The Curious History of Punctuation: Author Reveals the Beginnings of the #, ¶, ☞, and More

ShadyCharactersAll things we humans use, from our advanced mobile phones to our very arms and legs, reached their cur­rent states through a process of evo­lu­tion. The same, nat­u­ral­ly, goes for our punc­tu­a­tion marks. These tools we use to sep­a­rate, con­nect, or draw atten­tion to our words and sen­tences had dif­fer­ent forms and uses in bygone times, and Scot­land-based med­ical visu­al­iza­tion soft­ware pro­gram­mer Kei­th Hous­ton has tak­en it upon him­self to trace paths through all of them. In the intro­duc­tion to his his­to­ry-of-punc­tu­a­tion blog Shady Char­ac­ters, he recounts his unlike­ly source of inspi­ra­tion in Eric Gill’s Essay on Typog­ra­phy: “my inter­est was piqued by the unusu­al char­ac­ter resem­bling a reversed cap­i­tal ‘P’ — ‘¶’ — which pep­pered the text at appar­ent­ly ran­dom inter­vals.” This lit­tle-dis­cussed mark, called a pil­crow, led Hous­ton to ask the sort of ques­tions that dri­ve his project: “How did the pilcrow’s curi­ous reverse‑P form come about? What were the roots of its pithy, half-famil­iar name? What caused it to fall out of use, and hav­ing done just that, why did Eric Gill see fit to place them seem­ing­ly at ran­dom in his only pub­lished work on typog­ra­phy? What, in oth­er words, was the pil­crow all about?”

guillelmus-cropped

In a recent New York­er post, Hous­ton works toward the answers by look­ing back to the pil­crow’s pre­cur­sors. “Before there was any oth­er punc­tu­a­tion there was the para­graphos—from the Greek para-, ‘beside,’ and graphein, ‘write’,” he explains. “A sim­ple hor­i­zon­tal stroke placed in the left mar­gin beside a line of text, the para­graphos was used in ancient Greece to call atten­tion to con­cep­tu­al changes in an oth­er­wise unbro­ken block of text: a new top­ic, per­haps, or a new stan­za in a poem.” This, over the cen­turies, became the pil­crow, just as “the Latin abbre­vi­a­tion ‘lb,’ for the Roman term libra pon­do, or ‘pound weight,’ ” turned into the #, or the hash mark, or — bet­ter yet —the octothor­pe. As for ☞, that lit­tle hand, Hous­ton tells us its prop­er name: man­icule, “tak­en,” nat­u­ral­ly enough, “from the Latin man­icu­lum, or ‘lit­tle hand.’ ” With ear­li­est use found in the Domes­day Book of 1086, the man­icule, “a mark that read­ers drew to call out points of inter­est,” enjoyed great preva­lence until the fif­teenth-cen­tu­ry print­ing press came along, when, “with print­ed ver­sions of the symbol—and of oth­er ref­er­ence marks such as * and †—now avail­able to writ­ers, ‘autho­rized’ notes began to spring up in the mar­gins, encroach­ing upon the space once avail­able to the read­er.”

manicule

Hous­ton’s work on the his­to­ry of punc­tu­a­tion has now tak­en the form of a book: Shady Char­ac­ters: The Secret Life of Punc­tu­a­tion, Sym­bols & Oth­er Typo­graph­i­cal Marks. But you can still read a wealth of his schol­ar­ship on the pil­crow, octothor­pe, the man­icule, and oth­er sym­bols both cur­rent and for­got­ten, on his blog, all clear­ly orga­nized on its table of con­tents. Who could turn down that good day’s read­ing‽

via The New York­er

Relat­ed Con­tent:

Cor­mac McCarthy’s Three Punc­tu­a­tion Rules, and How They All Go Back to James Joyce

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les PrimerFol­low him on Twit­ter at @colinmarshall.

