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The Rolling Stones “Shattered” Covered by Eddie Vedder & Julie Andrews (Ok, It’s Really Jeanne Tripplehorn)

Pearl Jam front­man Eddie Ved­der and actress Jeanne Trip­ple­horn (Basic Instinct, The Firm, Big Love) per­formed this delight­ful cov­er of The Rolling Stones’ 1978 hit “Shat­tered” at a recent fundrais­er for a non-prof­it called Heal EB. EB stands for Epi­der­mol­y­sis Bul­losa, a dis­ease that caus­es blis­ters (some­times poten­tial­ly fatal ones) to erupt on the skin after the mildest trau­ma. You can lis­ten to The Rolling Stones’ orig­i­nal record­ing here, and fol­low along with the lyrics here. Or, bet­ter yet, you can close your eyes and sim­ply imag­ine Julie Andrews singing these risqué‎ lines. Yeah, on sec­ond thought, do that. H/T Marc

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Relat­ed Con­tent:

Watch the Rolling Stones Write “Sym­pa­thy for the Dev­il”: A High­light in Godard’s ’68 Film One Plus One

The Rolling Stones Jam With Their Idol, Mud­dy Waters

The Rolling Stones Sing Jin­gle for Rice Krispies Com­mer­cial (1964)

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Download 100 Free Philosophy Courses and Start Living the Examined Life

rodin-thinker-philosophy-courses

The Phi­los­o­phy sec­tion of our big Free Online Cours­es col­lec­tion just went through anoth­er update, and it now fea­tures 100 cours­es. Enough to give you a soup-to-nuts intro­duc­tion to a time­less dis­ci­pline. You can start with one of sev­er­al intro­duc­to­ry cours­es.

Then, once you’ve found your foot­ing, you can head off in some amaz­ing direc­tions. As we men­tioned many moons ago, you can access cours­es and lec­tures by mod­ern day leg­ends – Michel Fou­caultBertrand Rus­sellJohn Sear­leWal­ter Kauf­mannLeo StraussHubert Drey­fus and Michael Sandel. Then you can sit back and let them intro­duce you to the think­ing of Aris­to­tle, Socrates, Pla­to, Hobbes, Hegel, Hei­deg­ger, Kierkegaard, Kant, Niet­zsche, Sartre and the rest of the gang. The cours­es list­ed here are gen­er­al­ly avail­able via YouTube, iTunes, or the web.

Explore our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties, to find top­ics in many oth­er dis­ci­plines — His­to­ry, Lit­er­a­ture, Physics, Com­put­er Sci­ence and beyond. As we like to say, it’s the most valu­able sin­gle page on the web.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email or RSS Feed. And we’ll send qual­i­ty cul­ture your way, every day.

Relat­ed Con­tent:

Michel Fou­cault: Free Lec­tures on Truth, Dis­course & The Self

Take First-Class Phi­los­o­phy Lec­tures Any­where with Free Oxford Pod­casts

Wal­ter Kaufmann’s Lec­tures on Niet­zsche, Kierkegaard and Sartre (1960)

The His­to­ry of Phi­los­o­phy, from 600 B.C.E. to 1935, Visu­al­ized in Two Mas­sive, 44-Foot High Dia­grams

Leo Strauss: 15 Polit­i­cal Phi­los­o­phy Cours­es Online

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Teacher Helps His Student Overcome Stuttering and Read Poetry, Using the Sound of Music

Musharaf Asghar, a stu­dent at Thorn­hill Acad­e­my in north­east Eng­land, over­came an acute stam­mer when his teacher, Matthew Bur­ton, bor­rowed an idea from The King’s Speech. The teacher asked his stu­dent to put on some head­phones play­ing the music of Ben Howard, and to start recit­ing a poem called ‘The Moment.’ Sud­den­ly, for the first time, the words began to flow. All of this was cap­tured in a doc­u­men­tary series, Edu­cat­ing York­shire, that aired on the BBC. The seg­ment above con­cludes with Mushy, as he’s known, giv­ing a short talk in front of his class, at what looks like a grad­u­a­tion cer­e­mo­ny. It did­n’t take long for his fel­low stu­dents to break down in tears.

