Hear Carl Sagan Artfully Refute a Creationist on a Talk Radio Show: “The Darwinian Concept of Evolution is Profoundly Verified”

It takes a spe­cial kind of per­son to calm­ly debate those who pre­fer dog­ma to rea­son and who insist on ignor­ing or dis­tort­ing evi­dence to suit their pre­con­cep­tions. Carl Sagan was such a per­son. Among his many oth­er sci­en­tif­ic accom­plish­ments, he became leg­endary for his skill as an edu­ca­tor and sci­ence advo­cate. Sagan com­mu­ni­cat­ed not only his knowl­edge, but also his awe and won­der at the beau­ty and intri­ca­cy of the uni­verse, bring­ing to his expla­na­tions an unri­valed enthu­si­asm, clar­i­ty, and tal­ent for poet­ic expres­sion. And when faced with inter­locu­tors who were less than intel­lec­tu­al­ly hon­est, Sagan kept his cool and car­ried on.

This could be dif­fi­cult. In the audio from a radio call-in show above, we hear Sagan answer ques­tions from a caller with a clear, and rather fool­hardy agen­da: to best the astronomer, astro­physi­cist, and astro­bi­ol­o­gist in a debate over Dar­win­ian evo­lu­tion. He begins right away with some ad hominem, call­ing Sagan and his wife Ann Druyan “true believ­ers, who are no more will­ing to ques­tion the the­o­ry that you base your beliefs on than were the min­is­ters of the 19th cen­tu­ry who you reg­u­lar­ly crit­i­cize as being close-mind­ed.” The irony of accu­sa­tions like these should be obvi­ous. Though the caller doesn’t announce him­self as a cre­ation­ist, it’s abun­dant­ly clear to Sagan from his talk­ing points that he’s defend­ing a cre­ation­ist par­ty line.

Sagan attempts to answer his first ques­tion, but before he can fin­ish, the caller leaps to anoth­er bul­let point, the “gaps in the the­o­ry” or “gap­ing hole” of “fos­sils in tran­si­tion.” Sagan press­es his claim, with evi­dence, that “the Dar­win­ian con­cept of evo­lu­tion and nat­ur­al selec­tion is pro­found­ly ver­i­fied.” The insis­tent caller again inter­rupts and Sagan almost gives up on him, say­ing he “rather reminds me of Pon­tius Pilate. He asks, ‘what is truth?’ but does not stay for the answer.’” Then Sagan, with­out hes­i­ta­tion, patient­ly makes a case in brief:

Con­sid­er arti­fi­cial selec­tion. There is some­thing par­tic­u­lar­ly implau­si­ble about nat­ur­al selec­tion, par­tic­u­lar­ly if you think that the world is only a few thou­sand years old, as the Bib­li­cal chronol­o­gy would have it. Then the idea of one species flow­ing into anoth­er is absurd, we nev­er see that in our every­day life, we are told. But con­sid­er, for exam­ple, the vari­ety of dogs on the plan­et… We humans made them… by con­trol­ling which dogs shall mate with which…. In the short peri­od of 8 or 10,000 years, we pro­duce this immense vari­ety of dogs. Now com­pare that with four bil­lion years of bio­log­i­cal evo­lu­tion, not arti­fi­cial selec­tion, but nat­ur­al selec­tion, which goes into not just the over­all per­son­al­i­ty and char­ac­ter­is­tics of the dog, but the bio­chem­istry and inter­nal organs… and then it is clear that the beau­ty and diver­si­ty of life on earth can emerge. But if you don’t buy four bil­lion years, you don’t buy evo­lu­tion.

Sagan fre­quent­ly cit­ed this fig­ure of 4 bil­lion years for the ori­gin of life on Earth. Dur­ing his huge­ly pop­u­lar pro­gram Cos­mos, for exam­ple, he used the num­ber in an accel­er­at­ed evo­lu­tion­ary his­to­ry, which you can hear him nar­rate accom­pa­nied by a nifty ani­ma­tion in the video below. Most sci­en­tists have used that fig­ure or a few mil­lion years ear­li­er. For some time, the actu­al num­ber was thought to be between 3.6 and 3.8 bil­lion years. Recent­ly, as Tim Marcin reports at the Inter­na­tion­al Busi­ness Times, some sci­en­tists have con­clud­ed that “liv­ing organ­isms may have exist­ed on Earth as long as 4.1 bil­lion years ago.”

