The “Feynman Technique” for Studying Effectively: An Animated Primer

After win­ning the Nobel Prize, physi­cist Max Planck “went around Ger­many giv­ing the same stan­dard lec­ture on the new quan­tum mechan­ics. Over time, his chauf­feur mem­o­rized the lec­ture and said, ‘Would you mind, Pro­fes­sor Planck, because it’s so bor­ing to stay in our rou­tine, if I gave the lec­ture in Munich and you just sat in front wear­ing my chauffeur’s hat?’ Planck said, ‘Why not?’ And the chauf­feur got up and gave this long lec­ture on quan­tum mechan­ics. After which a physics pro­fes­sor stood up and asked a per­fect­ly ghast­ly ques­tion. The speak­er said, ‘Well, I’m sur­prised that in an advanced city like Munich I get such an ele­men­tary ques­tion. I’m going to ask my chauf­feur to reply.’ ”

That this intel­lec­tu­al switcheroo nev­er actu­al­ly hap­pened did­n’t stop Char­lie Munger from using it as an open­er for a com­mence­ment speech to USC’s Law School. But when a suc­cess­ful bil­lion­aire investor finds val­ue even in an admit­ted­ly “apoc­ryphal sto­ry,” most of us will find val­ue in it as well. It illus­trates, accord­ing to the Free­dom in Thought video above, the dif­fer­ence between “two kinds of knowl­edge: the deep knowl­edge that Max had, and the shal­low knowl­edge that the chauf­feur had.” Both forms of knowl­edge have their advan­tages, espe­cial­ly since none of us have life­time enough to under­stand every­thing deeply. But we get in trou­ble when we can’t tell them apart: “We risk fool­ing our­selves into think­ing we actu­al­ly under­stand or know some­thing when we don’t. Even worse, we risk tak­ing action on mis­in­for­ma­tion or mis­un­der­stand­ing.”

Even if you put lit­tle stock into a made-up anec­dote about one Nobel-win­ning physi­cist, sure­ly you’ll believe the doc­u­ment­ed words of anoth­er. Richard Feyn­man once artic­u­lat­ed a first prin­ci­ple of know­ing as fol­lows: “You must not fool your­self, and you are the eas­i­est per­son to fool.” This prin­ci­ple under­lies a prac­ti­cal process of learn­ing that con­sists of four steps. First, “explain the top­ic out loud to a peer who is unfa­mil­iar with the top­ic. Meet them at their lev­el of under­stand­ing and use the sim­plest lan­guage you can.” Sec­ond, “iden­ti­fy any gaps in your own under­stand­ing, or points where you feel that you can’t explain an idea sim­ply.” Third, “go back to the source mate­r­i­al and study up on your weak points until you can use sim­ple lan­guage to explain it.” Final­ly, “repeat the three steps above until you’ve mas­tered the top­ic.”

We’ve fea­tured the so-called “Feyn­man tech­nique” once or twice before here on Open Cul­ture, but its empha­sis on sim­plic­i­ty and con­ci­sion always bears repeat­ing — in, of course, as sim­ple and con­cise a man­ner as pos­si­ble each time. Its ori­gins lie in not just Feny­man’s first prin­ci­ple of knowl­edge but his intel­lec­tu­al habits. This video’s nar­ra­tor cites James Gle­ick­’s biog­ra­phy Genius, which tells of how “Richard would cre­ate a jour­nal for the things he did not know. His dis­ci­pline in chal­leng­ing his own under­stand­ing made him a genius and a bril­liant sci­en­tist.” Like all of us, Feyn­man was igno­rant all his life of vast­ly more sub­jects than he had mas­tered. But unlike many of us, his desire to know burned so furi­ous­ly that it pro­pelled him into per­pet­u­al con­fronta­tion with his own igno­rance. We can’t learn what we want to know, after all, unless we acknowl­edge how much we don’t know.

Relat­ed Con­tent:

Richard Feynman’s “Note­book Tech­nique” Will Help You Learn Any Subject–at School, at Work, or in Life

Richard Feynman’s Tech­nique for Learn­ing Some­thing New: An Ani­mat­ed Intro­duc­tion

The Feyn­man Lec­tures on Physics, The Most Pop­u­lar Physics Book Ever Writ­ten, Is Now Com­plete­ly Online

The Cor­nell Note-Tak­ing Sys­tem: Learn the Method Stu­dents Have Used to Enhance Their Learn­ing Since the 1940s

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

“I Will Survive,” the Coronavirus Version for Teachers Going Online

If you’re an aca­d­e­m­ic sprint­ing to put your course online, this video will make you feel bet­ter for a sol­id two min­utes and 44 sec­onds.