Writ­ing recent­ly in The Guardian, the stu­dent recalls. “My nerves over speak­ing in assem­bly were TERRIBLE though. I did­n’t realise how big 200 peo­ple looks like. I was sweat­ing and I had a lit­tle wob­ble but even­tu­al­ly, I man­aged to get through it. I was excit­ed, if ner­vous, about the whole thing going out. But I’m real­ly hap­py and proud to be on tel­ly as I hope it gives oth­er peo­ple with a stam­mer the con­fi­dence to have a go at pub­lic speak­ing. My speech is get­ting bet­ter every week. Every­one at col­lege gives me time, but I’m get­ting quick­er any­way so they don’t miss their bus while they are lis­ten­ing to me. I still won’t be apply­ing for any call-cen­tre jobs yet though.” Find more infor­ma­tion on how music ther­a­py can help peo­ple over­come stut­ter­ing here.

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via @courosa

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French Café Adds Extra Charge for Rude Customers

french-rude-cafe

A cou­ple of days ago, we high­light­ed a delight­ful­ly Illus­trat­ed Eti­quette Guide Explain­ing How to Ride the Paris Metro in a Civ­i­lized Way. It comes to you cour­tesy of the RATP, the gov­ern­ment orga­ni­za­tion that makes the sub­ways and trains run in Paris (some­times on time).

Let’s now head 600 miles south, to the Riv­iera city of Nice, where some café own­ers opt­ed for anoth­er way to keep bad behav­ior in check. At the Petite Syrah, they’ve imple­ment­ed a sim­ple pric­ing scheme that works like this:

If you ask for “a cof­fee” (it’s most like­ly an espres­so), it will run you 7 euros, or $9.50.

If you ask for a “cof­fee please,” the charge drops to €4.25/$5.80.

But if you start your order by say­ing “Hel­lo, may I have a cof­fee, please,” the bill becomes a man­age­able €1.40.

Now, truth be told, the pric­ing scheme is more car­rot than stick. The café’s man­ag­er read­i­ly admits that he has nev­er actu­al­ly charged any of the puni­tive high­er prices. But that’s not to say that the scheme does­n’t work. Accord­ing to manager/owner Fab­rice Pepino, reg­u­lar cus­tomers quick­ly took note of the sign and began to “say, ‘Hel­lo, your high­ness, will you serve me one of your beau­ti­ful cof­fees.” Eh voilà, no more cof­fee jerks.

via Kot­tke/The Local

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email orRSS Feed. And we’ll send qual­i­ty cul­ture your way, every day.

Relat­ed Con­tent:

Illus­trat­ed Eti­quette Guide Explains How to Ride the Paris Metro in a Civ­i­lized Way

Men In Com­mer­cials Being Jerks About Cof­fee: A Mashup of 1950s & 1960s TV Ads

The (Beau­ti­ful) Physics of Adding Cream to Your Cof­fee

Hon­oré de Balzac Writes About “The Plea­sures and Pains of Cof­fee,” and His Epic Cof­fee Addic­tion

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New Art Edition of James Joyce’s Ulysses Features All 265,000 Words Written by Hand on Big Wooden Poles

ulysses art book

This week, Stephen Gertz, the edi­tor of Book Tryst, has on dis­play an Incred­i­ble Art Edi­tion of James Joyce’s Ulysses. Here’s how he describes the ambi­tious project:

James Joyce com­plet­ed his nov­el, Ulysses, on Octo­ber 30, 1921. Nine­ty years lat­er, on Octo­ber 30, 2011, Char­lene Matthews, the Los Ange­les-based book artist and book­binder recent­ly the sub­ject of a pro­file in Stu­dios mag­a­zine, began work on an extra­or­di­nary edi­tion of the book, based upon Sylvia Beach’s true first edi­tion with all its typos includ­ed.

Two years lat­er, on Octo­ber 30, 2013, she com­plet­ed it: the entire text of Ulysses — all of its approx­i­mate­ly 265,000 words in eigh­teen episodes — tran­scribed by hand onto thir­ty-eight sev­en-foot tall, two-inch diam­e­ter poles: Ulysses as a land­scape to phys­i­cal­ly move through; the nov­el as lit­er­ary grove, Ulysses as trees of of life with lan­guage as fra­grant, hal­lu­ci­na­to­ry bark, and trunks reach­ing toward the sky.

