High School Teacher Reads Allen Ginsberg’s Explicit Poem ā€œPlease Masterā€ and Loses His Job

Image by Michiel hendryckx.

Image by Michiel Hendryckx.

Although the boundĀ­aries of what should pass for free speech in high school EngĀ­lish classĀ­rooms will be forĀ­evĀ­er in debate, most everyĀ­one would agree some boundĀ­aries must exist. But what of the speech of famous authors? Of towĀ­erĀ­ing figĀ­ures of 20th cenĀ­tuĀ­ry poetĀ­ry? Should their speech be subĀ­ject to review? What of an EngĀ­lish teacher who allows the most risquĆ© Beat poem you’ve ever heard to be read aloud in class by the poet himĀ­self, Allen GinsĀ­berg, via an online video (perĀ­haps this one)? Award-winĀ­ning EngĀ­lish teacher David Olio, a beloved 19-year vetĀ­erĀ­an, did just that when a stuĀ­dent asked to share Ginsberg’s ecstaĀ­tĀ­ic, and very explicĀ­it, poem ā€œPlease MasĀ­terā€ with the class.

After comĀ­plaints from sevĀ­erĀ­al stuĀ­dents, the school adminĀ­isĀ­traĀ­tion susĀ­pendĀ­ed Olio, then forced him to resign. Whether or not this deciĀ­sion was just is a debate that extends beyond the scope of this post. The variĀ­ables are many, as Slate’s symĀ­paĀ­thetĀ­ic Mark Joseph Stern admits, includĀ­ing the fact that Olio did not exactĀ­ly preĀ­pare his stuĀ­dents for what was to come, nor give them the opporĀ­tuĀ­niĀ­ty to opt out. The high school seniors—on the threshĀ­old of adultĀ­hood and some already with one foot in college—may not have had their ā€œemoĀ­tionĀ­al healthā€ endanĀ­gered, as Olio’s terĀ­miĀ­naĀ­tion letĀ­ter alleged, but it’s litĀ­tle wonĀ­der some of them found the mateĀ­rĀ­iĀ­al shockĀ­ing.

Ginsberg’s poem, which you can hear him read above, describes a ā€œfanĀ­taĀ­sized sexĀ­uĀ­al encounter between GinsĀ­berg and Neal CasĀ­sady, the inspiĀ­raĀ­tion for the Dean MoriĀ­arĀ­ty charĀ­acĀ­ter in Jack Kerouac’s On the Road.ā€ It is graphĀ­ic, writes Stern, but ā€œnot obscene.ā€ Instead—in its alluĀ­sions to St. Teresa’s angelĀ­ic visĀ­iĀ­taĀ­tion in a ā€œproĀ­fane descripĀ­tion of anal sex as a nearĀ­ly divine actā€ā€”Ginsberg’s poem is ā€œdanĀ­gerĀ­ous because it juxĀ­taĀ­posĀ­es tenĀ­derĀ­ness with masochism; danĀ­gerĀ­ous because it rapĀ­turĀ­ousĀ­ly celĀ­eĀ­brates a vision of same-sex intiĀ­maĀ­cy we are only supĀ­posed to whisĀ­per about.ā€ Read the poem, lisĀ­ten to GinsĀ­berg read it, and judge for yourĀ­self.

Of course, this is hardĀ­ly the first time Ginsberg’s work has caused conĀ­troĀ­verĀ­sy. His Beat epic ā€œHowlā€ (1955), with its sexĀ­uĀ­alĀ­ly charged lines, irked the U.S. govĀ­ernĀ­ment, who seized copies of the poem and put its pubĀ­lishĀ­er, poet and City Lights’ bookĀ­seller Lawrence FerĀ­linghetĀ­ti, on triĀ­al for obscenĀ­iĀ­ty. Well over sixĀ­ty years latĀ­er, FerĀ­linghetĀ­ti has writĀ­ten in defense of David Olio. We can safeĀ­ly assume that GinsĀ­berg, who died in 1997, also would approve. And while we have every right to be shocked by Ginsberg’s poem, or not, and find the deciĀ­sion to fire Olio warĀ­rantĀ­ed, or not, I tend to agree with Stern when he writes ā€œif every EngĀ­lish teacher were that enthuĀ­siĀ­asĀ­tic about his subĀ­ject, AmerĀ­iĀ­ca would be a much more litĀ­erĀ­ate, eduĀ­catĀ­ed and interĀ­estĀ­ing place.ā€

