The Complete Works of Leo Tolstoy Online: New Archive Will Present 90 Volumes for Free (in Russian)

tolstoy online

This is sure­ly worth a quick heads up: Leo Tolstoy’s entire body of work – all 46,000 pages of it – will appear on the Tolstoy.ru web site. Accord­ing to Tol­stoy’s great-great-grand­daugh­ter Fyok­la Tol­staya, all of the author’s nov­els, short sto­ries, fairy tales, essays and per­son­al let­ters will be made freely avail­able in PDF, FB2 and EPUB for­mats (which you can eas­i­ly load onto a Kin­dle, iPad or almost any oth­er ebook read­er). She goes on to tell the Russ­ian news­pa­per RIA Novosti that the “90-vol­ume edi­tion was scanned and proof­read three times by more than 3,000 vol­un­teers from 49 coun­tries.” Tru­ly an incred­i­ble crowd­sourc­ing feat.

What’s the rub? You have to read Russ­ian. Yes, it’s poten­tial­ly a down­er. But you can always find Tol­stoy’s major works in trans­la­tion in our Free eBooks and Free Audio Books col­lec­tions.

And if that does­n’t make you feel bet­ter, see the excel­lent bonus mate­r­i­al below.

via The Paris Review

Relat­ed Con­tent:

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

The Last Days of Leo Tol­stoy Cap­tured on Video

How Leo Tol­stoy Learned to Ride a Bike at 67, and Oth­er Tales of Life­long Learn­ing

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“The Autobiography of Jane Eyre” Adapts Brontë’s Heroine for Vlogs, Tumblr, Twitter & Instagram

Lest you remain unaware, Jane Eyre has a vlog. And though I would fain speak well of it, the truth must out. I pre­fer my Jane with bon­net strings knot­ted firm­ly beneath her chin. This Jane, as embod­ied by project co-cre­ator, Alysson Hall, often seems like a fan putting togeth­er a home­made audi­tion tape for Girls.

I sus­pect that’s the demo­graph­ic most like­ly to appre­ci­ate Char­lotte Bron­të’s rein­vent­ed hero­ine.  Like The Lizzie Ben­net Diaries, a self-declared “online mod­ern­ized adap­ta­tion” of Pride and Prej­u­dice, The Auto­bi­og­ra­phy of Jane Eyre takes a trans­me­dia approach, seri­al­iz­ing across mul­ti­ple dig­i­tal plat­forms.

In addi­tion to the YouTube chan­nel, Jane tweets to over 1500 fol­low­ers, and uploads pho­tos to Insta­gram. Her video diary might not be my cup of tea, but I must con­fess, I do rather enjoy her tum­blr. Per­haps not as much as I’d enjoy reread­ing the nov­el (find it in our col­lec­tion Free eBooks and Free Audio Books col­lec­tions), but it’s not a bad way to while away a minute or two.

Put anoth­er way, any­one who likes read­ing Bron­të is prob­a­bly amenable to pic­tures of tea cups, dead trees, and Tim Bur­ton’s ani­mat­ed dolls.

Jane’s embrace of social media is shared by many in her orbit, includ­ing Mr. Rochester’s employ­ee, Grace Poole, and his 8‑year-old daugh­ter, Adele, whose (ille­gal) Twit­ter feed will appeal to any pre­co­cious lit­tle smar­ty­pants eager for ran­dom facts regard­ing Bernese Moun­tain Dogs and Uranus’ moons.

The veil is lift­ed some­what on the series’ Face­book page, where the cre­ators inter­act with fans out-of-char­ac­ter and address mod­ern tech­ni­cal dif­fi­cul­ties, such as soft­ware issues and audio glitch­es.

Relat­ed Con­tent:

20 Books Peo­ple Pre­tend to Read (and Now Your Con­fes­sions?)

Bron­të Sis­ters Pow­er Dolls

Jane Austen’s Fight Club

Ayun Hal­l­i­day was gob­s­macked to learn that her sec­ond book, No Touch Mon­key!  has been made avail­able in ebook form.  Fol­low her @AyunHalliday

Jorge Luis Borges’ Favorite Short Stories (Read 7 Free Online)

Image by Grete Stern via Wiki­me­dia Com­mons

In Jorge Luis Borges’ short sto­ry “The Library of Babel,” the tit­u­lar library con­tains “all that it is giv­en to express, in all lan­guages”:

Every­thing: the minute­ly detailed his­to­ry of the future, the archangels’ auto­bi­ogra­phies, the faith­ful cat­a­logue of the Library, thou­sands and thou­sands of false cat­a­logues… the trans­la­tion of every book in all lan­guages, the inter­po­la­tions of every book in all books.