Marcin quotes UCLA pro­fes­sor of geo­chem­istry Mark Har­ri­son, who spec­u­lates, “life on Earth may have start­ed almost instan­ta­neous­ly” (rel­a­tive­ly speak­ing) after the planet’s for­ma­tion some 4.6 bil­lion years ago. These esti­mates come from car­bon dat­ing, not fos­sils, but just yes­ter­day, Sarah Kaplan writes at The Wash­ing­ton Post, dis­cov­er­ies of “tiny, tubu­lar struc­tures uncov­ered in ancient Cana­di­an rocks” may be evi­dence of ancient microbes thought to be 3.77 bil­lion years old, “mak­ing them the old­est fos­sils ever found.”

Like all new sci­en­tif­ic dis­cov­er­ies, these recent find­ings have been con­test­ed by oth­er sci­en­tists in these fields. And like some dis­cov­er­ies, their ques­tions may nev­er be resolved in our life­times. Sci­ence depends on meth­ods of data col­lec­tion, eval­u­a­tion and inter­pre­ta­tion of evi­dence, peer review, and many oth­er process­es sub­ject to human error. Sci­en­tists must often revise their con­clu­sions and recon­sid­er the­o­ries. No sci­en­tif­ic expla­na­tion is con­clu­sive­ly defin­i­tive in all its par­tic­u­lars. Nonethe­less, Sagan believed that only through the sci­en­tif­ic method could we obtain knowl­edge about the cos­mos and the ori­gin of life on earth that was in any way reli­able. He admired reli­gious ethics and the space reli­gions held for the big ques­tions. Sagan even declared in his 1985 Gif­ford Lec­tures (pub­lished posthu­mous­ly as The Vari­eties of Sci­en­tif­ic Expe­ri­ence) that “the objec­tives of reli­gion and sci­ence… are iden­ti­cal or very near­ly so.” But he did not think reli­gions could answer the ques­tions they asked.

Relat­ed Con­tent:

Carl Sagan Presents a Mini-Course on Earth, Mars & What’s Beyond Our Solar Sys­tem: For Kids and Adults (1977)

Carl Sagan Explains Evo­lu­tion in an Eight-Minute Ani­ma­tion

Watch Episode #2 of Neil deGrasse Tyson’s Cos­mos: Explains the Real­i­ty of Evo­lu­tion (US View­ers)

Carl Sagan, Stephen Hawk­ing & Arthur C. Clarke Dis­cuss God, the Uni­verse, and Every­thing Else

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

“Calling Bullshit”: See the Syllabus for a College Course Designed to Identify & Combat Bullshit

Two pro­fes­sors at the Uni­ver­si­ty of Wash­ing­ton, Carl Bergstrom and Jevin West, have cre­at­ed a web­site meant to accom­pa­ny a poten­tial col­lege sem­i­nar enti­tled “Call­ing Bull­shit.” Here’s how Bergstrom and West explain the premise of their course. It’s worth quot­ing them at length.

The world is awash in bull­shit. Politi­cians are uncon­strained by facts. Sci­ence is con­duct­ed by press release. High­er edu­ca­tion rewards bull­shit over ana­lyt­ic thought. Start­up cul­ture ele­vates bull­shit to high art. Adver­tis­ers wink con­spir­a­to­ri­al­ly and invite us to join them in see­ing through all the bull­shit — and take advan­tage of our low­ered guard to bom­bard us with bull­shit of the sec­ond order. The major­i­ty of admin­is­tra­tive activ­i­ty, whether in pri­vate busi­ness or the pub­lic sphere, seems to be lit­tle more than a sophis­ti­cat­ed exer­cise in the com­bi­na­to­r­i­al reassem­bly of bull­shit.

We’re sick of it. It’s time to do some­thing, and as edu­ca­tors, one con­struc­tive thing we know how to do is to teach peo­ple. So, the aim of this course is to help stu­dents nav­i­gate the bull­shit-rich mod­ern envi­ron­ment by iden­ti­fy­ing bull­shit, see­ing through it, and com­bat­ing it with effec­tive analy­sis and argu­ment.

What do we mean, exact­ly, by the term bull­shit? As a first approx­i­ma­tion, bull­shit is lan­guage, sta­tis­ti­cal fig­ures, data graph­ics, and oth­er forms of pre­sen­ta­tion intend­ed to per­suade by impress­ing and over­whelm­ing a read­er or lis­ten­er, with a bla­tant dis­re­gard for truth and log­i­cal coher­ence.

