The Psychology of Messiness & Creativity: Research Shows How a Messy Desk and Creative Work Go Hand in Hand

Emin-My-Bed

You may have come into con­tact at some point with Tracey Emin’s My Bed, an art instal­la­tion that repro­duces her pri­vate space dur­ing a time when she spent four days as a shut-in in 1998, “heart­bro­ken”: the bed’s unmade, the bed­side strewn with cig­a­rettes, moc­casins, a bot­tle of booze, food, and “what appears to be a six­teen year old con­dom”…. If you were savvy enough to be Tracey Emin in 1998—and none of us were—you would have sold that messy room for over four mil­lion dol­lars last year at a Christie’s auc­tion. I doubt anoth­er buy­er of that cal­iber will come along for a knock-off, but this doesn’t mean the mess­es we make while slob­bing around our own homes are with­out their own, intan­gi­ble, val­ue.

Those mess­es, in fact, may be seedbeds of cre­ativ­i­ty, con­firm­ing a cliché as per­sis­tent as the one about doc­tors’ hand­writ­ing, and per­haps as accu­rate. It seems a messy desk, room, or stu­dio may gen­uine­ly be a mark of genius at work. Albert Ein­stein for exam­ple, writes Elite Dai­ly, had a desk that “looked like a spite­ful ex-girl­friend had a mis­sion to destroy his work­space.” Ein­stein respond­ed to crit­i­cism of his work habits by ask­ing, “If a clut­tered desk is a sign of a clut­tered mind, then what are we to think of an emp­ty desk?”

Mark Twain also had a messy desk, “per­haps even more clut­tered than that of Albert Ein­stein.” To find out whether the messi­ness trait’s rela­tion to cre­ativ­i­ty is sim­ply an “urban leg­end” or not, Kath­leen Vohs (a researcher at the Uni­ver­si­ty of Min­neso­ta’s Carl­son School of Man­age­ment) and her col­leagues con­duct­ed a series of exper­i­ments in both tidy and unruly spaces with 188 adults giv­en tasks to choose from.

Vohs describes her find­ings in the New York Times, con­clud­ing that messi­ness and cre­ativ­i­ty are at least very strong­ly cor­re­lat­ed, and that “while clean­ing up cer­tain­ly has its ben­e­fits, clean spaces might be too con­ven­tion­al to let inspi­ra­tion flow.” But there are trade-offs. Read about them in Vohs’ paper—“Phys­i­cal Order Pro­duces Healthy Choic­es, Gen­eros­i­ty, and Con­ven­tion­al­i­ty, Where­as Dis­or­der Pro­duces Cre­ativ­i­ty.” And just above, see Vohs’ co-author Joe Red­den, Assis­tant Pro­fes­sor of Mar­ket­ing at the Uni­ver­si­ty of Minnesota’s Carl­son School of Man­age­ment, dis­cuss the team’s fas­ci­nat­ing results. If con­duct­ing such an exper­i­ment on your­self, it might be best to do so in a space that’s all your own, though, like the rest of us, you’re too late to cre­ative­ly turn the mess you make into lucra­tive con­cep­tu­al art.

Relat­ed Con­tent:

Albert Ein­stein Tells His Son The Key to Learn­ing & Hap­pi­ness is Los­ing Your­self in Cre­ativ­i­ty (or “Find­ing Flow”)

Why You Do Your Best Think­ing In The Show­er: Cre­ativ­i­ty & the “Incu­ba­tion Peri­od”

John Cleese’s Phi­los­o­phy of Cre­ativ­i­ty: Cre­at­ing Oases for Child­like Play

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Umberto Eco’s Advice to Aspiring Writers

Umber­to Eco, now 83 years old, has some advice to pass along to the young.

In March, the Ital­ian semi­oti­cian, philoso­pher, lit­er­ary crit­ic, and nov­el­ist — and, of course, author of Fou­cault’s Pen­du­lum — pub­lished How to Write a The­sisIt’s a wit­ty, irrev­er­ent and prac­ti­cal guide for the stu­dent labor­ing over a the­sis or dis­ser­ta­tion. Josh Jones has more on that here.

