Meet Frank Catalfumo, the Shoemaker Who Has Been Mending Souls in Brooklyn Since 1945

Frank Catal­fu­mo, now 90-and-a-half years old, opened F&C Shoes in 1945, a shoe repair store in the Ben­son­hurst sec­tion of Brook­lyn. Dur­ing the past 70+ years, every­thing around Frank has changed. Prices have gone up; neigh­bor­ing stores have come and gone, prob­a­bly many times over. But one thing has remained the same. Frank “keeps mov­ing for­ward,” com­ing to work five days a week and bring­ing worn souls back to life. His hands tell the sto­ry.

You can get to know Frank with the short film above and this accom­pa­ny­ing pho­to essay, both cre­at­ed by film­mak­er Dustin Cohen. The Shoe­mak­er is the lat­est install­ment in Cohen’s film series called “Made in Brook­lyn.” Pre­vi­ous install­ments include The Vio­lin Mak­er, The Watch­mak­er, and The Jew­el­ry Mak­er.

shoemaker_20

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Horses Wearing Nick Cave’s Soundsuits Stampede Into Grand Central Station

Pa, the hors­es got out of the barn again, and dan­ged if they don’t appear to have passed through the Muse­um of Nat­ur­al His­to­ry on their way to Grand Cen­tral.

The oth­er­world­ly beasts are occu­py­ing the famed New York City tran­sit hub’s Van­der­bilt Hall this week as Heard NYC, a col­lab­o­ra­tion between artist Nick Cave and Cre­ative Time, which com­mis­sions work for pre­sen­ta­tion in pub­lic spaces. For his lat­est feat, Cave took his Sound­suits—wear­able sculp­tures with an organ­ic son­ic component—in a direc­tion both equine and ethno­graph­ic. Six­ty dancers from the Ailey School bring the herd of thir­ty to life, stamp­ing raf­fia-sheathed legs and toss­ing black heads aug­ment­ed with fes­tive Rajasthani embroi­dery. Their twice dai­ly per­for­mances occur dur­ing off-peak hours. Chance inter­ac­tions with mid­day trav­el­ers are one thing, but an unscript­ed encounter with an exhaust­ed com­muter rush­ing for the Metro North bar car? That’s a horse of a dif­fer­ent col­or, my friend.

They’ve a far bet­ter like­li­hood of cross­ing paths with your aver­age, unsus­pect­ing Joe than actress Til­da Swin­ton, a‑slumber in her glass cof­fin at the near­by Muse­um of Mod­ern Art (see below), but as of yet, the mon­sters are not viewed as con­sti­tut­ing a major secu­ri­ty threat.

Relat­ed Con­tent:

Wear­able Sculp­ture by Nick Cave (But No, Not That Nick Cave) Invade Microsoft

The Cre­ators Project Presents the Future of Art and Design, Brought to You by Intel and Vice Mag­a­zine

Pi in the Sky: The World’s Largest Ephemer­al Art Instal­la­tion over Beau­ti­ful San Fran­cis­co

Ayun Hal­l­i­day, hav­ing com­muned with the hors­es, is off to cel­e­brate her birth­day at Spa Cas­tle. @AyunHalliday

Creative Uses of the Fax Machine: From Iggy Pop’s Bile to Stephen Hawking’s Snark

Iggy fax

Unlike the type­writer, the low­ly fax machine nev­er pulled itself out of the hive-like exis­tence of util­i­tar­i­an office machines and into lit­er­ary celebri­ty. With their bland, func­tion­al styling, fax machines will not have their impend­ing obso­les­cence capped with muse­um exhi­bi­tions. And as lit­tle more than con­duits for wonky, unglam­orous com­mu­niqués, fax machines rarely con­duct a piece of text that inspires peo­ple to savor, and want to save, the words, as with per­son­al let­ters. While we often fea­ture his­toric cor­re­spon­dence of a time before email from one of our favorite sites, Let­ters of Note, the ris­i­ble, pro­found, and shock­ing sen­ti­ments expressed by famous fig­ures when they think that no one’s look­ing rarely make it into office mem­o­ran­da.

