The Map of Biology: Animation Shows How All the Different Fields in Biology Fit Together

Of all the sci­ence class­es required through­out pri­ma­ry and sec­ondary school, most stu­dents seem to like biol­o­gy the best. Maybe, deal­ing as it does with such famil­iar things as plants, ani­mals, and human beings, the pop­u­lar­i­ty of biol­o­gy has to do with its clear rel­e­vance to their life — or more to the point, to life itself. But any biol­o­gy-lov­ing young­ster who decides to go take their stud­ies more deeply into their favorite sub­ject must soon­er or lat­er make a dif­fi­cult choice: what kind of biol­o­gy will they focus on? Bio­physics, cel­lu­lar biol­o­gy, ecol­o­gy, envi­ron­men­tal biol­o­gy, bio­me­chan­ics, mol­e­c­u­lar biol­o­gy, bio­chem­istry, evo­lu­tion­ary biol­o­gy… the list seems end­less.

So instead of look­ing at the world of biol­o­gy as a list, why not look as it as a map? Domain of Sci­ence, the Youtube chan­nel pre­vi­ous­ly fea­tured here on Open Cul­ture for their map of math­e­mat­ics, map of physics, map of chem­istry, and map of com­put­er sci­ence, have just recent­ly put togeth­er one for biol­o­gy, a video tour of which appears above.

It begins with “the most basic unit in the foun­da­tion of all life,” the cell, con­tin­ues on to mol­e­c­u­lar, chem­i­cal, and phys­i­cal process­es, then to genes, pop­u­la­tions, anato­my, the immune sys­tem, genet­ic engi­neer­ing, pale­on­tol­ogy, and even the search for life in out­er space, with many oth­er stops along the way besides.

“If there’s one word that describes biol­o­gy, it’s com­plex­i­ty,” says series cre­ator and nar­ra­tor Dominic Wal­li­man. “There’s a huge amount we still don’t under­stand about how life works, how it start­ed, and how it end­ed up with intel­li­gent apes like us who are able to look back and try and work out. I feel like we’ll be mak­ing new bio­log­i­cal dis­cov­er­ies for many, many years to come.” Encour­ag­ing words for those stu­dents now con­sid­er­ing going into one of the many bio­log­i­cal sci­ences, although they’ll still have to decide exact­ly which bio­log­i­cal sci­ence to go into — bear­ing in mind how many of those sub­fields have yet to emerge. It does­n’t take that intel­li­gent an ape to under­stand that, before long, biol­o­gy’s going to need a big­ger map.

You can pur­chase Domain of Sci­ence’s maps as posters here.

Relat­ed Con­tent:

The Map of Com­put­er Sci­ence: New Ani­ma­tion Presents a Sur­vey of Com­put­er Sci­ence, from Alan Tur­ing to “Aug­ment­ed Real­i­ty”

The Map of Math­e­mat­ics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Math Fit Togeth­er

The Map of Physics: Ani­ma­tion Shows How All the Dif­fer­ent Fields in Physics Fit Togeth­er

The Map of Chem­istry: New Ani­ma­tion Sum­ma­rizes the Entire Field of Chem­istry in 12 Min­utes

Free Online Biol­o­gy Cours­es 

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Meet Mandy Harvey, the Deaf Singer Songwriter Who Performs Barefoot & Feels the Music Through Vibrations in the Ground

Attrac­tive young female singer-song­writ­ers who shuck their shoes onstage some­times find that this small attempt to pass them­selves off as folksy and “real” has the oppo­site effect.

Mandy Har­vey, how­ev­er, is above reproach. The deaf singer-song­writer per­forms bare­foot out of neces­si­ty, using her unclad soles to pick up on the vibra­tions of var­i­ous instru­ments through the floor­boards. It allows her to keep time and, in so doing, helps her to stay emo­tion­al­ly con­nect­ed to the oth­er musi­cians with whom she’s per­form­ing, as she told NPR ear­li­er this year, when she was one of 10 final­ists on Amer­i­ca’s Got Tal­ent.

“I’ll feel and con­cen­trate on the drums through the floor, through my feet and then the bass through your chest,” she said in an inter­view with Col­orado Pub­lic Radio. “And then if a sax­o­phone play­er is next to me then it will be on my arm. So you just des­ig­nate dif­fer­ent parts of your body so you can con­cen­trate on who’s play­ing what and when.”