Above we present, “I Will Sur­vive,” the Coro­n­avirus ver­sion for teach­ers going online, with lyrics adapt­ed by Michael Bru­en­ing, his­to­ri­an at Mis­souri State.

At first I was afraid, I was pet­ri­fied

Kept think­ing I could nev­er teach through Can­vas all the time

But then I spent so many nights read­ing the help docs for so long

And I grew strong

And I learned how to get along

And so I’m back

Stu­dents are gone

As all my col­leagues try to fig­ure out how they’re gonna get along

I should have kept up with the tech, not skipped that class on course design

If I’d known for just one sec­ond I’d be teach­ing all-online

Go on now, go, leave me alone

I’ve got to fig­ure out

Just how to lec­ture using Panop­to

You gave me two days to adjust, to move every­thing online

Did you think I’d crum­ble

Did you think I’d lay down and die?

Oh no, not I, I will sur­vive

Oh, as long as I know how to Zoom, I know I’ll be alive

Oh, my stu­dents still will learn

And my pay­checks I will earn, and I’ll sur­vive

I will sur­vive, hey, hey

It took all the strength I had not to lay down and die

Kept try­ing hard to mend the pieces of my syl­labi

And I spent oh so many nights just feel­ing sor­ry for myself

I used to cry

But now I hold my head up high and you’ll see me

Teach­ing on zoom

But just don’t cough into the mic or every eye will be on you

I can’t hear you, you’re on mute, your camera’s black, are you still there?

We’ve got some glitch­es to work out, but I know my grad­ing scheme is fair

Oh now, go, walk out the door

Try­ing to get this lec­ture done

And I’m already on take four

Now the net­work has gone down, and I’m all out of wine

Do you think I’ll crum­ble

Do you think I’ll lay down and die?

Oh no, not I, I will sur­vive

Oh, as long as I know how to zoom, I know I’ll be alive

My stu­dents still will learn

And my pay­checks I will earn and I’ll sur­vive

I will sur­vive

Hey hey

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Use Your Time in Isolation to Learn Everything You’ve Always Wanted To: Free Online Courses, Audio Books, eBooks, Movies, Coloring Books & More

“I have nev­er let my school­ing inter­fere with my edu­ca­tion.” Mark Twain may or may not have actu­al­ly said that, but either way the sen­ti­ment res­onates — and with a new strength now, since schools have closed all over the world in an attempt to halt the spread of the pan­dem­ic coro­n­avirus. For many, this peri­od of iso­la­tion (self-imposed or oth­er­wise) rep­re­sents an oppor­tu­ni­ty to redis­cov­er the val­ue of edu­ca­tion: not the kind direct­ed by an insti­tu­tion, but the much more valu­able kind that runs on one’s own steam. If you count among that select group of self-edu­ca­tors (or edu­ca­tors of chil­dren whom you can no longer send to school), we here at Open Cul­ture have spent near­ly the past decade and a half amass­ing just the resources you need.

At our selec­tion of more than 1,500 free online cours­es, you can take deep dives into sub­jects from archae­ol­o­gy and archi­tec­ture to law and lit­er­a­ture to physics and psy­chol­o­gy. (We’ve even got cours­es specif­i­cal­ly designed to help you under­stand the coro­n­avirus itself.) If you’ve been mean­ing to catch up on the work of the afore­men­tioned Twain — or that of Dos­to­evsky, Wittgen­stein, Kaf­ka, and Proust, among oth­ers — he appears in our roundup of more than 800 free eBooks.

Should you pre­fer read­ing through ear­phones while exer­cis­ing or clean­ing — espe­cial­ly impor­tant activ­i­ties these days — we can also offer you more than a thou­sand free audio­books, whether you pre­fer Isaac Asi­mov or Jane Austen, Adri­enne Rich or Charles Bukows­ki. (You can also get audio­books from Audi­ble if you sign up for a free 30-day tri­al there.)