How­ev­er, inspired by our recent post on Mark Twain’s type­writer, a read­er alert­ed us to a Let­ters of Note sub­genre of sorts, “fax­es of note.” These odd­ball mes­sages defy the worka­day con­ven­tions of the fax. Take, for exam­ple, the fax above sent by Iggy Pop to Plazm mag­a­zine writer Joshua Berg­er as an adden­dum to a 1995 inter­view. Scrawled with his fevered thoughts, on Delta Air­lines sta­tion­ary, Pop’s fax amounts to what Let­ters of Note calls “a rant so rich with quotable lines, it’s amaz­ing he was able to con­tain it all on a sin­gle sheet.”

You can click here for a full tran­script of Iggy’s take on Amer­i­can cul­tur­al deca­dence, but here are just a few high­lights from his faxed get-off-my-lawn moment: Pop—on tour in Europe at the time—calls his home coun­try “a nation of midgets,” and decries the ‘90s rehash of ‘60s and ’70s music (“none of them have fuck-all to say”); he rails against the Calvin Klein aes­thet­ic, adding “our gods are ass­holes” (maybe some pro­fes­sion­al jeal­ousy here—Pop more or less invent­ed hero­in chic). Final­ly, he signs off with some cranky ono­matopoeia: “i hate it all. heavy met­al. hol­ly­wood movies. SCHPOLOOGY! YeHE­HCHH!” This is archival-wor­thy vit­ri­ol, for sure.

Hawking fax

Anoth­er fax of note uses the medi­um to oppo­site effect; Stephen Hawking’s fax (above), also from 1995, responds to a request from erst­while British music and fash­ion mag­a­zine The Face for the for­mu­la for time trav­el. Hawk­ing replies, via his per­son­al assis­tant, “Thank you for your recent fax. I do not have any equa­tions for time trav­el. If I had, I would win the Nation­al Lot­tery every week.”  Unlike Iggy’s explo­sion of hand­writ­ten bile, Hawking’s mis­sive retains all the for­mal prop­er­ties of the fax—appropriate insti­tu­tion­al let­ter­head, “from” and “to” lines, etc—which makes his pithy retort all the more incon­gru­ous.

While the 1980s and ’90s were boom times for fax trans­mis­sions, the machine actu­al­ly dates back to 1843, when it was patent­ed by Scot­tish inven­tor Alexan­der Bain. As ear­ly as 1902, fax tech­nol­o­gy allowed pho­tographs to be sent over tele­phone lines. And yes, as every frus­trat­ed admin­is­tra­tive assis­tant knows too well, the hum­ble fax machine is still in use in offices around the world, trans­mit­ting blear­ing­ly bor­ing mes­sages, as well as the occa­sion­al flash of indi­vid­u­al­i­ty. For more on famous fax­es, see this help­ful info­graph­ic from our read­er.

H/T @jaclynlambert

Relat­ed Con­tent:

From The Stooges to Iggy Pop: 1986 Doc­u­men­tary Charts the Rise of Punk’s God­fa­ther

Sev­en Ques­tions for Stephen Hawk­ing: What Would He Ask Albert Ein­stein & More

David Bowie’s First Amer­i­can Fan Let­ter And His Evolv­ing Views of the U.S. (1967–1997)

Josh Jones is a writer, edi­tor, and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Font Based on Sigmund Freud’s Handwriting Coming Courtesy of Successful Kickstarter Campaign

Doc­tor, what does it mean if you dream of cre­at­ing a font of Freud’s hand­writ­ing?

This is exact­ly what Ger­man typog­ra­ph­er Har­ald Geisler has in mind, and, in the spir­it of self-actu­al­iza­tion, he’s fund­ing the project on Kick­starter. His charis­ma is such that he’s already raised over eight times the orig­i­nal $1500 goal that will allow him to trav­el to Vien­na, where he will cre­ate the type­face in a bor­rowed apart­ment with­in walk­ing dis­tance from Freud’s for­mer home at Berggasse 19. That address is now home to the Sig­mund Freud Muse­um, where the roman­ti­cal­ly-mind­ed Geisler plans to vis­it the hard copies of the eight let­ters from which his alpha­bet will be assem­bled.

Don’t let the pro­jec­t’s ful­ly-in-the-black sta­tus keep you from vis­it­ing its fundrais­ing page. In addi­tion to being an inad­ver­tent tuto­r­i­al on the ele­ments of a top-notch Kick­starter cam­paign, it also pro­vides some inter­est­ing infor­ma­tion with regard to pen­man­ship, font cre­ation, and the dif­fer­ence between Kur­rent, the Ger­man-style script Freud learned as a school­boy, and the Latin-style cur­sive that was stan­dard among his North Amer­i­can patients.