Born with near per­fect pitch and a con­nec­tive tis­sue dis­or­der that impaired her hear­ing, she was able to pur­sue her love of music by rely­ing on hear­ing aids and lip read­ing until 18, when she final­ly lost her hear­ing for good, as a fresh­man Vocal Music Edu­ca­tion major at Col­orado State Uni­ver­si­ty.

While she has nev­er heard fel­low song­birds Adele or Tay­lor Swift, she has got­ten over the stage fright that plagued her when she still retained some hear­ing. Vocal­ly, she turns to mus­cle mem­o­ry and visu­al tuners to see her through.

Her tal­ent is such that some lis­ten­ers are con­vinced her deaf­ness is a pub­lic­i­ty stunt, a mis­per­cep­tion that eats at Wayne Con­nell, founder of the Invis­i­ble Dis­abil­i­ties Asso­ci­a­tion, a non-prof­it with whom Har­vey is active:

We’ve cre­at­ed an idea [of] how peo­ple are sup­posed to look when they’re bro­ken and so when you don’t fit that imag­i­nary mold, then it’s a trick, or you’re a liar — or you’re not real­ly bro­ken, so you should­n’t be doing cer­tain things.

See Har­vey per­form­ing bare­foot at the Kennedy Cen­ter on the 23rd anniver­sary of the Amer­i­cans with Dis­abil­i­ties Act, below.

Relat­ed Con­tent:

Eve­lyn Glen­nie (a Musi­cian Who Hap­pens to Be Deaf) Shows How We Can Lis­ten to Music with Our Entire Bod­ies

How Inge­nious Sign Lan­guage Inter­preters Are Bring­ing Music to Life for the Deaf: Visu­al­iz­ing the Sound of Rhythm, Har­mo­ny & Melody

How Did Beethoven Com­pose His 9th Sym­pho­ny After He Went Com­plete­ly Deaf?

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Google Street View Lets You Walk in Jane Goodall’s Footsteps and Visit the Chimpanzees of Tanzania

As men­tioned here last month, Dr. Jane Goodall is now teach­ing her first online course through Mas­ter­class. In 29 video lessons, her course will teach you about the three pil­lars of her life­long work: envi­ron­men­tal con­ser­va­tion, ani­mal intel­li­gence, and activism. But that’s not the only way you can dig­i­tal­ly engage with Jane Goodal­l’s world. Over on Google Maps, you can take a visu­al jour­ney through Gombe Nation­al Park in Tan­za­nia, where Goodall con­duct­ed her his­toric chim­panzee research, start­ing back in July, 1960. As Google writes: this visu­al ini­tia­tive lets you expe­ri­ence “what it’s like to be Jane for a day.” You can “peek into her house, take a dip in Lake Tan­ganyi­ka, spot the chimp named Google and try to keep up with Glit­ter and Gos­samer.” Com­plet­ed in part­ner­ship with Tan­za­ni­a’s Nation­al Parks and the Jane Goodall Insti­tute, this project con­tributes to an effort to use satel­lite imagery and map­ping to pro­tect 85 per­cent of the remain­ing chim­panzees in Africa. To get the most out of Street View Gombe, vis­it the accom­pa­ny­ing web­site Jane Goodal­l’s Roots and Shoots.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Dr. Jane Goodall Is Now Teach­ing an Online Course on Con­ser­va­tion, Ani­mal Intel­li­gence & Activism

Ani­mat­ed: The Inspi­ra­tional Sto­ry of Jane Goodall, and Why She Believes in Big­foot

Google Lets You Take a 360-Degree Panoram­ic Tour of Street Art in Cities Across the World

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Two Million Wondrous Nature Illustrations Put Online by The Biodiversity Heritage Library