While quar­an­tine puts a tem­po­rary stop to many of our usu­al activ­i­ties, it should­n’t get in the way of movie night. Our col­lec­tion of 1,1500 free movies will cov­er all your movie nights through the time of the coro­n­avirus and then some, includ­ing as it does clas­sic films noirs, thriller and hor­ror pic­tures (includ­ing some by no less a sus­pense mas­ter than Alfred Hitch­cock), doc­u­men­taries, and even the fruits of the film indus­tries of coun­tries like Rus­sia and South Korea. And though we can’t get enough cin­e­ma here at Open Cul­ture, it’s hard­ly the only visu­al art form we fea­ture: you might spend some time, for instance, with this col­lec­tion of two mil­lion images from 30 world-class muse­ums. This range of art also appears in free muse­um-pro­duced col­or­ing books geared to all ages.

If you’d like to use your time of “social dis­tance” to devel­op skills oth­er than col­or­ing, we can point you toward resources for learn­ing to cook, to draw (like an archi­tect, like a Japan­ese man­ga­ka, like Lyn­da Bar­ry), to play the gui­tar, and to prac­tice yoga. Bear in mind also the online-edu­ca­tion offer­ings from Mas­ter­class we’ve fea­tured here on Open Cul­ture, from “Mar­garet Atwood Teach­es Cre­ative Writ­ing” to “David Sedaris Teach­es Sto­ry­telling and Humor” to “Wern­er Her­zog Teach­es Film­mak­ing.” (The edu­ca­tion­al offer­ings pro­vid­ed by The Great Cours­es also pro­vide anoth­er good option.) Those aren’t free, but every­thing else in this post is, includ­ing our col­lec­tion of online lan­guage-learn­ing resources. Hav­ing spread through world trav­el, the coro­n­avirus will keep many wary of going abroad in the fore­see­able future. But when the pan­dem­ic ends, you’ll want to be pre­pared to enjoy for­eign lands again. Italy, a coun­try espe­cial­ly hard-hit by the virus, will sure­ly wel­come all the vis­i­tors it can get. Until then, why not get a grasp on its lan­guage — and its cui­sine — with a course like MIT’s “Learn Ital­ian with Your Mouth Full”?

Relat­ed Con­tent:

Free Cours­es on the Coro­n­avirus: What You Need to Know About the Emerg­ing Pan­dem­ic

Cours­era Pro­vid­ing Free Access to Its Course Cat­a­log to Uni­ver­si­ties Impact­ed by COVID-19

Why You Should Read The Plague, the Albert Camus Nov­el the Coro­n­avirus Has Made a Best­seller Again

Quar­an­tined Ital­ians Send a Mes­sage to Them­selves 10 Days Ago: What They Wish They Knew Then

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Zoom Providing K‑12 Schools Free Access to Videoconferencing Tools During COVID-19 Crisis: They’ll Power Your Online Courses

FYI: Zoom pro­vides a turnkey video con­fer­enc­ing solu­tion that’s high qual­i­ty and easy to use. And now uni­ver­si­ties across the coun­try use Zoom to pow­er their online cours­es. Today, Zoom announced that K‑12 schools can gain free access to Zoom dur­ing the COVID-19 cri­sis. Stu­dents or teach­ers can sign up here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Forbes.

Relat­ed Con­tent:

How Schools Can Start Teach­ing Online in a Short Peri­od of Time: Free Tuto­ri­als from the Stan­ford Online High School

Cours­era Pro­vid­ing Free Access to Its Course Cat­a­log to Uni­ver­si­ties Impact­ed by COVID-19

Free Cours­es on the Coro­n­avirus: What You Need to Know About the Emerg­ing Pan­dem­ic

Bill Gates Describes His Biggest Fear: “I Rate the Chance of a Wide­spread Epi­dem­ic Far Worse Than Ebo­la at Well Over 50 Per­cent” (2015)

 

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Coursera Providing Free Access to Its Course Catalog to Universities Impacted by COVID-19

FYI: If you work in a uni­ver­si­ty impact­ed by COVID-19, Cours­era invites you to lever­age their course cat­a­logue. The com­pa­ny’s CEO writes:

The spread of the coro­n­avirus (COVID-19) is the most seri­ous glob­al health secu­ri­ty threat in decades. In many coun­tries, restric­tions imposed by gov­ern­ment agen­cies have dis­rupt­ed dai­ly rou­tines for mil­lions, includ­ing stu­dents. Many uni­ver­si­ties in the impact­ed regions have sus­pend­ed face-to-face sem­i­nars, closed cam­pus­es, and are scram­bling to find a solu­tion to min­i­mize dis­rup­tion for their stu­dents.

