Ian Rubbish (aka Fred Armisen) Interviews the Clash in Spinal Tap-Inspired Mockumentary

You’ve heard of Lon­don Call­ing by the Clash. But what about Cam­den Beck­ons, by Ian Rub­bish & the Biz­zaros?

That’s one of the weird cre­ations of come­di­an Fred Armisen, who first intro­duced his Spinal Tap-like punk char­ac­ter Ian Rub­bish ear­li­er this year on Sat­ur­day Night Live. Armisen has just released this mock doc­u­men­tary for Fun­ny or Die fea­tur­ing a tongue-in-cheek inter­view and jam ses­sion with two of the sur­viv­ing mem­bers of the Clash: gui­tarist Mick Jones and bassist Paul Simonon. The leg­endary rock­ers, who have been busy late­ly pro­mot­ing the new Clash boxed set Sound Sys­tem, go along with the joke as Armisen describes the influ­ence the Bizarros had on the Clash. “In a way,” he says, “they did a sort of past-tense copy­ing of us.”

For more on Ian Rub­bish & the Bizarros, includ­ing free down­loads, see the offi­cial Web site.

Relat­ed Con­tent:

Doc­u­men­tary Viva Joe Strum­mer: The Sto­ry of the Clash Sur­veys the Career of Rock’s Beloved Front­man

“Joe Strummer’s Lon­don Call­ing”: All Eight Episodes of Strummer’s UK Radio Show Free Online

The Clash Live in Tokyo, 1982: Watch the Com­plete Con­cert

Mick Jones Plays Three Clas­sics by The Clash at the Pub­lic Library

Rocky’s Famous Trip up the Art Museum Steps Spoofed by the Pranksters of Improv Everywhere

I believe some movies are so clas­sic, they should be con­sid­ered untouch­able, an opin­ion I wish more Broad­way pro­duc­ers shared.

Brace your­self. Rocky, Sylvester Stal­lone’s heart­warm­ing tale about a small-pota­toes box­er in 1970s Philadel­phia, has been turned into a musi­cal.

No! Why!? Adri­an!!!

It’s like­ly not as bad as I fear. Stal­lone him­self is co-pro­duc­ing, young direc­tor Alex Tim­bers is deserved­ly hot, and lyri­cist Lynn Ahrens is respon­si­ble, in large degree, for School­house Rock.

All the same, prank col­lec­tive Improv Every­where’s take on one of Rock­y’s most icon­ic scenes falls more square­ly with­in my com­fort zone. The first install­ment in the group’s week­ly Movies in Real Life series, this Rocky fea­tures looka­like come­di­an Dan Black run­ning through the streets of Philly, a crowd of kids tail­ing him on the final leg. (“So, uh, you have par­ents?” he gasps, atop the art muse­um steps.)

As with the annu­al No-Pants Sub­way Ride and many oth­er Improv Every­where stunts, a great deal of fun comes from the reac­tions of unsus­pect­ing passers­by. Some of my favorites are view­able in the prank’s Mis­sion Report, a fol­low up with less need to stick to the script. Still in char­ac­ter, Black demands roy­al­ty checks from street ven­dors sell­ing Rocky t‑shirts and screws with tourists pos­ing in front of the famed Rocky stat­ue. Small won­der Improv Every­where’s mot­to is “we cause scenes.”

For those in need of refresh­ment, here is the orig­i­nal:

The most recent Movies in Real Life fea­tures a boul­der chas­ing Indi­ana Jones through Cen­tral Park to the Muse­um of Nat­ur­al His­to­ry. Tune in to the col­lec­tive’s Youtube chan­nel every Tues­day this fall for anoth­er fresh but faith­ful take on a famil­iar film.