Are we tru­ly in the midst of a human-caused sixth mass extinc­tion, an era of “bio­log­i­cal anni­hi­la­tion”? Many sci­en­tists and pop­u­lar sci­ence writ­ers say yes, using terms like “Holocene” or “Anthro­pocene” to describe what fol­lows the Ordovi­cian, Devon­ian, Per­mi­an, Tri­as­sic, and Cre­ta­ceous peri­ods. Peter Bran­nen, author of extinc­tion his­to­ry The Ends of the Earth has found at least one sci­en­tist who thinks the con­cept is “junk.” But Bran­nen quotes some alarm­ing sta­tis­tics. Chill­ing, even. “Until very recent­ly,” he writes, “all ver­te­brate life on the plan­et was wildlife. But astound­ing­ly, today wildlife accounts for only 3 per­cent of earth’s land ani­mals; human beings, our live­stock, and our pets take up the remain­ing 97 per­cent of the bio­mass… almost half of the earth’s land has been con­vert­ed into farm­land.”

This state of affairs does not bode well for the mil­lions of remain­ing species get­ting edged out of their envi­ron­ments by agribusi­ness and cli­mate change. We learn from extinc­tions past that the plan­et rebounds after unimag­in­able cat­a­stro­phe. Life real­ly does go on, though it may take mil­lions of years to recov­er. But the cur­rent forms of life may dis­ap­pear before their time. If we want to under­stand what is at stake besides our own frag­ile fos­sil-fuel based civ­i­liza­tions, we need to con­nect to life emo­tion­al­ly as well as intel­lec­tu­al­ly. Short of globe-hop­ping phys­i­cal immer­sion in the earth’s bio­di­ver­si­ty, we could hard­ly do bet­ter than immers­ing our­selves in the tra­di­tion of nat­u­ral­ist writ­ing, art, and pho­tog­ra­phy that brings the world to us.

The Bio­di­ver­si­ty Her­itage Library (BHL), an “open access dig­i­tal library for bio­di­ver­si­ty lit­er­a­ture and archives,” has for many years been mak­ing it easy for peo­ple to con­nect to nature through nature writ­ing and illus­tra­tion. In 2012, they announced the “suc­cess sto­ry” of their Flickr streams, both con­tain­ing thou­sands of illus­tra­tions and pho­tographs uploaded by the BHL staff and read­ers from their huge col­lec­tions of books.

The first stream, cur­rent­ly at 122,281 images, has been care­ful­ly curat­ed, and includes search­able gal­leries and albums divid­ed by book title or sub­ject, such as “Exot­ic botany illus­trat­ed,” “The Birds of Aus­tralia v.1,” and “Bats!” The sec­ond stream, con­sist­ing of over 2 mil­lion images, is a mas­sive grab-bag of pho­tos, ill­lus­tra­tions from nature, adver­tise­ments, and imag­i­na­tive ren­der­ings.

Though far less use­ful for the scholar—or the very pur­pose­ful user—this sec­ond pho­to­stream offers more poten­tial for chance dis­cov­ery, through the aim­less wan­der­ing that often leads to serendip­i­tous­ly sub­lime expe­ri­ences. The for­mal BHL stream does not dis­ap­point, though it may offer few­er sur­pris­es. Both of these image archives offer expan­sive views of human­i­ty’s encounter with the nat­ur­al world, not only through sta­tis­tics and aca­d­e­m­ic jar­gon, but through the artis­tic record­ing of won­der, sci­en­tif­ic curios­i­ty, and deep appre­ci­a­tion.

Relat­ed Con­tent:

Watch 50 Hours of Nature Sound­scapes from the BBC: Sci­en­tif­i­cal­ly Proven to Ease Stress and Pro­mote Hap­pi­ness & Awe

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Down­load for Free 2.6 Mil­lion Images from Books Pub­lished Over Last 500 Years on Flickr

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

What Do Aliens Look Like? Oxford Astrobiologists Draw a Picture, Based on Darwinian Theories of Evolution


When Charles Dar­win laid out his the­o­ry of nat­ur­al selec­tion in 1859, lit­tle could he have imag­ined that, a good 150 years lat­er, this cor­ner­stone of evo­lu­tion­ary the­o­ry might help us form a men­tal pic­ture of what alien life looks like. But that’s pre­cise­ly how a group of researchers from Oxford Uni­ver­si­ty have done: In a research paper called “Dar­win’s Aliens,” they’ve applied Dar­win’s the­o­ry to alien life, posit­ing that aliens–like humans–adapt to their envi­ron­ment, under­go nat­ur­al selec­tion, and move from sim­ple to com­plex life forms. And, by the end, they could plau­si­bly look some­thing like a “colony of Ewoks from Star Wars or the Octomite” pic­tured above.

