Teaching Tolerance to Activists: A Free Course Syllabus & Anthology

The waters of acad­e­mia have grown chop­py of late, and many vet­er­an sailors have found them­selves ill-equipped to nav­i­gate the brave new world stu­dent activists are forg­ing at a break­neck pace.

Trig­ger warn­ings. Safe spaces. Cur­ric­u­la restruc­tured with an eye toward iden­ti­ty. Swift judg­ments for those who fail to com­ply.

Admis­sions brochures and cam­pus tours make fre­quent men­tion of their institution’s com­mit­ment to social jus­tice. They have to—many high school­ers share the under­grads’ beliefs.

Those of us whose col­lege years are but a dis­tant mem­o­ry should­n’t depend on our school’s alum­ni mag to paint an accu­rate pic­ture of the bat­tles that may be rag­ing with­in. Sus­tain­abil­i­ty, pre­ferred pro­nouns, and inclu­sive bath­room facil­i­ties may get a men­tion, but the offi­cial organ’s unlike­ly to peek into the abyss where tol­er­ance goes to die.

Cul­tur­al schol­ar Frances Lee, a queer trans per­son of col­or recov­er­ing from a forced con­ver­sion to evan­gel­i­cal Chris­tian­i­ty, took a hard look at the prob­lem of intol­er­ance with­in activist cir­cles as a sec­ond year Mas­ters stu­dent in Cul­tur­al Stud­ies at the Uni­ver­si­ty of Wash­ing­ton.

Pub­lished exact­ly one year ago, their essay, Kin Aes­thet­ics: Excom­mu­ni­cate Me from the Church of Social Jus­tice, was plain­spo­ken about the neg­a­tive side effects of social progress in activist cir­cles, and by exten­sion, on cam­pus:

Telling peo­ple what to do and how to live out their lives is endem­ic to reli­gious and to dog­mat­ic activism. It’s not that my com­rades are the boss­es of me, but that dog­mat­ic activism cre­ates an envi­ron­ment that encour­ages peo­ple to tell oth­er peo­ple what to do. This is espe­cial­ly promi­nent on Face­book. Scrolling through my news feed some­times feels Iike slid­ing into a pew to be blast­ed by a frag­ment­ed, fren­zied ser­mon. I know that much of the media post­ed there means to dis­ci­pline me to be a bet­ter activist and com­mu­ni­ty mem­ber. But when dic­tates aren’t fol­lowed, a com­mon pro­ce­dure of pun­ish­ment ensues. Pun­ish­ments for saying/doing/believing the wrong thing include sham­ing, scold­ing, call­ing out, iso­lat­ing, or evis­cer­at­ing someone’s social stand­ing. Dis­ci­pline and pun­ish­ment have been used for all of his­to­ry to con­trol and destroy peo­ple. Why is it being used in move­ments meant to lib­er­ate all of us? We all have made seri­ous mis­takes and hurt oth­er peo­ple, inten­tion­al­ly or not. We get a chance to learn from them when those around us respond with kind­ness and patience. Where is our humil­i­ty when exam­in­ing the mis­takes of oth­ers? Why do we posi­tion our­selves as moral­ly supe­ri­or to the low­ly un-woke?

The essay’s viral suc­cess gives extra oomph to “Wok­er Than Thou: Left­ist Activist Iden­ti­ty For­ma­tions,” a com­mu­ni­ty course Lee designed and taught ear­li­er this year.

Intend­ed for com­mu­ni­ty lead­ers, polit­i­cal activists, and orga­niz­ers, Lee wel­comed any­one with any inter­est in the sub­ject, pro­vid­ed they were will­ing “to stay open to dis­sent­ing or unpop­u­lar ideas for the sake of dis­cus­sion, instead of fore­clos­ing cer­tain top­ics or ideas by judg­ing them as not wor­thy of atten­tion.”

The 10-week syl­labus delved into such rel­e­vant top­ics as Call-out Cul­ture, the False Promis­es of Empa­thy, and of course “wok­e­ness,” a term Lee takes care to attribute to Black cul­ture.

While not all of the required read­ings can be found online, Lee pro­vides a wealth of links to those that can.