RelatĀ­ed ConĀ­tent:

The First RecordĀ­ing of Allen GinsĀ­berg ReadĀ­ing ā€œHowlā€ (1956)

Allen GinsĀ­berg Reads a Poem He Wrote on LSD to William F. BuckĀ­ley

Allen GinsĀ­berg Talks About ComĀ­ing Out to His FamĀ­iĀ­ly & FelĀ­low Poets on 1978 Radio Show (NSFW)

Josh Jones is a writer and musiĀ­cian based in Durham, NC. FolĀ­low him at @jdmagness.

Parvati Saves the World: Watch a Remix of Bollywood Films That Combats Rape in India

SexĀ­uĀ­al vioĀ­lence in India has been in the spotĀ­light ever since a 23-year-old medĀ­ical stuĀ­dent was gang raped and murĀ­dered on a bus in New DelĀ­hi in 2012. The crime was so flaĀ­grant and so bruĀ­tal that the counĀ­try recoiled in shock. StuĀ­dents and activists descendĀ­ed into the streets of DelĀ­hi to protest.

FilmĀ­makĀ­er Ram DeviĀ­neni realĀ­ized just how entrenched the probĀ­lem is in IndiĀ­an culĀ­ture when he spoke with a cop durĀ­ing one of those protests. As he told the BBC,ā€œI was talkĀ­ing to a police offiĀ­cer when he said someĀ­thing that I found very surĀ­prisĀ­ing. He said ā€˜no good girl walks alone at night.’

The IndiĀ­an govĀ­ernĀ­ment rushed legĀ­isĀ­laĀ­tion that would increase the prison term for rape along with crimĀ­iĀ­nalĀ­izĀ­ing othĀ­er crimes against women like stalkĀ­ing. Yet, a string of othĀ­er high-proĀ­file rapes, includĀ­ing a few against forĀ­eign tourists, show that this is a conĀ­tinĀ­uĀ­ing probĀ­lem, one that wasn’t going to be solved with a few laws.

ā€œI realĀ­ized that rape and sexĀ­uĀ­al vioĀ­lence in India was a culĀ­turĀ­al issue,ā€ said DeviĀ­neni. ā€œAnd that it was backed by patriĀ­archy, misogĀ­yĀ­ny and peoĀ­ple’s perĀ­cepĀ­tions.ā€

So DeviĀ­neni decidĀ­ed to try and change India’s culĀ­ture with one of the most powĀ­erĀ­ful weapons out there: art.

Inspired by HinĀ­du mytholĀ­oĀ­gy, DeviĀ­neni and a couĀ­ple colĀ­labĀ­oĀ­raĀ­tors creĀ­atĀ­ed a graphĀ­ic novĀ­el about Priya, a rape surĀ­vivor who appeals for help to ParĀ­vati, the GodĀ­dess of powĀ­er and beauĀ­ty. By the end of the comĀ­ic, Priya conĀ­fronts her attackĀ­ers while ridĀ­ing a tiger.