While bull­shit may reach its apogee in the polit­i­cal domain, this is not a course on polit­i­cal bull­shit. Instead, we will focus on bull­shit that comes clad in the trap­pings of schol­ar­ly dis­course. Tra­di­tion­al­ly, such high­brow non­sense has come couched in big words and fan­cy rhetoric, but more and more we see it pre­sent­ed instead in the guise of big data and fan­cy algo­rithms — and these quan­ti­ta­tive, sta­tis­ti­cal, and com­pu­ta­tion­al forms of bull­shit are those that we will be address­ing in the present course.…

Our aim in this course is to teach you how to think crit­i­cal­ly about the data and mod­els that con­sti­tute evi­dence in the social and nat­ur­al sci­ences.

The “Call­ing Bull­shit” course would sit nice­ly along­side the work of Prince­ton philoso­pher Har­ry Frank­furt, the author of the fair­ly recent book, On Bull­shit. (In fact, On Bull­shit would be read dur­ing Week 1 of the “Call­ing Bull­shit“course. See the syl­labus here.) There’s a lot of bull­shit freely flow­ing through our world, and it may well take a cross-dis­ci­pli­nary team to help us cut through the crap.

To learn more about the envi­sioned Call­ing Bull­shit course, vis­it Bergstrom and West­’s web­site, where they have an FAQ that explains what a study of bull­shit might look like.

Update: You can now view the lec­tures for the course here.

Note: You can down­load Har­ry Frank­furt’s “On Bull­shit” as a free audio­book (or any oth­er two free audio­books) if you sign up for Audible.com’s free tri­al pro­gram. Learn more about Audible’s free tri­al pro­gram here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

How to Spot Bull­shit: A Primer by Prince­ton Philoso­pher Har­ry Frank­furt

Young T.S. Eliot Writes “The Tri­umph of Bullsh*t” and Gives the Eng­lish Lan­guage a New Exple­tive (1910)

1,700 Free Online Cours­es from Top Uni­ver­si­ties

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Alan Turing Gets Channeled in a New Opera: Hear Audio from The Life And Death(S) Of Alan Turing

Cre­ative Com­mons image by Steve Park­er

It can seem like a cru­el irony that some of the most cel­e­brat­ed peo­ple of our day did­n’t receive the same acclaim dur­ing their some­times trou­bled lives. Van Gogh may have been on the cusp of fame when he died despair­ing and broke, but few could have imag­ined then that he would be the uni­ver­sal­ly beloved and admired artist he became in the fol­low­ing decades. (A recent Doc­tor Who episode poignant­ly imag­ined Van Gogh trav­el­ing to our time to wit­ness his lega­cy.) In a more recent exam­ple in the sci­ences, the book—now film—Hid­den Fig­ures cel­e­brates three pre­vi­ous­ly unsung African-Amer­i­can women: math­e­mati­cians, or “human com­put­ers,” whose cal­cu­la­tions were instru­men­tal to NASA’s suc­cess but whose accom­plish­ments were obscured by prej­u­dice.

The same could not quite be said for Alan Tur­ing, anoth­er genius recent­ly cel­e­brat­ed in a mul­ti­ple-award-win­ning Hol­ly­wood film, award-win­ning doc­u­men­tary, and spate of arti­cles, essays, and books. Tur­ing was vicious­ly per­se­cut­ed for his homo­sex­u­al­i­ty by the state, and he has often been unfair­ly char­ac­ter­ized in many por­tray­als since.

In 1952, he was con­vict­ed of “gross inde­cen­cy” for a rela­tion­ship with anoth­er man and giv­en the choice between prison and chem­i­cal cas­tra­tion. The bril­liant Eng­lish math­e­mati­cian, code­break­er, and father of mod­ern com­put­ing and arti­fi­cial intel­li­gence chose the lat­ter, and the phys­i­cal and psy­cho­log­i­cal effects were so demor­al­iz­ing that he took his own life two years later—perhaps grim­ly inspir­ing the Apple logo as he enact­ed his favorite scene from Snow White (a mat­ter in some dis­pute, it should be not­ed).