As well as an iron­ic alle­gor­i­cal take on the New­ton­ian notion of the uni­verse as leg­i­ble and orga­nized, Borges’ sto­ry enacts his expe­ri­ence of a life lived almost entire­ly inside lit­er­a­ture as one of the most eru­dite writ­ers, essay­ists, and librar­i­ans of all time. Borges was not only intim­i­dat­ing­ly wide­ly-read, but his crit­i­cal opin­ions were noto­ri­ous­ly idio­syn­crat­ic and con­trar­i­an. He pre­ferred the obscure to the wide­ly cel­e­brat­ed, cas­ti­gat­ing, for exam­ple, admir­ers of Baude­laire as “imbe­ciles” (accord­ing to his long­time friend and biog­ra­ph­er Adol­fo Bioy Casares) while pro­fess­ing his own admi­ra­tion for Baudelaire’s one­time friend, the morose and unpleas­ant zeal­ous Catholic con­vert Leon Bloy.

But in addi­tion to his pen­chant for writ­ers no one reads, Borges also loved more pop­ulist writ­ers like G.K. Chester­ton and Rud­yard Kipling and had the canons of sev­er­al Euro­pean lit­er­a­tures mem­o­rized, not to men­tion the labyrinthine works of sev­er­al medieval Catholic philoso­phers and all of Spin­oza. In short, his tastes were unpre­dictable and entire­ly his own, untaint­ed by any ges­tures toward fash­ion or pub­lic sen­ti­ment. And that is why he is an excel­lent guide to the genre of writ­ing that his name has become asso­ci­at­ed with more than any oth­er: that of spec­u­la­tive fic­tion or “fan­tas­tic tales.” In 1979, Borges edit­ed a col­lec­tion of such writ­ing, in 33 vol­umes, in Span­ish (though per­haps orig­i­nal­ly in Ital­ian). Each vol­ume is devot­ed to a selec­tion of works from a sin­gle author (includ­ing Borges him­self, vol­ume 2) or to a geo­graph­i­cal dis­tri­b­u­tion, such as “Russ­ian Tales” (vol­ume 29) and “Argen­tin­ian Tales” (vol­ume 30).

In a 2009 piece for The Rum­pus, Grant Mon­roe details his attempt to track down the con­tents of this mas­sive anthol­o­gy, called, after Borges’ sto­ry, The Library of Babel. While the col­lec­tion is con­sid­er­ably less impen­e­tra­ble, “indef­i­nite and per­haps infi­nite” than the library-world of his famous sto­ry, it is nonethe­less daunt­ing, and one could get lost in its cor­ri­dors for sev­er­al months. Below, you can find a list of sev­en select­ed stories—with links to online versions—very rough­ly rep­re­sen­ta­tive of the breadth and strange depths of Borges’ cura­to­r­i­al imag­i­na­tion. Then see the full con­tents of The Library of Babel anthol­o­gy below the jump.

1. Auguste Vil­liers de l’Isle-Adam, “A Tor­ture by Hope

A con­tem­po­rary and friend of Borges’ detest­ed Baude­laire, Vil­liers de l’Isle-Adam was just the kind of down-at-heel aris­to­crat­ic roué whom every­one imag­ines when think­ing of French sym­bol­ist poet­ry. Great­ly influ­enced by Poe, his Cru­el Tales, from which the sto­ry above comes, is a col­lec­tion of most­ly mys­ti­cal sto­ries.

2. Pu Songling, “The Tiger Guest

This 17th cen­tu­ry Chi­nese writer was much-beloved by Borges, and his influ­ence on the latter’s work is patent­ly evi­dent from a cur­so­ry scan of the titles in Pu’s col­lec­tion, Strange Sto­ries from a Chi­nese Stu­dio.

3. Charles Hin­ton, “A Plane World

Hin­ton, a British math­e­mati­cian and sci-fi writer who was much inter­est­ed in the fourth dimen­sion and who coined the word “tesser­act,” wrote spec­u­la­tive fic­tion deeply informed by physics and math­e­mat­ics, often com­plete with dia­grams, as in the above short work, one of nine pam­phlets pub­lished as Sci­en­tif­ic Romances.  Hin­ton is men­tioned in at least two of Borges’ sto­ries.

4. Fyo­dor Dos­to­evsky, “The Croc­o­dile: An Extra­or­di­nary Inci­dent

One does not gen­er­al­ly think of Dos­to­evsky as a writer of “fan­tas­tic tales,” nor, for that mat­ter, of short fic­tion. But Borges includes this lit­tle-known short in his vol­ume of Russ­ian Tales.