As a conĀ­tinĀ­uĀ­aĀ­tion of the project, DeviĀ­neni creĀ­atĀ­ed ParĀ­vati Saves the World, a simĀ­iĀ­lar stoĀ­ry pieced togethĀ­er from some amazĀ­ingĀ­ly kitschy BolĀ­lyĀ­wood epics from the 1970s. He described the project as being ā€œlike DJ Spooky’s remix of Birth of a Nation but this focusĀ­es on sexĀ­uĀ­al vioĀ­lence.ā€

In the film, Priya once again appeals to ParĀ­vati after getĀ­ting attacked, this time by the friend of a prideĀ­ful king. When ParĀ­vati conĀ­fronts the king, he tries to assault her. This is a bad move. Her husĀ­band is the God ShiĀ­va, AKA ā€œthe DestroyĀ­er,ā€ AKA someĀ­one you realĀ­ly don’t want to tick off. As punĀ­ishĀ­ment, he brings fire and death on heavĀ­en and earth. RealĀ­izĀ­ing that vioĀ­lence isn’t the answer, ParĀ­vati goes to Earth to become ā€œa beaĀ­con of hope for oppressed women everyĀ­where.ā€

You can watch ParĀ­vati Saves the World in three parts above. You can learn more about DeviĀ­neni’s misĀ­sion at The CreĀ­ator’s Project.

RelatĀ­ed ConĀ­tent:

Bertrand Russell’s ImprobĀ­aĀ­ble AppearĀ­ance in a BolĀ­lyĀ­wood Film (1967)

Ravi Shankar Gives George HarĀ­riĀ­son a Sitar LesĀ­son … and OthĀ­er VinĀ­tage Footage

George Harrison’s MysĀ­tiĀ­cal, FishĀ­eye Self-PorĀ­traits TakĀ­en in India (1966)

Jonathan Crow is a Los AngeĀ­les-based writer and filmĀ­makĀ­er whose work has appeared in Yahoo!, The HolĀ­lyĀ­wood Reporter, and othĀ­er pubĀ­liĀ­caĀ­tions. You can folĀ­low him at @jonccrow. And check out his blog VeepĀ­toĀ­pus, feaĀ­turĀ­ing picĀ­tures of vice presĀ­iĀ­dents with octoĀ­pusĀ­es on their heads.  The VeepĀ­toĀ­pus store is here.

Prince’s New Protest Song ā€œBaltimoreā€ Now Streaming Online

As the protests in BalĀ­tiĀ­more unfoldĀ­ed, Prince sat at his keyĀ­board at PaisĀ­ley Park’s soundĀ­stage in MinĀ­nesoĀ­ta and startĀ­ed penĀ­ning a peaceĀ­ful protest song, which just hit the web this mornĀ­ing. Click play and ponĀ­der the lyrics below. Then get the backĀ­stoĀ­ry on the writĀ­ing of ā€œBalĀ­tiĀ­moreā€ at MyFoxĀ­TwinCiĀ­ties.

BALTIMORE
lyrics by Prince
NPG RECORDS, copyĀ­right 2015

NOBODY GOT IN NOBODY’S WAY
SO EYE GUESS U COULD SAY
IT WAS A GOOD DAY
AT LEAST A LITTLE BETTER THAN THE DAY IN BALTIMORE

DOES ANYBODY HEAR US PRAY?
4 MICHAEL BROWN OR FREDDIE GRAY PEACE IS MORE THAN THE ABSENCE OF WAR
ABSENCE OF WAR

R WE GONNA C ANOTHER BLOODY DAY?
WE’RE TIRED OF CRYIN’ & PEOPLE DYIN’
LET’S TAKE ALL THE GUNS AWAY

ABSENCE OF WAR- U AND ME
MAYBE WE CAN FINALLY SAY
ENUFF IS ENUFF IT’S TIME 4 LOVE

IT’S TIME 2 HEAR,
IT’S TIME 2 HEAR

THE GUITAR PLAY! (guiĀ­tar solo)

If you would like to sign up for Open Culture’s free email newsletĀ­ter, please find it here. It’s a great way to see our new posts, all bunĀ­dled in one email, each day.