Relat­ed Con­tent: 

What Hap­pens When Every­day Peo­ple Get a Chance to Con­duct a World-Class Orches­tra

The Do’s and Don’ts of Improv Com­e­dy with Liam Nee­son, Ricky Ger­vais, Tina Fey, and Del Close

Whose Line Is It Any­way? The Com­plete Improv Series Now Free Online

Ayun Hal­l­i­day’s most recent book is the graph­ic nov­el, Peanut . Fol­low her@AyunHalliday

Lorne Michaels Introduces Saturday Night Live and Its Brilliant First Cast for the Very First Time (1975)

Sat­ur­day Night Live, now in its 39th sea­son, has become more notable late­ly for its takes on such unin­ten­tion­al­ly (and too often painful­ly) fun­ny polit­i­cal fig­ures as Sarah Palin and Michele Bach­mann, rather than for its actu­al sketch­es. The show’s had some rough years, and though I can’t count myself among its cur­rent fans, for per­haps an eight-year peri­od, from the late 80s to the mid 90s, I tried to catch every episode. Occa­sion­al­ly, I would have to endure what every fan of the long-run­ning show must bear: a long nos­tal­gic rant from my par­ents’ gen­er­a­tion about how ter­ri­ble the show had become and how it would nev­er be as fun­ny as it was in their day. But they may have just been right, since they watched it live in its infan­cy in the mid-sev­en­ties, when the show fea­tured such comedic giants as Dan Aykroyd, Steve Mar­tin, John Belushi, Bill Mur­ray, and Gil­da Rad­ner. Although the top­i­cal humor of those ear­ly episodes is bad­ly dat­ed, the raw ener­gy radi­at­ing from peo­ple who would go on to cre­ate such endur­ing clas­sics as Ani­mal House, The Blues Broth­ers, The Jerk, and Cad­dyshack sets the bar very high for every­one who fol­lowed.

Debut­ing on Octo­ber 11, 1975, the brain­child of Lorne Michaels and Dick Eber­sol was orig­i­nal­ly just called the show Sat­ur­day Night to dif­fer­en­ti­ate it from an ABC show called Sat­ur­day Night Live with Howard Cosell. But from its incep­tion, the hall­mark ele­ments were in place: the open­ing sketch end­ing in “Live from New York, it’s Sat­ur­day Night!” (orig­i­nal­ly uttered each time by Chevy Chase); the live stu­dio audi­ence; the celebri­ty guest host (pio­neered by George Car­lin in the first episode); and the live musi­cal guests (the first were Bil­ly Pre­ston and Janis Ian). The orig­i­nal cast con­sist­ed of Chevy Chase, Dan Aykroyd, Jane Curtin, Gar­rett Mor­ris, Gil­da Rad­ner, John Belushi, and Laraine New­man. In the video at the top you can see a very young Lorne Michaels intro­duce the eight orig­i­nal cast mem­bers before the first show aired in an inter­view on The Tomor­row Show with Tom Sny­der. Asked by Sny­der about the for­mat of the show, Michaels jok­ing­ly replies, “we’ve got eight, and we’re hop­ing for two to real­ly work. Not all of these peo­ple will become stars.” The cast laughs ner­vous­ly. There’s no way any of them could have known how much the show would func­tion as a star-mak­ing machine, but that is exact­ly what it became, even in its first sea­son.

We are lucky to have screen tests from two of the first cast’s biggest stars-to-be, John Belushi (above) and Dan Aykroyd (below). In his audi­tion, Belushi wag­gles his famous eye­brows, does a cou­ple of bril­liant Bran­do impres­sions, and gen­er­al­ly hams it up. Aykroyd plays it straight, engag­ing in the smart satire of cur­rent events and pop cul­ture that he did so well and pulling off a very cred­i­ble Louisiana accent.

While some of the most famous come­di­ans of sea­son one, includ­ing Belushi and Aykroyd, are well known even to the raw youth of today, Lorne Michael’s first hire, the fab­u­lous Gil­da Rad­ner, has sad­ly fad­ed from pop cul­ture mem­o­ry, and there are pre­cious few clips of her SNL work online. But Rad­ner was a sin­gu­lar artist whose stand-up rou­tines and Broad­way shows are absolute­ly phe­nom­e­nal, and still hold up today. You can see her below from her 1979 show “Gil­da Live” doing a char­ac­ter called Can­dy Slice, her take on Pat­ti Smith (who was nev­er so wast­ed, I think). Notice a young Paul Scha­ef­fer on the drums and SNL’s G.E. Smith, Radner’s first hus­band, on gui­tar. Radner’s trag­ic death from ovar­i­an can­cer in 1989 cast her late life in somber tones, but see­ing her below, before her ill­ness, offers but a glimpse of the tremen­dous phys­i­cal ener­gy and com­mit­ment she brought to her every mem­o­rable char­ac­ter on the show.