Synchronized, Timelapse Video Shows Train Traveling from London to Brighton in 1953, 1983 & 2013

In 1953, the BBC filmed a train jour­ney from Lon­don to Brighton, “squeezed into just four min­utes.”  30 years lat­er, in 1983, they record­ed the same jour­ney again. And then for a third time in 2013. Above, you can watch all three jour­neys side by side. The videos are per­fect­ly in sync, which makes it par­tic­u­lar­ly easy to see what has changed — and what hasn’t — over the course of 60 years. You will see sim­i­lar­i­ties and dif­fer­ences in the land­marks along the routes. But the biggest con­trast? It’s the peo­ple who get off of the train at the end. Enjoy the ride.
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FBI’s “Vault” Web Site Reveals Declassified Files on Hemingway, Einstein, Marilyn & Other Icons


fbi files

Yes­ter­day we fea­tured pages from Charles Bukowski’s FBI file and, along the way, men­tioned William T. Vollman’s. But the Fed­er­al Bureau of Inves­ti­ga­tion has kept tabs on a much wider vari­ety of cul­tur­al fig­ures than just writ­ers: musi­cians, come­di­ans, film­mak­ers, sci­en­tists, actors, and activists have also caught its much-see­ing eye. You can browse a great many of these files, now declas­si­fied, in The Vault, the FBI’s “new elec­tron­ic read­ing room, con­tain­ing 6,700 doc­u­ments and oth­er media that have been scanned from paper into dig­i­tal copies so you can read them in the com­fort of your home or office.” The FBI help­ful­ly breaks down the files into cat­e­gories, from anti-war (Abbie Hoff­man,Howard Zinn) to gang­ster era (Al CaponeJohn Dillinger) to unex­plained phe­nom­e­na (Roswell UFOextra-sen­so­ry per­cep­tion). But you, Open Cul­ture read­er, might find the most mate­r­i­al of inter­est in The Vault’s pop­u­lar cul­ture sec­tion.

There you’ll find mate­ri­als per­tain­ing to:

  • Ernest Hemingway’s “intel­li­gence work on behalf of the U.S. Embassy in Havana, Cuba between 1942 and 1944″
  • Orson Welles’ “poten­tial ties to com­mu­nist activ­i­ties in 1940s Hol­ly­wood”
  • Char­lie Chaplin’s ties to com­mu­nist orga­ni­za­tions (along with an inter­state pros­ti­tu­tion inves­ti­ga­tion)
  • John Lennon’s con­nec­tions to anti-war groups, which you’d expect, and an inves­ti­ga­tion of a threat made against him, which you may not
  • Mar­i­lyn Monroe’s con­nec­tions to com­mu­nism through her one­time hus­band Arthur Miller and oth­er­wise
  • Albert Einstein’s ”rad­i­cal back­ground”
  • Jef­fer­son Airplane’s “involve­ment in con­certs at demon­stra­tions such as one orga­nized by the Youth Inter­na­tion­al Par­ty [ … ] to impeach Pres­i­dent Nixon”
  • Helen Keller’s com­mu­nist sym­pa­thies
  • The Doors’ ”trash” music and its dis­sem­i­na­tion
  • The poten­tial obscen­i­ty of the Kingmen’s “Louie, Louie” (nobody could tell for sure)

If you dig into the Vault, you’ll see that not every FBI inves­ti­ga­tion begins with a sus­pi­cion that the lumi­nary in ques­tion is up to no good. In many cas­es, cul­tur­al fig­ures received threats (usu­al­ly extor­tion-relat­ed) from mys­te­ri­ous par­ties and called in the FBI to, well, inves­ti­gate. As with any tool in human hands, nations can use their inves­ti­ga­tion orga­ni­za­tions for good, or for, shall we say, more ambigu­ous pur­pos­es. What­ev­er their aims, they do pro­duce fas­ci­nat­ing read­ing.

Above you can find a mosa­ic of cul­tur­al fig­ures that were on the FBI radar. The image comes from decryptedmatrix.com.

