lic domain images, all extract­ed from books, mag­a­zines and news­pa­pers pub­lished over a 500 year peri­od. Even­tu­al­ly this archive will grow to 14.6 mil­lion images.

This new Flickr archive accom­plish­es some­thing quite impor­tant. While oth­er projects (e.g., Google Books) have dig­i­tized books and focused on text — on print­ed words — this project con­cen­trates on images. Lee­taru told the BBC, “For all these years all the libraries have been dig­i­tiz­ing their books, but they have been putting them up as PDFs or text search­able works.”  “They have been focus­ing on the books as a col­lec­tion of words. This inverts that.”

flicker reo speedwagon

The Flickr project draws on 600 mil­lion pages that were orig­i­nal­ly scanned by the Inter­net Archive. And it uses spe­cial soft­ware to extract images from those pages, plus the text that sur­rounds the images. I arrived at the image above when I searched for “auto­mo­bile.” The page asso­ci­at­ed with the image tells me that the image comes from an old edi­tion of the icon­ic Amer­i­can news­pa­per, The Sat­ur­day Evening Post. A relat­ed link puts the image in con­text, allow­ing me to see that we’re deal­ing with a 1920 ad for an REO Speed­wag­on. Now you know the ori­gin of the band’s name!

venice flickr

I should prob­a­bly add a note about how to search through the archive, because it’s not entire­ly obvi­ous. From the home page of the archive, you can do a key­word search. As you’re fill­ing in the key­word, Flickr will autopop­u­late the box with the words “Inter­net Archive Book Images’ Pho­to­stream.” Make sure you click on those autopop­u­lat­ed words, or else your search results will include images from oth­er parts of Flickr.

Or here’s an eas­i­er approach: sim­ply go to this inte­ri­or page and con­duct a search. It should yield results from the book image archive, and noth­ing more.

In case you’re won­der­ing, all images can be down­loaded for free. They’re all pub­lic domain.

More infor­ma­tion about the new Flickr project can be found at the Inter­net Archive.

In the relat­eds below, you can find oth­er great image archives that recent­ly went online.

flicker gall

via the BBC and Peter Kauf­man

Relat­ed Con­tent:

Fol­ger Shake­speare Library Puts 80,000 Images of Lit­er­ary Art Online, and They’re All Free to Use

The Met­ro­pol­i­tan Muse­um of Art Puts 400,000 High-Res Images Online & Makes Them Free to Use

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

The Rijksmu­se­um Puts 125,000 Dutch Mas­ter­pieces Online, and Lets You Remix Its Art

Where to Find Free Art Images & Books from Great Muse­ums, and Free Books from Uni­ver­si­ty Press­es

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A 96-Song Playlist of Music in Haruki Murakami’s Novels: Miles Davis, Glenn Gould, the Beach Boys & More

murakami-playlist

Last month we fea­tured the par­tic­u­lars of nov­el­ist Haru­ki Murakami’s pas­sion for jazz, includ­ing a big Youtube playlist of songs select­ed from Por­trait in Jazz, his book of essays on the music. But we also allud­ed to Murakami’s admis­sion of run­ning to a sound­track pro­vid­ed by The Lovin’ Spoon­ful, which sug­gests lis­ten­ing habits not enslaved to purism. His books — one of the very best known of which takes its name straight from a Bea­t­les song (“Nor­we­gian Wood”) — tend to come pre-loaded with ref­er­ences to sev­er­al vari­eties of music, almost always West­ern and usu­al­ly Amer­i­can.  “The Fierce Imag­i­na­tion of Haru­ki Muraka­mi,” Sam Ander­son­’s pro­file of the writer on the occa­sion of the release of his pre­vi­ous nov­el 1Q84, name-checks not just Stan Getz but Janáček’s Sin­foni­et­ta, The Rolling Stones’ Sym­pa­thy for the Dev­il, Eric Clap­ton’s Rep­tile, Bruce Spring­steen’s ver­sion of “Old Dan Tuck­er,” and The Many Sides of Gene Pit­neyThe title of Murakami’s new Col­or­less Tsuku­ru Taza­ki and His Years of Pil­grim­age, writes The Week’s Scott Mes­low, ref­er­ences Franz Liszt’s ‘Years of Pil­grim­age’ suite, “which plays a cen­tral role in the nov­el­’s nar­ra­tive. The point­ed ref­er­ence isn’t exact­ly a major detour from Muraka­mi.”