You can read â€śDar­win’s Aliens” in the Inter­na­tion­al Jour­nal of Astro­bi­ol­o­gy. It’s pub­lished on the Cam­bridge Core web­site.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via The Guardian

Relat­ed Con­tent:

Carl Sagan Sent Music & Pho­tos Into Space So That Aliens Could Under­stand Human Civ­i­liza­tion (Even After We’re Gone)

Free NASA eBook The­o­rizes How We Will Com­mu­ni­cate with Aliens

The CIA Puts Hun­dreds of Declas­si­fied Doc­u­ments About UFO Sight­ings Online, Plus 10 Tips for Inves­ti­gat­ing Fly­ing Saucers

Carl Jung’s Fas­ci­nat­ing 1957 Let­ter on UFOs

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The Art of Explaining Hard Ideas: Scientists Try to Explain Gene Editing & Brain Mapping to Young Kids & Students

If you’ve seen Bong Joon-ho’s film Okja, about an Agribusi­ness-engi­neered gar­gan­tu­an mutant pig and her young Kore­an girl side­kick, you may have some very spe­cif­ic ideas about CRISPR, the sci­ence used to edit and manip­u­late genes. In fact, the mad­cap fic­tion­al adventure’s world may not be too far off, though the sci­ence seems to be mov­ing in the oth­er direc­tion. Just recent­ly, Chi­nese sci­en­tists have report­ed the cre­ation of 12 pigs with 24 per­cent less body fat than the ordi­nary vari­ety. It may not be front-page news yet, but the achieve­ment is “a big issue for the pig indus­try,” says the lead researcher.

There’s much more to CRISPR than bio­engi­neer­ing lean bacon. But what is it and how does it work? I couldn’t begin to tell you. Let biol­o­gist Neville San­jana explain. In the Wired video above, he under­takes the ulti­mate chal­lenge for sci­ence communicators—explaining the most cut­ting-edge sci­ence to five dif­fer­ent peo­ple: a 7‑year-old, 14-year-old, col­lege stu­dent, grad stu­dent, and—to real­ly put him on the spot—a CRISPR expert. CRISPR is “a new area of bio­med­ical sci­ence that enables gene edit­ing,” San­jana begins in his short intro for view­ers, “and it’s help­ing us under­stand the basis of many genet­ic dis­eases like autism and can­cer.”

That’s all well and good, but does he have any­thing to say about the pig busi­ness? Watch and find out, begin­ning with the adorable 7‑year-old Teigen Riv­er, who may or may not have been primed with per­fect respons­es. Play it for your own kids and let us know how well the expla­na­tion works. San­jara runs quick­ly through his oth­er stu­dents to arrive, halfway through the video, at Dr. Matthew Can­ver, CRISPR expert.

From there on out you may wish to refer to oth­er quick ref­er­ences, such as the Har­vard and MIT Broad Institute’s short guide and video intro above from mol­e­c­u­lar biol­o­gist Feng Zhang, who explains that CRISPR, or “Clus­tered Reg­u­lar­ly Inter­sperced Short Palin­dromic Repeats,” is actu­al­ly the name of DNA sequences in bac­te­ria. The gene edit­ing tech­nol­o­gy itself is called CRISPR-Cas9. Just so you know how the sausage is made.

Enough of pig puns. Let’s talk about brains, with neu­ro­sci­en­tist Dr. Bob­by Kasthuri of the Argonne Nation­al Lab­o­ra­to­ry. He faces a sim­i­lar chal­lenge above—this time explain­ing high con­cept sci­ence to a 5‑year-old, 13-year-old, col­lege stu­dent, grad stu­dent, and a “Con­nec­tome entre­pre­neur.” A what? Con­nec­tome is the prod­uct of the NIH’s Human Con­nec­tome Project, which set out to “pro­vide an unpar­al­leled com­pi­la­tion of neur­al data” and “achieve nev­er before real­ized con­clu­sions about the liv­ing human brain.” This brain-map­ping sci­ence has many objec­tives, one of which, in the 5‑year-old ver­sion, is “to know where every cell in your brain is, and how it can talk to every oth­er cell.”