Relat­ed Con­tent:

The Stunt That Got Elvis Costel­lo Banned From Sat­ur­day Night Live

William S. Bur­roughs on Sat­ur­day Night Live, 1981

Tom Davis, Orig­i­nal Sat­ur­day Night Live Writer, “De-ani­mates” at 59

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Pride and Prejudice Translated into Academiotics (and More Fun with Scholarly Jargon)

pride and prejudice academic

Over at The New York­er, Vic­to­ria Dai­ley is hav­ing a lit­tle fun trans­lat­ing lines from Jane Austen’s Pride Prej­u­dice into “Acad­e­mi­otics” — in short, aca­d­e­m­ic speak. Here’s a lit­tle taste for you:

“It is a truth uni­ver­sal­ly acknowl­edged, that a sin­gle man in pos­ses­sion of a good for­tune, must be in want of a wife.”

Trans­la­tion:

The het­ero­gene­ity of assumed inten­tions may incur a con­clu­so­ry stereo­type regard­ing gen­der selec­tions in mar­riage-based soci­eties, espe­cial­ly in those where the mas­cu­line hege­mo­ny of cap­i­tal resources pre­sup­pos­es the fem­i­niza­tion of prop­er­ty and uxo­r­i­al acqui­si­tion.

Is tak­ing shots at human­ists not your favorite sport? It’s just too easy? Maybe spoof­ing social sci­en­tists is more your thing? Then you can read all about the Ser­bian aca­d­e­mics who recent­ly pub­lished  a com­plete­ly fab­ri­cat­ed arti­cle in a Roman­ian jour­nal. The pub­lished arti­cle itself, “Eval­u­a­tion of trans­for­ma­tive hermeneu­tic heuris­tics for pro­cess­ing ran­dom data,” appears on Scribd.

Relat­ed Con­tent:

John Sear­le on Fou­cault and the Obscu­ran­tism in French Phi­los­o­phy

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

The Recipes of Icon­ic Authors: Jane Austen, Sylvia Plath, Roald Dahl, the Mar­quis de Sade & More

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Mark Twain’s Advice to Little Girls: Witty Counsel to Young Ladies of 1865

Mark Twain

Every Amer­i­can has appre­ci­at­ed at least a lit­tle bit of the oeu­vre of late-19th- and ear­ly-20th-cen­tu­ry humorist Samuel Clemens, bet­ter known as Mark Twain. Some only man­age to get through the chap­ters of The Adven­tures of Huck­le­ber­ry Finn their Eng­lish class­es test them on, but even those give them the inkling that they hold before them the work of a writer worth read­ing. Oth­ers go as far as to become enthu­si­asts of all things Twain, but per­haps stop just short of read­ing his “Advice to Lit­tle Girls,” a brief piece that offers the fol­low­ing points of coun­sel to the young ladies of 1865:

  • Good lit­tle girls ought not to make mouths at their teach­ers for every tri­fling offense. This retal­i­a­tion should only be resort­ed to under pecu­liar­ly aggra­vat­ed cir­cum­stances.
  • If you have noth­ing but a rag-doll stuffed with saw­dust, while one of your more for­tu­nate lit­tle play­mates has a cost­ly Chi­na one, you should treat her with a show of kind­ness nev­er­the­less. And you ought not to attempt to make a forcible swap with her unless your con­science would jus­ti­fy you in it, and you know you are able to do it.
  • You ought nev­er to take your lit­tle broth­er’s “chew­ing-gum” away from him by main force; it is bet­ter to rope him in with the promise of the first two dol­lars and a half you find float­ing down the riv­er on a grind­stone. In the art­less sim­plic­i­ty nat­ur­al to this time of life, he will regard it as a per­fect­ly fair trans­ac­tion. In all ages of the world this emi­nent­ly plau­si­ble fic­tion has lured the obtuse infant to finan­cial ruin and dis­as­ter.
  • If at any time you find it nec­es­sary to cor­rect your broth­er, do not cor­rect him with mud—never, on any account, throw mud at him, because it will spoil his clothes. It is bet­ter to scald him a lit­tle, for then you obtain desir­able results. You secure his imme­di­ate atten­tion to the lessons you are incul­cat­ing, and at the same time your hot water will have a ten­den­cy to move impu­ri­ties from his per­son, and pos­si­bly the skin, in spots.
  • If your moth­er tells you to do a thing, it is wrong to reply that you won’t. It is bet­ter and more becom­ing to inti­mate that you will do as she bids you, and then after­ward act qui­et­ly in the mat­ter accord­ing to the dic­tates of your best judg­ment.
  • You should ever bear in mind that it is to your kind par­ents that you are indebt­ed for your food, and for the priv­i­lege of stay­ing home from school when you let on that you are sick. There­fore you ought to respect their lit­tle prej­u­dices, and humor their lit­tle whims, and put up with their lit­tle foibles until they get to crowd­ing you too much.
  • Good lit­tle girls always show marked def­er­ence for the aged. You ought nev­er to “sass” old peo­ple unless they “sass” you first.

