The World According to John Coltrane: His Life & Music Revealed in Heartfelt 1990 Documentary

In his short life, John Coltrane con­tin­u­al­ly pushed the bound­aries of music. From swing to bebop to hard bop to free jazz, Coltrane was a rest­less seek­er of new sounds. Inspired by the hyp­not­ic, trance-induc­ing tra­di­tion­al music of North Africa and Asia, Coltrane cre­at­ed a new kind of music that fused jazz and East­ern spir­i­tu­al­i­ty.

The World Accord­ing to John Coltrane tells the sto­ry of Coltrane’s quest, from his child­hood in a deeply reli­gious house­hold in North Car­oli­na to his ear­ly days play­ing sax­o­phone in the Navy, to his appren­tice­ship with Miles Davis in the 1950s and his emer­gence as a band­leader and inno­va­tor in the 1960s. Most of the one-hour film is devot­ed to Coltrane’s lat­er peri­od, when he came into his own. The film is not a biog­ra­phy, in the tra­di­tion­al sense. There is very lit­tle about Coltrane’s per­son­al life — his mar­riages, chil­dren, drug prob­lems and declin­ing health. Direc­tor Robert Palmer focus­es instead on Coltrane’s jour­ney as a musi­cian.

The World Accord­ing to John Coltrane was made in 1990, and includes inter­views with Coltrane’s sec­ond wife, pianist Alice Coltrane, and a num­ber of oth­er musi­cians who knew Coltrane and played with him, includ­ing sax­o­phon­ist Wayne Short­er, drum­mer Rashied Ali and Pianist Tom­my Flana­gan. It pro­vides some excel­lent insights into one of the 20th cen­tu­ry’s great­est musi­cians.

via metafil­ter

Relat­ed Con­tent:

John Coltrane’s Naval Reserve Enlist­ment Mugshot (1945)

John Coltrane Plays Only Live Per­for­mance of A Love Supreme

John Coltrane: Three Great Euro­pean Per­for­mances, 1960, 1961 and 1965

David Byrne Discusses Here Lies Love, His Disco Musical with Fatboy Slim on the Life of Imelda Marcos

In Imel­da Mar­cos, wid­ow of con­tro­ver­sial for­mer pres­i­dent of the Philip­pines Fer­di­nand Mar­cos, the twen­ti­eth cen­tu­ry had one of its most col­or­ful first ladies. Or at least, to make the most obvi­ous pos­si­ble joke, it had its first lady with the most col­or­ful col­lec­tion of shoes. In fact, giv­en her coun­try’s his­to­ry of pover­ty and cor­rup­tion, Mar­cos’ report­ed­ly vast and osten­ta­tious wardrobe made her a con­tro­ver­sial fig­ure in her­self. Yet she has nev­er seemed whol­ly uncon­cerned with her lega­cy, and in fact remains a mem­ber of the Philip­pine House of Rep­re­sen­ta­tives today. She has wished aloud that her tomb­stone read, sim­ply, “Here lies love,” and that epi­taph gives a title to the dis­co musi­cal that Talk­ing Heads mas­ter­mind David Byrne and DJ/nineties elec­tron­ic phe­nom­e­non Fat­boy Slim have craft­ed to tell the sto­ry of Mar­cos’ life. “Prob­a­bly the first thing you need to know,” writes Allan Kozinn in the New York Times, “is that although it is about Imel­da Mar­cos, the for­mer first lady of the Philip­pines, her famous col­lec­tion of shoes is nei­ther men­tioned nor shown.” At the top of the post, you can watch a short clip of Byrne dis­cussing the inspi­ra­tions for and long ges­ta­tion process of Here Lies Love, not to men­tion his efforts to break down the audi­ence’s pre­con­cep­tions, shoe-relat­ed and oth­er­wise.

“Imel­da, who was this flam­boy­ant, noto­ri­ous kind of per­son on the scene, loved going to dis­cos,” he says. “She loved going to Stu­dio 54. She turned the top floor of the palace in Mani­la into a club. She had a mir­ror ball installed in her New York town­house. [ … ] Maybe there’s a con­nec­tion between the eupho­ria you feel in a dance club and the eupho­ria a per­son in pow­er has. ” Just above, you can lis­ten to the musi­cal’s title num­ber. Despite hav­ing sev­er­al times lis­tened to and enjoyed the entire Here Lies Love album, I under­stand it can’t com­pare to the live ver­sion, because the live ver­sion makes you dance — lit­er­al­ly. Kozinn describes Byrne’s lat­est venue as “trans­formed into an ’80s-style dis­co, and the audi­ence is meant to stand, mill around or, if the spir­it moves, dance through the entire 85-minute show.” Byrne has also writ­ten about the devel­op­ment of Here Lies Love on his diary, and promis­ing­ly. “The stag­ing and the con­cept work,” he assures his fans. “It works so well that I sort of cried at every per­for­mance. [ … ] In the end, I’d say it’s the best thing I’ve done since the Stop Mak­ing Sense tour—which I guess is say­ing some­thing.”