Tur­ing “left behind a last­ing lega­cy,” note the mak­ers of the docu-dra­ma Code­break­ers, “and lin­ger­ing ques­tions about what else he might have accom­plished if soci­ety had embraced his unique genius instead of reject­ing it.” It’s not fair to say that soci­ety reject­ed his genius—perhaps even more trag­i­cal­ly, it reject­ed his full human­i­ty. Turing’s genius, though cut short at 41, received its due, inspir­ing, since 1966, the high­est award in com­put­er sci­ence. His famed “Tur­ing test” became the stan­dard by which near­ly all attempts at arti­fi­cial intel­li­gence have been mea­sured. In addi­tion to those films, books, and essays, Tur­ing has been much laud­ed in musi­cal pro­duc­tions, name­ly the Pet Shop Boys “orches­tral pop biog­ra­phy” A Man From the Future and a 30-minute ora­to­rio by Adam Gop­nik and com­pos­er Nico Muh­ly called Sen­tences.

And now, a new two-act opera, The Life and Death(s) of Alan Tur­ing, was pre­sent­ed to the pub­lic for the first time, in its entire­ty, on Jan­u­ary 12th at New York’s Amer­i­can Lyric The­ater (ALT). Com­mis­sioned in 2012, and writ­ten by com­pos­er Jus­tine Chen with a libret­to by David Sim­pati­co, the opera is “a his­toric-fan­ta­sia on Turing’s life” that does not obscure the man as it acknowl­edges his genius. Many crit­ics felt that 2014’s The Imi­ta­tion Game “obfus­cat­ed his sex­u­al­i­ty and desex­u­al­ized him in an attempt to make the sto­ry more main­stream,” remarks Shawn Milnes at The Dai­ly Beast. “He was not a sex­u­al crea­ture in this movie,” agrees Sim­pati­co. “He was in the clos­et.” That impres­sion of Tur­ing’s per­son­al life has almost become com­mon­place. And yet the truth “could­n’t be more oppo­site,” Sim­pati­co argues.

He was com­plete­ly out. He was out upon meet­ing peo­ple. He would say, ‘How are you doing? I’m a homo­sex­u­al. Will you have a prob­lem with that? No.’ He was out to every­body. The movie makes it feel like he had some­thing to hide.

Ful­ly acknowl­edg­ing all of the dimen­sions of Turing’s life allows the opera–The Life and Death(s) of Alan Tur­ing– to draw deeply mov­ing arias from his biog­ra­phy like “Cave of Won­ders,” above, in which Tur­ing express­es “his grief over the loss of his first love,” Christo­pher Mor­com, a fel­low grade school stu­dent who died young in 1930. Tur­ing was “open­ly dev­as­tat­ed” by the event, writes L.V. Ander­son at Slate, “and he sub­se­quent­ly devel­oped a rela­tion­ship with Morcom’s fam­i­ly, going on vaca­tions with them and main­tain­ing a cor­re­spon­dence with Morcom’s moth­er for years. In The Imi­ta­tion Game, by con­trast, he “denies hav­ing known Christo­pher very well” in a flash­back scene.

The music of the opera’s Pro­logue, above, owes a debt to com­posers like Steve Reich and John Adams, with its puls­ing piano and cacoph­o­ny of voic­es, sim­u­lat­ing, per­haps, the rush of thought in Turing’s bril­liant mind. At the ALT site, you can hear a fur­ther excerpt from the opera, “The Social Con­tract,” which dra­ma­tizes the pres­sure Turing’s moth­er put on him to mar­ry, and his sub­se­quent con­sid­er­a­tion of a mar­riage of con­ve­nience to his col­league in cryp­to­analy­sis, Joan Clarke. In the opera, writes Milnes, Sim­pati­co had the idea of “fus­ing sex and intel­lect on stage” in order to bal­ance Turing’s por­tray­al and “see who the per­son was,” as he puts it. As Sim­pati­co says, the trag­i­cal­ly per­se­cut­ed genius “had no divi­sion between his sex­u­al, sen­su­al, phys­i­cal car­nal self and his intel­lec­tu­al, cere­bral, inte­ri­or self.” Only peo­ple who couldn’t take them both togeth­er seemed to have found it nec­es­sary to sep­a­rate the two, and thus do ter­ri­ble dam­age to the man as a whole.

Relat­ed Con­tent:

The Books on Young Alan Turing’s Read­ing List: From Lewis Car­roll to Mod­ern Chro­mat­ics

Hear the First Record­ing of Com­put­er Music: Researchers Restore Three Melodies Pro­grammed on Alan Turing’s Com­put­er (1951)

Bene­dict Cum­ber­batch Reads a Let­ter Alan Tur­ing Wrote in “Dis­tress” Before His Con­vic­tion For “Gross Inde­cen­cy”

Vin­cent van Gogh Vis­its a Mod­ern Muse­um & Gets to See His Artis­tic Lega­cy: A Touch­ing Scene from Doc­tor Who

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Watch 100 Randomly Ticking Metronomes Miraculously Achieve Synchronicity

It’s always sat­is­fy­ing to impose order on chaos, espe­cial­ly if it doesn’t involve bel­low­ing at a room­ful of jacked up teenagers.