“Amer­i­can children’s lit­er­a­ture in those days was most­ly didac­tic,” writes chil­dren’s-book author and illus­tra­tor Vladimir Radun­sky in a post at the New York Review of Books. It was often addressed to some imag­i­nary read­er, an ide­al girl or boy, who, “upon read­ing the sto­ry, would imme­di­ate­ly adopt its heroes as role mod­els. Twain did not squat down to be heard and under­stood by chil­dren, but asked them to stand on their tip­toes — to absorb the kind of lan­guage and humor suit­able for adults.” And Twain also under­stood that, humor, at the height of the craft, lim­its itself to no one audi­ence in par­tic­u­lar. Just as any­one, even today, can enjoy Huck­le­ber­ry Finn — any­one, that is, with­out a teacher look­ing over their shoul­der — “Advice to Lit­tle Girls” plays, like every­thing Twain wrote, to both girls and boys, to both the lit­tle and the big, at once irre­sistibly enter­tain­ing and vicious­ly sat­i­riz­ing the whole of what he called “the damned human race.”

Then again, Twain also knew, as any mas­ter humorist does, that noth­ing fun­ny ever ben­e­fit­ed from too much expla­na­tion. We’ll thus leave you with a link to Project Guten­berg’s col­lec­tion of 216 free e‑books of his work, among which a bit of time spent should turn any one of us into enthu­si­asts of all things Twain.

via the NYRB

Relat­ed Con­tent:

Mark Twain Shirt­less in 1883 Pho­to

Mark Twain Wrote the First Book Ever Writ­ten With a Type­writer

Mark Twain Drafts the Ulti­mate Let­ter of Com­plaint (1905)

Mark Twain Cap­tured on Film by Thomas Edi­son in 1909. It’s the Only Known Footage of the Author.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

The 55 Strangest, Greatest Films Never Made (Chosen by John Green)

The Lord of the Rings star­ring the Bea­t­les?

The Lit­tle Prince, adapt­ed by Orson Welles?

Bat­man vs. Dwight D. Eisen­how­er? 

These are movies I’d pay to see! The first two made Men­tal Floss’ list of 55 Unfor­tu­nate­ly Unfin­ished Films, a roll call of movies that got hung up in pro­duc­tion or pre-pro­duc­tion, nev­er mak­ing it to the screen. As far as Bat­man bat­tling the 34th pres­i­dent goes, that one’s mere wish­ful think­ing, deliv­ered as a typ­i­cal­ly off-the-cuff remark from list pre­sen­ter, author John Green.

Mov­ing at a speed that will be famil­iar to fans of his Crash Course series, Green races through a tempt­ing menu of triv­ia and mis­for­tune, obses­sion and obscu­ri­ty.

Super­heroes fig­ure promi­nent­ly, as do musi­cians. The Clash in Gangs of New YorkThe Sex Pis­tols in Who Killed Bam­bi? (The screen­play of which is avail­able online, cour­tesy of its author, Roger Ebert.)

Death turns out to be anoth­er big plug-puller here. The untime­ly if not entire­ly sur­pris­ing ear­ly exits of John Belushi, John Can­dy, and Chris Far­ley led to the “curse” of A Con­fed­er­a­cy of Dunces.

As for Don Quixote, both Ter­ry Gilliam and the afore­men­tioned Mr. Welles have tilt­ed at that wind­mill only to find out their dream was impos­si­ble, if not unfilmable.

