Daniel Schorr’s Introduction to Twitter

Daniel Schorr, a leg­endary jour­nal­ist who made his mark dur­ing the Water­gate era, died today at age 93. Through­out the past sev­er­al decades, Schorr nev­er learned to use com­put­ers or word proces­sors. Rather, he stuck with his trusty type­writer. But, when Twit­ter took off last year, he was­n’t averse to giv­ing it a try. Above, Schorr gets his intro­duc­tion to Twit­ter and starts his account.

Let me also flag two items for you: You can read Schor­r’s very first arti­cle as a reporter, which appeared in The Chris­t­ian Sci­ence Mon­i­tor way back in May 1948. Also, NPR (where Schorr report­ed dur­ing his final years), has dug up an unex­pect­ed piece: Frank Zap­pa invit­ing Schorr on stage to deliv­er a polit­i­cal mes­sage and sing a few lines. Good stuff. RIP Mr. Schorr.

Find us on Twit­ter and Face­book!

BBC Launches World Music Archive

Today, the BBC has unveiled a new archive of world music, allow­ing you to sam­ple the musi­cal tra­di­tions of more than 40 coun­tries. India, Cor­si­ca, Chi­na, Cuba, Iran, Brazil, Mozam­bique, Turkey – they’re all rep­re­sent­ed in this eclec­tic col­lec­tion of indige­nous music. Often assum­ing a fair amount of risk, BBC 3 trav­eled to each coun­try (includ­ing sev­er­al con­flict zones) to record the music. But it pays off when you get to hear the lit­tle known music com­ing out of North Korea, for exam­ple. Fea­tur­ing 100s of hours of free record­ings, this archive is now avail­able to a glob­al audi­ence. You can start explor­ing right here, right now.

Relat­ed Con­tent:

Intro­duc­ing the Free Music Archive

via NZHer­ald and @freemusicarchiv

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Criterion Films 50% Off

Not a bad deal. Right now, Barnes and Noble is run­ning a big sale on films in the Cri­te­ri­on Col­lec­tion. They’re offer­ing 50% off of hun­dreds of clas­sic and con­tem­po­rary films, includ­ing Fellini’s 8 1/2, John Ford’s Stage­coach, Howards End with Antho­ny Hop­kins, Jim Jar­musch’s Mys­tery Train, Wim Wen­ders’ Wings of Desire, Steven Soder­bergh’s Che and many more. Films are avail­able in DVD and Blu-ray. Dig into the sale here.

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Before Gaga…

Imi­ta­tion is the sin­cer­est form of flat­tery

(The Bowie clip is from 1973.)

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The 1910 Tour de France Revisited

A hun­dred years ago, the orga­niz­ers of the Tour de France took rid­ers high into moun­tains for the very first time. And, from there, the mys­tique of the Tour de France grew and grew. To com­mem­o­rate this occa­sion, a group of mod­ern day rid­ers retraced the same route through the Pyre­nees, which includes some leg­endary climbs: the Col de Peyre­sourde, the Col d’Aspin, the Col du Tour­malet, the Col du Soulor, etc. The weath­er con­di­tions are slight­ly tough for these rid­ers, but their bikes are light and mod­ern, and the gear­ing much more for­giv­ing than what their fore­bears had. Mean­while the film doc­u­ment­ing their ride is a plea­sure to watch. The run­time is about 15 min­utes.

via @vimeo

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Ingmar Bergman Visits The Dick Cavett Show, 1971

Run­ning from 1968 to 1982, “The Dick Cavett Show” some­times brought heady cul­ture to the Amer­i­can air­waves. In this par­tic­u­lar case, Cavett gave Amer­i­cans a close up view of Ing­mar Bergman, the influ­en­tial Swedish direc­tor so admired by Woody Allen. (Allen once called Bergman “prob­a­bly the great­est film artist, all things con­sid­ered, since the inven­tion of the motion pic­ture cam­era.”) Cavet­t’s wide-rang­ing, 60 minute inter­view appears above. Thanks Rober­ta for the lead on this one.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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The Who by Tracks

Take The Who’s “Won’t Get Fooled Again” from 1971. Now break it down, sep­a­rat­ing out the tracks instru­ment by instru­ment, and you get some insight into how rock ‘n roll anthems come togeth­er. Above, we have Kei­th Moon’s dri­ving drum track. Then Pete Town­shend play­ing the pow­er chords on gui­tar (plus some syn­the­siz­er); John Entwistle thump­ing out the bass; and Roger Dal­trey on vocals. Put them back togeth­er and the whole becomes greater than the sum of the parts.