If you would like to supĀ­port the misĀ­sion of Open CulĀ­ture, conĀ­sidĀ­er makĀ­ing a donaĀ­tion to our site. It’s hard to rely 100% on ads, and your conĀ­triĀ­buĀ­tions will help us conĀ­tinĀ­ue proĀ­vidĀ­ing the best free culĀ­turĀ­al and eduĀ­caĀ­tionĀ­al mateĀ­riĀ­als to learnĀ­ers everyĀ­where. You can conĀ­tribute through PayĀ­Pal, PatreĀ­on, and VenĀ­mo (@openculture). Thanks!

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Read Noam Chomsky & Sam Harris’ ā€œUnpleasantā€ Email Exchange

In 2013, we docĀ­uĀ­mentĀ­ed the acriĀ­moĀ­nious exchange between Noam ChomĀ­sky and Slavoj Å½ižek, which all startĀ­ed when ChomĀ­sky accused Å½ižek of ā€œposturing–using fanĀ­cy terms like polyĀ­sylĀ­laĀ­bles and preĀ­tendĀ­ing [to] have a theĀ­oĀ­ry when you have no theĀ­oĀ­ry whatĀ­soĀ­evĀ­er.ā€ To which Žižek respondĀ­ed: ā€œChomĀ­sky, … always emphaĀ­sizes how one has to be empirĀ­iĀ­cal, accuĀ­rate… well I don’t think I know a guy who was so often empirĀ­iĀ­calĀ­ly wrong in his descripĀ­tionsā€¦ā€ And so it conĀ­tinĀ­ued.

Two years latĀ­er, ChomĀ­sky now finds himĀ­self in anothĀ­er fraught exchange — this time, with Sam HarĀ­ris, author of The End of Faith and LetĀ­ter to a ChrisĀ­tĀ­ian Nation. It’s a litĀ­tle hard to pin down when the dust-up first began. But, it at least goes back to JanĀ­uĀ­ary, when HarĀ­ris took ChomĀ­sky to task  (hear an excerpt of a longer podĀ­cast above) for drawĀ­ing a moral equivĀ­aĀ­lence between U.S. milĀ­iĀ­tary action and the vioĀ­lence comĀ­mitĀ­ted by some of AmerĀ­iĀ­ca’s hisĀ­torĀ­iĀ­cal foes (e.g., the Nazis durĀ­ing WWII and latĀ­er Al-QaeĀ­da).

Over the past week, ChomĀ­sky and HarĀ­ris conĀ­tinĀ­ued the debate, tradĀ­ing emails back and forth. Their correĀ­sponĀ­dence runs some 10,000 words, but it only amounts to what HarĀ­ris ultiĀ­mateĀ­ly calls ā€œan unpleasĀ­ant and fruitĀ­less encounterā€ that demonĀ­strates the ā€œlimĀ­its of disĀ­course.ā€ It’s an exchange that ChomĀ­sky seemĀ­ingĀ­ly preĀ­ferred to keep priĀ­vate (his perĀ­misĀ­sion to print the emails was grudgĀ­ing at best), and HarĀ­ris saw some virtue in makĀ­ing pubĀ­lic. The final email by HarĀ­ris reads:

May 1, 2015

From: Sam HarĀ­ris
To: Noam ChomĀ­sky

Noam—

I’ve now read our corĀ­reĀ­sponĀ­dence through and have decidĀ­ed to pubĀ­lish it (www.samharris.org). I underĀ­stand your point about ā€œexhiĀ­biĀ­tionĀ­ism,ā€ but I disĀ­agree in this case.

You and I probĀ­aĀ­bly share a milĀ­lion readĀ­ers who would have found a genĀ­uine conĀ­verĀ­saĀ­tion between us extremeĀ­ly useĀ­ful. And I trust that they will be disĀ­apĀ­pointĀ­ed by our failĀ­ure to proĀ­duce one, as I am. HowĀ­evĀ­er, if pubĀ­lishĀ­ing this exchange helps anyĀ­one to betĀ­ter comĀ­muĀ­niĀ­cate about these topĀ­ics in the future, our time won’t have been entireĀ­ly wastĀ­ed.