5. Arthur Machen, The Shin­ing Pyra­mid

Briefly asso­ci­at­ed with British occultists like A.E. Waite and exert­ing a great deal of influ­ence on Aleis­ter Crow­ley, H.P. Love­craft, and gen­er­a­tions of genre writ­ers, Welsh writer Arthur Machen was also a favorite of Borges.

6. Voltaire, “Micromegas

Every­one is famil­iar with Voltaire the philoso­pher and satirist, but few know of his con­tri­bu­tion to the devel­op­ment of sci­ence fic­tion with his sev­en-part sto­ry “Micromegas,” the tale of a 20,000 foot tall alien ban­ished from his world for heresy.

7. Leopol­do Lugones, “Yzur

This Argen­tin­ian writer was a major influ­ence on Borges. Although he receives his own edit­ed vol­ume in the anthol­o­gy (vol­ume 19), this sto­ry appears in vol­ume 30, “Argen­tin­ian Tales.”

Relat­ed Con­tent:

Borges: Pro­file of a Writer Presents the Life and Writ­ings of Argentina’s Favorite Son, Jorge Luis Borges

Jorge Luis Borges’ 1967–8 Nor­ton Lec­tures On Poet­ry (And Every­thing Else Lit­er­ary)

Two Draw­ings by Jorge Luis Borges Illus­trate the Author’s Obses­sions

18 (Free) Books Ernest Hem­ing­way Wished He Could Read Again for the First Time      

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

List via The Rum­pus

The Library of Babel

1. Jack Lon­don, The Con­cen­tric Deaths

“The Min­ions of Midas”

“The Shad­ow and the Flash”

“Lost Face”

“The House of Mapuhi”

“The Law of Life”

 

2. Jorge Luis Borges, August 26, 1983

“August 26, 1983″

“The Rose of Per­acel­sus”

“Blue Tigers”

“Shakespeare’s Mem­o­ry”

An Inter­view with Borges, with Maria Esther Vasquez

A Chronol­o­gy of J.L. Borges’ Life, from Siru­ela Mag­a­zine

The Ruler and Labyrinth: An Approx­i­ma­tion of J.L Borges’ Bib­li­og­ra­phy, by Fer­nan­dez Fer­rer

 

3.  Gus­tav Meyrink, Car­di­nal Napel­lus

“Der Kar­di­nal Napel­lus”

“J.H. Obere­its Besuch bei den Zeit­egeln”

“Der Vier Mond­brüder”

 

4.  Léon Bloy, Dis­agree­able Tales

“La Taie d’Argent”

“Les Cap­tifs de Longjumeau”

“Une Idée Médiocre”

“Une Mar­tyre”

“La Plus Belle Trou­vaille de Caïn”

“On n’est pas Par­fait”

“La Reli­gion de M. Pleur”

“Ter­ri­ble Châ­ti­ment d’un Den­tiste”

“La Tisane”

“Tout Ce Que Tu Voudras!”

“La Dernière Cuite”

“Le Vieux de la Mai­son”

 

5.  Gio­van­ni Pap­i­ni, The Mir­ror That Fled

“Il Giorno Non Resti­tu­ito”

“Due Immag­i­ni in una Vas­ca”

“Lo Spec­chio che Fugge”

“Sto­ria Com­ple­ta­mente Assur­da”

“Il Men­di­cante di Ani­me”

“Una Morte Men­tale”

“Non Voglio Più Essere Ciò che Sono”

“Chi Sei?”

“Il Sui­ci­da Sos­ti­tu­to”

“L’ultima Visi­ta del Gen­tilu­o­mo Mala­to”

 

6.  Oscar Wilde, Lord Arthur Savile’s Crime

“Lord Arthur Savile’s Crime”

“The Can­ter­ville Ghost”

“The Self­ish Giant”

“The Hap­py Prince”

“The Nightin­gale and the Rose”

 

7.  Vil­liers de L’Isle-Adam, El Con­vi­da­do de las Últi­mas Fes­ti­vas

“L’Aventure de Tsé-i-la”

“Le Con­vive des Dernières Fêtes”

“A Tor­ture By Hope”

“La Reine Ysabeau”

“Som­bre Réc­it Con­teur Plus Som­bre”

“L’Enjeu”

“Véra”

 

8.  Pedro Anto­nio de Alar­cón, El Ami­go de la Muerte

“El Ami­go de la Muerte” [or “The Strange Friend of Tito Gil”]

“The Tall Woman”

 

9.  Her­man Melville, Bartle­by the Scriven­er

“Bartle­by, the Scriven­er: A Sto­ry of Wall-Street”

 

10.  William Beck­ford, Vathek

Vathek, a novel­la.

