William Shatner Sings Nearly Blasphemous Version of “Lucy in the Sky with Diamonds” (1968)

On a lazy sum­mer week­end last year, we asked for a lit­tle help from our friends. We asked: “What are the worst Bea­t­les’ cov­ers you’ve ever heard — ones so bad, they’re good?” And boy did you deliv­er. You rat­tled off 15 cringe-induc­ing cov­ers, includ­ing Bill Cos­by singing “Sgt. Pepper’s Lone­ly Hearts Club Band;” Sean Con­nery talk­ing his way through “In My Life;” Wing screech­ing “I Wan­na Hold Your Hand;” Tiny Tim doing dam­age to “Nowhere Man;” and much more. Look­ing back, I’m still per­son­al­ly drawn (in a it’s-so-cheesy-it’s-great kind of way) to William Shat­ner’s ver­sion of “Lucy in the Sky with Dia­monds.” Rid­ing high on his Star Trek fame, Shat­ner record­ed the song for his first music album, The Trans­formed Man, a 1968 con­cept album that jux­ta­posed clas­sic lit­er­a­ture with mod­ern pop lyrics. For exam­ple, he put lines from Cyra­no de Berg­er­ac next to Bob Dylan’s “Mr. Tam­bourine Man.” Years lat­er, in a 2001 inter­view, Paul McCart­ney laugh­ing­ly gave props to Shat­ner’s per­for­mance.

When you’re done with this piece of work, I’d encour­age to vis­it The 15 Worst Cov­ers of Bea­t­les Songs.

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Artist Shepard Fairey Curates His Favorite YouTube Videos

In a video for MOCA, the “defin­ing muse­um of con­tem­po­rary art” in Los Ange­les, Shep­ard Fairey, the graph­ic design­er and illus­tra­tor best known for the Oba­ma Hope poster of 2008, spent a few min­utes rap­ping about the YouTube videos that have inspired him, both per­son­al­ly and pro­fes­sion­al­ly. He starts with one we’ve fea­tured here before  — Saul Bass’ Pitch for the Redesign of Ma Bel­l’s Logo. Read all about that fas­ci­nat­ing 1969 project here.

Next up comes the 1981 music video for Blondie’s “Rap­ture” — momen­tous because it was the first rap video ever aired on MTV and because it fea­tures an appear­ance by graf­fi­ti artist Jean-Michel Basquiat, who stepped in for Grand­mas­ter Flash when he inex­plic­a­bly went MIA.

Now let’s roll George Clin­ton’s video for “Atom­ic Dog” (1982), an inspi­ra­tion to Fairey because it lay­ers 1980s-video game imagery on top of prison scenes, cre­at­ing a “tem­plate for what a lot of gang­ster rap­pers would embrace lat­er.” Call it the ur-gangs­ta rap video.

Final­ly, Shep­ard refers to videos by The Sex Pis­tols, the Eng­lish punk band formed in 1975. But when it comes to select­ing a par­tic­u­lar clip, he leaves us hang­ing. So, giv­en that curat­ing YouTube videos is our every­day gig, hope you don’t mind if we lay some “God Save the Queen” on you. Enjoy.

via Boing Boing

 

The Rolling Stones Live in Hyde Park, 1969

As the Rolling Stones gear up for their first full tour in five years, we take you back to a more inno­cent time, when the band was young and the tick­ets were not $500 each.

The year was 1969. The hip­pie coun­ter­cul­ture was still in bloom, and the Stones were at a moment of tran­si­tion. The band was in the process of fin­ish­ing its Let it Bleed album at Olympic Stu­dios in Lon­don with­out founder and mul­ti-instru­men­tal­ist Bri­an Jones, who was asked to leave the group in ear­ly June because of his esca­lat­ing drug prob­lem and increas­ing­ly dif­fi­cult per­son­al­i­ty. The Stones replaced Jones with the tal­ent­ed gui­tarist Mick Tay­lor. Eager to get rolling again, the group asked a pro­mot­er to orga­nize a free music fes­ti­val in Hyde Park, with the Stones at the top of the bill.