Now, in a new­ly-released video from The Louisiana Chan­nel (a media out­let based in Den­mark), Eco turns his atten­tion toward aspir­ing writ­ers. And his wise coun­sel comes down to this: Keep your ego in check, make sure your ambi­tions are real­is­tic, put in the time and the hard work, and don’t shoot for the Nobel Prize in Lit­er­a­ture straight out of the gate. That, Eco says, kills every lit­er­ary career. He’ll also tell you that writ­ing is “10% inspi­ra­tion and 90% per­spi­ra­tion.” They’re tru­isms — you dis­cov­er when you’re an octo­ge­nar­i­an — that turn out to be true.

Find more tips for aspir­ing writ­ers below.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

Ray Brad­bury Gives 12 Pieces of Writ­ing Advice to Young Authors (2001)

Toni Mor­ri­son Dis­pens­es Writ­ing Wis­dom in 1993 Paris Review Inter­view

John Steinbeck’s Six Tips for the Aspir­ing Writer and His Nobel Prize Speech

Stephen King Cre­ates a List of 96 Books for Aspir­ing Writ­ers to Read

Kurt Von­negut Gives Advice to Aspir­ing Writ­ers in a 1991 TV Inter­view

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Watch Lynda Barry’s Graduation Speech; Give a Shout Out to the Teachers Who Changed Your Life

The Uni­ver­si­ty of the Arts’ most recent grads are lucky ducks to have had a speak­er as engag­ing as car­toon­ist and edu­ca­tor Lyn­da Bar­ry deliv­er­ing their commencement’s keynote address.

Speak­er Bar­ry was also made an Hon­orary Doc­tor of Fine Arts, an award that occa­sioned the ill-fit­ting tam seen in the video above, as well as a new title—Doctor Nursey—conferred by pre-kinder­garten­ers with whom she works at the Uni­ver­si­ty of Wis­con­sin. (Pre­vi­ous alias­es include Pro­fes­sor Chew­bac­ca and Pro­fes­sor Old Skull)

Bar­ry kept things live­ly by mix­ing in some tried and true mate­r­i­al from oth­er pub­lic appear­ances, includ­ing her Fil­ipino grandmother’s belief in the aswang, a poem set to music (here “Cot­ton Song” by Harlem Renais­sance poet, Jean Toomer) and the sto­ry of the col­lab­o­ra­tive car­toon, “Chick­en Attack by Jack.”

This last anec­dote con­tains a strong indict­ment of con­tem­po­rary society’s screen addic­tion, and it is heart­en­ing to see the graduates—members of the last gen­er­a­tion to pre-date the Internet—listening so atten­tive­ly, no one tex­ting or tweet­ing as the cam­era pans the crowd.

When Bar­ry exhort­ed them to shout out the names of their three most inspir­ing teach­ers on the count of three, most did!

For me, this was the most thrilling moment, though I also appre­ci­at­ed the advice on the best time to sched­ule oral surgery, and a bliss­ful untruth about Ever­green State Col­lege’s appli­ca­tion process cir­ca the mid-70s.

Not your typ­i­cal com­mence­ment speech… those lucky, lucky ducks!

Read­ers, we invite you to get in the spir­it and cel­e­brate the Class of 2015 by “shout­ing” the names of your most inspi­ra­tional teach­ers in the com­ment sec­tion below.

Relat­ed Con­tent:

Lyn­da Barry’s Won­der­ful­ly Illus­trat­ed Syl­labus & Home­work Assign­ments from Her UW-Madi­son Class, “The Unthink­able Mind”

Join Car­toon­ist Lyn­da Bar­ry for a Uni­ver­si­ty-Lev­el Course on Doo­dling and Neu­ro­science

John Waters’ RISD Grad­u­a­tion Speech: Real Wealth is Nev­er Hav­ing to Spend Time with A‑Holes

Robert De Niro Tells Grad­u­at­ing NYU Arts Grads, “You Made It… And You’re F*cked”

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Con­grat­u­la­tions, grad­u­ates, espe­cial­ly the mem­bers of NYC’s most fresh­ly forged the­ater com­pa­ny, Ras­cal Arts. Fol­low her @AyunHalliday

The Sketchbook Project Presents Online 24,000 Sketchbooks, Created by Artists from 135 Countries

sketchbook2

Artist: Helen Sander­son

If you love some­thing give it away.

If it doesn’t come back to you, it was nev­er real­ly yours…

Or, it’s a labor of love you cre­at­ed under the aus­pices of the Brook­lyn Art Library, with the full knowl­edge that giv­ing it away is a cost of par­tic­i­pa­tion.

