A four minute film, feaÂturÂing an AmerÂiÂcan pair of Levis travÂelÂing the globe for two years, all shot by a JapanÂese direcÂtor TakayuÂki Akachi. Nice find by Ian in El SalÂvador or … is it now Brazil?
A four minute film, feaÂturÂing an AmerÂiÂcan pair of Levis travÂelÂing the globe for two years, all shot by a JapanÂese direcÂtor TakayuÂki Akachi. Nice find by Ian in El SalÂvador or … is it now Brazil?
This is a cause you can all relate to: CreÂative ComÂmons is kickÂing off a camÂpaign this week to raise monÂey for its recentÂly-launched CatÂaÂlyst Grants proÂgram. Put simÂply, these grants will help “empowÂer indiÂvidÂuÂals and orgaÂniÂzaÂtions everyÂwhere … to make knowlÂedge easÂiÂly, freely, and legalÂly availÂable to everyÂone.” Grant sizes will range from $1,000 to $10,000, and they will be disÂtribÂuted to seriÂous researchers, eduÂcaÂtors and innoÂvaÂtors across the globe. The goal is to raise $100,000 this month. You can help make free eduÂcaÂtion (includÂing open eduÂcaÂtionÂal resources) availÂable worldÂwide by makÂing a donaÂtion here, or using the widÂget below.
In this 90-minute BBC docÂuÂmenÂtary, DanÂgerÂous KnowlÂedge, David MalÂone takes a close look at four mathÂeÂmatiÂcians — Georg CanÂtor, LudÂwig BoltzÂmann, Kurt Gödel and Alan TurÂing – whose thinkÂing proÂfoundÂly influÂenced modÂern mathÂeÂmatÂics but also drove them (or so the proÂgram argues) to insanÂiÂty and evenÂtuÂalÂly suiÂcide. CanÂtor gave us “set theÂoÂry.” BoltzÂmann made imporÂtant conÂtriÂbuÂtions in the fields of staÂtisÂtiÂcal mechanÂics and staÂtisÂtiÂcal therÂmoÂdyÂnamÂics. Gödel is rememÂbered for his incomÂpleteÂness theÂoÂrems. TurÂing built on Gödel’s work and laid the founÂdaÂtion for comÂputÂer sciÂence. They all spent their difÂfiÂcult final years in varÂiÂous states of menÂtal decline.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
The poem is “If” by RudÂyard Kipling (1899). The scene is The JohnÂny Cash Show, 1970. Hard to beat this…
via @caitlinroper
You have to like the ambiÂtion of this project. Roger Greenawalt and David BarÂratt startÂed recordÂing all 185 origÂiÂnal BeaÂtÂles comÂpoÂsiÂtions on the ukulele. They’re makÂing a new song availÂable every week until July 31, 2012, the eve of the LonÂdon Olympics. And, in each instance, they’re workÂing with difÂferÂent accomÂpaÂnyÂing artists. As you’ll see, the styles and approachÂes can vary wideÂly, and the ukulele sounds can be more or less proÂnounced. Just comÂpare BlackÂbird and She Said She Said (two of my BeaÂtÂle faves) and you will see what I mean. To downÂload the tracks, visÂit Roger and DavÂe’s web site, or load this feed to iTunes or your RSS readÂer.
via metafilÂter
If you blink, you might miss the latÂest new venÂture lookÂing to cenÂtralÂize the dizzyÂing numÂber of free online coursÂes. Here’s the latÂest: The Einztein KnowlÂedge NetÂwork. The more the merÂriÂer, I say…
WorkÂing for The WashÂingÂton Post in 1972, Bob WoodÂward and Carl BernÂstein blew open the exploÂsive WaterÂgate scanÂdal – someÂthing one newsÂpaÂper exec called “maybe the sinÂgle greatÂest reportÂing effort of all time.” (The whole saga gets docÂuÂmentÂed in All the PresÂiÂdenÂt’s Men, availÂable in print and film.) Almost 40 years latÂer, WoodÂward still writes for the Post, and, even though he has pubÂlished some clunkÂers since, he remains one of the most promiÂnent invesÂtigaÂtive jourÂnalÂists in the US. Above, WoodÂward describes how jourÂnalÂists get their inforÂmaÂtion, how they risk blowÂing their stoÂries, and where jourÂnalÂism might be headÂing in the digÂiÂtal age.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
Buenos Aires has endured a lot – finanÂcial crises, social protests, dicÂtaÂtorÂship and beyond. The award-winÂning docÂuÂmenÂtary: ÂżSerĂa Buenos Aires? (Maybe Buenos Aires?) takes a hard look at how the ArgenÂtines respondÂed to disÂloÂcaÂtions creÂatÂed by forces beyond their conÂtrol. It’s a uniÂverÂsal stoÂry that touchÂes on probÂlems we all face today. Greece is just the latÂest unforÂtuÂnate reminder of this. You can find this film, and 125 othÂer high qualÂiÂty movies, in our colÂlecÂtion of Free Movies Online.
The actor DenÂnis HopÂper died this mornÂing. You know him from ApocÂaÂlypse Now and Blue VelÂvet. But, more than any othÂer film, his legaÂcy is tied to Easy RidÂer. HopÂper directÂed, co-wrote, and co-starred in the counÂterÂculÂture clasÂsic, which won the top prize at the 1969 Cannes Film FesÂtiÂval. Drugs, motorÂcyÂcles, hipÂpies, comÂmuÂnal livÂing – Easy RidÂer capÂtured the spirÂit of the counÂterÂculÂture moveÂment, and now, 40 years latÂer, it serves as someÂthing of a memoÂrÂiÂal to the WoodÂstock genÂerÂaÂtion. Above, we feaÂture the 1999 docÂuÂmenÂtary Easy RidÂer: ShakÂing the Cage, which looks back at the makÂing of the cult film. It includes interÂviews with DenÂnis HopÂper and his co-star Peter FonÂda. Part 1 appears above. You can access the remainÂing parts here: Part 2, Part 3, Part 4, Part 5, Part 6, and Part 7
There’s a lot of talk about “vooks” these days. UsuÂalÂly vooks are all about movÂing traÂdiÂtionÂal books over to digÂiÂtal enviÂronÂments (e.g., the iPad) and surÂroundÂing them with supÂportÂing web media. But one comÂpaÂny, UbiÂmark, is takÂing a difÂferÂent approach. They’re keepÂing the printÂed word and putting the web inside the traÂdiÂtionÂal book. Kind of. Using smart phones, readÂers can take picÂtures of “2D codes” embedÂded in print books. And, from there, the smart phone will launch maps, video, and othÂer web media that will colÂlecÂtiveÂly enrich the words on the page. The video above, using Jules Verne’s Around the World in 80 Days as an examÂple, shows what this all looks like in action.
via Wired CamÂpus
From Our UniÂverse VisuÂalÂized on YouTube:
The MODIS instruÂment, on board NASA’s TerÂra and Aqua satelÂlites, is capÂturÂing images of the oil spill in the Gulf of MexÂiÂco. The spill began on April 20, 2010 with the exploÂsion of the DeepÂwaÂter HoriÂzon oil rig. This short video reveals a space-based view of the burnÂing oil rig and, latÂer, the ensuÂing oil spill through May 24, 2010. The oil slick appears grayÂish-beige in the images and changes due to changÂing weathÂer, ocean curÂrents, and the use of oil disÂpersÂing chemÂiÂcals. Images in the video time series were selectÂed that show the spill most clearÂly. The full image archive is availÂable on the MODIS Rapid Response Web site at https://rapidfire.sci.gsfc.nasa.gov/
via MothÂerÂJones