On July 5, 1969, a crowd of between 250,000 and 500,000 peo­ple gath­ered for the con­cert. Only three nights ear­li­er, Bri­an Jones was found dead at the bot­tom of his swim­ming pool. In his hon­or, Mick Jag­ger start­ed the Hyde Park con­cert by read­ing a pas­sage from Per­cy Bysshe Shel­ley’s “Adon­ais: An Ele­gy on the Death of John Keats.”  The Stones then released thou­sands of white but­ter­flies and launched into a raw set that includ­ed both clas­sics and rar­i­ties:

  1. “I’m Yours & I’m Hers”
  2. “Jumpin’ Jack Flash”
  3. “Mer­cy Mer­cy”
  4. “Down Home Girl”
  5. “Stray Cat Blues”
  6. “No Expec­ta­tions”
  7. “I’m Free”
  8. “Lov­ing Cup”
  9. “Love in Vain”
  10. “(I Can’t Get No) Sat­is­fac­tion”
  11. “Honky Tonk Women”
  12. “Mid­night Ram­bler”
  13. “Street Fight­ing Man”
  14. “Sym­pa­thy for the Dev­il”

The con­cert was doc­u­ment­ed by film­mak­ers Leslie Wood­head and Jo Dur­den-Smith for Grana­da Tele­vi­sion and was lat­er released on DVD as The Stones in the Park. You can watch the com­plete film above, although the songs will not appear in the same order as in the con­cert. It is a fas­ci­nat­ing and enjoy­able record of one of the most notable con­certs the Stones ever gave.

This com­ing July 6, exact­ly 44 years and a day after the 1969 con­cert, the Stones will return to Hyde Park for anoth­er con­cert. This time around it won’t be free. And oh yes: The con­cert will be spon­sored by Bar­clay­card, from the bank with the trusty slo­gan, “Flu­ent in Finance.”

Relat­ed Con­tent: 

The Rolling Stones Sing Jin­gle for Rice Krispies Com­mer­cial (1964)

The Rolling Stones Sing the Bea­t­les’ “Eight Days a Week” in a Hotel Room (1965)

The Rolling Stones First Played 50 Years Ago; Watch Them Explode Into Fame Short­ly There­after

The World According to John Coltrane: His Life & Music Revealed in Heartfelt 1990 Documentary

In his short life, John Coltrane con­tin­u­al­ly pushed the bound­aries of music. From swing to bebop to hard bop to free jazz, Coltrane was a rest­less seek­er of new sounds. Inspired by the hyp­not­ic, trance-induc­ing tra­di­tion­al music of North Africa and Asia, Coltrane cre­at­ed a new kind of music that fused jazz and East­ern spir­i­tu­al­i­ty.

The World Accord­ing to John Coltrane tells the sto­ry of Coltrane’s quest, from his child­hood in a deeply reli­gious house­hold in North Car­oli­na to his ear­ly days play­ing sax­o­phone in the Navy, to his appren­tice­ship with Miles Davis in the 1950s and his emer­gence as a band­leader and inno­va­tor in the 1960s. Most of the one-hour film is devot­ed to Coltrane’s lat­er peri­od, when he came into his own. The film is not a biog­ra­phy, in the tra­di­tion­al sense. There is very lit­tle about Coltrane’s per­son­al life — his mar­riages, chil­dren, drug prob­lems and declin­ing health. Direc­tor Robert Palmer focus­es instead on Coltrane’s jour­ney as a musi­cian.

The World Accord­ing to John Coltrane was made in 1990, and includes inter­views with Coltrane’s sec­ond wife, pianist Alice Coltrane, and a num­ber of oth­er musi­cians who knew Coltrane and played with him, includ­ing sax­o­phon­ist Wayne Short­er, drum­mer Rashied Ali and Pianist Tom­my Flana­gan. It pro­vides some excel­lent insights into one of the 20th cen­tu­ry’s great­est musi­cians.

via metafil­ter

Relat­ed Con­tent:

John Coltrane’s Naval Reserve Enlist­ment Mugshot (1945)

John Coltrane Plays Only Live Per­for­mance of A Love Supreme

John Coltrane: Three Great Euro­pean Per­for­mances, 1960, 1961 and 1965

David Byrne Discusses Here Lies Love, His Disco Musical with Fatboy Slim on the Life of Imelda Marcos