We are for­tu­nate to have uni­ver­si­ty and indus­try part­ners, who have been at the fore­front of respond­ing to the chal­lenges human­i­ty has faced from time to time. Inspired by their sup­port and con­sis­tent with our mis­sion of serv­ing learn­ers every­where, we are launch­ing a glob­al effort to assist uni­ver­si­ties and col­leges seek­ing to offer online course­ware in response to the coro­n­avirus.

Start­ing today, we’ll pro­vide every impact­ed uni­ver­si­ty in the world with free access to our course cat­a­logue through Cours­era for Cam­pus. Uni­ver­si­ties can sign up to pro­vide their enrolled stu­dents with access to more than 3,800 cours­es and 400 Spe­cial­iza­tions from Coursera’s top uni­ver­si­ty and indus­try part­ners. These insti­tu­tions will have access until July 31, 2020, after which we plan to pro­vide month-to-month exten­sions depend­ing on pre­vail­ing risk assess­ments. Stu­dents who enroll on or before July 31 will con­tin­ue to have access until Sept. 30, 2020.

Over the past few weeks, Duke Uni­ver­si­ty has been using Cours­era for Cam­pus to serve impact­ed stu­dents at their Duke Kun­shan cam­pus in Chi­na. This effort has been swift­ly adopt­ed by stu­dents and wide­ly rec­og­nized by the broad­er com­mu­ni­ty. We believe that Cours­era for Cam­pus can be an effec­tive resource to help all high­er edu­ca­tion insti­tu­tions respond to the impact of coro­n­avirus.

As a glob­al com­mu­ni­ty of edu­ca­tors, we are hon­ored to be serv­ing fel­low insti­tu­tions and stu­dent com­mu­ni­ties dur­ing this cri­sis. Over the next few days, we will also hold webi­na­rs and share more resources, includ­ing expe­ri­ences from our part­ner com­mu­ni­ty, to help insti­tu­tions look­ing to tran­si­tion online dur­ing this cri­sis. Stay tuned.

Sign up for Cours­er­a’s Coro­n­avirus pro­gram here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

How Schools Can Start Teaching Online in a Short Period of Time: Free Tutorials from the Stanford Online High School

Image by King of Hearts, via Wiki­me­dia Com­mons

A quick note: The Stan­ford Online High School–an inde­pen­dent high school that oper­ates ful­ly online–has cre­at­ed video tuto­ri­als designed for schools that may need to close class­rooms and piv­ot online. “All guid­ance is plat­form-agnos­tic, focus­ing on the essen­tial steps for prepar­ing to teach online in a short peri­od of time.”

In addi­tion to this videos, the Online High School will host a free webi­nar today at 2pm Cal­i­for­nia time. You can reg­is­ter here and learn more about the tran­si­tion to online teach­ing.

Note: Zoom–which pro­vides a turnkey video con­fer­enc­ing solu­tion–has made its prod­uct free for K‑12 insti­tu­tions dur­ing the COVID-19 cri­sis. This can help schools spin up online cours­es quick­ly. More on that here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

 

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The Summerhill School, the Radical Educational Experiment That Let Students Learn What, When, and How They Want (1966)

Among the polit­i­cal and social rev­o­lu­tions of the 1960s, the move­ment to democ­ra­tize edu­ca­tion is of cen­tral his­tor­i­cal impor­tance. Par­ents and politi­cians were entrenched in bat­tles over inte­grat­ing local schools years after 1954’s Brown v. Board of Edu­ca­tion. Sit-ins and protests on col­lege cam­pus­es made sim­i­lar stu­dent unrest today seem mild by com­par­i­son. Mean­while, qui­eter, though no less rad­i­cal, edu­ca­tion­al move­ments pro­lif­er­at­ed in com­munes, home­schools, and com­mu­ni­ties that could pay for pri­vate schools.

Most of these exper­i­men­tal meth­ods drew from old­er sources, such as the the­o­ries of Rudolf Stein­er and Maria Montes­sori, both of whom died before the Age of Aquar­ius. One move­ment that got its start decades ear­li­er was pop­u­lar­ized in the 60s when its founder A.S. Neill pub­lished the influ­en­tial Sum­mer­hill: A Rad­i­cal Approach to Child Rear­ing, a clas­sic work of alter­na­tive ped­a­gogy in which the Scot­tish writer and edu­ca­tor described the rad­i­cal ideas devel­oped in his Sum­mer­hill School in Eng­land, first found­ed in 1921.