Sam

Whether Sam is right about that (is there someĀ­thing parĀ­ticĀ­uĀ­larĀ­ly instrucĀ­tive here?), you can decide. Here’s the entire exchange.

If you would like to sign up for Open Culture’s free email newsletĀ­ter, please find it here. It’s a great way to see our new posts, all bunĀ­dled in one email, each day.

If you would like to supĀ­port the misĀ­sion of Open CulĀ­ture, conĀ­sidĀ­er makĀ­ing a donaĀ­tion to our site. It’s hard to rely 100% on ads, and your conĀ­triĀ­buĀ­tions will help us conĀ­tinĀ­ue proĀ­vidĀ­ing the best free culĀ­turĀ­al and eduĀ­caĀ­tionĀ­al mateĀ­riĀ­als to learnĀ­ers everyĀ­where. You can conĀ­tribute through PayĀ­Pal, PatreĀ­on, and VenĀ­mo (@openculture). Thanks!

RelatĀ­ed ConĀ­tent:

Noam ChomĀ­sky Slams Žižek and Lacan: EmpĀ­ty ā€˜PosĀ­turĀ­ing’

Slavoj Žižek Responds to Noam ChomĀ­sky: ā€˜I Don’t Know a Guy Who Was So Often EmpirĀ­iĀ­calĀ­ly Wrong’

Clash of the Titans: Noam ChomĀ­sky & Michel FouĀ­cault Debate Human Nature & PowĀ­er on Dutch TV, 1971

Read 9 Free Books By Noam ChomĀ­sky Online

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Günter Grass Takes On Facebook: ā€œSomeone Who Has 500 Friends, Has No Friends.ā€

InciĀ­sive social critĀ­ic, novĀ­elĀ­ist, poet, sculpĀ­tor, and inspiĀ­raĀ­tion to such trenĀ­chant fabĀ­uĀ­lists as John IrvĀ­ing and Salman Rushdie, GerĀ­man writer GünĀ­ter Grass passed away this week with a well-defined legaĀ­cy as ā€œhis country’s moral conĀ­science.ā€ WinĀ­ner of the Nobel Prize in 1999, the author did not shy away from conĀ­troĀ­verĀ­sial politĀ­iĀ­cal stances—despite his own once-hidĀ­den past as a teenage memĀ­ber of the Hitler Youth and WafĀ­fen-SS. In 2012, Grass caused an interĀ­naĀ­tionĀ­al stir with the pubĀ­liĀ­caĀ­tion of his poem ā€œWhat Must Be Said,ā€ a fierce criĀ­tique of Israel’s milĀ­iĀ­tarism. The poem drew some rather preĀ­dictable charges, and its pubĀ­liĀ­caĀ­tion, wrote Der Spiegel, broached what many conĀ­sidĀ­ered a taboo subĀ­ject. The inciĀ­dent repĀ­reĀ­sents only one of Grass’s many pubĀ­lic stateĀ­ments, woven throughĀ­out his art and life, against nationĀ­alĀ­ism and war.