Relat­ed Con­tent:

Read 113 Pages of Charles Bukowski’s FBI File From 1968

How to Spot a Com­mu­nist Using Lit­er­ary Crit­i­cism: A 1955 Man­u­al from the U.S. Mil­i­tary

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Read 113 Pages of Charles Bukowski’s FBI File From 1968

BukowskiFBI

Click image for a larg­er ver­sion

If cer­tain well-known writ­ers come off as a bit para­noid, they may have good cause. Then again, the Pow­ers That Be con­duct their sur­veil­lance in mys­te­ri­ous ways, nev­er tar­get­ing quite whom you’d expect. William T. Voll­mann, for instance, a nov­el­ist known less for his para­noia than his pro­duc­tiv­i­ty, recent­ly revealed in Harper’s that the Fed­er­al Bureau of Inves­ti­ga­tion, on the look­out for Unabomber sus­pects, built up quite a file on him. “Indi­vid­u­als this bright are capa­ble of most any­thing,” reads one of its stark­ly type­writ­ten pages. “By all accounts, VOLLMANN is exceed­ing­ly intel­li­gent and pos­sessed with an enor­mous ego.” Per­haps writer­ly ego, albeit of an entire­ly dif­fer­ent stripe, also got post office-work­ing poet Charles Bukows­ki in trou­ble. “In 1968 var­i­ous branch­es of the U.S. gov­ern­ment per­formed an inves­ti­ga­tion into the back­ground of civ­il ser­vant Charles Bukows­ki,” accord­ing to bukowski.net. “Appar­ent­ly the FBI and the Postal Ser­vice took offense to some of his writ­ing (main­ly the Notes From a Dirty Old Man col­umn he wrote for the Los Ange­les hip­pie tabloid Open City),” the page con­tin­ues, “and had their ‘infor­mants’ report Bukows­ki to high­er-ups in the post office.”

Bukowski.net offers 113 pages of Bukowski’s FBI file, direct­ly scanned. “He stat­ed that BUKOWSKI is an excel­lent ten­ant who nev­er asso­ciates with any of his neigh­bors,” one page reports, appar­ent­ly from an inter­view with the land­lord of Bukowski’s now-famous bun­ga­low at 5124 De Long­pre in Los Ange­les. And from an inter­ro­ga­tion of the writer him­self: “He explained that these arti­cles are ‘an inter-mix­ture of fic­tion and fact’ and are ‘high­ly roman­ti­cized in order to give the sto­ry juice.’ ” Released FBI files of this type tend to give an impres­sion of fruit­less­ness and inep­ti­tude, but at least Bukowski’s did make one dis­cov­ery that may fas­ci­nate avid fans: “Bukows­ki claimed he was mar­ried to Jane Cooney,” says bukowski.net. “Every Bukows­ki biog­ra­phy writ­ten thus far names Bar­bara Frye as his first wife. How­ev­er, in 1952 (three years before his mar­riage to Bar­bara Frye) Bukows­ki stat­ed that he was mar­ried to Jane Cooney Bak­er — the ‘Jane’ of many of his most heart­felt works.” Once Amer­i­ca puts its ter­ror­ism prob­lems behind it, per­haps the FBI can devote its resources to more lit­er­ary research — albeit of a non-inva­sive vari­ety.

Relat­ed Con­tent:

Lis­ten to Charles Bukows­ki Poems Being Read by Bukows­ki, Tom Waits and Bono

Charles Bukows­ki Sets His Amus­ing Con­di­tions for Giv­ing a Poet­ry Read­ing (1971)