Wit­ness the exper­i­ment above.

Mem­bers of Ikeguchi Lab­o­ra­to­ry, a Japan­ese orga­ni­za­tion ded­i­cat­ed to the analy­sis and pre­dic­tion of non­lin­ear phe­nom­e­na, placed 100 ran­dom­ly tick­ing metronomes on a hang­ing plat­form, curi­ous as to how long it would take them to syn­chro­nize.

(SPOILER ALERT! They start synch­ing up around the 1 minute, 20 sec­ond mark.)

How? Why? Is this some mys­ti­cal, musi­cal vari­ant of men­stru­al syn­chrony?

Nope. Physics is doing the heavy lift­ing here.

The key is that the plat­form hold­ing the metronomes is not fixed. It affects their move­ment by mov­ing in response to theirs.

To put it anoth­er way, KE = 0.5 • m • v2. Which is to say Kinet­ic Ener­gy = 0.5 • mass of object • (speed of object)2.

If you’re look­ing for anoth­er sci­en­tif­ic expla­na­tion, here’s how Giz­mo­do puts it: “the metronomes are trans­fer­ring ener­gy to the plat­form they’re on, which then trans­fers that ener­gy back to the metronomes—until they all sync up and start hit­ting the beat in one glo­ri­ous wave­length.”

By the two and a half minute mark, some view­ers will be rar­ing to delve into fur­ther study of ener­gy trans­fer­ence.

Oth­ers, their brains implod­ing, may elect to down­shift into a pure­ly audi­to­ry expe­ri­ence.

Close your eyes and lis­ten as the last hold outs fall into rhyth­mic step with the rest of the herd. A pleas­ant­ly har­mo­nious sound, not unlike that moment when a room­ful of jacked up teens sim­mers down, achiev­ing the sort of bliss­ful hive mind that’s a balm to teacher’s fraz­zled soul.

Crav­ing more?  Ikeguchi Lab­o­ra­to­ry also filmed their metronomes in tri­an­gu­lar, cir­cu­lar and X‑shaped for­ma­tions, avail­able for your view­ing plea­sure on the lab’s YouTube chan­nel.

via The Kid Should See This

Relat­ed Con­tent:

Watch What Hap­pens When 100 Metronomes Per­form Györ­gy Ligeti’s Con­tro­ver­sial Poème Sym­phonique

The Remark­able Physics of Ants: Watch Them Turn into Flu­ids and Solids at Will

The Mys­te­ri­ous Physics Behind How Bikes Ride by Them­selves

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday

Albert Einstein Explains How Slavery Has Crippled Everyone’s Ability to Think Clearly About Racism

Image by Fer­di­nand Schmutzer, via Wiki­me­dia Com­mons

“Should we allow celebri­ties to dis­cuss pol­i­tics?” goes one vari­a­tion on an ever­green head­line and sup­pos­ed­ly legit­i­mate pub­lic debate. No amount of pub­lic dis­ap­proval could have stopped some of the most out­spo­ken pub­lic fig­ures, and we’d be the worse off for it in many cas­es. Muham­mad Ali, John Lennon, Nina Simone, George Car­lin, Roger Waters, Mar­garet Cho, and, yes, Meryl Streep—millions of peo­ple have been very grate­ful (and many not) for these artists’ polit­i­cal com­men­tary. When it comes to sci­en­tists, how­ev­er, we tend to see more base­less accu­sa­tions of polit­i­cal speech than over­whelm­ing evi­dence of it.

But there have been those few sci­en­tists and philoso­phers who were also celebri­ties, and who made their polit­i­cal views well-known with­out reser­va­tion. Bertrand Rus­sell was such a per­son, as was Albert Ein­stein, who took up the caus­es of world peace and of racial jus­tice in the post-war years. As we’ve pre­vi­ous­ly not­ed, Einstein’s com­mit­ments were both phil­an­thropic and activist, and he formed close friend­ships with Paul Robe­son, W.E.B. Du Bois, Mar­i­an Ander­son, and oth­er promi­nent black lead­ers.