Every year, thou­sands of artists, from the expe­ri­enced to the fledg­ling, pay a nom­i­nal fee to fill a 5x7 sketch­book with a cus­tom bar­code. Upon com­ple­tion, the books are to be mailed back to the one room Art Library, to become part of the per­ma­nent col­lec­tion, cur­rent­ly over 34,000 vol­umes strong (24,000 of which appear online). Vis­i­tors receive free library cards that allow them to view as many vol­umes as they like in-house, three at a time.

Artists will­ing to cough up a slight­ly more sub­stan­tial fee can have their book dig­i­tized for online view­ing at The Sketch­book Project.

sketchbook3

Artist: Tim Oliveira

In their vir­gin state, the sketch­books are uni­form. From there, any­thing goes, pro­vid­ed they retain their orig­i­nal height and width, and swell to no more than an inch thick. (Messy, gooey books might face rejec­tion, in part because they threat­en to con­t­a­m­i­nate the herd.)

Dip in at ran­dom and you will find an aston­ish­ing array of fin­ished work: messy, metic­u­lous, inti­mate, inscrutable, self-mock­ing, sin­cere, abstract, nar­ra­tive, care­ful­ly plot­ted, utter­ly impro­vi­sa­tion­al, accom­plished, ama­teur — ren­dered in a wide vari­ety of media, includ­ing ball point pen and col­lage.

sketchbook4

Artist: Estel­la Yu

My favorite way to browse the col­lec­tion, whether in per­son or online, is by select­ing a theme, just as the artists do when sign­ing up for the annu­al project. 2016’s themes include  “sand­wich,” “great hopes and mas­sive fail­ures,” and “Ahhh! Mon­ster!”

(“I’ll choose my own theme” is a peren­ni­al menu offer­ing.)

The theme that guid­ed the artists whose work is pub­lished here­in is “Things Found on Restau­rant Nap­kins.” Would you have guessed?

sketcbhook5

Artist: Christo­pher Mof­fitt

You can also search on spe­cif­ic words or medi­ums, artists’ names, and geo­graph­ic loca­tions. To date, The Sketch­book Project has received sketch­books by cre­ative peo­ple from 135+ coun­tries.

Those ready to take the Brook­lyn Art Library’s Sketch­book Project plunge can enlist here. Don’t fret about your qualifications—co-founders Steven Peter­man and Shane Zuck­er have made things demo­c­ra­t­ic, which is to say uncu­rat­ed, by design.

sketchbook6

Artist: Bet­ty Esper­an­za

via The New York­er

Relat­ed Con­tent:

New York Pub­lic Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Down­load and Use

Down­load 422 Free Art Books from The Met­ro­pol­i­tan Muse­um of Art

LA Coun­ty Muse­um Makes 20,000 Artis­tic Images Avail­able for Free Down­load

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her 2011 sketch­book, “I’m a Scav­enger” is housed in the Brook­lyn Art Library. Fol­low her @AyunHalliday

Robert De Niro Tells Graduating NYU Arts Grads, “You Made It… And You’re F*cked”

I’ve attend­ed my share of grad­u­a­tions and hence my share of grad­u­a­tion speeches—from politi­cians more inter­est­ed in stump­ing than inspir­ing their audi­ence; to local TV per­son­al­i­ties assur­ing grad­u­ates they too could become local TV per­son­al­i­ties; to the real Patch Adams, who wasn’t near­ly as fun­ny as Robin Williams in his less-than-fun­ny turn as Patch Adams. My expe­ri­ence has taught me that grad­u­a­tion speech­es gen­er­al­ly suck.

But not for the most recent batch of grad­u­ates of NYU’s Tisch School of the Arts, who got both brac­ing hon­esty and career val­i­da­tion from a speak­er most like­ly to give it to you straight. With his trade­mark foul-mouth gruff­ness, De Niro told the grad­u­at­ing class what every aspir­ing artist needs to know: “You made it,” he said, “and you’re f*cked.” The world, De Niro told his audi­ence, is not open­ing its arms to embrace art school grads. For all our pop cul­tur­al cel­e­bra­tion of cre­ativ­i­ty, the so-called “cre­ative class”—as we’re told again and again—is most­ly in decline.