“Don’t Try”: Charles Bukowski’s Con­cise Phi­los­o­phy of Art and Life

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Albert Einstein Called Racism “A Disease of White People” in His Little-Known Fight for Civil Rights

einstein speaks

Albert Einstein’s activ­i­ties as a pas­sion­ate advo­cate for peace were well-doc­u­ment­ed dur­ing his life­time. His celebri­ty as a famous physi­cist and one of the world’s most rec­og­niz­able faces lent a great deal of weight to his paci­fism, a view oth­er­wise not giv­en much con­sid­er­a­tion in the pop­u­lar press at almost any time in his­to­ry. How­ev­er, accord­ing to a 2006 book titled Ein­stein on Race and Racism by Fred Jerome and Roger Tay­lor, the sci­en­tist was also as pas­sion­ate about com­bat­ing racism and seg­re­ga­tion as he was about com­bat­ing war. This facet of Einstein’s life was vir­tu­al­ly ignored by the media, as was a vis­it he made in 1946 to Lin­coln Uni­ver­si­ty in Penn­syl­va­nia, the first degree-grant­i­ng col­lege for African-Amer­i­cans and the alma mater of Langston Hugh­es and Thur­good Mar­shall.

Invit­ed to Lin­coln to receive an hon­orary degree, Ein­stein gave a lec­ture on physics but also blunt­ly addressed the racial ani­mus that held the coun­try in its grip, report­ed­ly call­ing racism, “a dis­ease of white peo­ple” and say­ing he “did not intend to be qui­et” about his oppo­si­tion to seg­re­ga­tion and racist pub­lic pol­i­cy. Lest any­one think the Nobel-prize-win­ning physi­cist was pan­der­ing to his audi­ence, the Har­vard Gazette offers a com­pre­hen­sive sum­ma­ry of Einstein’s sup­port of pro­gres­sive anti-racist caus­es, includ­ing his per­son­al sup­port of mem­bers of Princeton’s black com­mu­ni­ty (he paid one man’s col­lege tuition), a town Prince­ton native Paul Robe­son once called “the north­ern­most town in the south.”

Ein­stein formed rela­tion­ships with sev­er­al promi­nent black leaders—inviting opera singer Mar­i­an Ander­son to stay in his home after she was refused a room at the Nas­sau Inn and appear­ing as a char­ac­ter wit­ness for W.E.B. Dubois when the lat­ter stood accused of “fail­ing to reg­is­ter as a for­eign agent.” But it was his 20-year friend­ship with Robe­son that seems cen­tral to his involve­ment in civ­il rights caus­es. The Har­vard Gazette writes:

Ein­stein met Paul Robe­son when the famous singer and actor came to per­form at Princeton’s McCarter The­atre in 1935. The two found they had much in com­mon. Both were con­cerned about the rise of fas­cism, and both gave their sup­port to efforts to defend the demo­c­ra­t­i­cal­ly elect­ed gov­ern­ment of Spain against the fas­cist forces of Fran­cis­co Fran­co. Ein­stein and Robe­son also worked togeth­er on the Amer­i­can Cru­sade to End Lynch­ing, in response to an upsurge in racial mur­ders as black sol­diers returned home in the after­math of World War II.

At the time of the Gazette arti­cle, 2007, a movie about Ein­stein and Robeson’s friend­ship was appar­ent­ly in the works, with Dan­ny Glover as Robe­son and Ben Kings­ley as Ein­stein. The project is appar­ent­ly stalled, but with the upsurge in pop­u­lar inter­est in the his­to­ry of civ­il rights—with the over­turn­ing of the Vot­ing Rights Act and the wide­spread cov­er­age of the 50th anniver­sary of the March on Washington—perhaps the project will see new life soon. I cer­tain­ly hope so.

via PourMe­Cof­fee

Relat­ed Con­tent:

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Lis­ten as Albert Ein­stein Calls for Peace and Social Jus­tice in 1945

MLK’s Last Days and Final Speech

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch The March, the Masterful, Digitally Restored Documentary on The Great March on Washington

The March on Wash­ing­ton for Jobs and Free­dom, one of the largest human rights ral­lies in Amer­i­can his­to­ry, took place 50 years ago today in Wash­ing­ton, D.C.. Mar­tin Luther King Jr. spoke that day, deliv­er­ing his famous “I Have a Dream” speech. Joan Baez sang “We Shall Over­come,” the anthem of the civ­il rights move­ment, while Bob Dylan per­formed “When the Ship Comes In” and Odet­ta sang “I’m On My Way.”