via metafil­ter

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Oppenheimer: The Man Behind the Bomb

In July 1945, J. Robert Oppen­heimer, a the­o­ret­i­cal physi­cist from UC Berke­ley, saw his work on the Man­hat­tan Project cul­mi­nate with the test of the first nuclear bomb. The genie was let out of the bot­tle, and, ever since then, world lead­ers have been try­ing to put the genie back in … with great dif­fi­cul­ty. The new doc­u­men­tary Count­down to Zero, which pre­miered at Sun­dance ear­li­er this year, traces the his­to­ry of the atom­ic bomb and makes the case for world­wide nuclear dis­ar­ma­ment – a time­ly issue giv­en that the US Sen­ate has been debat­ing the New Strate­gic Arms Reduc­tion Treaty (aka New START). The “fea­turette” above, excerpt­ed from the film, gives you a quick and some­what haunt­ing intro­duc­tion to Oppen­heimer, the man behind the bomb.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

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20 Great Authors (and Actors) Read Famous Literature Out Loud

Every now and then, we like to present vin­tage clips of great authors read­ing clas­sic lit­er­ary works – works they have often writ­ten them­selves. These clips can be fair­ly reveal­ing. Through them, you can recap­ture the voic­es of lit­er­ary greats, most long since passed. And you can hear how they give char­ac­ter and expres­sion to their own works … or those of oth­ers. In response to a read­er’s request, we have pulled togeth­er some of the finest exam­ples pre­vi­ous­ly fea­tured here. And, for good mea­sure, we’ve added prime clips of famous celebri­ties giv­ing lit­er­ary read­ings too. Hope you enjoy (and share):

1) William Faulkn­er Reads from As I Lay Dying

2) James Joyce Read­ing Finnegans Wake

3) Vin­tage Radio: Aldous Hux­ley Nar­rates Brave New World

4) Dominic West (aka Jim­my McNul­ty) Reads Jane Austen

5) Tru­man Capote Reads from Break­fast at Tiffany’s

6) Joyce Car­ol Oates Reads Eudo­ra Wel­ty’s “Where Is the Voice Com­ing From?”

7) Orson Welles Reads Moby Dick

8) John­ny Depp Reads Let­ters from Hunter S. Thomp­son

9) Ernest Hem­ing­way Reads “In Harry’s Bar in Venice”

10) T.S. Eliot Read­ing from The Waste­land

11) F. Scott Fitzger­ald Reads Shake­speare Out Loud

12) Den­nis Hop­per Reads Rud­yard Kipling on John­ny Cash Show

13) Kurt Von­negut Reads from Slaugh­ter­house-Five

14) Tom Waits Reads Charles Bukows­ki

15) William Car­los Williams Reads His Poet­ry (1954)

16) Orhan Pamuk Reads Vladimir Nabokov

17) Charles Bukows­ki “Blue­bird”

18) Wal­lace Stevens Reads His Own Poet­ry

19) Tobias Wolff Reads From His New Short Sto­ry Col­lec­tion

20) Lis­ten­ing to Famous Poets Read­ing Their Own Work

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Your Brain on Caffeine

Just what hap­pens to your brain when that dai­ly cup of joe kicks in? Life­hack­er has pulled togeth­er a nice lit­tle primer based on research appear­ing in Stephen R. Braun’s book, Buzz: The Sci­ence and Lore of Alco­hol and Caf­feine. The post also ref­er­ences a short video – “A Brain On Caf­feine” – from Cur­rentTV. It’s re-pre­sent­ed above.

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Eudora Welty on “A Worn Path”

First pub­lished in The Atlantic Month­ly in Feb­ru­ary 1940, “A Worn Path” is per­haps Eudo­ra Wel­ty’s most prized piece of short fic­tion. In this video, Wel­ty talks with drama­tist Beth Hen­ley about the writ­ing of the famous short sto­ry. The two women, it’s worth not­ing, share a good deal in com­mon. Both are Pulitzer Prize win­ners who have their com­mon roots in Jack­son, Mis­sis­sip­pi. Thanks to Mike S. for send­ing our way…


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