 

11.  H.G. Wells, The Door in the Wall

“The Plat­tner Sto­ry”

“The Sto­ry of Late Mr. Elve­sham”

“The Crys­tal Egg”

“The Coun­try of the Blind”

“The Door in the Wall”

 

12.  Pu Songling, The Tiger Guest

“The Bud­dhist Priest of Ch’ang-Ch’ing”

“In the Infer­nal Regions”

“The Mag­ic Mir­ror”

“A Super­nat­ur­al Wife”

“Exam­i­na­tion for the Post of Guardian Angel”

“The Man Who Was Changed into a Crow”

“The Tiger Guest”

“Judge Lu”

“The Paint­ed Skin”

“The Stream of Cash”

“The Invis­i­ble Priest”

“The Mag­ic Path”

“The Wolf Dream”

“Dream­ing Hon­ors”

“The Tiger of Chao-Ch’ëng”

“Tak­ing Revenge”

 

13.  Arthur Machen, The Shin­ing Pyra­mid

“The Nov­el of the Black Seal”

“The Nov­el of the White Pow­der”

“The Shin­ing Pyra­mid”

 

14.  Robert Louis Steven­son, The Isle of Voic­es

“The Bot­tle Imp”

“The Isle of Voic­es”

“Thrawn Janet”

“Markheim”

 

15.  G.K. Chester­ton, The Eye of Apol­lo

“The Duel of Dr Hirsch”

“The Queer Feet”

“The Hon­or of Israel Gow”

“The Eye of Apol­lo”

“The Three Horse­men of the Apoc­a­lypse”

 

16.  Jacques Cazotte, The Dev­il in Love

The Dev­il in Love, a novel­la.

“Jacquez Cazotte,” an essay by Ger­ard de Ner­val

 

17.  Franz Kaf­ka, The Vul­ture

“The Hunger Artist”

“First Sor­row” [or “The Trapeze Artist”]

“The Vul­ture”

“A Com­mon Con­fu­sion”

“Jack­als and Arabs”

“The Great Wall of Chi­na”

“The City Coat of Arms”

“A Report to the Acad­e­my”

“Eleven Sons”

“Prometheus”

 

18.  Edgar Allan Poe, The Pur­loined Let­ter

“The Pur­loined Let­ter”

“Ms. Found in a Bot­tle”

“The Facts in the Case of M. Valde­mar”

“The Man in the Crowd”

“The Pit and the Pen­du­lum”

 

19.  Leopol­do Lugones, The Pil­lar of Salt

“The Pil­lar of Salt”

“Grand­moth­er Juli­eta”

“The Hors­es of Abdera”

“An Inex­plic­a­ble Phe­nom­e­non”

“Francesca”

“Rain of Fire: An Account of the Immo­la­tion of Gomor­ra”

 

20.  Rud­yard Kipling, The Wish House

“The Wish House”

“A Sahib’s War”

“The Gar­den­er”

“The Madon­na of the Trench­es”

“The Eye of Allah”

 

21.  The Thou­sand and One Nights, Accord­ing to Gal­land

“Abdu­la, the Blind Beg­gar”

“Alladin’s Lamp”

 

22.  The Thou­sand and One Nights, Accord­ing to Bur­ton

“King Sin­bad and His Fal­con”

“The Adven­tures of Bul­ulkia”

“The City of Brass”

“Tale of the Queen and the Ser­pent”

“Tale of the Hus­band and the Par­rot”

“Tale of the Jew­ish Doc­tor”

“Tale of the Ensor­celled Prince”

“Tale of the Prince and the Ogres”

“Tale of the Wiz­ir and the Wise Duban”

“The Fish­er­man and the Genii”

 

23.  Hen­ry James, The Friends of the Friends

“The Friends of the Friends”

“The Abase­ment of the North­mores”

“Owen Wingrave”

“The Pri­vate Life”

 

24.  Voltaire, Micromegas

“The Black and the White”

“The Two Con­forters”

“The His­to­ry of the Trav­els of Scara­men­ta­do”

“Mem­non the Philoso­pher”

“Micromegas”

“The Princess of Baby­lon”

 

25.  Charles Hin­ton, Sci­en­tif­ic Romances

“A Plane World”

“What is the Fourth Dimen­sion?”