Ein­stein also co-chaired an anti-lynch­ing cam­paign and issued a scathing con­dem­na­tion of racism dur­ing a speech he gave in 1946 at the alma mater of Langston Hugh­es and Thur­good Mar­shall in which he called racism “a dis­ease of white peo­ple.” That same year, notes On Being’s exec­u­tive edi­tor Trent Gilliss, Ein­stein “penned one of his most artic­u­late and elo­quent essays advo­cat­ing for the civ­il rights of black peo­ple in Amer­i­ca.” Titled “The Negro Ques­tion” and pub­lished in the Jan­u­ary 1946 edi­tion of Pageant mag­a­zine, the essay, writes Gilliss, “was intend­ed to address a pri­mar­i­ly white read­er­ship.”

Ein­stein begins by answer­ing the inevitable objec­tion, “What right has he to speak about things which con­cern us alone, and which no new­com­er should touch?” To this, the famed physi­cist answers, “I do not think such a stand­point is jus­ti­fied.” Ein­stein believed he had a unique per­spec­tive: “One who has grown up in an envi­ron­ment takes much for grant­ed. On the oth­er hand, one who has come to this coun­try as a mature per­son may have a keen eye for every­thing pecu­liar and char­ac­ter­is­tic.” Speak­ing freely about his obser­va­tions, Ein­stein felt “he may per­haps prove him­self use­ful.”

Then, after prais­ing the country’s “demo­c­ra­t­ic trait” and its cit­i­zens’ “healthy self-con­fi­dence and nat­ur­al respect for the dig­ni­ty of one’s fel­low-man,” he plain­ly observes that this “sense of equal­i­ty and human dig­ni­ty is main­ly lim­it­ed to men of white skins.” Antic­i­pat­ing a casu­al­ly racist defense of “nat­ur­al” dif­fer­ences, Ein­stein replies:

I am firm­ly con­vinced that who­ev­er believes this suf­fers from a fatal mis­con­cep­tion. Your ances­tors dragged these black peo­ple from their homes by force; and in the white man’s quest for wealth and an easy life they have been ruth­less­ly sup­pressed and exploit­ed, degrad­ed into slav­ery. The mod­ern prej­u­dice against Negroes is the result of the desire to main­tain this unwor­thy con­di­tion.

The ancient Greeks also had slaves. They were not Negroes but white men who had been tak­en cap­tive in war. There could be no talk of racial dif­fer­ences. And yet Aris­to­tle, one of the great Greek philoso­phers, declared slaves infe­ri­or beings who were just­ly sub­dued and deprived of their lib­er­ty. It is clear that he was enmeshed in a tra­di­tion­al prej­u­dice from which, despite his extra­or­di­nary intel­lect, he could not free him­self.

Like the ancient Greeks, Amer­i­cans’ prej­u­dices are “con­di­tioned by opin­ions and emo­tions which we uncon­scious­ly absorb as chil­dren from our envi­ron­ment.” And racist atti­tudes are both caus­es and effects of eco­nom­ic exploita­tion, learned behav­iors that emerge from his­tor­i­cal cir­cum­stances, yet we “rarely reflect” how pow­er­ful the influ­ence of tra­di­tion is “upon our con­duct and con­vic­tions.” The sit­u­a­tion can be reme­died, Ein­stein believed, though not “quick­ly healed.” The “man of good will,” he wrote, “must have the courage to set an exam­ple by word and deed, and must watch lest his chil­dren become influ­enced by this racial bias.”

Read the full essay at On Being, and learn more about Einstein’s com­mit­ted anti-racist activism from Fred Jerome and Rodger Taylor’s 2006 book Ein­stein on Race and Racism.

Relat­ed Con­tent:

Albert Ein­stein Called Racism “A Dis­ease of White Peo­ple” in His Lit­tle-Known Fight for Civ­il Rights

Lis­ten as Albert Ein­stein Calls for Peace and Social Jus­tice in 1945

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

205 Big Thinkers Answer the Question, “What Scientific Term or Concept Ought to Be More Widely Known?”

question-mark

Image by Ben­jamin Reay, via Flickr Com­mons

It’s a new year, which means it’s time for the Edge.org to pose its annu­al ques­tion to some of the world’s finest minds. The 2017 edi­tion asks, “What sci­en­tif­ic term or con­cept ought to be more wide­ly known?” And the ques­tion comes pref­aced by this thought:

Richard Dawkins’ “meme” became a meme, known far beyond the sci­en­tif­ic con­ver­sa­tion in which it was coined. It’s one of a hand­ful of sci­en­tif­ic ideas that have entered the gen­er­al cul­ture, help­ing to clar­i­fy and inspire.