In Imel­da Mar­cos, wid­ow of con­tro­ver­sial for­mer pres­i­dent of the Philip­pines Fer­di­nand Mar­cos, the twen­ti­eth cen­tu­ry had one of its most col­or­ful first ladies. Or at least, to make the most obvi­ous pos­si­ble joke, it had its first lady with the most col­or­ful col­lec­tion of shoes. In fact, giv­en her coun­try’s his­to­ry of pover­ty and cor­rup­tion, Mar­cos’ report­ed­ly vast and osten­ta­tious wardrobe made her a con­tro­ver­sial fig­ure in her­self. Yet she has nev­er seemed whol­ly uncon­cerned with her lega­cy, and in fact remains a mem­ber of the Philip­pine House of Rep­re­sen­ta­tives today. She has wished aloud that her tomb­stone read, sim­ply, “Here lies love,” and that epi­taph gives a title to the dis­co musi­cal that Talk­ing Heads mas­ter­mind David Byrne and DJ/nineties elec­tron­ic phe­nom­e­non Fat­boy Slim have craft­ed to tell the sto­ry of Mar­cos’ life. “Prob­a­bly the first thing you need to know,” writes Allan Kozinn in the New York Times, “is that although it is about Imel­da Mar­cos, the for­mer first lady of the Philip­pines, her famous col­lec­tion of shoes is nei­ther men­tioned nor shown.” At the top of the post, you can watch a short clip of Byrne dis­cussing the inspi­ra­tions for and long ges­ta­tion process of Here Lies Love, not to men­tion his efforts to break down the audi­ence’s pre­con­cep­tions, shoe-relat­ed and oth­er­wise.

“Imel­da, who was this flam­boy­ant, noto­ri­ous kind of per­son on the scene, loved going to dis­cos,” he says. “She loved going to Stu­dio 54. She turned the top floor of the palace in Mani­la into a club. She had a mir­ror ball installed in her New York town­house. [ … ] Maybe there’s a con­nec­tion between the eupho­ria you feel in a dance club and the eupho­ria a per­son in pow­er has. ” Just above, you can lis­ten to the musi­cal’s title num­ber. Despite hav­ing sev­er­al times lis­tened to and enjoyed the entire Here Lies Love album, I under­stand it can’t com­pare to the live ver­sion, because the live ver­sion makes you dance — lit­er­al­ly. Kozinn describes Byrne’s lat­est venue as “trans­formed into an ’80s-style dis­co, and the audi­ence is meant to stand, mill around or, if the spir­it moves, dance through the entire 85-minute show.” Byrne has also writ­ten about the devel­op­ment of Here Lies Love on his diary, and promis­ing­ly. “The stag­ing and the con­cept work,” he assures his fans. “It works so well that I sort of cried at every per­for­mance. [ … ] In the end, I’d say it’s the best thing I’ve done since the Stop Mak­ing Sense tour—which I guess is say­ing some­thing.”

Relat­ed con­tent:

David Byrne Gives Us the Low­down on How Music Works (with Neu­ro­sci­en­tist Daniel Lev­itin)

Lis­ten to the New David Byrne/St. Vin­cent Album, Love This Giant

How David Byrne and Bri­an Eno Make Music Togeth­er: A Short Doc­u­men­tary

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

History of Rock: New MOOC Presents the Music of Elvis, Dylan, Beatles, Stones, Hendrix & More

Here’s some­thing I can get pret­ty jazzed about. Er, maybe that’s not quite the right verb. But close enough.…

On May 13, the East­man School of Music at the Uni­ver­si­ty of Rochester will launch the first of two MOOCs that will trace the his­to­ry of rock music. Taught by John Cov­ach, a pro­fes­sor of music the­o­ry, The His­to­ry of Rock, Part One will revis­it the 1950s and 1960s, the hal­cy­on days of rock ’n’ roll, which gave us the music of Elvis Pres­ley, Chuck Berry, Phil Spec­tor, Bob Dylan, the Bea­t­les, the Rolling Stones, Jimi Hen­drix, Cream, and oth­er bands. The course will focus on the music itself, the cul­tur­al con­text from which rock emerged, and how changes in the music busi­ness and music tech­nol­o­gy shaped this new musi­cal form. The sec­ond course (sched­uled to start on July 8) will move for­ward to the 1970, 80s and 90s and cov­er the music of Led Zep­pelin, the All­man Broth­ers, Car­ole King, Bob Mar­ley, the Sex Pis­tols, Don­na Sum­mer, Michael Jack­son, Madon­na, Prince, Metal­li­ca, Run-DMC, Nir­vana, and oth­er artists. Stu­dents who suc­cess­ful­ly com­plete the course will receive a “State­ment of Accom­plish­ment” signed by the instruc­tor.