Head over to Book­tryst to look over a gallery of images and learn more about Matthews’ grand under­tak­ing. And if you’d like a nice intro­duc­tion to Ulysses, please see some of the instruc­tive mate­r­i­al we’ve list­ed below.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email orRSS Feed. And we’ll send qual­i­ty cul­ture your way, every day.

Relat­ed Con­tent:

James Joyce’s Ulysses: Down­load the Free Audio Book

Read Joyce’s Ulysses Line by Line, for the Next 22 Years, with Frank Delaney’s Pod­cast

Hear James Joyce Read a Pas­sage From Ulysses, 1924

The Very First Reviews of James Joyce’s Ulysses: “A Work of High Genius” (1922)

Vir­ginia Woolf Writes About Joyce’s Ulysses, “Nev­er Did Any Book So Bore Me,” and Quits at Page 200

Vladimir Nabokov Cre­ates a Hand-Drawn Map of James Joyce’s Ulysses

 

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Watch Kids’ Priceless Reactions to Hearing the Timeless Music of The Beatles

Yes­ter­day, John McMil­lian, assis­tant pro­fes­sor of his­to­ry at Geor­gia State Uni­ver­si­ty, appeared on KQED’s Forum in San Fran­cis­co (lis­ten here) to talk about his new book Bea­t­les vs. Stones. It offers a new look at how the two British bands co-exist­ed, often helped one anoth­er, and strate­gi­cal­ly defined them­selves against each oth­er. The Bea­t­les were every­man’s band. Whole­some, clean-cut, wit­ty, the Fab Four appealed to the young and the old, the rich and the poor. The Stones, try­ing to make a name for them­selves in the wake of Beat­le­ma­nia, posi­tioned them­selves as the anti-Bea­t­les. As the jour­nal­ist Tom Wolfe once wrote, “The Bea­t­les want to hold your hand, but the Stones want to burn down your town.”

50 years lat­er, The Bea­t­les still have a near­ly uni­ver­sal appeal. The Boomers and their now mid­dle-aged chil­dren haven’t let dust gath­er on The Bea­t­les’ discog­ra­phy. And, if you plunk the grand­chil­dren in front of old Bea­t­les’ videos, they’ll love what they see. Just watch above.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email or RSS Feed. And we’ll send qual­i­ty cul­ture your way, every day.

Relat­ed Con­tent:

The Bea­t­les: Unplugged Col­lects Acoustic Demos of White Album Songs (1968)

Flash­mob Per­forms The Bea­t­les’ ‘Here Comes the Sun’ in Madrid Unem­ploy­ment Office

The Bea­t­les Per­form in a Spoof of Shakespeare’s A Mid­sum­mer Night’s Dream, 1964

A Short Film on the Famous Cross­walk From the Bea­t­les’ Abbey Road Album Cov­er

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How to Follow Open Culture Posts: Daily Email & RSS Are Gold, Twitter Is an Option, Forget About Facebook

email facebookRead­ers often ask us, “What’s the best way to make sure that I don’t miss any of your posts?” The answer, right now, is pret­ty clear: Sign up for our dai­ly email. Each day, you will receive an email that tidi­ly wraps up every­thing we’ve fea­tured on the site over a 24 hour peri­od. Faith­ful­ly it will appear in your inbox each day. The oth­er great option is our trusty RSS feed: http://feeds.feedburner.com/OpenCulture

You can always fol­low us on Twit­ter (or Google Plus), where we high­light our dai­ly posts, plus many oth­er cul­tur­al curiosi­ties found on the web. The only down­side is that a riv­er of mate­r­i­al flows through Twit­ter, so you’ll have to keep a pret­ty close eye on things to spot our posts.