Relat­ed con­tent:

David Byrne Gives Us the Low­down on How Music Works (with Neu­ro­sci­en­tist Daniel Lev­itin)

Lis­ten to the New David Byrne/St. Vin­cent Album, Love This Giant

How David Byrne and Bri­an Eno Make Music Togeth­er: A Short Doc­u­men­tary

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

History of Rock: New MOOC Presents the Music of Elvis, Dylan, Beatles, Stones, Hendrix & More

Here’s some­thing I can get pret­ty jazzed about. Er, maybe that’s not quite the right verb. But close enough.…

On May 13, the East­man School of Music at the Uni­ver­si­ty of Rochester will launch the first of two MOOCs that will trace the his­to­ry of rock music. Taught by John Cov­ach, a pro­fes­sor of music the­o­ry, The His­to­ry of Rock, Part One will revis­it the 1950s and 1960s, the hal­cy­on days of rock ’n’ roll, which gave us the music of Elvis Pres­ley, Chuck Berry, Phil Spec­tor, Bob Dylan, the Bea­t­les, the Rolling Stones, Jimi Hen­drix, Cream, and oth­er bands. The course will focus on the music itself, the cul­tur­al con­text from which rock emerged, and how changes in the music busi­ness and music tech­nol­o­gy shaped this new musi­cal form. The sec­ond course (sched­uled to start on July 8) will move for­ward to the 1970, 80s and 90s and cov­er the music of Led Zep­pelin, the All­man Broth­ers, Car­ole King, Bob Mar­ley, the Sex Pis­tols, Don­na Sum­mer, Michael Jack­son, Madon­na, Prince, Metal­li­ca, Run-DMC, Nir­vana, and oth­er artists. Stu­dents who suc­cess­ful­ly com­plete the course will receive a “State­ment of Accom­plish­ment” signed by the instruc­tor.

Oth­er music cours­es list­ed in our col­lec­tion of 300 Free MOOCs from Great Uni­ver­si­ties include Intro­duc­tion to Gui­tar and Intro­duc­tion to Impro­vi­sa­tion. They’re both cre­at­ed by the Berklee Col­lege of Music and start on April 22.

Relat­ed Con­tent:

A His­to­ry of Rock ‘n’ Roll in 100 Riffs

The His­to­ry of Punk Rock

Carnegie Hall MOOC Will Teach You How to Lis­ten to Orches­tras (Free)

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Bob Dylan and Van Morrison Sing ‘Knockin’ on Heaven’s Door,’ 1998

Recent­ly we post­ed a remark­able pair of videos fea­tur­ing Bob Dylan and Van Mor­ri­son singing togeth­er on a hill­top in Athens. Today we’re back with anoth­er rare duet from the leg­endary singer-song­writ­ers, this one record­ed nine years after the jam ses­sion in Greece.

The per­for­mance took place on June 24, 1998 at the Nation­al Exhi­bi­tion Cen­tre in Birm­ing­ham, Eng­land. Dylan was on a world tour to sup­port his Time Out of Mind album, which was released the pre­vi­ous fall. Mor­ri­son shared the bill at some parts of the tour, includ­ing shows in North Amer­i­ca, North­ern Ire­land, Eng­land, Scot­land and France. Mor­ri­son usu­al­ly opened for Dylan, but on at least two occa­sions Mor­ri­son closed the show: in his native Belfast, and in Birm­ing­ham.

Near the end of Dylan’s Birm­ing­ham set, the audi­ence was sur­prised when Mor­ri­son walked onstage in his sun­glass­es and pork pie hat. The two sang a duet of “Knockin’ on Heav­en’s Door,” with Dylan play­ing acoustic gui­tar and Mor­ri­son the har­mon­i­ca. It was a rare event: With only a cou­ple of brief excep­tions ear­li­er in the tour, the two super­stars kept their appear­ances sep­a­rate. For­tu­nate­ly, some­one with a video cam­era was there to cap­ture the moment.

h/t Paul Jones

Relat­ed Con­tent:

The Won­drous Night When Glen Hansard Met Van Mor­ri­son

Bob Dylan and The Grate­ful Dead Rehearse Togeth­er in Sum­mer 1987. Lis­ten to 74 Tracks.