Titles include Uni­ver­si­ty of San Fran­cis­co Pro­fes­sor Rhon­da Magee’s “Address­ing Social Injus­tice with Com­pas­sion,” author Andrea Smith’s “The Prob­lem with Priv­i­lege,” Trau­ma Stew­ard­ship Insti­tute founder Lau­ra van Der­noot Lipsky’s TEDx Talk on sys­tem­at­ic oppres­sion and lib­er­a­tion the­o­ry.

There’s even a Suf­jan Stevens song that evolved from cheap shots at skater Tonya Harding’s expense to some­thing that con­sid­ered the “whole­ness of the per­son… with dig­ni­ty and grace.”

Fol­low­ing Lee’s course mate­ri­als seems a much more ratio­nal way to con­front the cur­rent social cli­mate than bing­ing on con­fes­sion­al essays by lib­er­al arts pro­fes­sors who feel ham­strung by not-unfound­ed fears that their stu­dents could cost them their jobs … and the good rep­u­ta­tion required to secure anoth­er.

For fur­ther read­ing, Lee offers free down­loads of Toward An Ethics of Activism: A Com­mu­ni­ty Inves­ti­ga­tion of Humil­i­ty, Grace and Com­pas­sion in Move­ments for Jus­tice, an anthol­o­gy that “seeks to dis­rupt dog­mat­ic, exclu­sion­ary activist cul­ture with kind­ness and con­nec­tion.”

Find Frances Lee’s “Wok­er Than Thou” syl­labus here.

Down­load a PDF of the anthol­o­gy Toward An Ethics of Activism here. (A screen read­er acces­si­ble ver­sion is also avail­able.)

Relat­ed Con­tent:

Slavoj Žižek Calls Polit­i­cal Cor­rect­ness a Form of “Mod­ern Total­i­tar­i­an­ism”

Noam Chom­sky Explains the Best Way for Ordi­nary Peo­ple to Make Change in the World, Even When It Seems Daunt­ing

Dr. Jane Goodall Is Now Teach­ing an Online Course on Con­ser­va­tion, Ani­mal Intel­li­gence & Activism

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday.

Cheap Trick’s Bassist Tom Petersson Helps Kids With Autism Learn Language With Rock ‘n’ Roll: Discover “Rock Your Speech”

You can’t fault peo­ple for turn­ing away from cur­rent events these days, but there are many pock­ets of light, even if they rarely make head­lines or get curat­ed by gloom and doom algo­rithms. Some opti­mism has come to us by way of musi­cians like David Byrne, whose good-news aggre­ga­tor “Rea­sons to Be Cheer­ful” show­cas­es pos­i­tive devel­op­ments around the world. Indie rock drum­mer Thor Har­ris has encour­aged fans with tips on how to stay healthy in try­ing times, and he has announced a run for gov­er­nor of Texas. And last fall, Cheap Trick’s bassist Tom Peters­son start­ed a project called Rock Your Speech, which “lever­ages the pow­er of music to build lan­guage skills in chil­dren who are work­ing to over­come speech delay asso­ci­at­ed with autism.”

As Peters­son and his wife Ali­son explain above, they were inspired by their expe­ri­ence with their son, Liam, who, “until the age of five,” reports David Chiu at Huff­in­g­ton Post, “had dif­fi­cul­ty com­mu­ni­cat­ing,” They dis­cov­ered that music could help when Liam began singing along to one of her favorite Elton John songs. Peters­son want­ed “to help oth­er par­ents,” he told Huff­Po, “and to let peo­ple know they’re not alone.” An L.A. ben­e­fit con­cert har­nessed the col­lec­tive pow­er of celebri­ties and indie artists to jump­start the project, with bands like the Dandy Warhols and Red Kross and actors Ed Asner and Bil­ly Bob Thorn­ton par­tic­i­pat­ing.

Rock Your Speech is not the only such ini­tia­tive, but it is prob­a­bly the most high-pro­file, and could bring atten­tion to sim­i­lar efforts like Audi­to­ry-Motor Map­ping Train­ing, devel­oped by Dr. Got­tfried Schlaug of the Music and Neu­roimag­ing Lab­o­ra­to­ry. At the Autism Speaks blog, Schlaug writes, “as many as three in ten chil­dren with autism are non­ver­bal. Yet many chil­dren with autism have supe­ri­or audi­to­ry skills and a par­tic­u­lar attrac­tion to music.” Like Rock Your Speech, his approach uses “forms of music-mak­ing that encour­age vocal­iza­tion as a path­way to devel­op­ing lan­guage.” Musi­cian and psy­chol­o­gist Adam Reece has also writ­ten about his research show­ing the pos­i­tive role music ther­a­py can play in lan­guage acqui­si­tion for kids on the spec­trum.