Final­ly there’s Face­book, but you can almost for­get about that. Although near­ly a quar­ter mil­lion peo­ple have liked our Face­book page, Face­book has his­tor­i­cal­ly shown our posts to a frac­tion of that audi­ence (some­thing they’re can­did about). And because of a new algo­rithm change, the frac­tion is get­ting sub­stan­tial­ly small­er. The unfor­tu­nate bot­tom line is that you can’t rely on Face­book to give you what you want. But you can rely on our dai­ly email and our feed. They’re 100% guar­an­teed. Now back to our reg­u­lar­ly sched­uled pro­gram.

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Google’s Moving Ad About 1947 Partition of India & Pakistan Tops 10 Million Views

Recent­ly, Wired writer Steve Sil­ber­man (aka @stevesil­ber­man) shot us a note on Twit­ter, say­ing, “@openculture, do not miss this bril­liant ad. Most touch­ing movie (in 3 mins!) I’ve seen in years.” Released on Novem­ber 13th, the video has already clocked over 10 mil­lion views. But chances are you haven’t seen it. And that’s because it’s tar­get­ed to the web-enabled mid­dle class of India and Pak­istan. As The Dawn, Pak­istan’s old­est Eng­lish news­pa­per, describes it, the Google-cre­at­ed ad enti­tled “Reunion “por­trays two child­hood friends, now elder­ly men, who haven’t seen each oth­er since they were sep­a­rat­ed by the 1947 par­ti­tion that cre­at­ed India and Pak­istan from the old British empire in South Asia. Par­ti­tion sparked a mass exo­dus as mil­lions of Mus­lims and Hin­dus fled across the new bor­ders amid reli­gious vio­lence.” Now Google search prod­ucts are help­ing to bring old friends and neigh­bors back togeth­er.

Cyn­ics may be quick to judge this a sac­cha­rine, manip­u­la­tive ad. But oth­ers are see­ing in it some­thing else — a sign that “per­son­al con­nec­tions between Indi­ans and Pak­ista­nis run deep.” Even if their gov­ern­ments gain some­thing from keep­ing the con­flict alive, every­day peo­ple in India and Pak­istan are increas­ing­ly ready to put his­to­ry aside.

Note: If you click CC at the bot­tom of the video, you can use cap­tions to trans­late the film into nine lan­guages, includ­ing French, Malay­alam and Urdu. It is pre­set to Eng­lish.

Don’t miss any­thing from Open Cul­ture. Sign up for our Dai­ly Email orRSS Feed. And we’ll send qual­i­ty cul­ture your way, every day.

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Turn Your Bike into an Electric Hybrid with MIT’s “Copenhagen Wheel”

Bonaverde’s “Roast-Grind-Brew Cof­fee Machine” seemed like one of the cool­er inven­tions I’ve recent­ly stum­bled upon. But then I came across this: The Copen­hagen Wheel. Orig­i­nal­ly cre­at­ed by researchers at MIT, the Copen­hagen Wheel “trans­forms ordi­nary bicy­cles quick­ly into hybrid e‑bikes.” It allows bike rid­ers to “cap­ture the ener­gy dis­si­pat­ed while cycling and brak­ing and save it for when you need a bit of a boost” — like climb­ing a hill in San Fran­cis­co. The wheel also feeds data to your iPhone, allow­ing you to mon­i­tor pol­lu­tion lev­els, traf­fic con­ges­tion, and road con­di­tions in real-time. After spend­ing sev­er­al years in devel­op­ment, the wheel can now be pre-ordered online and it will ship next spring. It retails for $699.

Get more back­ground infor­ma­tion on The Copen­hagen Wheel via this MIT web site.

Relat­ed Con­tent:

Design­ers of the Invis­i­ble Bike Hel­met Describe Their Rev­o­lu­tion­ary Prod­uct in Short Doc­u­men­tary

Sci­ence Behind the Bike: Four Videos from the Open Uni­ver­si­ty on the Eve of the Tour de France

Brus­sels Express: The Per­ils of Cycling in Europe’s Most Con­gest­ed City

David Byrne: From Talk­ing Heads Front­man to Lead­ing Urban Cyclist

The Physics of the Bike

 

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Two Viral Videos Push Against Stereotypical Messages Girls Get From the Media (Mildly NSFW)