Of course it’s nev­er been an easy road for artists. De Niro knows this full well not only through his own ear­ly expe­ri­ences before super­star­dom but from his upbring­ing: both his moth­er and father were bohemi­an painters with tur­bu­lent, fas­ci­nat­ing lives. And so he also knows of what he speaks when he tells the NYU grads that they “didn’t have a choice.” Where prag­mat­ic account­ing grads may be “pas­sion­ate about account­ing,” De Niro says, “it’s more like­ly that they used rea­son and log­ic and com­mon sense to reach for a career that could give them the expec­ta­tion of suc­cess and sta­bil­i­ty.”

Not the arts grads, the famous actor says: “You dis­cov­ered a tal­ent, devel­oped an ambi­tion and rec­og­nized your pas­sion.” Their path, he sug­gests, is one of self-actu­al­iza­tion:

When it comes to the arts, pas­sion should always trump com­mon sense. You aren’t just fol­low­ing dreams, you’re reach­ing for your des­tiny. You’re a dancer, a singer, a chore­o­g­ra­ph­er, a musi­cian, a film­mak­er, a writer, a pho­tog­ra­ph­er, a direc­tor, a pro­duc­er, an actor, an artist. Yeah, you’re f***ed. The good news is that that’s not a bad place to start.

Maybe not. And maybe, for those dri­ven to sing, dance, paint, write, etc., it’s the only place to start. Grant­ed, NYU stu­dents are already a pret­ty select and priv­i­leged bunch, who cer­tain­ly have a leg up com­pared to a great many oth­er strug­gling artists. Nev­er­the­less, giv­en cur­rent eco­nom­ic real­i­ties and the U.S.’s depress­ing aver­sion to arts edu­ca­tion and fund­ing, these grads have a par­tic­u­lar­ly dif­fi­cult road ahead, De Niro says. And who bet­ter to deliv­er that hard truth with such con­vic­tion and good humor?

h/t @sheerly

Relat­ed Con­tent:

David Byrne’s Grad­u­a­tion Speech Offers Trou­bling and Encour­ag­ing Advice for Stu­dents in the Arts

Jim Car­rey Com­mence­ment Speech: It’s Bet­ter to Fail at What You Love Than Fail at What You Don’t

‘This Is Water’: Com­plete Audio of David Fos­ter Wallace’s Keny­on Grad­u­a­tion Speech (2005)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Dementia Patients Find Some Eternal Youth in the Sounds of AC/DC

Last April, Mal­colm Young left AC/DC, the band he co-found­ed with his broth­er Angus in 1973. Only 61 years old, the gui­tarist found him­self unable to remem­ber his famous licks and riffs. The cause, doc­tors dis­cov­ered, was demen­tia. Young now lives in a nurs­ing home where he receives full-time care.

Above, you can watch a video cre­at­ed by the Brazil­ian radio sta­tion 89FM, where, touch­ing­ly, elder­ly Brazil­ians, also suf­fer­ing from demen­tia, lis­ten to the sounds of AC/DC and sum­mon to mind their younger, care­free days, when rock pro­vid­ed their sound­track to their youth. Long live rock…

To under­stand why music seems to trig­ger mem­o­ries in unusu­al ways, and how music ther­a­py can be used to improve the lives of those with demen­tia, see the research cov­ered at Live Sci­ence.

via Ulti­mate Clas­sic Rock

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and  share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox.

Do Not Track: Interactive Film Series Reveals the Personal Information You’re Giving Away on the Web

If Face­book knows every­thing about you, it’s because you hand­ed it the keys to your king­dom.  You post­ed a pho­to, liked a favorite child­hood TV show, and will­ing­ly vol­un­teered your birth­day. In oth­er words, you hand­ed it all the data it needs to annoy you with tar­get­ed adver­tis­ing.

(In my case, it’s an ancient secret that helped a mid­dle aged mom shave 5 inch­es off her waist­line. Let me save you a click: acai berries.)

Film­mak­er Brett Gay­lor (a “lefty Cana­di­an dad who reads sci­ence fic­tion) seeks to set the record straight regard­ing the web economy’s impact on per­son­al pri­va­cy.