To this aston­ish­ing expla­na­tion you may reply like Daniel Dod­son, 5‑year-old, with a stunned “Oh.” And then you may think of Philip K. Dick, or Black Mir­ror’s “San Junipero” episode. Espe­cial­ly after hear­ing from “Con­nec­tome Entre­pre­neur” Rus­sell Han­son, founder and CEO of a com­pa­ny called Brain Back­ups, or after lis­ten­ing to Sebas­t­ian Seung—“leader in the field of connectomics”—give his TED talk, “I am my con­nec­tome.” Want anoth­er short, but grown-up focused, expla­na­tion of the total­ly sci­ence-fic­tion but also com­plete­ly real Con­nec­tome? See Kasthuri’s 2‑minute ani­mat­ed video above from Boston Uni­ver­si­ty.

Relat­ed Video:

Real­i­ty Is Noth­ing But a Hal­lu­ci­na­tion: A Mind-Bend­ing Crash Course on the Neu­ro­science of Con­scious­ness

Richard Feyn­man Cre­ates a Sim­ple Method for Telling Sci­ence From Pseu­do­science (1966)

125 Great Sci­ence Videos: From Astron­o­my to Physics & Psy­chol­o­gy 

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

I’m Just a Pill: A Schoolhouse Rock Classic Gets Reimagined to Defend Reproductive Rights in 2017

Like many Amer­i­can chil­dren of the 70s and 80s, my under­stand­ing of how our gov­ern­ment is sup­posed to func­tion was shaped by School­house Rock.

Immi­gra­tion, sep­a­ra­tion of leg­isla­tive, exec­u­tive and judi­cial pow­ers and of course, the promise of the Con­sti­tu­tion (“a list of prin­ci­ples for keepin’ peo­ple free”) were just a few of the top­ics the ani­mat­ed musi­cal series cov­ered with clar­i­ty and wit.

The new world order in which we’ve recent­ly found our­selves sug­gests that 2017 would be a grand year to start rolling out more such videos.

The Lady Parts Jus­tice League, a self-declared “cabal of comics and writ­ers expos­ing creeps hell­bent on destroy­ing access to birth con­trol and abor­tion” leads the charge with the above homage to School­house Rock­’s 1976 hit, “I’m Just a Bill,” recast­ing the original’s glum aspi­rant law as a feisty Plan B con­tra­cep­tive pill. The red haired boy who kept the bill com­pa­ny on the steps of the Cap­i­tal is now a teenage girl, con­fused as to how any legal, over-the-counter method for reduc­ing the risk of unwant­ed preg­nan­cy could have so many ene­mies.

As with the orig­i­nal series, the prime objec­tive is to edu­cate, and com­ic Lea DeLar­ia’s Pill hap­pi­ly oblig­es, explain­ing that while peo­ple may dis­agree as to when “life” begins, it’s a sci­en­tif­ic fact that preg­nan­cy begins when a fer­til­ized egg lodges itself in the uterus. (DeLar­ia plays Big Boo on Orange is the New Black, by the way.) That process takes a while—72 hours to be exact. Plen­ty of time for the par­tic­i­pants to scut­tle off to the drug­store for emer­gency con­tra­cep­tion, aka Plan B, the so called “morn­ing-after” pill.

As per the drug’s web­site, if tak­en with­in 72 hours after unpro­tect­ed sex, Plan B  can reduce the risk of preg­nan­cy by up to 89%. Tak­en with­in 24 hours, it is about 95% effec­tive.

And yes, teenagers can legal­ly pur­chase it, though Teen Vogue has report­ed on numer­ous stores who’ve made it dif­fi­cult, if not impos­si­ble, for shop­pers to gain access to the pill.

(The Repro­duc­tive Jus­tice Project encour­ages con­sumers to help them col­lect data on whether Plan B is cor­rect­ly dis­played on the shelves as avail­able for sale to any woman of child­bear­ing age.)

There’s a help­ful foot­ball anal­o­gy for those who may be a bit slow in under­stand­ing that Plan B is indeed a bonafide con­tra­cep­tive, and not the abor­ti­fa­cient some mis­tak­en­ly make it out to be. It’s NSFW, but only just, as a team of car­toon penis-out­lines push down the field toward the uter­ine wall in the end zone.