Petersson’s project puts a rock star face on music ther­a­py and comes “from the point of view of the par­ent,” he says. Rock Your Speech not only rais­es autism aware­ness but also offers orig­i­nal music and videos designed to stim­u­late and inspire kids. Hear “Blue” from the Rock Your Speech, Vol­ume 1 album above, one of sev­er­al songs Peters­son wrote that “employs actu­al rock music,” Chiu writes, “not nec­es­sar­i­ly the gen­tle, kid­die-type of sounds that are gen­er­al­ly preva­lent in children’s music.” Videos on the Rock Your Speech site for “Blue” and oth­er songs “not only show the words but also demon­strate to kids how those words are formed and mouthed.”

The project’s Vimeo chan­nel shows the Peters­son fam­i­ly involved in Liam’s speech devel­op­ment through music, includ­ing his old­er sis­ter Lilah coach­ing her broth­er with a song called “Wash Your Hands.” (See Lilah’s video above for her song “All the Same,” writ­ten for Liam.) Liam, now ten, has come a long way. “He’s in school,” says Peters­son, “He loves music… He’s def­i­nite­ly on the autism spec­trum, but he speaks, he’s social. He’s the sweet­est lit­tle guy.” His musi­cal fam­i­ly has a lot to do with that, but Rock Your Speech offers even non-musi­cian par­ents a wealth of catchy tools to help kids strug­gling with speech to con­nect with lan­guage through rock ‘n’ roll. For many fam­i­lies, that could be very good news indeed.

via Huff­Po

Relat­ed Con­tent:

New Research Shows How Music Lessons Dur­ing Child­hood Ben­e­fit the Brain for a Life­time

Music in the Brain: Sci­en­tists Final­ly Reveal the Parts of Our Brain That Are Ded­i­cat­ed to Music

Sun Ra Plays a Music Ther­a­py Gig at a Men­tal Hos­pi­tal; Inspires Patient to Talk for the First Time in Years

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

How to Write in Cuneiform, the Oldest Writing System in the World: A Short, Charming Introduction

Teach­ing child vis­i­tors how to write their names using an unfa­mil­iar or antique alpha­bet is a favorite activ­i­ty of muse­um edu­ca­tors, but Dr. Irv­ing Finkel, a cuneiform expert who spe­cial­izes in ancient Mesopotami­an med­i­cine and mag­ic, has grander designs.

His employ­er, the British Muse­um, has over 130,000 tablets span­ning Mesopotamia’s Ear­ly Dynas­tic peri­od to the Neo-Baby­lon­ian Empire “just wait­ing for young schol­ars to come devote them­selves to (the) monk­ish work” of deci­pher­ing them.

Writ­ing one’s name might well prove to be a gate­way, and Dr. Finkel has a vest­ed inter­est in lin­ing up some new recruits.

The museum’s Depart­ment of the Mid­dle East has an open access pol­i­cy, with a study room where researchers can get up close and per­son­al with a vast col­lec­tion of cuneiform tablets from Mesopotamia and sur­round­ing regions.

But let’s not put the ox before the cart.

As the extreme­ly per­son­able Dr. Finkel shows Matt Gray and Tom Scott of Matt and Tom’s Park Bench, above, cuneiform con­sists of three components—upright, hor­i­zon­tal and diagonal—made by press­ing the edge of a reed sty­lus, or pop­si­cle stick if you pre­fer, into a clay tablet.

The mechan­i­cal process seems fair­ly easy to get the hang of, but mas­ter­ing the old­est writ­ing sys­tem in the world will take you around six years of ded­i­cat­ed study. Like Japan’s kan­ji alpha­bet, the old­est writ­ing sys­tem in the world is syl­lab­ic. Prop­er­ly writ­ten out, these syl­la­bles join up into a flow­ing cal­lig­ra­phy that your aver­age, edu­cat­ed Baby­lon­ian would be able to read at a glance.