Watch­ing his inter­ac­tive doc­u­men­tary web series, Do Not Track, you’ll inevitably arrive at a cross­roads where you must decide whether or not to share your per­son­al infor­ma­tion. No big­gie, right? It’s what hap­pens every time you con­sent to “log in with Face­book.”

Every time you choose this con­ve­nience, you’re allow­ing Google and oth­er big time track­ers to stick a har­poon (aka cook­ie) in your side. Swim all you want, lit­tle fishy. You’re not exact­ly get­ting away, par­tic­u­lar­ly if you’re logged in with a mobile device with a com­pul­sion to reveal your where­abouts.

You say you have noth­ing to hide? Bul­ly for you! What you may not have con­sid­ered is the impact your dig­i­tal easy-breezi­ness has on friends. Your net­work. And vice ver­sa. Tag away!

In this are­na, every “like”—from an acquaintance’s recent­ly launched organ­ic skin­care line to Star Trekhelps track­ers build a sur­pris­ing­ly accu­rate por­trait, one that can be used to deter­mine how insur­able you are, how wor­thy of a loan. Gen­der and age aren’t the only fac­tors that mat­ter here. So does your demon­strat­ed extra­ver­sion, your degree of open­ness.

(Ha ha, and you thought it cost you noth­ing to “like” that acquaintance’s smelly straw­ber­ry-scent­ed mois­tur­iz­er!)

To get the most out of Do Not Track, you’ll want to sup­ply its pro­duc­ers with your email address on your first vis­it. It’s a lit­tle counter-intu­itive, giv­en the sub­ject mat­ter, but doing so will pro­vide you with a unique con­fig­u­ra­tion that promis­es to lift the veil on what the track­ers know about you.

What does it say about me that I couldn’t get my Face­book log-in to work? How dis­ap­point­ing that this fail­ure meant I would be view­ing results tai­lored to Episode 3’s star, Ger­man jour­nal­ist Richard Gut­jahr?

(Your pro­file… says that your age is 42 and your gen­der is male. But the real gold mine is your Face­book data over time. By ana­lyz­ing the at least 129 things you have liked on Face­book, we have used our advanced algo­rithm tech­niques to assess your per­son­al­i­ty and have found you scored high­est in Open­ness which indi­cates you are cre­ative, imag­i­na­tive, and adven­tur­ous. Our per­son­al­i­ty eval­u­a­tion sys­tem uses Psy­cho-demo­graph­ic trait pre­dic­tions pow­ered by the Apply Mag­ic Sauce API devel­oped at the Uni­ver­si­ty of Cam­bridge Psy­cho­met­rics Cen­tre.)

I think the take­away is that I am not too on top of my pri­va­cy set­tings. And why would I be? I’m an extro­vert with noth­ing to hide, except my spend­ing habits, brows­ing his­to­ry, race, age, mar­i­tal sta­tus…

Should we take a tip from our high school brethren, who evade the scruti­ny of col­lege admis­sions coun­selors by adopt­ing some ridicu­lous, evoca­tive pseu­do­nym? Expect upcom­ing episodes of Do Not Track to help us nav­i­gate these and oth­er dig­i­tal issues.

Tune in to Do Not Track here. You can find episodes 1, 2 and 3 cur­rent­ly online. Episodes 4–6 will roll out between May 12 and June 9.

Relat­ed Con­tent:

The Internet’s Own Boy: New Doc­u­men­tary About Aaron Swartz Now Free Online

A Threat to Inter­net Free­dom: Film­mak­er Bri­an Knap­pen­berg­er Explains Why Net Neu­tral­i­ty Mat­ters

How Brew­ster Kahle and the Inter­net Archive Will Pre­serve the Infi­nite Infor­ma­tion on the Web

Ayun Hal­l­i­day an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine invites you to look into her very soul @AyunHalliday

The Poetry of the Cherry Blossoms Comes to Life in a One Minute Time Lapse Video

Are we to look at cher­ry blos­soms only in full bloom, the moon only when it is cloud­less? To long for the moon while look­ing on the rain, to low­er the blinds and be unaware of the pass­ing of spring—these are even more deeply mov­ing. Branch­es about to blos­som or gar­dens strewn with fad­ed flow­ers are wor­thi­er of our admi­ra­tion.