In 1964, the direc­tor James Blue released a doc­u­men­tary called The March. Pro­duced under the aus­pices of the Unit­ed States Infor­ma­tion Agency, the film proved to be a “visu­al­ly stun­ning, mov­ing, and arrest­ing doc­u­men­tary of the hope, deter­mi­na­tion, and cama­raderie embod­ied by the demon­stra­tion.” And while the film ini­tial­ly sparked some con­tro­ver­sy (read the account here), it has had a big impact on audi­ences inside and out­side the US through­out the decades.

In 2008, The March was select­ed for preser­va­tion in the Unit­ed States Nation­al Film Reg­istry by the Library of Con­gress. To cel­e­brate the 50th anniver­sary of the The March for Jobs and Free­dom, the US Nation­al Archives has com­plet­ed a full dig­i­tal restora­tion of the film. You can watch it free above, or find it in the Free Doc­u­men­taries sec­tion of our col­lec­tion of 550 Free Movies Online.

Relat­ed Con­tent:

Nichelle Nichols Tells Neil deGrasse Tyson How Mar­tin Luther King Con­vinced Her to Stay on Star Trek

Mal­colm X at Oxford, 1964

James Bald­win Bests William F. Buck­ley in 1965 Debate at Cam­bridge Uni­ver­si­ty

Robert Penn War­ren Archive Brings Ear­ly Civ­il Rights to Life

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“Glory to the Conquerors of the Universe!”: Propaganda Posters from the Soviet Space Race (1958–1963)

conquer space

Walk­ing around L.A. just yes­ter­day, I noticed new ban­ners embla­zoned with illus­tra­tions tout­ing sub­way sta­tions now under con­struc­tion. In bold, bright col­ors, they deliv­er clear, ambi­tious imagery of a bright future ahead: ded­i­cat­ed builders, focused stu­dents, noble work­ing com­muters, surg­ing trains. Why, I thought, those look a bit like Sovi­et pro­pa­gan­da! I had no polit­i­cal com­par­isons in mind, only aes­thet­ic ones, and this Retro­naut post shows off many per­fect exam­ples of the Cold War-era Russ­ian posters the Los Ange­les Metro’s brought to my mind. They cap­ture the imag­i­na­tion by exud­ing even more intense sci­en­tif­ic, tech­no­log­i­cal, edu­ca­tion­al, and social opti­mism — and doing so in even more visu­al detail — than I’d remem­bered.

And boy, speak­ing of ambi­tion: “From student’s mod­els to space­ships!” “To the Sun! To the stars!” “Glo­ry to the con­querors of the uni­verse!” Chil­dren inclined to accept these glo­ri­ous slo­gans and the rap­tur­ous imagery they accom­pa­ny could not pos­si­bly fail to believe that, thor­ough­ly edu­cat­ed by their coun­try, their gen­er­a­tion would go on to ush­er in a new galaxy-span­ning order of peace, pros­per­i­ty, and social­ism. Yet we in the rest of the world now know of the bore­dom, cyn­i­cism, and oppres­sion that attend­ed many Sovi­et cit­i­zens’ every­day lives. A Cold War-spe­cial­ist col­lege his­to­ry pro­fes­sor of mine liked to tell a sto­ry about a trip to Moscow he took in the six­ties, on which he kept see­ing ado­les­cents with noth­ing more pro­duc­tive to do than open­ly chug­ging vod­ka on street cor­ners.  Yet, see­ing posters like these, you sim­ply want to believe, just like I want to believe in the exten­sion of Los Ange­les’ sub­way — which, at times, seems about as plau­si­ble as the con­quer­ing of out­er space.

“From student’s mod­els to space­ships!”

Soviet-Space-Propaganda-Posters-3

“Glo­ry to the work­ers of Sovi­et sci­ence and tech­nol­o­gy!”