“The Per­sian King”

 

26.  Nathaniel Hawthorne, The Great Stone Face

“Mr. Higginbotham’s Cat­a­stro­phe”

“The Great Stone Face”

“Earth’s Holo­caust”

“The Minister’s Black Veil”

“Wake­field”

 

27.  Lord Dun­sany, The Coun­try of Yann

“Where the Tides Ebb and Flow”

“The Sword and the Idol”

“Car­cas­sonne”

“Idle Days on the Yann”

“The Field”

“The Beg­gars”

“The Bureau d’Echange de Maux”

“A Night at an Inn”

 

28.  Saki, The Ret­i­cence of Lady Anne

“The Sto­ry-Teller”

“The Lum­ber Room”

“Gabriel-Ernest”

“Tober­mory”

“The Back­ground” [trans­lat­ed as “El Mar­co” (or “The Frame”)]

“The Unrest Cure”

“The Inter­lop­ers”

“Quail Seed”

“The Peace of Mowsle Bar­ton”

“The Open Win­dow”

“The Ret­i­cence of Lady Anne”

“Sred­ni Vashtar”

 

29.  Russ­ian Tales

“Lazarus”, Leonid Andreyev

“The Croc­o­dile”, Fydor Doesto­evsky

“The Death of Ivan Illitch”, Leo Tol­stoy

 

30.  Argen­tinean Tales

“El Cala­mar Opta por su Tin­ta,” Adol­fo Bioy Casares

“Yzur,” Leopol­do Lugones [See above.]

“A House Tak­en Over”, Julio Cor­tazar

“La Galera,” Manuel Muji­ca Láinez

“Los Objec­tos,” Silv­ina D’a­cam­po

“El Pro­fe­sor de Aje­drez,” Fed­eri­co Peltzer

“Pudo Haberme Ocur­ri­do,” Manuel Pey­rou

“El Elegi­do,” Maria Esther Vasquez

 

31.  J.L. Borges and Adol­fo Bioy Casares, New Sto­ries of H. Bus­tos Domecq

 

32.  The Book of Dreams (A Col­lec­tion of Recount­ed Dreams)

List of Authors: Fran­cis­co de Queve­do y Vil­le­gas, Alexan­dra David-Néel, Alfon­so X, Alfred de Vigny, Aloy­sius Bertrand, Anto­nio Macha­do, Bern­abé Cobo, D. F. Sarmien­to, Eliseo Díaz, Fran­cis­co Aceve­do, François Rabelais, Franz Kaf­ka, Friedrich Niet­zsche, Gastón Padil­la, Giuseppe Ungaret­ti, Got­tfried Keller, H. Desvi­gnes Doolit­tle, Her­bert Allen Giles, Herodotus, H. Gar­ro, Horace, Ibrahim Zahim [Ibrahim Bin Adham], James G. Fraz­er, Jorge Alber­to Fer­ran­do, Jorge Luis Borges, José Fer­rater Mora, José María Eça de Queiroz, Joseph Addi­son, Juan José Arreo­la, Lewis Car­roll, Lao Tzu, Louis Aragon, Lui­gi Piran­del­lo, Luis de Gón­go­ra, Mircea Eli­ade, Moham­mad Mossadegh, Nemer ibn el Barud [no Wiki entry; see Ama­zon com­ment field], O. Hen­ry, Otto von Bis­mar­ck, Paul Grous­sac, Pla­to, Plutarch, Rab­bi Nis­sim ben Reuven, Ray­mond de Beck­er,  Roder­i­cus Bar­tius, Roy Bartholomew, Samuel Tay­lor Coleridge, Sebastián de Covar­ru­bias Oroz­co, Thorn­ton Wilder, Lucretius, Tsao Hsue Kin [Cao Xue­qin], Ward Hill Lam­on, William But­ler Yeats, Wu Cheng’en, Gio­van­ni Pap­i­ni, Nathaniel Hawthorne, Charles Baude­laire

 

33.  Borges A to Z (A Com­pi­la­tion)

(Con­tents unknown.)

18 (Free) Books Ernest Hemingway Wished He Could Read Again for the First Time

hemingway list free

In the 1930s, Ernest Hem­ing­way wrote a series of short pieces for Esquire mag­a­zine called the “Key West Let­ters.” One of those pieces, the 1935 “Remem­ber­ing Shoot­ing-Fly­ing” has an inter­est­ing premise—Hemingway claims that remem­ber­ing and writ­ing about shoot­ing are more plea­sur­able than shoot­ing itself. Or at least that he’d rather remem­ber shoot­ing pheas­ant than actu­al­ly shoot clay pigeons. In the next para­graph, this nos­tal­gia for good shoot­ing gets tied up with good books, such that the essay betrays its true desire—to be a med­i­ta­tion on read­ing. Before he catch­es him­self and gets back on top­ic, Hem­ing­way launch­es into a long par­en­thet­i­cal:

