In what is often called the “EarÂly ModÂern” periÂod, or the “Long EighÂteenth CenÂtuÂry,” Europe witÂnessed an exploÂsion of satire, not only as a politÂiÂcal and litÂerÂary weapon, but as a means of reactÂing to a whole new way of life that arose in the cities—principally LonÂdon and Paris—as a disÂplaced rurÂal popÂuÂlaÂtion and expandÂing bourÂgeoisie radÂiÂcalÂly altered the charÂacÂter of urban life. In EngÂland, poets like AlexanÂder Pope and Jonathan Swift savÂaged their rivals in print, while also comÂmentÂing on the increasÂing pace and declinÂing tastes of the city.
In France, Voltaire punched up, using his pen to neeÂdle Parisian authorÂiÂties, servÂing 11 months in the Bastille for a satirÂiÂcal verse accusÂing the Regent of incest. Despite the hugeÂly sucÂcessÂful preÂmiere of his play OediÂpus sevÂen months after his release, Voltaire would ultiÂmateÂly be exiled from his beloved city for 28 years, returnÂing in 1778 at the age of 83.
Now, of course, Parisians celÂeÂbrate Voltaire in every posÂsiÂble way, but what would it have been like to have expeÂriÂenced the city durÂing his lifeÂtime, when it became the buzzing cenÂter of EuroÂpean intelÂlecÂtuÂal life? In the video recreÂation above, we can parÂtialÂly answer that quesÂtion by expeÂriÂencÂing what 18th cenÂtuÂry Paris may have looked and soundÂed like, accordÂing to musiÂcolÂoÂgist Mylène ParÂdoen, who designed this “hisÂtorÂiÂcal audio reconÂstiÂtuÂtion,” writes CNRS News, with a “team of hisÂtoÂriÂans, sociÂolÂoÂgists and speÂcialÂists in 3D repÂreÂsenÂtaÂtions.”
The team chose to aniÂmate “the Grand Châtelet disÂtrict, between the Pont au Change and Pont Notre Dame bridges” because, ParÂdoen explains, the neighÂborÂhood “conÂcenÂtrates 80% of the backÂground and sound enviÂronÂments of Paris in that era, whether through familÂiar trades—shopkeepers, craftsÂmen, boatÂmen, washÂerÂwomen on the banks of the Seine… or the diverÂsiÂty of acoustic posÂsiÂbilÂiÂties, like the echo heard under a bridge or in a covÂered pasÂsageÂway.” The result is “the first 3D reconÂstrucÂtion based soleÂly on a sonÂic backÂground.”
“We are the whipped cream of Europe,” Voltaire once said of his Paris, a luxÂuÂriÂous, arisÂtoÂcratÂic world. But 18th cenÂtuÂry Paris was also a grimy city full of ordiÂnary laborÂers and merÂchants, of “cesspools and kennels”—as a comÂmenÂtary on DickÂens’ A Tale of Two Cities notes—and of wine-stained streets withÂout propÂer drainage. And it was a city on the verge of a revÂoÂluÂtion from below, inspired by iconÂoÂclasts from above like Voltaire. In the 3D video and audio recreÂation above, we get a small, video-game-like taste of a bustling city caught between immense luxÂuÂry and crushÂing poverÂty, between medieval theÂolÂoÂgy and humanÂist phiÂlosÂoÂphy, and between the rule of divine kings and a bloody secÂuÂlar revÂoÂluÂtion to come.
We startÂed the video above at the 2:06 mark when the aniÂmaÂtions kick in. Feel free to start the video from the very beginÂning.
via @WFMU/CNRS News
RelatÂed ConÂtent:
Fly Through 17th-CenÂtuÂry London’s GritÂty Streets with Prize-WinÂning AniÂmaÂtions
BeauÂtiÂful, ColÂor PhoÂtographs of Paris TakÂen 100 Years Ago—at the BeginÂning of World War I & the End of La Belle Époque
What Makes Paris Look Like Paris? A CreÂative Use of Google Street View
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness