Last week NASA released PurÂsuit of Light, a short HD film that uses amazÂing data visuÂalÂizaÂtions (mixed with live action footage) to tell stoÂries about the Earth, The Moon, The Sun, The PlanÂets, and the Deep Sky. And it’s all “wrapped in poetÂic impliÂcaÂtion about humanÂiÂty’s need to explore,” says the film’s proÂducÂer. PurÂsuit of Light will appear on HyperÂwalls around the counÂtry, a new screen techÂnolÂoÂgy creÂatÂed by NASA’s GodÂdard Space Flight CenÂter. But you can watch it first on the web, or freely downÂload it here. H/T MetafilÂter
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
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How to explain HenÂry Rollins to someÂone who doesÂn’t know his work? TwenÂty years ago, you could’ve just called him a musiÂcian, the guy who used to sing with Black Flag. At that point he had moved on to front his own band, one which also showÂcased the perÂsonÂalÂiÂty that rouÂtineÂly driÂves jourÂnalÂists through their synÂonyms for “intense.” HavÂing sworn off singing, Rollins these days conÂcenÂtrates on colÂumn writÂing, teleÂviÂsion hostÂing, radio broadÂcastÂing, and politÂiÂcalÂly charged spoÂken-word perÂformÂing. (You can watch him parÂticÂiÂpate in a live readÂing of David FosÂter Wallace’s The Pale King here.) His perÂsonÂalÂiÂty remains in full effect and, unenÂcumÂbered by earÂly punk rockÂ’s demand for emoÂtionÂal bluntÂness, he now projects a more comÂpliÂcatÂed, hardÂer-to-carÂiÂcaÂture image. He still seems driÂven by seething anger at sociÂety’s shortÂcomÂings, but his curÂrent midÂdle-aged mixÂture of rage and benevÂoÂlence (though someÂtimes unsetÂtling in its own way) avoids the raw aggresÂsion with which music hisÂtoÂry has assoÂciÂatÂed him.
Rollins seemÂingÂly nevÂer swalÂlowed punk’s youthÂful nihilism, but now, in full matuÂriÂty, he someÂtimes sounds downÂright motiÂvaÂtionÂal. Case in point: his “LetÂter to a Young AmerÂiÂcan” from Big Think, a warnÂing about the debilÂiÂtatÂing effects of feelÂing spite toward the privÂiÂleged. “You will encounter peoÂple who nevÂer have to pay in full,” he says. “They get to wreck the room and nevÂer have to clean it. They can get all the way through high school and nevÂer underÂstand where a dolÂlar comes from, because they just get it givÂen to them.” While acknowlÂedgÂing the exisÂtence of such peoÂple, often in posiÂtions of powÂer, Rollins recÂomÂmends the stratÂeÂgy of ignorÂing them: “You canÂnot let these peoÂple make you feel that you have in any way been dwarfed or outÂclassed. You must realÂly go for your own and realÂize how short life is. You got what you got, so you’ve got to make the most of it. You realÂly can’t spend a whole lot of time worÂryÂing about his.” Like or disÂlike the HenÂry Rollins perÂsona, how often have you seen a high-proÂfile activist take such a firm stand against resentÂment? A tranÂscript for his “LetÂter to a Young AmerÂiÂcan” can be found here.
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture. FolÂlow him on TwitÂter at @colinmarshall.
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Richard Dawkins needs no introÂducÂtion. Lawrence Krauss bareÂly needs an introÂducÂtion — although we’ll tell you that he’s a leadÂing voice in theÂoÂretÂiÂcal physics and the author of the recent book, A UniÂverse from NothÂing: Why There Is SomeÂthing Rather than NothÂing. (We recÂomÂmend watchÂing this lecÂture to get familÂiar with his work.) In FebÂruÂary, the two sciÂenÂtists met up at AriÂzona State UniÂverÂsiÂty and spent two hours in a freeÂwheelÂing conÂverÂsaÂtion, touchÂing on evoÂluÂtion, cosÂmolÂoÂgy, reliÂgion, and othÂer topÂics. They spoke before a packed house, but Shirley Films was good enough to post the video online, and you can watch it above. AnothÂer conÂverÂsaÂtion — this one recordÂed at The AusÂtralian NationÂal UniÂverÂsiÂty on 10 April 2012 — can be viewed here.
RelatÂed ConÂtent:
Lawrence Krauss: Every Atom in Your Body Comes From a Star
Richard Dawkins & John Lennox Debate SciÂence & AtheÂism
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Last month we reportÂed on Yale’s addiÂtion of sevÂen new online coursÂes to its growÂing rosÂter of free offerÂings. Now we’ve learned that Yale is inauÂguÂratÂing a new series of books based on its popÂuÂlar open coursÂes.
“It may seem counÂterÂinÂtuÂitive for a digÂiÂtal project to move into books and e‑books, because these are a much more conÂvenÂtionÂal way of pubÂlishÂing,” Open Yale CoursÂes foundÂing project direcÂtor Diana E.E. KleinÂer told The ChronÂiÂcle of HighÂer EduÂcaÂtion last week. But the books are in keepÂing with Open Yale’s misÂsion of “reachÂing out in every way that we could.”
Yale UniÂverÂsiÂty Press is bringÂing out the first six titles this year. The paperÂbacks are priced at roughÂly $12 on AmaÂzon, with e‑book ediÂtions going for closÂer to $10. The first three volÂumes–TheÂoÂry of LitÂerÂaÂture by Paul H. Fry, New TesÂtaÂment HisÂtoÂry and LitÂerÂaÂture by Dale B. MarÂtin, and Death by Shelly Kagan–are availÂable now, while three addiÂtionÂal titles–The Moral FounÂdaÂtions of PolÂiÂtics by Ian Shapiro, IntroÂducÂtion to the Bible by ChrisÂtine Hayes, and PolitÂiÂcal PhiÂlosÂoÂphy by Steven B. Smith–will be pubÂlished latÂer this year. The pubÂlishÂer says the books are “designed to bring the depth and breadth of a Yale eduÂcaÂtion to a wide variÂety of readÂers.”
For more open eduÂcaÂtion resources, take a moment to explore our colÂlecÂtion of 450 free online coursÂes from top uniÂverÂsiÂties.
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By now you’ve heard the news. BeastÂie Boys co-founder Adam Yauch has died at the age of 47. The cause, saliÂvary canÂcer. The BeastÂie Boys broke onto the nationÂal scene in 1986, with the release of Licensed to Ill, which became the best-sellÂing rap album of the 1980s and the first hip hop LP to top the BillÂboard chart. Either then or some time since, you’ve likeÂly heard their best known song from the album — (You GotÂta) Fight for Your Right (To ParÂty!).
The origÂiÂnal music video for the song (below) became someÂthing of an MTV mainÂstay and played on themes from George A. Romero’s zomÂbie movie Dawn of the Dead. 25 years latÂer, Adam Yauch proÂduced Fight For Your Right RevisÂitÂed, a 30 minute surÂreÂal film that picks up where the origÂiÂnal video left off. It stars EliÂjah Wood, DanÂny McBride and Seth Rogen. You can watch it above in full. It’s also added to our meta colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
via Mubi.com
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
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Of course, the big news this week is that MIT and HarÂvard announced that they’re joinÂing forces to offer free online coursÂes startÂing next fall. We gave you the scoop on that yesÂterÂday. Now we give you anothÂer MIT announceÂment that has largeÂly flown beneath the radar.
MIT is teamÂing up with Khan AcadÂeÂmy (whose founder went to MIT and will delivÂer MIT’s comÂmenceÂment speech this spring), and togethÂer they will proÂduce “short videos teachÂing basic conÂcepts in sciÂence and engiÂneerÂing” for K‑12 stuÂdents. The videos will be proÂduced by MIT’s ever-so-creÂative stuÂdents themÂselves and then be made availÂable through a dedÂiÂcatÂed MIT webÂsite and YouTube chanÂnel. You can click the links to start watchÂing the first batch of videos, or watch an examÂple above, The Physics of UniÂcyÂcling. H/T @HKPerkinson
Read More...In ImagÂiÂnary LandÂscapes, docÂuÂmenÂtarÂiÂans DunÂcan Ward and GabrielÂla CarÂdazÂzo paint an impresÂsionÂisÂtic video porÂtrait of BriÂan Eno: record proÂducÂer, visuÂal artist, colÂlabÂoÂraÂtor with the likes of U2 and David Bowie, ambiÂent music-inventÂing musiÂcian, self-proÂclaimed “synÂtheÂsist,” earÂly memÂber of Roxy Music, and co-creÂator of the Oblique StrateÂgies. Even if you’ve nevÂer hanÂdled an actuÂal deck of Oblique StrateÂgies cards — and few have — you’ve sureÂly heard one or two of the StrateÂgies themÂselves in the air: “HonÂor thy error as a hidÂden intenÂtion.” “The most imporÂtant thing is the most easÂiÂly forÂgotÂten.” “Do someÂthing borÂing.” The idea is to draw a card and folÂlow its edict whenÂevÂer you hit a creÂative block. This should, in theÂoÂry, get you around the block, no matÂter what you’re tryÂing to creÂate. Eno first pubÂlished the Oblique StrateÂgies with painter Peter Schmidt in 1975, and here in ImagÂiÂnary LandÂscapes, fourÂteen years latÂer, you can hear him still excitÂed about the cards’ basic premise: if you folÂlow arbiÂtrary rules and theÂoÂretÂiÂcal posiÂtions, they’ll lead you to creÂative deciÂsions you nevÂer would have othÂerÂwise made.
This short docÂuÂmenÂtary comÂbines interÂviews of Eno with footage of him craftÂing sounds in his stuÂdio, simÂuÂlatÂing the echoes of a cave, say, then turnÂing that cave into a liqÂuid. It weaves these segÂments togethÂer with a trip through AmerÂiÂcan cities like Los AngeÂles, San FranÂcisÂco, and New York, then back to the WoodÂbridge, SufÂfolk of Eno’s youth, then on to Venice, one of the world’s places that draws him irreÂsistibly with its waterÂiÂness. Place itself emerges as one of Eno’s driÂving conÂcepts, not simÂply as a source of inspiÂraÂtion (though it seems to work that way for his video MisÂtakÂen MemÂoÂries of Medieval ManÂhatÂtan), but as a form. When Eno talks about makÂing albums, or images, or instalÂlaÂtions, he talks about them as places for audiÂences to exist. In any physÂiÂcal place, you’re preÂsentÂed with a cerÂtain set of choicÂes. You can’t always tell the delibÂerÂateÂly designed eleÂments from the “natÂurÂal” ones, and havÂing a rich expeÂriÂence demands that you activeÂly use your own awareÂness. This, so Eno explains, guides how he builds “places” — imagÂiÂnary landÂscapes, if you will — for lisÂtenÂers, galleryÂgoÂers, recordÂing artists, or himÂself, tryÂing to open up “the spaces between catÂeÂgories” and “make use of the watcher’s brain as part of the process.” Look into his more recent projects, like his iPhone apps or his colÂlabÂoÂraÂtions with bands like ColdÂplay or his tourÂing exhiÂbiÂtion 77 MilÂlion PaintÂings, and you’ll find him buildÂing them still.
ColÂin MarÂshall hosts and proÂduces NoteÂbook on Cities and CulÂture. FolÂlow him on TwitÂter at @colinmarshall.
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Drink our cofÂfee. Or else. That’s the mesÂsage of these curiÂousÂly sadisÂtic TV comÂmerÂcials proÂduced by Jim HenÂson between 1957 and 1961.
HenÂson made 179 ten-secÂond spots for Wilkins CofÂfee, a regionÂal comÂpaÂny with disÂtriÂbÂuÂtion in the BalÂtiÂmore-WashÂingÂton D.C. marÂket, accordÂing to the MupÂpets Wiki: “The local staÂtions only had ten secÂonds for staÂtion idenÂtiÂfiÂcaÂtion, so the MupÂpet comÂmerÂcials had to be lightning-fast–essentially, eight secÂonds for the comÂmerÂcial pitch and a two-secÂond shot of the prodÂuct.”
WithÂin those eight secÂonds, a cofÂfee enthuÂsiÂast named Wilkins (who bears a resemÂblance to KerÂmit the frog) manÂages to shoot, stab, bludÂgeon or othÂerÂwise do grave bodÂiÂly harm to a cofÂfee holdÂout named WonÂtkins. HenÂson proÂvidÂed the voicÂes of both charÂacÂters.
Up until that time, TV adverÂtisÂers typÂiÂcalÂly made a direct sales pitch. “We took a difÂferÂent approach,” said HenÂson in ChristoÂpher Finch’s Of MupÂpets and Men: The MakÂing of the MupÂpet Show. “We tried to sell things by makÂing peoÂple laugh.”
The camÂpaign for Wilkins CofÂfee was a hit. “In terms of popÂuÂlarÂiÂty of comÂmerÂcials in the WashÂingÂton area,” said HenÂson in a 1982 interÂview with Judy HarÂris, “we were the numÂber one, the most popÂuÂlar comÂmerÂcial.” HenÂson’s ad agency began marÂketÂing the idea to othÂer regionÂal cofÂfee comÂpaÂnies around the counÂtry. HenÂson re-shot the same spots with difÂferÂent brand names. “I bought my conÂtract from that agency,” said HenÂson, “and then I was proÂducÂing them–the same things around the counÂtry. And so we had up to about a dozen or so clients going at the same time. At the point, I was makÂing a lot of monÂey.”
You can watch many of the Wilkins CofÂfee comÂmerÂcials above. If you’re a glutÂton for punÂishÂment, there are more on YouTube. And a word of advice: If someÂone ever asks you if you drink Wilkins CofÂfee, just say yes.
RelatÂed ConÂtent:
Jim Henson’s OrigÂiÂnal, Spunky Pitch for The MupÂpet Show
Jim Henson’s Zany 1963 Robot Film UncovÂered by AT&T: Watch Online
Jim HenÂson Pilots The MupÂpet Show with Adult Episode, “Sex and VioÂlence” (1975)
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From fairy tales to The IliÂad (Web — iTunes), Lit2Go orgaÂnizes more than 200 titles by author and genre (advenÂture, gothÂic, hisÂtoÂry, sciÂence ficÂtion) with clear genre descripÂtions and plot sumÂmaries for young readÂers. The look and feel of the site’s beta verÂsion is user-friendÂly and library-like, with typeÂwriter fonts and illusÂtraÂtions makÂing it a pleaÂsure to browse. There are a few small kinks to be worked out howÂevÂer, so teachÂers interÂestÂed in downÂloadÂing supÂpleÂmenÂtal mateÂriÂals should opt for the origÂiÂnal site.
Lit2Go marÂries the old school library form (each novel’s year of pubÂliÂcaÂtion and origÂiÂnal pubÂlishÂer is includÂed) with the capacÂiÂty of the web (a link takes readÂers directÂly to the iTunes store, where Lit2Go has its own secÂtion of free downÂloads).
Many titles include supÂport mateÂrÂiÂal to kick off classÂroom disÂcusÂsion or to coach stuÂdents through develÂopÂing their own charÂacÂter diaÂgrams. One of the site’s real assets is the way it curates titles into colÂlecÂtions, includÂing African-AmerÂiÂcan LitÂerÂaÂture, AmerÂiÂcan Founders and the intriguÂing HapÂpiÂness ColÂlecÂtion where readÂers find Robert Louis Stevenson’s poem “The Swing” and Shakespeare’s heart-stopÂping scene in which FriÂar LauÂrence marÂries Romeo to JuliÂet (Web — iTunes).
AnothÂer curaÂtoÂrÂiÂal bonus: MateÂriÂals are also orgaÂnized by grade levÂel, using the Flesch-KinÂcaid Grade LevÂel index. TeachÂers and stuÂdents can also downÂload each title’s full text as a PDF, to read along to the audio.
MeanÂwhile, your can find hunÂdreds of downÂloadÂable works of litÂerÂaÂture in our own meta colÂlecÂtion of Free Audio Books.
Kate Rix writes about k‑12 instrucÂtion and highÂer ed.
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ImagÂine a star (like our sun) wanÂderÂing close to a superÂmasÂsive black hole and findÂing itself merÂciÂlessÂly ripped apart by this beast weighÂing milÂlions to bilÂlions times more than the hapÂless star. It doesÂn’t hapÂpen very often. But when it hapÂpens, it’s pretÂty specÂtacÂuÂlar. And now NASA has proÂduced a comÂputÂer simÂuÂlaÂtion showÂing this specÂtaÂcle, drawÂing on eviÂdence gathÂered by NASA’s Galaxy EvoÂluÂtion ExplorÂer and the Pan-STARRS1 teleÂscope locatÂed in Hawaii. Here’s how NASA describes what you’re seeÂing in the clip above:
Some of the stelÂlar debris falls into the black hole and some of it is ejectÂed into space at high speeds. The areas in white are regions of highÂest denÂsiÂty, with proÂgresÂsiveÂly redÂder colÂors corÂreÂspondÂing to lowÂer-denÂsiÂty regions. The blue dot pinÂpoints the black hole’s locaÂtion. The elapsed time corÂreÂsponds to the amount of time it takes for a Sun-like star to be ripped apart by a black hole a milÂlion times more masÂsive than the Sun.
NASA has more inforÂmaÂtion on this stelÂlar homiÂcide here.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
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