Giv­en the writer’s increas­ing reliance on music and the notion of “songs that lit­er­al­ly have the pow­er to change the world,” to say noth­ing of his “abil­i­ty to sin­gle-hand­ed­ly dri­ve musi­cal trends,” it can prove an illu­mi­nat­ing exer­cise to assem­ble Muraka­mi playlists. Select­ing 96 tracks, Mes­low has cre­at­ed his own playlist (above) that empha­sizes the breadth of genre in the music incor­po­rat­ed into Murakami’s fic­tion: from Ray Charles to Bren­da Lee, Duke Elling­ton to Bob­by Darin, Glenn Gould to the Beach Boys. Each song appears in one of Murakami’s nov­els, and Mes­low even includes cita­tions for each track: “I had some cof­fee while lis­ten­ing to May­nard Fer­guson’s ‘Star Wars.’ ” “Her milk was on the house if she would play the Bea­t­les’ ‘Here Comes the Sun,’ said the girl.” Imag­ine The Great­est Hits of Bob­by Darin minus ‘Mack the Knife.’ That’s what my life would be like with­out you.” “The room begins to dark­en. In the deep­en­ing dark­ness, ‘I Can’t Go For That’ con­tin­ues to play.” It all coheres in some­thing to lis­ten to while explor­ing Murakami’s world: in your imag­i­na­tion, in real life, or in his trade­mark realms between. 

To lis­ten to the playlist above, you will first need to down­load Spo­ti­fy. Please note that once you mouse over the playlist, you can scroll through all 96 songs. Look for the ver­ti­cal scroll­bar along the right side of the playlist.

Pho­to above is attrib­uted to “wakari­m­a­sita of Flickr”

via The Week

Relat­ed Con­tent:

Read 5 Sto­ries By Haru­ki Muraka­mi Free Online (For a Lim­it­ed Time)

A Pho­to­graph­ic Tour of Haru­ki Murakami’s Tokyo, Where Dream, Mem­o­ry, and Real­i­ty Meet

Haru­ki Murakami’s Pas­sion for Jazz: Dis­cov­er the Novelist’s Jazz Playlist, Jazz Essay & Jazz Bar

In Search of Haru­ki Muraka­mi, Japan’s Great Post­mod­ernist Nov­el­ist

Haru­ki Muraka­mi Trans­lates The Great Gats­by, the Nov­el That Influ­enced Him Most

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Patti Smith Reviews Haruki Murakami’s New Novel, Colorless Tsukuru Tazaki and His Years of Pilgrimage

 

Haru­ki Murakami’s 13th nov­el, Col­or­less Tsuku­ru Taza­ki and His Years of Pil­grim­age: A Nov­el, was first pub­lished last April in Japan, and, with­in the first month, it sold one mil­lion copies. This week, the nov­el (trans­lat­ed by Philip Gabriel) final­ly arrives in book­stores in the U.S. If you’re won­der­ing where this nov­el will take read­ers, you can read an excerpt of Murakami’s nov­el recent­ly pub­lished in Slate, and then Pat­ti Smith’s book review in The New York Times. Smith, the “God­moth­er of Punk,” won the Nation­al Book Award for her 2010 mem­oir Just Kids. She knows some­thing about writ­ing, and she’s clear­ly no stranger to Murakami’s body of work. While plan­ning to go on tour, Smith once won­dered what books to take along, and wrote on her per­son­al web site:

The worse part, besides say­ing good­bye to my daugh­ter Jesse, is pick­ing out what books to take. I decide this will be essen­tial­ly a Haru­ki Muraka­mi tour. So I will take sev­er­al of his books includ­ing the three vol­ume IQ84 to reread. He is a good writer to reread as he sets your mind to day­dream­ing while you are read­ing him. thus i always miss stuff.

Smith’s review of Murakami’s lat­est begins here. The book itself can be pur­chased online at Ama­zon, iTunes, or at your favorite book­store.

h/t @holdengraber

Relat­ed Con­tent:

In Search of Haru­ki Muraka­mi: A Doc­u­men­tary Intro­duc­tion to Japan’s Great Post­mod­ernist Nov­el­ist

Haru­ki Murakami’s Pas­sion for Jazz: Dis­cov­er the Novelist’s Jazz Playlist, Jazz Essay & Jazz Bar

Haru­ki Muraka­mi Trans­lates The Great Gats­by, the Nov­el That Influ­enced Him Most

Watch Pat­ti Smith Read from Vir­ginia Woolf, and Hear the Only Sur­viv­ing Record­ing of Woolf’s Voice

Pat­ti Smith’s Cov­er of Nirvana’s “Smells Like Teen Spir­it” Strips the Song Down to its Heart

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