The oth­er bills who once stood in line await­ing the president’s sig­na­ture have been reimag­ined as sperm, while song­writer Hol­ly Miran­da pays trib­ute to Dave Frish­berg’s lyrics with a piz­zazz wor­thy of the orig­i­nal:

I’m just a pill

A help­ful birth con­trol pill

No mat­ter what they say on Cap­i­tal Hill

So now you know my truth

I’m all about pre­ven­tion

If your con­dom breaks

I’m here for inter­ven­tion

Join me take a stand today

I real­ly hope and pray that you will

Drop some facts

Tell the world

I’m a pill.

Let’s hope the resis­tance yields more catchy, edu­ca­tion­al ani­ma­tions!

And here, for com­par­ison’s sake, is the mag­nif­i­cent orig­i­nal:

Via BUST Mag­a­zine

Relat­ed Con­tent:

School­house Rock: Revis­it a Col­lec­tion of Nos­tal­gia-Induc­ing Edu­ca­tion­al Videos

Con­spir­a­cy The­o­ry Rock: The School­house Rock Par­o­dy Sat­ur­day Night Live May Have Cen­sored

The Birth Con­trol Hand­book: The Under­ground Stu­dent Pub­li­ca­tion That Let Women Take Con­trol of Their Bod­ies (1968)

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

Buckminster Fuller’s Dymaxion Sleep Plan: He Slept Two Hours a Day for Two Years & Felt “Vigorous” and “Alert”

One poten­tial draw­back of genius, it seems, is rest­less­ness, a mind per­pet­u­al­ly on the move. Of course, this is what makes many cel­e­brat­ed thinkers and artists so pro­duc­tive. That and the extra hours some gain by sac­ri­fic­ing sleep. Voltaire report­ed­ly drank up to 50 cups of cof­fee a day, and seems to have suf­fered no par­tic­u­lar­ly ill effects. Balzac did the same, and died at 51. The caf­feine may have had some­thing to do with it. Both Socrates and Samuel John­son believed that sleep is wast­ed time, and “so for years has thought grey-haired Richard Buck­min­ster Fuller,” wrote Time mag­a­zine in 1943, “futu­rif­ic inven­tor of the Dymax­ion house, the Dymax­ion car and the Dymax­ion globe.”

Engi­neer and vision­ary Fuller intend­ed his “Dymax­ion” brand to rev­o­lu­tion­ize every aspect of human life, or—in the now-slight­ly-dat­ed par­lance of our obses­sion with all things hacking—he engi­neered a series of rad­i­cal “life­hacks.” Giv­en his views on sleep, that seem­ing­ly essen­tial activ­i­ty also received a Dymax­ion upgrade, the trade­marked name com­bin­ing “dynam­ic,” “max­i­mum,” and “ten­sion.” “Two hours of sleep a day,” Fuller announced, “is plen­ty.” Did he con­sult with spe­cial­ists? Med­ical doc­tors? Biol­o­gists? Noth­ing as dull as that. He did what many a mad sci­en­tist does in the movies. (In the search, as Vin­cent Price says at the end of The Fly, “for the truth.”) He cooked up a the­o­ry, and test­ed it on him­self.

“Fuller,” Time report­ed, “rea­soned that man has a pri­ma­ry store of ener­gy, quick­ly replen­ished, and a sec­ondary reserve (sec­ond wind) that takes longer to restore.” He hypoth­e­sized that we would need less sleep if we stopped to take a nap at “the first sign of fatigue.” Fuller trained him­self to do just that, for­go­ing the typ­i­cal eight hours, more or less, most of us get per night. He found—as have many artists and researchers over the years—that “after a half-hour nap he was com­plete­ly refreshed.” Naps every six hours allowed him to shrink his total sleep per 24-hour peri­od to two hours. Did he, like the 50s mad sci­en­tist, become a trag­ic vic­tim of his own exper­i­ment?