I would rather read again for the first time Anna Karen­i­na, Far Away and Long Ago, Bud­den­brooks, Wuther­ing Heights, Madame Bovary, War and Peace, A Sportsman’s Sketch­es, The Broth­ers Kara­ma­zov, Hail and Farewell, Huck­le­ber­ry Finn, Wines­burg, Ohio, La Reine Mar­got, La Mai­son Tel­li­er, Le Rouge et le Noire, La Char­treuse de Parme, Dublin­ers, Yeat’s Auto­bi­ogra­phies and a few oth­ers than have an assured income of a mil­lion dol­lars a year.

Is this hyper­bole? Lit­er­ary blus­ter? The gen­uine desire to encounter again “for the first time” the lit­er­a­ture that trans­formed and widened his world? Maybe all of the above. Bet­ter to stay home and remem­ber the greats—write about them and hope for a time when they’re new again—than to fill one’s time with mediocre and for­get­table books. At least that seems to be his argu­ment. And while I’m sure you have your own lists (feel free to add them to the com­ments sec­tion below!), some of you may wish to take a shot at Hemingway’s and savor those works that for him over­shad­owed near­ly every oth­er.

To that end, we’ve com­piled a list of the books he names, with links to online texts and audio, where avail­able. Enjoy them for the first time, or read (and lis­ten) to them once again. And remem­ber that the texts are per­ma­nent­ly housed in our col­lec­tions of Free Book Audio Books and Free eBooks.

Anna Karen­i­na by Leo Tol­stoy (eBookAudio Book)

Far Away and Long Ago by W.H. Hud­son (eBookAudio Book)

Bud­den­brooks by Thomas Mann (eBook)

Wuther­ing Heights by Emi­ly Bron­të (eBookAudio Book)

Madame Bovary by Gus­tave Flaubert (eBookAudio Book)

War and Peace by Leo Tol­stoy (eBookAudio Book)

A Sportsman’s Sketch­es by Ivan Tur­genev (eBook)

The Broth­ers Kara­ma­zov by Fyo­dor Dos­to­evsky (eBookAudio Book)

Hail and Farewell by George Moore (eBook)

Adven­tures of Huck­le­ber­ry Finn by Mark Twain (eBookAudio Book)

Wines­burg, Ohio by Sher­wood Ander­son (eBookAudio)

Queen Mar­got by Alexan­dre Dumas (eBook)

La Mai­son Tel­li­er by Guy de Mau­pas­sant (eBook)

The Red and the Black by Stend­hal (eBookAudio Book)

La Char­treuse de Parme by Stend­hal (eBook)

Dublin­ers by James Joyce (eBookAudio Book)

Rever­ies over Child­hood and Youth by William But­ler Yeats (eBook)

The Trem­bling of the Veil by William But­ler Yeats (eBook)

Relat­ed Con­tent:

Ernest Hem­ing­way Cre­ates a Read­ing List for a Young Writer, 1934

Ernest Hem­ing­way Writes of His Fas­cist Friend Ezra Pound: “He Deserves Pun­ish­ment and Dis­grace” (1943)

Ernest Hem­ing­way to F. Scott Fitzger­ald: “Kiss My Ass”

Neil deGrasse Tyson Lists 8 (Free) Books Every Intel­li­gent Per­son Should Read

via Lists of Note

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Salvador “Dalí is the Biggest ‘Prick’ of the 20th Century,” Says the Quotable Henry Miller

henry miller dali

There’s no two ways about it. Hen­ry Miller had a way with words. He could be blunt, lewd, cut­ting, all in one short sen­tence. You want a lit­tle case study? Ok, how about the notes Miller scrawled back in 1973, when he called Sal­vador Dalí “the biggest ‘prick” of the 20th cen­tu­ry” (or, in anoth­er instance a “prick of the first water”). What was his beef with the Span­ish sur­re­al­ist? It all start­ed in 1940, when Miller and his lover, the incom­pa­ra­ble Anaïs Nin, spent some time cooped up in the same house with Dalí, who turned out to be an insuf­fer­able pri­ma don­na. Their time togeth­er end­ed in a wild shout­ing match, with Miller and Nin storm­ing out of the home and hold­ing a grudge for decades to come. The sto­ry is nice­ly recount­ed by Book Tryst, a site that has recent­ly become a new favorite of ours.