Which brings us to the video interĀ­view above from 2013. While not exactĀ­ly addressĀ­ing a matĀ­ter of dire geopoĀ­litĀ­iĀ­cal sigĀ­nifĀ­iĀ­cance, Grass nonetheĀ­less levies his charĀ­acĀ­terĀ­isĀ­tic critĀ­iĀ­cal wit against a corĀ­poĀ­rate entiĀ­ty that threatĀ­ens to swalĀ­low the globe, virĀ­tuĀ­alĀ­ly—FaceĀ­book. RemarkĀ­ing on his chilĀ­dren and grandchildren’s expeĀ­riĀ­ence with the social netĀ­work, Grass says he told one of them, ā€œSomeĀ­one who has 500 friends, has no friends.ā€ It’s someĀ­thing of a familĀ­iar senĀ­tiĀ­ment by now—we’ve all read numerĀ­ous think-pieces more or less sayĀ­ing the same thing. But Grass goes on to define the valĀ­ue of what he calls ā€œdirect expeĀ­riĀ­encesā€ in speĀ­cifĀ­ic terms—with the admisĀ­sion that he feels like ā€œa dinosaurā€ for writĀ­ing his manĀ­uĀ­scripts by hand and typĀ­ing them on an old OlivetĀ­ti typeĀ­writer.

The idea of ownĀ­ing a mobile phone and being accesĀ­siĀ­ble at all times—and as I know now, under surĀ­veilĀ­lance, is abhorĀ­rent to me. With the latĀ­est findĀ­ings in mind, it surĀ­prisĀ­es me—that milĀ­lions of peoĀ­ple do not disĀ­tance themĀ­selves from FaceĀ­book and all that—and say ā€œI want no part of it.ā€

Grass’ averĀ­sion to Facebook—and the online world in general—isn’t strictĀ­ly politĀ­iĀ­cal, but litĀ­erĀ­ary as well. He acknowlĀ­edges the ease and speed of the interĀ­net as a research tool, and yet… ā€œlitĀ­erĀ­aĀ­ture… You can’t speed it up when you work with it. If you do, you do so at the expense of qualĀ­iĀ­ty.ā€ To hear more from Grass about the writĀ­ing process and his attiĀ­tudes toward litĀ­erĀ­aĀ­ture and activism, read his interĀ­view in the Paris Review.

via BibĀ­liokept

RelatĀ­ed ConĀ­tent:

The ProbĀ­lem with FaceĀ­book: ā€œIt’s KeepĀ­ing Things From Youā€

Stephen HawkĀ­ing Starts PostĀ­ing on FaceĀ­book: Join His Quest to Explain What Makes the UniĀ­verse Exist

WittgenĀ­stein Day-by-Day: FaceĀ­book Page Tracks the Philosopher’s Wartime ExpeĀ­riĀ­ence 100 Years Ago

Josh Jones is a writer and musiĀ­cian based in Durham, NC. FolĀ­low him at @jdmagness

Watch The Hitch: An Indie-Documentary on The Life & Times of Christopher Hitchens

A quick note: KristofĀ­fer Seland HellesĀ­mark was lookĀ­ing for a docĀ­uĀ­menĀ­tary on ChristoĀ­pher Hitchens to watch, but could nevĀ­er find one. So, after waitĀ­ing a while, he said to himĀ­self, ā€œWhy don’t I just make one?ā€ The result is the 80-minute docĀ­uĀ­menĀ­tary about Hitchens, lovĀ­ingĀ­ly entiĀ­tled The Hitch, which feaĀ­tures clips from his speechĀ­es and interĀ­views. We’ve added it to our colĀ­lecĀ­tion of 200+ Free DocĀ­uĀ­menĀ­taries, a subĀ­set of our largĀ­er colĀ­lecĀ­tion, 4,000+ Free Movies Online: Great ClasĀ­sics, Indies, Noir, WestĀ­erns, DocĀ­uĀ­menĀ­taries & More.

If you would like to sign up for Open Culture’s free email newsletĀ­ter, please find it here. It’s a great way to see our new posts, all bunĀ­dled in one email, each day.

If you would like to supĀ­port the misĀ­sion of Open CulĀ­ture, conĀ­sidĀ­er makĀ­ing a donaĀ­tion to our site. It’s hard to rely 100% on ads, and your conĀ­triĀ­buĀ­tions will help us conĀ­tinĀ­ue proĀ­vidĀ­ing the best free culĀ­turĀ­al and eduĀ­caĀ­tionĀ­al mateĀ­riĀ­als to learnĀ­ers everyĀ­where. You can conĀ­tribute through PayĀ­Pal, PatreĀ­on, and VenĀ­mo (@openculture). Thanks!