Even if you have no plans to rus­tle up a pop­si­cle stick and some Play-Doh, it’s worth stick­ing with the video to the end to hear Dr. Finkel tell how a chance encounter with some nat­u­ral­ly occur­ring cuneiform inspired him to write a hor­ror nov­el, which is now avail­able for pur­chase, fol­low­ing a suc­cess­ful Kick­starter cam­paign.

Begin your cuneiform stud­ies with Irv­ing Finkel’s Cuneiform: Ancient Scripts.

via Men­tal Floss

Relat­ed Con­tent:

You Could Soon Be Able to Text with 2,000 Ancient Egypt­ian Hiero­glyphs

Hear The Epic of Gil­gamesh Read in its Orig­i­nal Ancient Lan­guage, Akka­di­an

Hear the “Seik­i­los Epi­taph,” the Old­est Com­plete Song in the World: An Inspir­ing Tune from 100 BC

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her solo show Nurse!, in which one of Shakespeare’s best loved female char­ac­ters hits the lec­ture cir­cuit to set the record straight pre­mieres in June at The Tank in New York City. Fol­low her @AyunHalliday.

Behold the MusicMap: The Ultimate Interactive Genealogy of Music Created Between 1870 and 2016

A Pan­do­ra for the adven­tur­ous anti­quar­i­an, the high­ly under­rat­ed site Radiooooo gives users stream­ing music from all over the world and every decade since 1900. While it offers an aur­al feast, its lim­it­ed inter­face leaves much to be desired from an edu­ca­tion­al stand­point. On the oth­er end of the audio-visu­al spec­trum, clever dia­grams like those we’ve fea­tured here on elec­tron­ic music, alter­na­tive, and hip hop show the detailed con­nec­tions between all the major acts in these gen­res, but all they do so in silence.

Now a new inter­ac­tive info­graph­ic built by Bel­gian archi­tect Kwin­ten Crauwels brings togeth­er an ency­clo­pe­dic visu­al ref­er­ence with an exhaus­tive musi­cal archive. Though it’s miss­ing some of the fea­tures of the resources above, the Musicmap far sur­pass­es any­thing of its kind online—“both a 23and me-style ances­tral tree and a thor­ough dis­am­bigua­tion of just about every extant genre of music,” writes Fast Com­pa­ny.

Or as Frank Jacobs explains at Big Think, Crauwels’ goal is “to pro­vide the ulti­mate geneal­o­gy of pop­u­lar music gen­res, includ­ing their rela­tions and his­to­ry.”

With over 230 gen­res in all—linked togeth­er in intri­cate webs of influ­ence, mapped in a zoomable visu­al inter­face that orga­nizes them all at macro and micro lev­els of descrip­tion, and linked to explana­to­ry arti­cles and rep­re­sen­ta­tive playlists (drawn from YouTube)—the project is almost too com­pre­hen­sive to believe, and its degree of sophis­ti­ca­tion almost too com­plex to sum­ma­rize con­cise­ly (though Jacobs does a good job of it). The Musicmap spans the years 1870–2016 and cov­ers 22 major cat­e­gories (with Rock fur­ther bro­ken into six and “World” into three).

In an oval around the col­or­ful sky­scraper-like “super-gen­res” are decades, mov­ing from past to present from top to bot­tom. Zoom into the “super-gen­res” and find “a spider’s web of links with­in and between the dif­fer­ent hous­es” of sub­gen­res. “Those links can indi­cate parent­age or influ­ence, but also a back­lash (i.e. as ‘anti-links’).” Click­ing on the name of each sub­genre reveals “a short syn­op­sis and a playlist of rep­re­sen­ta­tive songs.” These two func­tions, in turn, link to each oth­er, allow­ing users to click through in a more Wikipedia-like way once they’ve entered the minu­ti­ae of the Musicmap’s con­tents.

The map not only draws con­nec­tions between sub­gen­res but also between their rel­a­tives in oth­er “super-gen­res” (learn about the rela­tion­ship, for exam­ple, between folk rock and clas­sic met­al). On the left side of the screen is a series of but­tons that reveal an intro­duc­tion, method­ol­o­gy, abstract, sev­er­al nav­i­ga­tion­al func­tions, a glos­sary of musi­cal terms, and a bib­li­og­ra­phy (called “Acknowl­edg­ments”). Aside from visu­al­ly reduc­ing all the way down to the lev­el of indi­vid­ual bands with­in each sub­genre, which could become a lit­tle dizzy­ing, it’s hard to think of any­thing seri­ous­ly lack­ing here.