Geisler says it cracks him up to imag­ine some­one jot­ting a note to his or her shrink in Freud’s hand­writ­ing. Per­haps those of us not cur­rent­ly under the care of a psy­chi­a­try pro­fes­sion­al could use it to write our moth­ers.

Relat­ed Con­tent:

Sig­mund Freud Speaks: The Only Known Record­ing of His Voice, 1938

Jean-Paul Sartre Writes a Script for John Huston’s Film on Freud (1958)

Sig­mund Freud’s Home Movies: A Rare Glimpse of His Pri­vate Life

Ayun Hal­l­i­day has nev­er regret­ted her child­ish deci­sion to ape her moth­er’s high­ly idio­syn­crat­ic hand.

The Zen Wisdom of Alan Watts Animated by the Creators of South Park, Trey Parker and Matt Stone

Alan Watts began pop­u­lar­iz­ing the teach­ings of Zen Bud­dhism, Hin­duism, and Tao­ism in Amer­i­ca dur­ing the 1950s. He taught at the Acad­e­my of Asian Stud­ies in San Fran­cis­co, wrote Way of Zen and oth­er best­selling books, gave talks on the radio (lis­ten here), and devel­oped TV pro­grams intro­duc­ing Amer­i­cans to the seem­ing­ly exot­ic prac­tice of med­i­ta­tion. Don’t miss his 1960 TV pro­gram called “The Silent Mind.”

Watts died almost 40 years ago, but his lega­cy remains alive, part­ly thanks to his son, part­ly thanks to vin­tage videos cap­tured on YouTube, and part­ly thanks to peo­ple like Trey Park­er and Matt Stone — that’s right, the cre­ators of South Park. There’s not much infor­ma­tion known about them, but some­where back in 2007, Park­er and Stone pro­duced videos that ani­mat­ed (audio) lec­tures giv­en by Watts many moons ago. The top­ics deal with music, life, and philo­soph­i­cal per­son­al­i­ty types. Mean­while, the aes­thet­ic is dis­tinct­ly South Parkean, minus the out­ra­geous pot­ty humor, of course. The project is an old favorite of ours and today we decid­ed to bring it back.

Relat­ed Con­tent:

Alan Watts Intro­duces Amer­i­ca to Med­i­ta­tion & East­ern Phi­los­o­phy (1960)

Alan Watts On Why Our Minds And Tech­nol­o­gy Can’t Grasp Real­i­ty

“The Cen­tral Phi­los­o­phy of Tibet” by Robert Thur­man, Colum­bia Uni­ver­si­ty. Added to the Phi­los­o­phy Sec­tion of our list of Free Online Cours­es

What If Mon­ey Was No Object?: Thoughts on the Art of Liv­ing from East­ern Philoso­pher Alan Watts

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Artist Robbie Cooper’s Video Project Immersion Stares Back at Gamers and YouTubers

What if that screen you’re peer­ing at was some­thing akin to a one-way mir­ror? There’s a def­i­nite aspect of dress­ing room hor­ror, view­ing artist Rob­bie Coop­er’s Immer­sion project, a video col­lec­tion of the alter­nate­ly grotesque and dull expres­sions appear­ing on peo­ple’s faces as they play video games and watch YouTube. (The view­er is nev­er privy to what’s show­ing on the sub­jects’ screens, but one sus­pects it’s like­ly less rar­i­fied than a short ani­ma­tion inspired by physi­cist Richard Feyn­man’s remarks on a flower or film­mak­er Miran­da July’s lyri­cal advice to the pro­cras­ti­na­tion-prone). But before we denounce the most­ly under­aged par­tic­i­pants’ dead eyes and slack jaws—an effect made more dis­turb­ing by the sound­track­’s high inci­dence of gunfire—perhaps we should turn the web cam on our­selves.

That’s exact­ly what Coop­er is hop­ing will hap­pen, as he pre­pares to expand the pro­jec­t’s scope to include peo­ple of all ages and nation­al­i­ties. “Babies being born right now arrive in a land­scape where com­put­ers, smart­phones, the inter­net, and social media already exist,” he explains, “While the old­est gen­er­a­tion alive today can remem­ber a time before TV was a fix­ture of our liv­ing room.”