Neill’s school “helped to pio­neer the ‘free school’ phi­los­o­phy,” writes Aeon, “in which lessons are nev­er manda­to­ry and near­ly every aspect of stu­dent life can be put to a vote.” His meth­ods “and a ris­ing coun­ter­cul­tur­al move­ment inspired sim­i­lar insti­tu­tions to open around the world.” When Neill first pub­lished his book, how­ev­er, he was very much on the defen­sive, against “an increas­ing reac­tion against pro­gres­sive edu­ca­tion,” psy­chol­o­gist Erich Fromm wrote in the book’s fore­word.

At the extreme end of this back­lash Fromm sit­u­ates “the remark­able suc­cess in teach­ing achieved in the Sovi­et Union,” where “the old-fash­ioned meth­ods of author­i­tar­i­an­ism are applied in full strength.” Fromm defend­ed exper­i­ments like Neill’s, despite their “often dis­ap­point­ing” results, as a nat­ur­al out­growth of the Enlight­en­ment.

Dur­ing the eigh­teenth cen­tu­ry, the ideas of free­dom, democ­ra­cy, and self-deter­mi­na­tion were pro­claimed by pro­gres­sive thinkers; and by the first half of the 1900’s these ideas came to fruition in the field of edu­ca­tion. The basic prin­ci­ple of such self-deter­mi­na­tion was the replace­ment of author­i­ty by free­dom, to teach the child with­out the use of force by appeal­ing to his curios­i­ty and spon­ta­neous needs, and thus to get him inter­est­ed in the world around him. This atti­tude marked the begin­ning of pro­gres­sive edu­ca­tion and was an impor­tant step in human devel­op­ment.

What seemed anar­chic to its detrac­tors had its roots in the tra­di­tion of indi­vid­ual lib­er­ty against feu­dal tra­di­tions of unques­tioned author­i­ty. But Neill was less like John Locke, who includ­ed chil­dren in his cat­e­go­ry of irra­tional beings (along with “idiots” and “Indi­ans”) than he was like Jean Jacques Rousseau. Fromm sug­gests this too: “A.S. Neill’s sys­tem is a rad­i­cal approach to child rear­ing because it rep­re­sents the true prin­ci­ple of edu­ca­tion with­out fear. In Sum­mer­hill School author­i­ty does not mask a sys­tem of manip­u­la­tion.”

Stu­dents decide what they want to learn, and what they don’t, with no cur­ricu­lum, require­ments, or test­ing to speak of and no struc­tured time or manda­to­ry atten­dance. Is such a thing even pos­si­ble in prac­tice? How could edu­ca­tors man­age and mea­sure stu­dent progress, or ensure their stu­dents learn any­thing at all? What might this look like? Find out in the 1966 Nation­al Film Board of Cana­da doc­u­men­tary Sum­mer­hill, above, full of “can­did moments and scenes,” Aeon writes, “that evoke the rhythms of dai­ly life at the school and give a sense of the children’s lived expe­ri­ence.”

Dis­or­ga­nized, but not chaot­ic, class­room bus­tle con­trasts with idyl­lic, sun­lit moments on Summerhill’s ver­dant grounds and hon­est crit­i­cism, some from the stu­dents them­selves. One girl admits that the free play wears thin after a while and that “there prob­a­bly aren’t such good facil­i­ties for learn­ing here, after a cer­tain lev­el. But you can always go some­where else after­wards” (though many would have dif­fi­cul­ty with entrance exams). Anoth­er stu­dent talks about the strug­gle to study with­out struc­ture to help min­i­mize dis­trac­tions. Despite Neill’s philo­soph­i­cal aver­sion to fear, she says “you’re always afraid of miss­ing some­thing.”