Of course, not every­one likes the idea of spread­ing sci­en­tif­ic under­stand­ing. Remem­ber what the Bish­op of Birmingham’s wife is reput­ed to have said about Darwin’s claim that human beings are descend­ed from mon­keys: “My dear, let us hope it is not true, but, if it is true, let us hope it will not become gen­er­al­ly known.”

So what estab­lished sci­en­tif­ic idea should we try to get out there? What con­cept should, at all costs, see the light of day? The replies — 205 in total — fea­ture thoughts by Richard Dawkins, of course, who’d have us learn more about the notion of “Genet­ic Book of the Dead.” You will also find selec­tions by Bri­an Eno (“Con­fir­ma­tion Bias”), Jared Dia­mond (“Com­mon Sense”),  Jan­na Levin (“The Prin­ci­ple of Least Action”)Steven Pinker (“The Sec­ond Law of Ther­mo­dy­nam­ics”) and more. Access the com­plete col­lec­tion of respons­es here.

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Giant Dinosaurs Travel Down the Hudson River: See What Awestruck New Yorkers Witnessed in 1963

Amaz­ing things hap­pen every day in New York City—some spon­ta­neous, some whose exe­cu­tion is care­ful­ly planned over weeks and months.

Equal­ly amaz­ing is the total igno­rance with which one can go about one’s busi­ness at just a few blocks remove … be it the Coney Island Mer­maid Parade, Egg Rolls and Egg Creams, or the Three Kings Day Parade, some folks only have eyes for brunch.

But it would have been dif­fi­cult for any­one to over­look sev­en ani­ma­tron­ic dinosaurs, trav­el­ing by barge on Octo­ber 15, 1963, bound for the Sin­clair Oil Cor­po­ra­tion’s “Dinoland” exhib­it at the 1964 World’s Fair.

In a stunt wor­thy of Bar­num, the syn­thet­ic beasts trekked 150 miles from the exhibit’s design­er, Jonas Stu­dios, to the World’s Fair site in Flush­ing, Queens, hailed by fire­boats and an enthu­si­as­tic throng. The spon­sor­ing cor­po­ra­tion, whose high­ly rec­og­niz­able logo was a bron­tosaurus, had fur­nished the pub­lic with a timetable of esti­mat­ed arrivals along the route.

dinopress

For good mea­sure, every fam­i­ly to vis­it the exhib­it with­in the first year was offered a coupon for a free gal­lon of gaso­line.

Installed in what the mar­velous­ly evoca­tive Jam Handy short below termed a “prime loca­tion sur­round­ed by titans of Amer­i­can indus­try,” the dinosaurs attract­ed over 10 mil­lion “car-own­ing, trav­el­ing” fans. (That’s a lot of fos­sil fuel.)

On the way out, vis­i­tors were encour­aged to avail them­selves of the Mold-A-Rama machine, which pumped out minia­ture plas­tic dinosaur sou­venirs at 25¢ a pop.

After the fair closed, the dinosaurs went on tour, put in an appear­ance in the Macy’s Thanks­giv­ing Day Parade, and even­tu­al­ly set­tled into zoos and nat­ur­al his­to­ry muse­ums around the coun­try.

Read the Dinoland guide­book here. A sam­ple:

Sin­clair uses the Dinosaur “Bron­tosaurus” as a sym­bol to dra­ma­tize the age and qual­i­ty of the crude oils from which Sin­clair Petro­le­um Prod­ucts are made — crudes which were mel­low­ing in the earth mil­lions of years ago when Dinosaurs lived.

via @Pickover

Relat­ed Con­tent:

Ger­tie the Dinosaur: The Moth­er of all Car­toon Char­ac­ters (1914)

Watch Lost World (1925), the Grand­dad­dy of Giant Mon­ster Movies Like The Lost World: Juras­sic Park

Watch a Time­lapse Video Show­ing the Cre­ation of New York City’s Sky­line: 1500 to Present

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Her play Zam­boni Godot is open­ing in New York City in March 2017. Fol­low her @AyunHalliday.