Any­thing we might find fault with might be changed in the near future. Although Crauwels spent almost ten years on research and devel­op­ment, first con­ceiv­ing of the project in 2008, the cur­rent site “is still ver­sion 1.0 of Music map. In lat­er ver­sions, the playlists will be expand­ed, per­haps even com­mu­ni­ty-gen­er­at­ed.” Crauwels also wants to sync up with Spo­ti­fy. Although not a musi­cian him­self, he is as pas­sion­ate about music as he is about design and edu­ca­tion, mak­ing him very like­ly the per­fect per­son to take on this task, which he admits can nev­er be com­plet­ed.

Crauwels does not cur­rent­ly seem to have plans to mon­e­tize his map. His stat­ed motives are altru­is­tic, in the same pub­lic ser­vice spir­it as Radiooooo. “Musicmap,” he says, “believes that knowl­edge about music gen­res is a uni­ver­sal right and should be part of basic edu­ca­tion.” At the moment, the edu­ca­tion here only applies to pop­u­lar music, although enough of it to acquire a grad­u­ate-lev­el his­tor­i­cal knowl­edge base.

The four cat­e­gories at the top of the map—the strange­ly named “Util­i­ty” (which includes hymns, mil­i­tary march­es, musi­cals, and sound­tracks), Folk, Clas­si­cal, and World—are zoomable but do not have click­able links or playlists. Giv­en Crauwels’ com­pletist instincts, this may well change in future updates. In the TED talk above, see him tell the sto­ry of how he cre­at­ed Musicmap, a DIY effort that came out of his frus­tra­tion that noth­ing like it exist­ed, so he had to cre­ate it him­self.

Enter the Musicmap here and try not to get lost for sev­er­al hours.

via Big Think

Relat­ed Con­tent:

Radiooooo: A Musi­cal Time Machine That Lets You Hear What Played on the Radio in Dif­fer­ent Times & Places

Radio Gar­den Lets You Instant­ly Tune into Radio Sta­tions Across the Entire Globe

The His­to­ry of Hip Hop Music Visu­al­ized on a Turntable Cir­cuit Dia­gram: Fea­tures 700 Artists, from DJ Kool Herc to Kanye West

A His­to­ry of Alter­na­tive Music Bril­liant­ly Mapped Out on a Tran­sis­tor Radio Cir­cuit Dia­gram: 300 Punk, Alt & Indie Artists

A Mas­sive 800-Track Playlist of 90s Indie & Alter­na­tive Music, in Chrono­log­i­cal Order

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The History of the U.S. Civil War Visualized Month by Month and State by State, in an Infographic from 1897

There’s been a lot of hand­wring­ing over the i‑Generation’s lack of map read­ing skills.

While we’re at it, let’s take a cold, hard look at the Gild­ed Age info­graph­ic, above.…

… and con­clude that peo­ple who live in glass hous­es should stop reach­ing for stones.

Pub­lished in 1897 by the Com­par­a­tive Syn­op­ti­cal Chart Com­pa­ny, this now unfath­omable doc­u­ment–His­to­ry of the Civ­il War in the Unit­ed States: 1860–1865–achieved its goal of squeez­ing the max­i­mum amount of con­tent onto a sin­gle sheet.

This is in direct oppo­si­tion to today’s gen­er­al­ly accept­ed rules for cre­at­ing suc­cess­ful info­graph­ics, one of which is to sim­pli­fy.

Anoth­er holds that text should be used spar­ing­ly, lest it clut­ter up strong visu­als. Con­sumers have a lim­it­ed atten­tion span, and for con­tent to be con­sid­ered share­able, they should be able to take it in at a glance.

Mod­ern eyes may be for­giv­en for mis­tak­ing this chart for the world’s most con­vo­lut­ed sub­way map. But those aren’t stops, friend. They’re minor engage­ments. Blood­i­er and bet­ter-known bat­tles are delin­eat­ed with larg­er circles—yellow cen­ters for a Union vic­to­ry, pale green for Con­fed­er­ate.

The fastest way to begin mak­ing heads or tails of the chart is to note that each col­umn is assigned to a dif­fer­ent state.

The ver­ti­cal axis is divid­ed into months. Notice all the neg­a­tive space around Fort Sumter.

And the con­stant entries in Vir­gini­a’s col­umn.