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

David Bowie Releases 36 Music Videos of His Classic Songs from the 1970s and 1980s

Last month, David Bowie released The Next Dayhis first new album in a decade. That’s a long time to go with­out an album — long enough that fans could per­haps use a refresh­er, a reminder of why they should splurge for the new mate­r­i­al. So, in con­junc­tion with the release of The Next Day, Bowie has opened the vaults and put online a won­der­ful set of videos record­ed dur­ing his gold­en years. It’s a visu­al and aur­al treat. Today, I’ve pulled togeth­er my per­son­al favorites, all from the 1970s. That’s how I roll. But, if you’re an 80s Bowie fan, there’s some­thing there for you too. Fash­ion, Ash­es to Ash­esChi­na Girl, a duet with Mick Jag­ger record­ed for Live Aid in 85 — they’re all includ­ed in the col­lec­tion of 36 videos.

Now watch a few of these clips — we’re start­ing you off above with “Life on Mars?” — and then ask your­self: Are you ready to down­load The Next Day?

Space Odd­i­ty (1972)

Star­man (1972)

The Jean Genie (1972)

Heroes (1977)

Relat­ed Con­tent:

How “Space Odd­i­ty” Launched David Bowie to Star­dom: Watch the Orig­i­nal Music Video From 1969

The Sto­ry of Zig­gy Star­dust: How David Bowie Cre­at­ed the Char­ac­ter that Made Him Famous

Lis­ten to Fred­die Mer­cury and David Bowie on the Iso­lat­ed Vocal Track for the Queen Hit ‘Under Pres­sure,’ 1981

David Bowie & Bing Cros­by Sing “The Lit­tle Drum­mer Boy” (1977)

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A Young, Clean Cut Jim Morrison Appears in a 1962 Florida State University Promo Film

Here’s a weird one: weirdo Doors front­man Jim Mor­ri­son, native of Flori­da, the weird­est state in the Union (well, it is!), stars in a pro­mo film for Flori­da State Uni­ver­si­ty. Morrison’s char­ac­ter gets a bum­mer of a let­ter inform­ing him that he has been reject­ed from FSU, and lat­er meets with an admin­is­tra­tor who gives him the low­down. Of course, as one YouTube com­menter quips, “when one door clos­es, The Doors open” (heh). So, fine, Mor­ri­son didn’t need Flori­da State—he lived fast, died young, and left the most famous grave in his­to­ry.

Morrison mug_shot

But as his fans know, the well-read Mor­ri­son was no intel­lec­tu­al slouch; he start­ed the Doors while study­ing film at UCLA, to which he’d trans­ferred from Flori­da State, where he enrolled in 1962. In addi­tion to get­ting cast in the pro­mo above, while at FSU Mor­ri­son got arrest­ed for a school prank (see his ’63 mugshot at left), made some short films, and did his share of carous­ing. One fel­low stu­dent, Ger­ry McClain, remem­bers Mor­ri­son from his FSU days in an inter­view with the site Amer­i­can Leg­ends:

He hung around with a bohemi­an crowd: peo­ple who liked to wear pants with holes in them. Jim posed as a mod­el for the art depart­ment, and they would all sell blood to the Red Cross to get a few bucks. Once, I saw Jim go around the col­lege cof­fee shop eat­ing scraps off tables. I felt he–and the others–were liv­ing an image–the starv­ing young artist.

But Mor­ri­son was­n’t exact­ly a starv­ing artist. He was, in fact, the son of Rear Admi­ral George Stephen Mor­ri­son, com­man­der of the U.S. Naval forces in the inci­dent that sparked the Viet­nam War. Weird, right? Watch the elder Mor­ri­son and Jim’s sis­ter Anne in inter­view remem­brances of Jim in the video below.