Relat­ed Con­tent:

Alice’s Adventures in Wonderland, Illustrated by Salvador Dalí in 1969, Finally Gets Reissued

Des­ti­no: The Sal­vador Dalí – Dis­ney Col­lab­o­ra­tion 57 Years in the Mak­ing

Tom Schiller’s 1975 Jour­ney Through Hen­ry Miller’s Bath­room (NSFW)

Hen­ry Miller Talks Writ­ing and the Expat Life with Anaïs Nin, Lawrence Dur­rell, and Oth­ers (1969)

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Author Rob Sheffield Picks Karaoke Songs for Famous Authors: Imagine Wallace Stevens Singing the Velvet Underground’s “Sunday Morning”

The poet Wal­lace Stevens‘ reclu­sive­ness would have made him an unlike­ly can­di­date for karaoke, but death is a great lev­el­er. One who’s shuf­fled off this mor­tal coil can no longer claim to be pub­lic­i­ty shy or high­ly pro­tec­tive of his pri­va­cy. Nor can he object if a liv­ing author—Rob Sheffield, say—selects a song for him to hypo­thet­i­cal­ly butch­er.

This is how a qui­et poet-accoun­tant of Stevens’ stature finds him­self hold­ing the mic in a beyond-the grave karaoke suite, fac­ing the scrolling lyrics of The Vel­vet Underground’s “Sun­day Morn­ing” (above).

The strange pair­ing is part of a pub­lic­i­ty stunt in ser­vice of Sheffield’s new book, Turn Around Bright Eyes: the Rit­u­als of Love and Karaoke. Vis­it Book­ish to see his ulti­mate karaoke tracks for four oth­er late authors, includ­ing Oscar Wilde and the ago­ra­pho­bic Emi­ly Dick­in­son.

It’s all in fun, nat­u­ral­ly, but Sheffield, the music jour­nal­ist and karaoke con­vert, is not just hav­ing an iron­ic laugh at his favorite poet’s expense. (Though no doubt Stevens’ poem, “Sun­day Morn­ing,” fac­tored heav­i­ly into the deci­sion-mak­ing process.)

Here’s how we know Sheffield is sin­cere. Karaoke became his unlike­ly emo­tion­al res­cuer fol­low­ing the untime­ly death of his first wife, and helped forge bonds with a new roman­tic part­ner.  Lis­ten to his pas­sion­ate descrip­tion of its trans­for­ma­tive effects in the video below. He could be a poet describ­ing his muse. Even die hard karaoke resis­tors may be moved to give it a whirl after hear­ing him speak.

May we sug­gest “Sun­day Morn­ing” for your first out­ingIf you’re feel­ing ner­vous, ded­i­cate it to Wal­lace Stevens. There in spir­it, sure­ly.

Relat­ed Con­tent:

Bill Mur­ray Reads Wal­lace Stevens Poems — “The Plan­et on The Table” and “A Rab­bit as King of the Ghosts”

Wal­lace Stevens Reads His Own Poet­ry

A Sym­pho­ny of Sound (1966): Vel­vet Under­ground Impro­vis­es, Warhol Films It, Until the Cops Turn Up

Find Read­ings by Wal­lace Stevens in our col­lec­tion of Free Audio Books

Ayun Hal­l­i­day‘s favorite karaoke tune is the the Divinyls’ always-inap­pro­pri­ate “I Touch Myself.” Fol­low her @AyunHalliday

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Read 113 Pages of Charles Bukowski’s FBI File From 1968

BukowskiFBI

Click image for a larg­er ver­sion

If cer­tain well-known writ­ers come off as a bit para­noid, they may have good cause. Then again, the Pow­ers That Be con­duct their sur­veil­lance in mys­te­ri­ous ways, nev­er tar­get­ing quite whom you’d expect. William T. Voll­mann, for instance, a nov­el­ist known less for his para­noia than his pro­duc­tiv­i­ty, recent­ly revealed in Harper’s that the Fed­er­al Bureau of Inves­ti­ga­tion, on the look­out for Unabomber sus­pects, built up quite a file on him. “Indi­vid­u­als this bright are capa­ble of most any­thing,” reads one of its stark­ly type­writ­ten pages. “By all accounts, VOLLMANN is exceed­ing­ly intel­li­gent and pos­sessed with an enor­mous ego.” Per­haps writer­ly ego, albeit of an entire­ly dif­fer­ent stripe, also got post office-work­ing poet Charles Bukows­ki in trou­ble. “In 1968 var­i­ous branch­es of the U.S. gov­ern­ment per­formed an inves­ti­ga­tion into the back­ground of civ­il ser­vant Charles Bukows­ki,” accord­ing to bukowski.net. “Appar­ent­ly the FBI and the Postal Ser­vice took offense to some of his writ­ing (main­ly the Notes From a Dirty Old Man col­umn he wrote for the Los Ange­les hip­pie tabloid Open City),” the page con­tin­ues, “and had their ‘infor­mants’ report Bukows­ki to high­er-ups in the post office.”