The pub­lish­er not­ed that the loca­tion of events was “entire­ly gov­erned” by this time scale.

You’ll have to look hard for Lincoln’s assas­si­na­tion.

Con­sumers who pur­chased the His­to­ry of the Civ­il War in the Unit­ed States 1860–1865 pre­sum­ably pored over it by can­dle­light, sup­ple­ment­ing it with maps and books.

It would still make a superb addi­tion to any his­to­ry teacher’s class­room, both as dec­o­ra­tion and the tin­der that could ignite dis­cus­sion as to how we receive infor­ma­tion, and how much infor­ma­tion is in fact received.

Explore a larg­er, zoomable ver­sion of the map here.

via Slate

Relat­ed Con­tent:

A Free Course from Yale on the U.S. Civ­il War

Watch Vet­er­ans of The US Civ­il War Demon­strate the Dread­ed Rebel Yell (1930)

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday.

Carl Sagan’s “Baloney Detection Kit”: A Toolkit That Can Help You Scientifically Separate Sense from Nonsense

It’s prob­a­bly no stretch to say that mass dis­in­for­ma­tion cam­paigns and ram­pant anti-intel­lec­tu­al­ism will con­sti­tute an increas­ing amount of our polit­i­cal real­i­ty both today and in the future. As Han­nah Arendt wrote, the polit­i­cal lie has always been with us. But its glob­al reach, par­tic­u­lar vehe­mence, and bla­tant con­tempt for ver­i­fi­able real­i­ty seem like inno­va­tions of the present.

Giv­en the embar­rass­ing wealth of access to infor­ma­tion and edu­ca­tion­al tools, maybe it’s fair to say that the first and last line of defense should be our own crit­i­cal rea­son­ing. When we fail to ver­i­fy news—using resources we all have in hand (I assume, since you’re read­ing this), the fault for believ­ing bad infor­ma­tion may lie with us.

But we so often don’t know what it is that we don’t know. Indi­vid­u­als can’t be blamed for an inad­e­quate edu­ca­tion­al sys­tem, and one should not under­es­ti­mate the near-impos­si­bil­i­ty of con­duct­ing time-con­sum­ing inquiries into the truth of every sin­gle claim that comes our way, like try­ing to iden­ti­fy indi­vid­ual droplets while get­ting hit in the face with a pres­sur­ized blast of tar­get­ed, con­tra­dic­to­ry info, some­times com­ing from shad­owy, unre­li­able sources.

Carl Sagan under­stood the dif­fi­cul­ty, and he also under­stood that a lack of crit­i­cal think­ing did not make peo­ple total­ly irra­tional and deserv­ing of con­tempt. “It’s not hard to under­stand,” for exam­ple, why peo­ple would think their rel­a­tives are still alive in some oth­er form after death. As he writes of this com­mon phe­nom­e­non in “The Fine Art of Baloney Detec­tion,” most super­nat­ur­al beliefs are just “humans being human.”

In the essay, a chap­ter from his 1995 book The Demon-Haunt­ed World, Sagan pro­pos­es a rig­or­ous but com­pre­hen­si­ble “baloney detec­tion kit” to sep­a­rate sense from non­sense.

  • Wher­ev­er pos­si­ble there must be inde­pen­dent con­fir­ma­tion of the “facts.”
  • Encour­age sub­stan­tive debate on the evi­dence by knowl­edge­able pro­po­nents of all points of view.
  • Argu­ments from author­i­ty car­ry lit­tle weight — “author­i­ties” have made mis­takes in the past. They will do so again in the future. Per­haps a bet­ter way to say it is that in sci­ence there are no author­i­ties; at most, there are experts.
  • Spin more than one hypoth­e­sis. If there’s some­thing to be explained, think of all the dif­fer­ent ways in which it could be explained. Then think of tests by which you might sys­tem­at­i­cal­ly dis­prove each of the alter­na­tives.
  • Try not to get over­ly attached to a hypoth­e­sis just because it’s yours. It’s only a way sta­tion in the pur­suit of knowl­edge. Ask your­self why you like the idea. Com­pare it fair­ly with the alter­na­tives. See if you can find rea­sons for reject­ing it. If you don’t, oth­ers will.
  • If what­ev­er it is you’re explain­ing has some mea­sure, some numer­i­cal quan­ti­ty attached to it, you’ll be much bet­ter able to dis­crim­i­nate among com­pet­ing hypothe­ses. What is vague and qual­i­ta­tive is open to many expla­na­tions.
  • If there’s a chain of argu­ment, every link in the chain must work (includ­ing the premise) — not just most of them.
  • Occam’s Razor. This con­ve­nient rule-of-thumb urges us when faced with two hypothe­ses that explain the data equal­ly well to choose the sim­pler. Always ask whether the hypoth­e­sis can be, at least in prin­ci­ple, fal­si­fied…. You must be able to check asser­tions out. Invet­er­ate skep­tics must be giv­en the chance to fol­low your rea­son­ing, to dupli­cate your exper­i­ments and see if they get the same result.