200,000 Years of Staggering Human Population Growth Shown in an Animated Map

Last night, dur­ing a talk on his new book Rais­ing the Floor, long­time labor leader and cur­rent senior fel­low at Colum­bia Uni­ver­si­ty Andy Stern told the sto­ry of a king and a chess­mas­ter engaged in pitched bat­tle. “If you win,” said the over­con­fi­dent king, “you may have any­thing you desire.” Lo, the chess­mas­ter wins the game, but being a hum­ble man asks the king only to pro­vide him with some rice. The king smug­ly agrees to his eccen­tric con­di­tions: he must place a grain of rice on the first square of the chess­board, then dou­ble the amount of each suc­ces­sive square. Once he reach­es the mid­dle, the king stops and has the chess­mas­ter exe­cut­ed. The request would have cost him his entire king­dom and more.

Stern used the sto­ry to illus­trate the expo­nen­tial growth of tech­nol­o­gy, which now advances at a rate we can nei­ther con­fi­dent­ly pre­dict nor con­trol. Some­thing very sim­i­lar has hap­pened to the human pop­u­la­tion in the past two-hun­dred years, as you can see illus­trat­ed in the video above from the Amer­i­can Muse­um of Nat­ur­al His­to­ry.

Evolv­ing some 200,000 years ago in Sub-Saha­ran Africa, and migrat­ing across the globe some 100,000 years ago, mod­ern humans remained rel­a­tive­ly few in num­ber for sev­er­al thou­sand years. That is, until the tech­no­log­i­cal break­through of agri­cul­ture. “By AD 1,” the video text tells us, “world pop­u­la­tion reached approx­i­mate­ly 170 mil­lion peo­ple.”

After a very rapid expan­sion, the num­bers rose and fell slow­ly in the ensu­ing cen­turies as wars, dis­ease, and famines dec­i­mat­ed pop­u­la­tions. World pop­u­la­tion reached only 180 mil­lion by the year 200 AD, then dwin­dled through the Mid­dle Ages, only pick­ing up again slow­ly around 700. Through­out this his­to­ri­o­graph­ic mod­el of pop­u­la­tion growth, the video info­graph­ic pro­vides help­ful sym­bols and leg­ends that chart his­toric cen­ters like the Roman Empire and Han Dynasty, and show major world events like the Bubon­ic plague.

Then we reach the world-shak­ing dis­rup­tions that were the birth of Cap­i­tal­ism, the Atlantic slave trade, and the Sci­en­tif­ic and Indus­tri­al Rev­o­lu­tions, when “mod­ern tech­nol­o­gy and med­i­cine bring faster growth.”

That’s quite the under­state­ment. The growth, like the grains of rice on the chess­board, pro­ceed­ed expo­nen­tial­ly, reach­ing 1 bil­lion peo­ple around 1800, then explod­ing to over 7 bil­lion today. As the yel­low dots—each rep­re­sent­ing a node of 1 mil­lion people—take over the map, the video quick­ly becomes an alarm­ing call to action. While the num­bers are lev­el­ing off, and fer­til­i­ty has dropped, “if cur­rent trends con­tin­ue,” we’re told, “glob­al pop­u­la­tion will peak at 11 bil­lion around 2100.” Peak num­bers could be low­er, or sub­stan­tial­ly high­er, depend­ing on the pre­dic­tive val­ue of the mod­els and any num­ber of unknow­able vari­ables.

Andy Stern’s research has focused on how we build economies that sup­port our mas­sive glob­al population—as machines stand poised in the next decade or so to edge mil­lions of blue and white col­lar work­ers out of an already pre­car­i­ous labor mar­ket. The Amer­i­can Muse­um of Nat­ur­al His­to­ry asks some dif­fer­ent, but no less urgent ques­tions that take us even far­ther into the future. How can the planet’s finite, and dwin­dling, resources, with our cur­rent abuse and mis­use of them, sup­port such large and grow­ing num­bers of peo­ple?

It may take anoth­er tech­no­log­i­cal break­through to mit­i­gate the dam­age caused by pre­vi­ous tech­no­log­i­cal break­throughs. Or it may take an enor­mous, rev­o­lu­tion­ary polit­i­cal shift. In either case, the “choic­es we make today” about fam­i­ly plan­ning, con­sump­tion, envi­ron­men­tal reg­u­la­tion, and con­ser­va­tion “affect the future of our species—and all life on Earth.”

Relat­ed Con­tent:

Crowd­ed House: How the World’s Pop­u­la­tion Grew to 7 Bil­lion Peo­ple

Hans Rosling Uses Ikea Props to Explain World of 7 Bil­lion Peo­ple

The Birth Con­trol Hand­book: The Under­ground Stu­dent Pub­li­ca­tion That Let Women Take Con­trol of Their Bod­ies (1968)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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