No dan­ger of merg­ing him with a fly or turn­ing him invis­i­ble. The experiment’s fail­ure may have meant a day in bed catch­ing up on lost sleep. Instead, Fuller kept up it for two full years, 1932 and 1933, and report­ed feel­ing in “the most vig­or­ous and alert con­di­tion that I have ever enjoyed.” He might have slept two hours a day in 30 minute incre­ments indef­i­nite­ly, Time sug­gests, but found that his “busi­ness asso­ciates… insist­ed on sleep­ing like oth­er men,” and wouldn’t adapt to his eccen­tric sched­ule, though some not for lack of try­ing. In his book Buck­y­Works J. Bald­win claims, “I can per­son­al­ly attest that many of his younger col­leagues and stu­dents could not keep up with him. He nev­er seemed to tire.”

A research orga­ni­za­tion looked into the sleep sys­tem and “not­ed that not every­one was able to train them­selves to sleep on com­mand.” The point may seem obvi­ous to the sig­nif­i­cant num­ber of peo­ple who suf­fer from insom­nia. “Bucky dis­con­cert­ed observers,” Bald­win writes, “by going to sleep in thir­ty sec­onds, as if he had thrown an Off switch in his head. It hap­pened so quick­ly that it looked like he had had a seizure.” Buck­min­ster Fuller was undoubt­ed­ly an unusu­al human, but human all the same. Time report­ed that “most sleep inves­ti­ga­tors agree that the first hours of sleep are the sound­est.” A Col­gate Uni­ver­si­ty researcher at the time dis­cov­ered that “peo­ple awak­ened after four hours’ sleep were just as alert, well-coor­di­nat­ed phys­i­cal­ly and resis­tant to fatigue” as those who slept the full eight.

Sleep research since the for­ties has made a num­ber of oth­er find­ings about vari­able sleep sched­ules among humans, study­ing shift work­ers’ sleep and the so-called “bipha­sic” pat­tern com­mon in cul­tures with very late bed­times and sies­tas in the mid­dle of the day. The suc­cess of this sleep rhythm “con­tra­dicts the nor­mal idea of a monopha­sic sleep­ing sched­ule,” writes Evan Mur­ray at MIT’s Cul­ture Shock, “in which all our time asleep is lumped into one block.” Bipha­sic sleep results in six or sev­en hours of sleep rather than the sev­en to nine of monopha­sic sleep­ers. Polypha­sic sleep­ing, how­ev­er, the kind pio­neered by Fuller, seems to gen­uine­ly result in even less need­ed sleep for many. It’s an idea that’s only become wide­spread “with­in rough­ly the last decade,” Mur­ray not­ed in 2009. He points to the redis­cov­ery, with­out any clear indebt­ed­ness, of Fuller’s Dymax­ion sys­tem by col­lege stu­dent Maria Staver, who named her method “Uber­man,” in hon­or of Niet­zsche, and spread its pop­u­lar­i­ty through a blog and a book.

Mur­ray also reports on anoth­er blog­ger, Steve Pavli­na, who con­duct­ed the exper­i­ment on him­self and found that “over a peri­od of 5 1/2 months, he was suc­cess­ful in adapt­ing com­plete­ly,” reap­ing the ben­e­fits of increased pro­duc­tiv­i­ty. But like Fuller, Pavli­na gave it up, not for “health rea­sons,” but because, he wrote, “the rest of the world is monopha­sic” or close to it. Our long block of sleep appar­ent­ly con­tains a good deal of “wast­ed tran­si­tion time” before we arrive at the nec­es­sary REM state. Polypha­sic sleep trains our brains to get to REM more quick­ly and effi­cient­ly. For this rea­son, writes Mur­ray, “I believe it can work for every­one.” Per­haps it can, pro­vid­ed they are will­ing to bear the social cost of being out of sync with the rest of the world. But peo­ple like­ly to prac­tice Dymax­ion Sleep for sev­er­al months or years prob­a­bly already are.

Relat­ed Con­tent:

The Pow­er of Pow­er Naps: Sal­vador Dali Teach­es You How Micro-Naps Can Give You Cre­ative Inspi­ra­tion

Bertrand Rus­sell & Buck­min­ster Fuller on Why We Should Work Less, and Live & Learn More

Every­thing I Know: 42 Hours of Buck­min­ster Fuller’s Vision­ary Lec­tures Free Online (1975)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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