Oth­er music cours­es list­ed in our col­lec­tion of 300 Free MOOCs from Great Uni­ver­si­ties include Intro­duc­tion to Gui­tar and Intro­duc­tion to Impro­vi­sa­tion. They’re both cre­at­ed by the Berklee Col­lege of Music and start on April 22.

Relat­ed Con­tent:

A His­to­ry of Rock ‘n’ Roll in 100 Riffs

The His­to­ry of Punk Rock

Carnegie Hall MOOC Will Teach You How to Lis­ten to Orches­tras (Free)

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Bob Dylan and Van Morrison Sing ‘Knockin’ on Heaven’s Door,’ 1998

Recent­ly we post­ed a remark­able pair of videos fea­tur­ing Bob Dylan and Van Mor­ri­son singing togeth­er on a hill­top in Athens. Today we’re back with anoth­er rare duet from the leg­endary singer-song­writ­ers, this one record­ed nine years after the jam ses­sion in Greece.

The per­for­mance took place on June 24, 1998 at the Nation­al Exhi­bi­tion Cen­tre in Birm­ing­ham, Eng­land. Dylan was on a world tour to sup­port his Time Out of Mind album, which was released the pre­vi­ous fall. Mor­ri­son shared the bill at some parts of the tour, includ­ing shows in North Amer­i­ca, North­ern Ire­land, Eng­land, Scot­land and France. Mor­ri­son usu­al­ly opened for Dylan, but on at least two occa­sions Mor­ri­son closed the show: in his native Belfast, and in Birm­ing­ham.

Near the end of Dylan’s Birm­ing­ham set, the audi­ence was sur­prised when Mor­ri­son walked onstage in his sun­glass­es and pork pie hat. The two sang a duet of “Knockin’ on Heav­en’s Door,” with Dylan play­ing acoustic gui­tar and Mor­ri­son the har­mon­i­ca. It was a rare event: With only a cou­ple of brief excep­tions ear­li­er in the tour, the two super­stars kept their appear­ances sep­a­rate. For­tu­nate­ly, some­one with a video cam­era was there to cap­ture the moment.

h/t Paul Jones

Relat­ed Con­tent:

The Won­drous Night When Glen Hansard Met Van Mor­ri­son

Bob Dylan and The Grate­ful Dead Rehearse Togeth­er in Sum­mer 1987. Lis­ten to 74 Tracks.

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

David Bowie Releases 36 Music Videos of His Classic Songs from the 1970s and 1980s

Last month, David Bowie released The Next Dayhis first new album in a decade. That’s a long time to go with­out an album — long enough that fans could per­haps use a refresh­er, a reminder of why they should splurge for the new mate­r­i­al. So, in con­junc­tion with the release of The Next Day, Bowie has opened the vaults and put online a won­der­ful set of videos record­ed dur­ing his gold­en years. It’s a visu­al and aur­al treat. Today, I’ve pulled togeth­er my per­son­al favorites, all from the 1970s. That’s how I roll. But, if you’re an 80s Bowie fan, there’s some­thing there for you too. Fash­ion, Ash­es to Ash­esChi­na Girl, a duet with Mick Jag­ger record­ed for Live Aid in 85 — they’re all includ­ed in the col­lec­tion of 36 videos.

Now watch a few of these clips — we’re start­ing you off above with “Life on Mars?” — and then ask your­self: Are you ready to down­load The Next Day?

Space Odd­i­ty (1972)

Star­man (1972)

The Jean Genie (1972)

Heroes (1977)

Relat­ed Con­tent:

How “Space Odd­i­ty” Launched David Bowie to Star­dom: Watch the Orig­i­nal Music Video From 1969

The Sto­ry of Zig­gy Star­dust: How David Bowie Cre­at­ed the Char­ac­ter that Made Him Famous

Lis­ten to Fred­die Mer­cury and David Bowie on the Iso­lat­ed Vocal Track for the Queen Hit ‘Under Pres­sure,’ 1981

David Bowie & Bing Cros­by Sing “The Lit­tle Drum­mer Boy” (1977)

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