Al Jazeera forced many WestÂerns viewÂers to take their reportÂing seriÂousÂly durÂing the EgyptÂian uprisÂing this spring, and now the Qatar-based news netÂwork has released a timeÂly reportage (Aug. 2) on the fault lines in AmerÂiÂca — on the gap between rich and poor that only grew wider this week. AlexÂis de TocÂqueville they’re not. There’s no subÂtle sociÂolÂoÂgy here. But, at the same time, I susÂpect that this forÂeign perÂspecÂtive on the U.S. won’t appear unfaÂmilÂiar to many AmerÂiÂcans. The proÂgram runs 24 minÂutes, and othÂer shows in the Fault Lines series can be viewed on YouTube here. H/T @courosa
IntelÂliÂgence Squared (iTunes – Feed – Web Site) brings Oxford-style debatÂing to AmerÂiÂca. Each debate feaÂtures one motion, one modÂerÂaÂtor, and three panÂelists arguÂing for a motion, and three arguÂing against. Should AirÂports Use Racial and ReliÂgious ProÂfilÂing? Is Islam A ReliÂgion Of Peace? Is The Two-ParÂty SysÂtem MakÂing the U.S. UngovernÂable? These are some of the recent topÂics that have been tackÂled.
Now, takÂing a page out of the RSA playÂbook, IntelÂliÂgence Squared has proÂduced a short aniÂmatÂed video that gives artisÂtic life to a debate held in OctoÂber 2009. The motion — “The Catholic Church is a force for good in the world” — was supÂportÂed by Ann Noreen WidÂdeÂcombe, a forÂmer British ConÂserÂvÂaÂtive ParÂty politiÂcian turned novÂelÂist. And takÂing the conÂtrary posiÂtion was popÂuÂlar British actor and writer Stephen Fry.
With freeÂdom come choicÂes. Every choice is an opporÂtuÂniÂty to select the best posÂsiÂble outÂcome, the one that would make us hapÂpiÂest. More choicÂes lead to more hapÂpiÂness, right? Of course we find the oppoÂsite to be true. As choicÂes increase, so does anxÂiÂety. In the latÂest installÂment of the RSA aniÂmatÂed lecÂture series, SlovenÂian social and legal theÂoÂrist RenaÂta SaleÂcl argues that this anxÂiÂety, couÂpled with the capÂiÂtalÂist ideÂal of the self-made perÂson, leads to a kind of social paralÂyÂsis. “Today’s ideÂolÂoÂgy of choice,” says SaleÂcl, “actuÂalÂly paciÂfies peoÂple and makes us conÂstantÂly turn critÂiÂcism to ourÂselves instead of orgaÂnizÂing ourÂselves and makÂing a criÂtique of the sociÂety we live in.” The aniÂmatÂed feaÂture was adaptÂed from a lecÂture SaleÂcl gave last sumÂmer in LonÂdon. (You can watch the entire lecÂture here.) It draws on ideas preÂsentÂed in her book, Choice.
In 2005, Vice PresÂiÂdent Dick Cheney perÂsonÂalÂly engiÂneered a loopÂhole in the U.S. enerÂgy bill exemptÂing comÂpaÂnies that use an oil- and gas-drilling proÂceÂdure known as hydraulic fracÂturÂing, or “frackÂing,” from regÂuÂlaÂtion under the Safe DrinkÂing Water Act. As a result, tons of diesel fuel and assortÂed chemicals–some of them toxÂic, like benzyne–are injectÂed at high presÂsure into the earth at the sole disÂcreÂtion of the comÂpaÂnies doing the injectÂing. One of the chief benÂeÂfiÂciaÂries of Cheney’s string-pulling is the comÂpaÂny that inventÂed the proÂceÂdure, HalÂliburÂton, which employed Cheney as chairÂman and CEO just priÂor to his becomÂing vice presÂiÂdent. (A coinÂciÂdence?)
In the wake of the HalÂliburÂton LoopÂhole, as it has come to be known, there have been a growÂing numÂber of water polÂluÂtion casÂes, from PennÂsylÂvaÂnia to ColÂorado, assoÂciÂatÂed with frackÂing. Some of those casÂes were docÂuÂmentÂed in last year’s SunÂdance Film FesÂtiÂval award-winÂning docÂuÂmenÂtary, Gasland, by Josh Fox, who said in a PBS interÂview, “I could take a car batÂtery and throw it in the waterÂshed and go to fedÂerÂal prison, but these guys can take the same chemÂiÂcals and inject it by the thouÂsands of galÂlons, and they’re exempt. It makes no sense.”