-Yoshi­da Kenko, Essays in Idle­ness (1330–1332)

Depend­ing on your coor­di­nates, cher­ry blos­som sea­son is either approach­ing, over, or in full riotous bloom. Every year, the Brook­lyn Botan­ic Gar­den sched­ules its annu­al Saku­ra Mat­suri fes­ti­val in igno­rance of what the weath­er may hold. Will lin­ger­ing win­ter tem­per­a­tures delay the blos­soms, or will spring come ear­ly, caus­ing the trees to erupt way ear­li­er than antic­i­pat­ed?

The only thing one can be cer­tain of is a mob scene, as ardent flower-view­ers of all ages stam­pede toward the cot­ton can­dy-col­ored trees, devices in hand. Mod­ern hana­mi prac­tice would sure­ly con­found the elite of the 8th Cen­tu­ry Impe­r­i­al Court. They wouldn’t have under­stood the con­cept of “self­ie” if it bit ‘em in the shakuhachi.

Of course, for every deter­mined 21st-cen­tu­ry soul who makes a point of admir­ing the blos­soms dur­ing their brief appear­ance, there are thou­sands more who, in the words of bureau­crat-turned-monk, Kenko, “low­er the blinds…unaware of the pass­ing of spring.”

Per­haps this lat­ter group is who Dave Allen, the Brook­lyn Botan­ic Garden’s for­mer web­mas­ter, had in mind when he installed a cam­era in a weath­er­proof box near the Cher­ry Esplanade. Every 3 min­utes, the shut­ter snapped, cap­tur­ing not just the glo­ri­ous Prunus ‘Kan­zan’ (aka Sekiya­ma) that line the walk­ways, but also a wide range of vis­i­tors who flocked to the gar­den between April 18 to April 26, 2008, seek­ing respite from the pres­sures of urban liv­ing.

The time lapse video Allen assem­bled from 3000 cap­tured moments takes slight­ly more than a minute to view. I think we have time to spare…

Watch it once for the main attrac­tion…

And then again for the (pix­il­lat­ed) peo­ple. Ran­dom­ly press “pause” to catch a kiss­ing cou­ple, a Hasidic man in a shtreimel, and a lit­tle girl in pink who some­how found her­self the sole human on the path…

Then one more time for the shad­ows of the clouds. Ah… That’s like­ly the time-strapped vir­tu­al viewer’s best chance for achiev­ing the sort of mind­set one might ascribe to The Tale of Gen­ji.

(Though per­haps a calm and con­tem­pla­tive mood was nev­er the goal. As ninth cen­tu­ry aris­to­crat­ic poet Ari­wara no Nar­i­hi­ra wrote (in trans­la­tion by Hiroa­ki Sato & Bur­ton Wat­son):

If there were no such thing

as cher­ry blos­soms

in this world,

in spring­time how untrou­bled

our hearts would be!

There is a mod­ern schol­ar on Tum­blr whose research sup­ports this take on the pink blooms’ blood quick­en­ing effects.)

In a week or two it will all be over.

As the petals fall, take refuge in Toi Der­ri­cotte’s recent poem. Its set­ting should feel famil­iar…

Cher­ry blos­soms

I went down to

min­gle my breath

with the breath

of the cher­ry blos­soms.

There were pho­tog­ra­phers:

Moth­ers arrang­ing their

chil­dren against 

gnarled old trees;

a cou­ple, hug­ging, 

asks a passer­by

to snap them

like that,

so that their love

will always be caught

between two friend­ships:

ours & the friend­ship

of the cher­ry trees.

Oh Cher­ry,

why can’t my poems

be as beau­ti­ful?

A young woman in a fur-trimmed

coat sets a card table

with linens, can­dles,

a pic­nic bas­ket & wine.

A father tips

a boy’s wheel­chair back

so he can gaze

up at a branched

heav­en.

                     All around us

the blos­soms

flur­ry down

whis­per­ing,

        Be patient

you have an ancient beau­ty.

                                            Be patient,

                                  you have an ancient beau­ty.

Relat­ed Con­tent:

Spring: A Short Film Based on Hemingway’s Mem­oir

Venice in a Day: From Day­break to Sun­set in Time­lapse

The Beau­ty of Namib­ian Nights in Time­lapse Motion

Ayun Hal­l­i­day will be releas­ing the 55th issue of her zine, the East Vil­lage Inky at the Brook­lyn Zine Fest this Sun­day. Fol­low her @AyunHalliday

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