Relat­ed Con­tent:

Orson Welles Explains Why Igno­rance Was the Genius Behind Cit­i­zen Kane

Mar­tin Scors­ese Brings “Lost” Hitch­cock Film to Screen in Short Faux Doc­u­men­tary

Jean-Paul Sartre Writes a Script for John Huston’s Film on Freud (1958)

Ayun Hal­l­i­day would love to see John Green under­take a Crash Course Cin­e­ma series. Fol­low her @AyunHalliday

“Ask a Slave” by Azie Dungey Sets the Historical Record Straight in a New Web Series

Any­one whose job involves inter­ac­tion with the gen­er­al pub­lic will be sub­ject­ed to a cer­tain num­ber of bone­head­ed ques­tions on any giv­en day. Those num­bers sky­rock­et when one must remain in both cos­tume and char­ac­ter, charged with bring­ing his­to­ry to life.

Azie Dungey, the cre­ator and star of the new web series, Ask a Slave, claims to have “played every black woman of note that ever lived” when she was employed as an his­toric inter­preter in the Wash­ing­ton DC area. These includ­ed Car­o­line Bran­ham, Martha Wash­ing­ton’s enslaved lady’s maid, a gig that com­pelled her to keep a record of ques­tions posed by vis­i­tors to Mount Ver­non.

Now, as the tea-sip­ping, fic­tion­al Lizzie Mae, Dungey is able to answer those ques­tions with greater free­dom. A mid­dle-aged, seem­ing­ly edu­cat­ed white man won­ders if a news­pa­per ad is what led to Lizzie Mae’s posi­tion in the home of “such a dis­tin­guished Found­ing Father” as George Wash­ing­ton.

“Did I read the adver­tise­ment in the news­pa­per?” Lizzie Mae echoes pleas­ant­ly.  “Why, yes. It said Want­ed: One house­maid. No pay. Prefer­ably mulat­to, saucy with breed­ing hips. Must work 18 hour a days, sev­en days a week, no hol­i­days. But you get to wear a pret­ty dress, and if you’re lucky you just might car­ry some famous white man’s bas­tard child. So, you bet­ter believe I read that and I ran right over and said, “Sign me up!””

Her default tone is one of pro­fes­sion­al­ly patient indul­gence, though occa­sion­al­ly, the mask slips, as when anoth­er vis­i­tor asserts that “slav­ery isn’t real­ly that bad.”

Stick­ing to the his­toric inter­preter’s schtick of not rec­og­niz­ing non-peri­od inven­tions like cam­eras pays div­i­dends when the sub­ject turns to intern­ships, the under­ground rail­road, and what George Wash­ing­ton thinks of Abra­ham Lin­coln free­ing all his slaves.

The best mate­r­i­al, as they say, writes itself.

Relat­ed Con­tent:

The Amer­i­can Founders and Their World

Ayun Hal­l­i­day doc­u­ments an unex­pect­ed detour to Mount Ver­non in The Big Rum­pus. Fol­low her @AyunHalliday

Student Poses as Professor, Kicks Off Chemistry Class at University of Rochester With a Prank

Patrick Adel­man is a stu­dent at the Uni­ver­si­ty of Rochester pur­su­ing degrees in math­e­mat­ics and polit­i­cal sci­ence. He’s also, accord­ing to his LinkedIn pro­file, a mem­ber of the Cham­ber Boys, the uni­ver­si­ty’s radio com­e­dy group. And, oh yes, a pro­duc­tion intern at the Howard Stern show. That’s prob­a­bly all the set up you need to see what hap­pened in Dr. Ben­jamin Hafen­stein­er’s Chem­istry 131 class last week. Enjoy the rest of the week­end.

Relat­ed Con­tent: 

The Ele­ments: Tom Lehrer Recites Chem­i­cal Ele­ments to the Tune of Gilbert & Sul­li­van

The Thanks­giv­ing Math Lec­ture: Real Meets Vir­tu­al

Pro­fes­sor Ronald Mal­lett Wants to Build a Time Machine in this Cen­tu­ry … and He’s Not Kid­ding

Free Online Chem­istry Cours­es from Great Uni­ver­si­ties

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