It’s a seriÂous issue involvÂing two of AmerÂiÂca’s vital interests–the need for enerÂgy and the need for safe drinkÂing water–but a group of jourÂnalÂism stuÂdents in New York UniÂverÂsiÂty’s StuÂdio 20 masÂter’s proÂgram, in assoÂciÂaÂtion with the pubÂlic-interÂest jourÂnalÂism group ProPÂubÂliÂca, has takÂen a light-heartÂed approach, creÂatÂing a music video to raise awareÂness of frackÂing. It’s called “My Water’s on Fire Tonight (The FrackÂing Song).” The purÂpose of the project, accordÂing to group leader David Holmes, is to encourÂage peoÂple to read ProPÂubÂliÂca’s reportÂing on the issue. “We were conÂcerned with buildÂing a betÂter entryÂway into that invesÂtiÂgaÂtion,” Holmes told Poynter.org, “and we figÂured a song would be the perÂfect way to do it–especially since it’s called frackÂing.”
AnyÂone know what law these dancers were vioÂlatÂing, since the arrestÂing offiÂcer apparÂentÂly doesÂn’t know (or won’t say)?
Update: This article/post gives you the backÂstoÂry. It explains that the dancers were “there protestÂing a … court deciÂsion [handÂed down] earÂliÂer this month that upheld a ban on dancÂing withÂin the memoÂrÂiÂal.” The memÂbers of the “civÂil danceobeÂdiÂence” were charged with demonÂstratÂing withÂout a perÂmit, and then released a short time after. That’s the answer to the quesÂtion, in short…
The culÂture wars wage on. Almost twenÂty years after the great MurÂphy Brown debate, we’re still going at it. But now, instead of debatÂing the pros and cons of sinÂgle mothÂerÂhood, the focus has turned to whether Michelle ObaÂma erred in invitÂing the rapÂper ComÂmon to the White House PoetÂry Night last week. (See his actuÂal perÂforÂmance here.) CritÂics point to this 2007 YouTube video, A LetÂter to the Law, though they don’t necÂesÂsarÂiÂly lisÂten until the very end. And they also flag his symÂpaÂthetÂic words directÂed toward Joanne ChesÂiÂmard (aka AssaÂta Shakur), an ex-Black PanÂther, conÂvictÂed of killing a New JerÂsey police offiÂcer in 1973. This all built up to the latÂest Jon StewÂart — Bill O’ReilÂly faceÂoff, which drilled down to the quesÂtion: Did the First Lady make a major gaffe? Or is this anothÂer case of selecÂtive outÂrage? Part 1 is above; Part II is here…
Just last month, Bob Dylan played his first conÂcert in ChiÂna at the Worker’s GymÂnaÂsiÂum in BeiÂjing. It wasÂn’t exactÂly a big show. RoughÂly 2,000 peoÂple attendÂed, but it became a big affair at home when NYTimes columÂnist MauÂreen Dowd wrote a causÂtic op-ed, accusÂing Dylan of playÂing a cenÂsored set stripped of his revÂoÂluÂtionÂary anthems. In short, she declared, Dylan went to ChiÂna and sold out his 60s soul:
IconÂic songs of revÂoÂluÂtion like “The Times They Are a‑Changin,’ ” and “Blowin’ in the Wind” wouldn’t have been an approÂpriÂate soundÂtrack for the 2,000 ChiÂnese appaÂratchiks in the audiÂence takÂing a relaxÂing break from represÂsion.
Spooked by the surge of democÂraÂcy sweepÂing the MidÂdle East, ChiÂna is conÂductÂing the harshÂest crackÂdown on artists, lawyers, writÂers and disÂsiÂdents in a decade. It is cenÂsorÂing (or “harÂmoÂnizÂing,” as it euphemÂizes) the InterÂnet and disÂpatchÂing the secret police to arrest willy-nilÂly, includÂing Ai WeiÂwei, the famous artist and archiÂtect of the Bird’s Nest, Beijing’s Olympic staÂdiÂum.
Dylan said nothÂing about Weiwei’s detenÂtion, didn’t offer a reprise of “HurÂriÂcane,” his song about “the man the authorÂiÂties came to blame for someÂthing that he nevÂer done.” He sang his cenÂsored set, took his pile of ComÂmuÂnist cash and left.
Now, in a note to fans, Dylan took the rare step of respondÂing to these (and othÂer) accuÂsaÂtions in a short letÂter pubÂlished yesÂterÂday. He writes:
As far as cenÂsorÂship goes, the ChiÂnese govÂernÂment had asked for the names of the songs that I would be playÂing. There’s no logÂiÂcal answer to that, so we sent them the set lists from the preÂviÂous 3 months. If there were any songs, versÂes or lines cenÂsored, nobody ever told me about it and we played all the songs that we intendÂed to play.
I’m guessÂing this response will only partÂly satÂisÂfy Dowd. PerÂhaps Dylan didÂn’t change his set to please the appaÂratchiks. But did he miss an opporÂtuÂniÂty to make the right stateÂment? Just maybe. But no matÂter, we’re putting this behind us and getÂting ready for Dylan’s 70th birthÂday on May 24. We still love him, warts and all…
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