To widen the net, Coop­er is turn­ing to crowd sourc­ing. Whether some­one who know­ing­ly trains the cam­era on him or her­self can achieve the pre­vi­ous par­tic­i­pants zoo-like lack of inhi­bi­tion remains to be seen, but the Kick­starter cam­paign to fund this next phase lays things out on a grand scale. The plan is for the pub­lic to con­tribute via uploads and a social media aggre­ga­tor. More excit­ing­ly, they’re encour­aged to seize the reins by cre­at­ing a series of instruc­tions and prompts for those com­ing lat­er to fol­low.

Let us hope this will lead to a more heart­en­ing vari­ety of expres­sions, as well as the book, doc­u­men­tary, and  inter­ac­tive exhibits Coop­er envi­sions.

Relat­ed Con­tent:

This is Your Kid on Tele­vi­sion

Art in the Era of the Inter­net (and Why Open Edu­ca­tion Mat­ters)

The Cre­ators Project Presents the Future of Art and Design, Brought to You by Intel and Vice Mag­a­zine

Ayun Hal­l­i­day’s lap­top is direct­ly respon­si­ble for two ver­ti­cal creas­es between her brows.

Visit the Museum of Endangered Sounds, and Experience a Blast from Technology’s Past

As gear­heads go, Bren­dan Chil­cut­t’s a pret­ty sen­ti­men­tal guy, and not just because he signs his cor­re­spon­dence with “love.” In Jan­u­ary, 2012, he found­ed the Muse­um of Endan­gered Sounds to keep out­mod­ed tech­nol­o­gy’s most icon­ic nois­es from van­ish­ing from the col­lec­tive mem­o­ry. Click on any image in the muse­um’s online col­lec­tion to be trans­port­ed in the Prous­t­ian sense.

Some of the exhibits—a man­u­al type­writer, a rotary phone—were already amply pre­served, thanks to a pro­lif­er­a­tion of cin­e­mat­ic appear­ances in their hey­day.

Oth­ers might well have slipped away unno­ticed, if not for Chil­cut­t’s cura­to­r­i­al efforts. Remem­ber that num­ber you could call to have a record­ed voice inform you of the cor­rect time? How about the sta­t­ic of an ana­log TV tuned to an emp­ty sta­tion? The hum of a mal­func­tion­ing Dis­c­man, the chirp of a Tamagotchi…wait, what’s that I hear? The dis­con­cert­ing whoosh of time speed­ing up?

Drown it out by acti­vat­ing all thir­ty exhibits at once. Let them sound their bar­bar­ic yaw­ps simul­ta­ne­ous­ly as the kids try to fig­ure out what that rack­et is.

h/t goes to @sheerly

Relat­ed Con­tent:

“Glitch” Artists Com­pose with Soft­ware Crash­es and Cor­rupt­ed Files

40 Great Film­mak­ers Go Old School, Shoot Short Films with 100 Year Old Cam­era

How Film Was Made: A Kodak Nos­tal­gia Moment

Ayun Hal­l­i­day is still try­ing to text on a cell phone from 2003

Physical Attraction: Marriage Proposal Comes in the Form of a Physics Paper

physics marriage proposal

On red­dit, a user wrote yes­ter­day, “My boyfriend of 7 years and I are both physi­cists. Here’s how he pro­posed to me.” Yes, the mar­riage pro­pos­al is a physics paper of sorts, called “Two Body Inter­ac­tions: A Lon­gi­tu­di­nal Study,” that con­cludes:

The sum­ma­ry of the find­ings of the study are pre­sent­ed in Fig­ure 1 and that that the project hap­pi­ness is upward with high con­fi­dence. Tak­ing these results into account, the author pro­pos­es to Christie the indef­i­nite con­tin­u­a­tion of the study. The sub­jects response to their pro­pos­al should be indi­cat­ed below [by check­ing the “Yes” or “No” box].

Bren­dan McMoni­gal and Christie Nelan (pic­tured here) met at the Uni­ver­si­ty of Syd­ney sev­en years ago. They will tie the knot this com­ing May, and we hope you’ll wish them the best.…

via Boing­Bo­ing and @stevesilberman

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