Call­ing his rec­om­men­da­tions “tools for skep­ti­cal think­ing,” he lays out a means of com­pen­sat­ing for the strong emo­tion­al pulls that “promise some­thing like old-time reli­gion” and rec­og­niz­ing “a fal­la­cious or fraud­u­lent argu­ment.” At the top of the post, in a video pro­duced by Big Think, you can hear sci­ence writer and edu­ca­tor Michael Sher­mer explain the “baloney detec­tion kit” that he him­self adapt­ed from Sagan, and just above, read Sagan’s own ver­sion, abridged into a short list (read it in full at Brain Pick­ings).

Like many a sci­ence com­mu­ni­ca­tor after him, Sagan was very much con­cerned with the influ­ence of super­sti­tious reli­gious beliefs. He also fore­saw a time in the near future much like our own. Else­where in The Demon-Haunt­ed World, Sagan writes of “Amer­i­ca in my children’s or grandchildren’s time…. when awe­some tech­no­log­i­cal pow­ers are in the hands of a very few.” The loss of con­trol over media and edu­ca­tion ren­ders peo­ple “unable to dis­tin­guish between what feels good and what’s true.”

This state involves, he says a “slide… back into super­sti­tion” of the reli­gious vari­ety and also a gen­er­al “cel­e­bra­tion of igno­rance,” such that well-sup­port­ed sci­en­tif­ic the­o­ries car­ry the same weight or less than expla­na­tions made up on the spot by author­i­ties whom peo­ple have lost the abil­i­ty to “knowl­edge­ably ques­tion.” It’s a scary sce­nario that may not have com­plete­ly come to pass… just yet, but Sagan knew as well or bet­ter than any­one of his time how to address such a poten­tial social epi­dem­ic.

Relat­ed Con­tent:

Carl Sagan Pre­dicts the Decline of Amer­i­ca: Unable to Know “What’s True,” We Will Slide, “With­out Notic­ing, Back into Super­sti­tion & Dark­ness” (1995)

Carl Sagan’s Syl­labus & Final Exam for His Course on Crit­i­cal Think­ing (Cor­nell, 1986)

Carl Sagan’s Last Inter­view

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

175+ College Admissions Offices Promise Not to Penalize High School Students Who Get Suspended for Protesting Peacefully Against Gun Violence

Image by Lorie Shaull, via Flickr Com­mons

“Will my admis­sion get rescind­ed if I get sus­pend­ed for engag­ing in a school walk-out meant to bring atten­tion to the school shoot­ing issue?” That’s a ques­tion many high school stu­dents have posed to col­lege admis­sions offices around the coun­try, espe­cial­ly after some high school offi­cials threat­ened to sus­pend stu­dents tak­ing part in anti-gun demon­stra­tions.

Many lead­ing uni­ver­si­ties have since issued pol­i­cy state­ments and giv­en these stu­dents their bless­ing and sup­port. In a post called “In Sup­port of Stu­dent Protests,” Han­nah Mend­lowitz, from Yale’s Admis­sions Office, writes:

[W]e con­tin­ue to get the ques­tion: will Yale look unfa­vor­ably upon dis­ci­pline result­ing from peace­ful demon­stra­tions?

The answer is sim­ple: Of course not.

To the stu­dents who have reached out to us with these con­cerns, we have made clear that they should feel free to par­tic­i­pate in walk-out events to bring atten­tion to this issue with­out fear of reper­cus­sion. Yale will NOT be rescind­ing anyone’s admis­sion deci­sion for par­tic­i­pat­ing in peace­ful walk­outs for this or oth­er caus­es, regard­less of any high school’s dis­ci­pli­nary pol­i­cy. I, for one, will be cheer­ing these stu­dents on from New Haven.