The first of two videos cir­cu­lat­ing on the inter­net, “Girls Who Read” by UK poet and “Rogue Teacher” Mark Grist (above) hits back at the lad cul­ture that objec­ti­fies women accord­ing to cer­tain “bits” named above in some mild­ly NSFW lan­guage. In his video per­for­mance piece above, Grist, asked which bits he prefers by a lad in a pub, and faced with a loom­ing cadre of both male and female peers putting on the pres­sure, answers halt­ing­ly, “I like a girl… who … reads.” Then, his con­fi­dence up, he elab­o­rates:

I like a girl who reads,
Who needs the writ­ten word
And who uses the added vocab­u­lary
She gleans from nov­els and poet­ry
To hold live­ly con­ver­sa­tion
In a range of social sit­u­a­tions

The ide­al girl close to Grist’s heart “ties back her hair as she’s read­ing Jane Eyre” and “feeds her addic­tion for fic­tion with unusu­al poems and plays.” In his infec­tious slam cadences, Grist’s impas­sioned paean to female read­ers offers a charm­ing alter­na­tive to the lad­mag gaze, though one might argue that he still does a lit­tle bit of pro­ject­ing his fan­tasies onto an unsus­pect­ing lone female at the bar (who turns out to be not so alone). Maybe “Girl Who Reads” is a trope, like “Man­ic Pix­ie Dream Girl,” an ide­al­iza­tion that says more about Grist’s desires than about any par­tic­u­lar, actu­al girl, but it’s still a refresh­ing chal­lenge to the leer­ing of his pub­mates, one that com­mu­ni­cates to girls that there are men out there, even in the pubs, who val­ue women for their minds.

The video above, for a new line of toys called GoldiBlox, designed by Stan­ford-edu­cat­ed engi­neer Deb­bie Ster­ling, upends anoth­er ado­les­cent male cul­tur­al touchstone—this time a by-now clas­sic Amer­i­can one—the Beast­ie Boys glee­ful­ly misog­y­nis­tic anthem “Girls.” While the orig­i­nal still like­ly scores many a frat par­ty, it now must com­pete with the rewrite per­formed by “Raven.” The re-appro­pri­at­ed “Girls” plays over video of a trio of young girls, bored to death with stereo­typ­i­cal pink tea sets and the like, who build a com­pli­cat­ed Rube Gold­berg machine from Goldiblox, which resem­ble plas­tic tin­ker toys. I fore­see snip­pets of the updat­ed lyrics (below) mak­ing their way onto play­grounds around the coun­try. Hear the orig­i­nal Beast­ie Boys song, with lyrics, below.

Girls.
You think you know what we want, girls.
Pink and pret­ty it’s girls.
Just like the 50’s it’s girls.

You like to buy us pink toys
and every­thing else is for boys
and you can always get us dolls
and we’ll grow up like them… false.

It’s time to change.
We deserve to see a range.
‘Cause all our toys look just the same
and we would like to use our brains.

We are all more than princess maids.

Girls to build the space­ship,
Girls to code the new app,
Girls to grow up know­ing
they can engi­neer that.



Girls.

That’s all we real­ly need is Girls.
To bring us up to speed it’s Girls.
Our oppor­tu­ni­ty is Girls.
Don’t under­es­ti­mate Girls.

As with all kids adver­tis­ing, this is aimed as much at parents—who remem­ber the Beast­ie Boys’ song—as their kids, who could­n’t pos­si­bly. And unlike Grist’s video, which only sells, per­haps, him­self, the Goldiblox video aims to get kids hooked on plas­tic toys as much as any of the ads for prod­ucts it dis­places. Nonethe­less, I’ll play it for my daugh­ter in a few years, because lines like “we are all more than princess maids” con­sti­tute the per­fect retort to the seem­ing­ly end­less cul­tur­al slot­ting of girls into ridicu­lous­ly sub­servient and fan­ta­sy roles.

Relat­ed Con­tent:

“Sci­ence: It’s a Girl Thing!” OMG, Seri­ous­ly?! The Botched Video by the EU

Christo­pher Hitchens Cre­ates a Read­ing List for Eight-Year-Old Girl

Radiohead’s Thom Yorke Gives Teenage Girls Endear­ing Advice About Boys (And Much More)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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