Soviet-Space-Propaganda-Posters-9

“I am hap­py — this is my work join­ing the work of my repub­lic”

Soviet-Space-Propaganda-Posters-14

“In the 20th cen­tu­ry the rock­ets race to the stars”

Soviet-Space-Propaganda-Posters-15
Vis­it Retro­naut for many more space pro­pa­gan­da posters from the Sovi­et era.

Relat­ed Con­tent:

“First Orbit”: Cel­e­brat­ing 50th Anniver­sary of Yuri Gagaran’s Space Flight

How the CIA Secret­ly Fund­ed Abstract Expres­sion­ism Dur­ing the Cold War

How to Spot a Com­mu­nist Using Lit­er­ary Crit­i­cism: A 1955 Man­u­al from the U.S. Mil­i­tary

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

New Archive Makes Available 800,000 Pages Documenting the History of Film, Television & Radio

photoplay52chic_0107

Click images for larg­er ver­sions

Film buffs and schol­ars have a new cache at their fin­ger­tips. The Media His­to­ry Dig­i­tal Library has made hun­dreds of thou­sands of pages of film and broad­cast­ing his­to­ry avail­able in a search­able dig­i­tal archive they’ve called Lantern, an open access, inter­ac­tive library.

With help from the Uni­ver­si­ty of Wis­con­sin, Madi­son Depart­ment of Com­mu­ni­ca­tion Arts, MHDL made their entire col­lec­tion of Busi­ness Screen, The Hol­ly­wood Reporter, Pho­to­play and Vari­ety—among oth­er magazines—available for text search­es for the first time.

In 2011 a group of film schol­ars devel­oped MHDL, an updat­ed resource for his­to­ri­ans used to read­ing through micro­film archives of cin­e­ma and broad­cast jour­nals. At the time, their archive was a gold­mine, pulling togeth­er the boun­ty of print­ed mate­r­i­al chron­i­cling the film indus­try. Now they’ve made it bet­ter, with more refined search, fil­ter­ing and sort­ing tools. Plus you can down­load images and texts.

It may have been a rite of pas­sage for film stu­dents to sequester them­selves in a dark library car­rel and scroll through micro­fiche reels of Mov­ing Pic­ture World, an influ­en­tial trade jour­nal until 1927, but Lantern brings ven­er­a­ble movie mag­a­zines dat­ing up to the ear­ly ’70s into the light of day where any­one can access the images and arti­cles of major trade and fan mag­a­zines, free of charge.

An ear­ly on-set chat rag, Film Fun, a mag­a­zine about “the hap­py side of the movies,” brought read­ers “inti­mate gos­sip of the pro­fes­sion told by the actors and actress­es ‘between the reels.’” The images are gor­geous.

filmfun322333lesl_0009

In the twen­ties a new ama­teur movie mak­ing indus­try thrived, with equip­ment and even tour pack­ages avail­able for buffs who want­ed to tour exot­ic locales like Cuba with cam­eras and learn to shoot and pre­serve 16 mm motion pic­tures. A boom in DIY film mag­a­zines like Ama­teur Movie Mak­ers tar­get­ed the ear­ly adopters.

amateurmoviemake12amat_0048

And lest we think that pulp celebri­ty mags like Peo­ple and Us are low­er brow than those of yes­ter­year, we should think again. I’m not sure about you, but I’m not sure four-times-mar­ried Bette Davis makes the best love advice colum­nist. But appar­ent­ly Pho­to­play mag­a­zine did.

photoplay122phot_0588

Relat­ed Con­tent:

Three Great Films Star­ring Char­lie Chap­lin, the True Icon of Silent Com­e­dy

How Brew­ster Kahle and the Inter­net Archive Will Pre­serve the Infi­nite Infor­ma­tion on the Web

Kate Rix writes about edu­ca­tion and dig­i­tal media. Vis­it her web­site and fol­low her on Twit­ter.

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