We also meet the man him­self, A.S. Neill, a rum­pled, avun­cu­lar fig­ure at 83 years old, who pro­claims free­dom as the answer for stu­dents who strug­gle in school, and for stu­dents who don’t. If we’re hon­est, we might all admit we felt this strong­ly as chil­dren our­selves. It may nev­er be an impulse that’s com­pat­i­ble with con­tem­po­rary goals for edu­ca­tion, which is often geared toward work­place train­ing at the expense of cre­ative think­ing. But for many stu­dents, the oppor­tu­ni­ty to pur­sue their own course on their own terms can become the impe­tus for a life­time of inde­pen­dent thought and action. I can’t think of a lofti­er edu­ca­tion­al goal.

via Aeon

Relat­ed Con­tent:

Noam Chom­sky Spells Out the Pur­pose of Edu­ca­tion

Noam Chom­sky Defines What It Means to Be a Tru­ly Edu­cat­ed Per­son

Lyn­da Bar­ry on How the Smart­phone Is Endan­ger­ing Three Ingre­di­ents of Cre­ativ­i­ty: Lone­li­ness, Uncer­tain­ty & Bore­dom

Buck­min­ster Fuller Rails Against the “Non­sense of Earn­ing a Liv­ing”: Why Work Use­less Jobs When Tech­nol­o­gy & Automa­tion Can Let Us Live More Mean­ing­ful Lives

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Smithsonian Puts 2.8 Million High-Res Images Online and Into the Public Domain

No mat­ter how many pub­lic insti­tu­tions you vis­it in a day—schools, libraries, muse­ums, or the dread­ed DMV—you may still feel like pri­va­tized ser­vices are clos­ing in. And if you’re a fan of nation­al parks and pub­lic lands, you’re keen­ly aware they’re at risk of being eat­en up by devel­op­ers and ener­gy com­pa­nies. The com­mons are shrink­ing, a trag­ic fact that is hard­ly inevitable but, as Mat­to Milden­berg­er argues at Sci­en­tif­ic Amer­i­can, the result of some very nar­row ideas.

But we can take heart that one store of com­mon wealth has major­ly expand­ed recent­ly, and will con­tin­ue to grow each year since Jan­u­ary 1, 2019—Pub­lic Domain Day—when hun­dreds of thou­sands of works from 1923 became freely avail­able, the first time that hap­pened in 21 years. This year saw the release of thou­sands more works into the pub­lic domain from 1924, and so it will con­tin­ue ad infini­tum.

And now—as if that weren’t enough to keep us busy learn­ing about, shar­ing, adapt­ing, and repur­pos­ing the past into the future—the Smith­son­ian has released 2.8 mil­lion images into the pub­lic domain, mak­ing them search­able, share­able, and down­load­able through the museum’s Open Access plat­form.

This huge release of “high res­o­lu­tion two- and three-dimen­sion­al images from across its col­lec­tions,” notes Smith­son­ian Mag­a­zine, “is just the begin­ning. Through­out the rest of 2020, the Smith­son­ian will be rolling out anoth­er 200,000 or so images, with more to come as the Insti­tu­tion con­tin­ues to dig­i­tize its col­lec­tion of 155 mil­lion items and count­ing.”

There are those who would say that these images always belonged to the pub­lic as the hold­ings of a pub­licly-fund­ed insti­tu­tion some­times called “the nation’s attic.” It’s a fair point, but shouldn’t take away from the excite­ment of the news. “Smith­son­ian” as a con­ve­nient­ly sin­gu­lar moniker actu­al­ly names “19 muse­ums, nine research cen­ters, libraries, archives, and the Nation­al Zoo,” an enor­mous col­lec­tion of art and his­toric arti­facts.

That’s quite a lot to sift through, but if you don’t know what you’re look­ing for, the site’s high­lights will direct you to one fas­ci­nat­ing image after anoth­er, from Moham­mad Ali’s 1973 head­gear to the his­toric Eliz­a­bethan por­trait of Poc­a­hon­tas, to the col­lec­tion box of the Rhode Island Anti-Slav­ery Soci­ety owned by William Lloyd Garrison’s fam­i­ly, to Walt Whit­man in 1891, as pho­tographed by the painter Thomas Eakins, to just about any­thing else you might imag­ine.

Enter the Smithsonian’s Open Access archive here and browse and search its mil­lions of new­ly-pub­lic domain images, a mas­sive col­lec­tion that may help expand the def­i­n­i­tion of com­mon knowl­edge.

Relat­ed Con­tent:

Pub­lic Domain Day Is Final­ly Here!: Copy­right­ed Works Have Entered the Pub­lic Domain Today for the First Time in 21 Years

The Library of Con­gress Launch­es the Nation­al Screen­ing Room, Putting Online Hun­dreds of His­toric Films

The Smith­son­ian Design Muse­um Dig­i­tizes 200,000 Objects, Giv­ing You Access to 3,000 Years of Design Inno­va­tion & His­to­ry

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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