Relat­ed Con­tent:

See Jimi Hendrix’s First TV Appear­ance, and His Last as a Back­ing Musi­cian (1965)

A Young Frank Zap­pa Plays the Bicy­cle on The Steve Allen Show (1963)

Jim­my Page, 13, Plays Gui­tar on BBC Tal­ent Show (1957)

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him @jdmagness

Nico Sings “Chelsea Girls” in the Famous Chelsea Hotel

Ah, the Hotel Chelsea: home, in its hey­day, to all man­ner of New York City writ­ers, artists, rock­ers, and rogues. You can’t move in anymore—the man­age­ment insti­tut­ed a short stay-only pol­i­cy even before clos­ing for ren­o­va­tions in 2011—but even if you could, sure­ly the lega­cy of so many 20th-cen­tu­ry artis­tic lumi­nar­ies would weigh heav­i­ly indeed. Read up on Bob Dylan, Charles Bukows­ki, Janis Joplin, Leonard Cohen, Iggy Pop, Dylan Thomas, or Arthur C. Clarke, and you’ll find out about their extend­ed stays at the Chelsea. Read Pat­ti Smith’s mem­oir Just Kids, and you’ll learn even more about the place from Smith’s remem­brance of her days there with pho­tog­ra­ph­er Robert Map­plethor­pe. Watch Andy Warhol’s Chelsea Girls and you’ll glimpse the lives of the askew ingénues Warhol housed at the hotel, includ­ing Vel­vet Under­ground singer Nico.

Dig into Nico’s solo career, and you’ll soon hear her album Chelsea Girl. The clip above comes from a doc­u­men­tary includ­ing Warhol’s Chelsea Girls, and fea­tures Nico singing the almost-title track “Chelsea Girls” from that album. The film, Nico’s record, and the sem­i­nal Vel­vet Under­ground & Nico all appeared in the coun­ter­cul­tur­al­ly pro­duc­tive year of 1967. Rid­ing the wave of fame gen­er­at­ed by her time as a Warhol “Super­star,” Nico would spend the next twen­ty years record­ing five more solo albums, act­ing in sev­en pic­tures by film­mak­er Philippe Gar­rel, mak­ing her musi­cal come­back onstage at CBGB, and get­ting hooked on and sub­se­quent­ly kick­ing hero­in before pass­ing away in 1988. A bit lat­er in the video, an inter­view­er asks if she con­sid­ers her­self the one who made the Hotel Chelsea famous. “I am one of the per­sons,” replies the Ger­man-born Nico. “Aside from the peo­ple that are now in heav­en… or in hell, or… not stay­ing here.”

Relat­ed Con­tent:

Warhol’s Screen Tests: Lou Reed, Den­nis Hop­per, Nico, and More

Hear New­ly-Released Mate­r­i­al from the Lost Acetate Ver­sion of The Vel­vet Under­ground & Nico (1966)

Andy Warhol Quits Paint­ing, Man­ages The Vel­vet Under­ground (1965)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Anne Bancroft and Mel Brooks Sing “Sweet Georgia Brown” Live…and in Polish

The Cap­tain and Tenille. 

Son­ny and Cher.

Shields and Yarnell.

Ban­croft and Brooks?

Not exact­ly, but one thing’s cer­tain. Had mar­ried cou­ple Anne Ban­croft and Mel Brooks under­tak­en to co-host a tele­vi­sion vari­ety show in the 70’s or 80’s, they would’ve mopped up the era’s com­pe­ti­tion faster than you can say Mr Clean Sun­shine Fresh.

Our best evi­dence is this clip from the 1983 Brooks-host­ed episode of the BBC vari­ety hour, An Audi­ence with…  All the tropes of the once pop­u­lar form—the celebri­ty ‘as audi­ence plant, the staged spon­tane­ity, the audi­ence eager­ly fol­low­ing direction—are on dis­play in the lead up to the big pay off, a light-foot­ed live ren­di­tion of Sweet Geor­gia Brown…in heav­i­ly accent­ed Pol­ish.

It def­i­nite­ly leaves one want­i­ng more. (In which case, you could try your luck with Brooks’ remake of To Be or Not to Be, in which he and Ban­croft play roles orig­i­nat­ed by Jack Ben­ny and Car­ole Lom­bard).

Relat­ed Con­tent:

The Crit­ic: Hilar­i­ous Oscar-Win­ning Film Nar­rat­ed by Mel Brooks (1963)

John­ny Cash: Singer, Out­law, and, Briefly, Tele­vi­sion Host

Woody Allen Box­es a Kan­ga­roo, 1966

Ayun Hal­l­i­day’s will be per­form­ing live in Brook­lyn Brain Frame lat­er this month.  Fol­low her @AyunHalliday

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