Wern­er Her­zog, one of Ger­many’s finest liv­ing direc­tors, has a new film out, The Bad Lieu­tenant (watch trail­ers here), which has a loose rela­tion­ship with Abel Fer­rara’s own Bad Lieu­tenant from 1992. The new film, star­ring Nico­las Cage and Eva Mendes, gets reviewed by A.O. Scott in the New York Times. And now a for­mer Times film crit­ic, Elvis Mitchell, sits down with Her­zog and talks about his “anar­chist” noir film set in New Orleans. The inter­view was aired by KCRW in LA and can be down­loaded in sev­er­al for­mats here, or streamed right below. And, film fans, don’t for­get to check out our new col­lec­tion of free movies online. (It now includes about 120 indi­vid­ual films, and lists 35 sites where you can watch free movies online.)

This short ani­mat­ed film, When the Day Breaks, comes to us via The Nation­al Film Board of Cana­da, which appears on our list of places to watch free movies online. (Scroll to the bot­tom of the page.) In this film direct­ed by Wendy Til­by and Aman­da For­bis, “Ruby the pig seeks affir­ma­tion in the city around her after wit­ness­ing the acci­den­tal death of a stranger… and finds it in sur­pris­ing places. With deft humour and fine­ly ren­dered detail, When the Day Breaks illu­mi­nates the links that con­nect our urban lives, while evok­ing the promise and fragili­ty of a new day.” Thanks Vic­to­ria for this nine min­utes of good­ness!

Nina Paley cre­at­ed some buzz ear­li­er this year when she decid­ed to give her award-win­ning ani­mat­ed film, Sita Sings the Blues, to the pub­lic, releas­ing it under a Cre­ative Com­mons license. This was anoth­er test of the con­cept that artists can make mon­ey by giv­ing their work away. Today, The Wall Street Jour­nal gives an account­ing of how this the­o­ry played out in prac­tice. Here’s how things break down:

• Total dona­tions from peo­ple who appre­ci­ate her giv­ing out free con­tent: $23,000
• Prof­its from her online store which sells mer­chan­dise and DVDs: $19,000
• The­atri­cal dis­tri­b­u­tion rev­enues: $3,000 (out of total box office tal­ly of $22,350)
• Addi­tion­al DVD dis­tri­b­u­tion: $3,000
• Broad­cast tele­vi­sion dis­tri­b­u­tion: $3,000
• Rev­enue from Cen­tral Cin­e­ma in Seat­tle which showed the film: $4,000
• The grand total: $55,000

As the WSJ notes, these num­bers don’t reflect the mon­ey she spent mak­ing the film . (Paley puts the num­ber at $150,000 in hard costs.) They also don’t account for the indi­rect rev­enue that she will gen­er­ate down the line. But putting Sita Sings the Blues in front of so many peo­ple, the world now knows a lot more about Nina Paley and her tal­ents. I have to believe that she can trade on that (if she wants to) when­ev­er she agrees to direct a film, or accepts a speak­ing engage­ment. The WSJ equa­tion does­n’t take this piece into account (it’s admit­ted­ly hard to mea­sure), but it’s prob­a­bly the most impor­tant part of the over­all analy­sis.

You can down­load Sita Sings the Blues here, watch it on YouTube here, or find it in our col­lec­tion of Free Movies Online.

Relat­ed Con­tent:

How I Sold My Book by Giv­ing It Away: You should all see this sep­a­rate post by Seth Har­wood. It focus­es on sim­i­lar issues, but trans­lat­ed to the book world.