And on the offi­cial Twit­ter feed for the Brown Uni­ver­si­ty, a tweet reads:

Appli­cants to Brown: Expect a social­ly con­scious, intel­lec­tu­al­ly inde­pen­dent cam­pus where free­dom of expres­sion is fun­da­men­tal­ly impor­tant. You can be assured that peace­ful, respon­si­ble protests against gun vio­lence will not neg­a­tive­ly impact deci­sions on admis­sion to Brown.

And that’s just the tip of the ice­berg. Below, find a list of 175+ uni­ver­si­ties that have grant­ed sim­i­lar assur­ances, along with links to their state­ments. The list comes from Alex Gar­cia, who is main­tain­ing a reg­u­lar­ly-updat­ed Google Doc. Access it online here.

Again, you can refer to this Google Doc for more updates.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

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Carl Sagan’s Syllabus & Final Exam for His Course on Critical Thinking (Cornell, 1986)

Though now more than twen­ty years gone, Carl Sagan, through his many books and his clas­sic tele­vi­sion series Cos­moscon­tin­ues to teach us all he knew about life, the uni­verse, and every­thing. Three decades’ worth of stu­dents will also remem­ber learn­ing from him in per­son, in the lec­ture halls of Har­vard and Cor­nell where he kept up his pro­fes­so­r­i­al duties along­side the con­sid­er­able demands of his career as a pub­lic intel­lec­tu­al. If you’ve ever learned any­thing from Sagan, whether from the man him­self or from his work, you know he did­n’t just want to teach human­i­ty about out­er space: he want­ed to teach human­i­ty how to think.

That goal became explic­it in Astron­o­my 490, also known as “Crit­i­cal Think­ing in Sci­ence and Non-Sci­ence Con­text,” which Sagan taught at Cor­nell in 1986. You can read its course mate­ri­als at the Library of Con­gress, whose Jen­nifer Harb­ster writes that they “include men­tion of the impor­tant bal­ance between open­ness to new ideas and skep­ti­cal engage­ment with those ideas in sci­ence,” a point that “ani­mates much of Carl Sagan’s work as an edu­ca­tor and sci­ence com­mu­ni­ca­tor.”

The LoC offers the course’s intro­duc­tion and syl­labus, its final exam, and Sagan’s lec­ture notes, as well as the infor­ma­tion he assem­bled to design the course in the first place, which show just how wide a range of con­texts for crit­i­cal think­ing he had in mind.

Sagan col­lect­ed exam­ples of report­ing on and pub­lic per­cep­tion of phe­nom­e­na relat­ed to sports play­off seriescar-loan inter­est rates, tobac­co indus­try-spon­sored tobac­co health-risk research, and the num­ber of heli­copters that crash in Los Ange­les. Harb­ster explains that “these notes illus­trate how he want­ed to use stu­dents’ every day expe­ri­ence with things like tele­vi­sion to prompt them to think more skep­ti­cal­ly about how claims are made and war­rant­ed in every­day life.” Though some of his exam­ples  (the lan­guage of cig­a­rette adver­tise­ments, for instance) may look dat­ed now, the course’s core prin­ci­ples have only grown more use­ful, and indeed nec­es­sary, with time — as Sagan, who wrote dark­ly of “the slow decay of sub­stan­tive con­tent in the enor­mous­ly influ­en­tial media,” sure­ly knew they would.

Relat­ed Con­tent:

Daniel Den­nett Presents Sev­en Tools For Crit­i­cal Think­ing

Oxford’s Free Course Crit­i­cal Rea­son­ing For Begin­ners Will Teach You to Think Like a Philoso­pher

Carl Sagan’s Under­grad Read­ing List: 40 Essen­tial Texts for a Well-Round­ed Thinker

Carl Sagan Pre­dicts the Decline of Amer­i­ca: Unable to Know “What’s True,” We Will Slide, “With­out Notic­ing, Back into Super­sti­tion & Dark­ness” (1995)

Carl Sagan Presents His “Baloney Detec­tion Kit”: 8 Tools for Skep­ti­cal Think­ing

32 Ani­mat­ed Videos by Wire­less Phi­los­o­phy Teach You the Essen­tials of Crit­i­cal Think­ing

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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