RelatĀ­ed ConĀ­tent:

ChristoĀ­pher Hitchens RevisĀ­es the 10 ComĀ­mandĀ­ments for the 21st CenĀ­tuĀ­ry

ChristoĀ­pher Hitchens: No Deathbed ConĀ­verĀ­sion for Me, Thanks, But it was Good of You to Ask

ChristoĀ­pher Hitchens CreĀ­ates a ReadĀ­ing List for Eight-Year-Old Girl

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Dominic West, Stephen Fry & Benedict Cumberbatch Read From a GuantĆ”namo Prisoner’s Diary

For more than a decade, MohameĀ­dou Ould Slahi has remained locked up in GuanĀ­tÔ­namo, despite nevĀ­er being charged with a crime. He’s just one of many prisĀ­onĀ­ers trapped in a Kafkian state of legal limĀ­bo. ConĀ­fined to a sinĀ­gle cell, Slahi has writĀ­ten a hauntĀ­ing, 466 page account of his expeĀ­riĀ­ence. And, after years of litĀ­iĀ­gaĀ­tion, and some 2,500 redacĀ­tions by the US govĀ­ernĀ­ment, his diary is finalĀ­ly being pubĀ­lished. You can read the declasĀ­siĀ­fied manĀ­uĀ­script online over at The Guardian. To get some conĀ­text on the whole affair, you can watch a short docĀ­uĀ­menĀ­tary above, which feaĀ­tures readĀ­ings by Dominic West (McNulĀ­ty in The Wire). Below, we have more readĀ­ings by Stephen Fry, BeneĀ­dict CumĀ­berĀ­batch and ColĀ­in Firth. Yet more readĀ­ings can be found on SoundĀ­Cloud.

Stephen Fry

 

BeneĀ­dict CumĀ­berĀ­batch

 

ColĀ­in Firth

If you would like to sign up for Open Culture’s free email newsletĀ­ter, please find it here. It’s a great way to see our new posts, all bunĀ­dled in one email, each day.

If you would like to supĀ­port the misĀ­sion of Open CulĀ­ture, conĀ­sidĀ­er makĀ­ing a donaĀ­tion to our site. It’s hard to rely 100% on ads, and your conĀ­triĀ­buĀ­tions will help us conĀ­tinĀ­ue proĀ­vidĀ­ing the best free culĀ­turĀ­al and eduĀ­caĀ­tionĀ­al mateĀ­riĀ­als to learnĀ­ers everyĀ­where. You can conĀ­tribute through PayĀ­Pal, PatreĀ­on, and VenĀ­mo (@openculture). Thanks!

David Sedaris Spends 3–8 Hours Per Day Picking Up Trash in the UK; Testifies on the Litter Problem

Humorist David Sedaris has become someĀ­thing of a local hero in his adoptĀ­ed home of West SusĀ­sex, EngĀ­land. And for fairĀ­ly unexĀ­pectĀ­ed reaĀ­sons. Repulsed by the litĀ­ter probĀ­lem in EngĀ­land, Sedaris began spendĀ­ing 3–8 hours each day pickĀ­ing up trash along the side of varĀ­iĀ­ous roads. Day in, day out. Fast forĀ­ward a few years, and the local comĀ­muĀ­niĀ­ty honĀ­ored Sedaris by namĀ­ing a garbage truck after him — ā€œPig Pen Sedaris.ā€ And now we have him tesĀ­tiĀ­fyĀ­ing before the MPs on the ComĀ­muĀ­niĀ­ties and Local GovĀ­ernĀ­ment ComĀ­mitĀ­tee. If you like C‑SPAN, you will love these 2+ hours of video.

via metafilĀ­ter

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