Bukowski.net offers 113 pages of Bukowski’s FBI file, direct­ly scanned. “He stat­ed that BUKOWSKI is an excel­lent ten­ant who nev­er asso­ciates with any of his neigh­bors,” one page reports, appar­ent­ly from an inter­view with the land­lord of Bukowski’s now-famous bun­ga­low at 5124 De Long­pre in Los Ange­les. And from an inter­ro­ga­tion of the writer him­self: “He explained that these arti­cles are ‘an inter-mix­ture of fic­tion and fact’ and are ‘high­ly roman­ti­cized in order to give the sto­ry juice.’ ” Released FBI files of this type tend to give an impres­sion of fruit­less­ness and inep­ti­tude, but at least Bukowski’s did make one dis­cov­ery that may fas­ci­nate avid fans: “Bukows­ki claimed he was mar­ried to Jane Cooney,” says bukowski.net. “Every Bukows­ki biog­ra­phy writ­ten thus far names Bar­bara Frye as his first wife. How­ev­er, in 1952 (three years before his mar­riage to Bar­bara Frye) Bukows­ki stat­ed that he was mar­ried to Jane Cooney Bak­er — the ‘Jane’ of many of his most heart­felt works.” Once Amer­i­ca puts its ter­ror­ism prob­lems behind it, per­haps the FBI can devote its resources to more lit­er­ary research — albeit of a non-inva­sive vari­ety.

Relat­ed Con­tent:

Lis­ten to Charles Bukows­ki Poems Being Read by Bukows­ki, Tom Waits and Bono

Charles Bukows­ki Sets His Amus­ing Con­di­tions for Giv­ing a Poet­ry Read­ing (1971)

“Don’t Try”: Charles Bukowski’s Con­cise Phi­los­o­phy of Art and Life

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

An Introduction to World Literature by a Cast Of Literary & Academic Stars (Free Course)

Updat­ed: Love and long­ing, hope and fear — these threads run through­out all lit­er­a­ture, whether we’re talk­ing about the great ancient epics, or con­tem­po­rary nov­els writ­ten in the East or the West. That’s the main premise of Invi­ta­tion to World Lit­er­a­ture, a mul­ti­me­dia pro­gram orga­nized by David Dam­rosch (Har­vard Uni­ver­si­ty), and made with the back­ing of WGBH and Annen­berg Media.

The pro­gram fea­tures 13 half-hour videos, which move from The Epic of Gil­gamesh (cir­ca 2500 BCE) through Gar­cía Márquez’s One Hun­dred Years of Soli­tude (1967). And, col­lec­tive­ly, these videos high­light over 100+ writ­ers, schol­ars, artists, and per­form­ers with a per­son­al con­nec­tion to world lit­er­a­ture. Philip Glass, Francine Prose, Harold Ramis, Robert Thur­man, Kwame Antho­ny Appi­ah — they all make an appear­ance.

Per­ma­nent­ly housed in the Lit­er­a­ture sec­tion of our col­lec­tion of 1,300 Free Online Cours­es, Invi­ta­tion to World Lit­er­a­ture fea­tures the fol­low­ing lec­tures:

  1. The Epic of Gil­gamesh
  2. My Name is Red
  3. The Odyssey
  4. The Bac­chae
  5. The Bha­gavad Gita
  6. The Tale of the Gen­ji
  7. Jour­ney to the West
  8. Pop­ul Vuh
  9. Can­dide
  10. Things Fall Apart
  11. One Hun­dred Years of Soli­tude
  12. The God of Small Things
  13. The Thou­sand and One Nights

Relat­ed Con­tent:

Free Lit­er­a­ture Cours­es

The Art of Liv­ing: A Free Stan­ford Course Explores Time­less Ques­tions

A Crash Course in Eng­lish Lit­er­a­ture: A New Video Series by Best-Sell­ing Author John Green

Con­tem­po­rary Amer­i­can Lit­er­a­ture: An Open Yale Course

David Fos­ter Wallace’s 1994 Syl­labus: How to Teach Seri­ous Lit­er­a­ture with Light­weight Books

W.H. Auden’s 1941 Lit­er­a­ture Syl­labus Asks Stu­dents to Read 32 Great Works, Cov­er­ing 6000 Pages

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