How Our Depiction of Jesus Changed Over 2,000 Years and What He May Have Actually Looked Like

Whether or not you believe Jesus Christ is the son of God, you prob­a­bly envi­sion him (or, if you pre­fer, Him) in much the same way as most every­one else does. The long hair and beard, the robe, the san­dals, the beatif­ic gaze: these traits have all man­i­fest­ed across two mil­len­nia of Chris­t­ian art. “How­ev­er, these depic­tions don’t exact­ly match the pro­file of a first-cen­tu­ry Jew­ish car­pen­ter from the Mid­dle East,” says Hochela­ga host Tom­mie Trelawny in the new video above, an inves­ti­ga­tion into how our mod­ern con­cept of how Jesus looked came to be — and into what we can know about his real appear­ance.

First, we must turn to the Bible. In the King James Ver­sion, Rev­e­la­tion describes Jesus thus: “His head and his hairs were white like wool, as white as snow; and his eyes were as a flame of fire; and his feet like unto fine brass, as if they burned in a fur­nace; and his voice as the sound of many waters. He had in His right hand sev­en stars, out of His mouth went a sharp two-edged sword, and His coun­te­nance was like the sun shin­ing in its strength.” That’s it for the New Tes­ta­ment. As for the Old Tes­ta­ment, Isa­iah describes a fig­ure that could pos­si­bly be Jesus by cred­it­ing him with “no form nor come­li­ness; and when we shall see him, there is no beau­ty that we should desire him.”

This scant Bib­li­cal evi­dence hard­ly aligns with the high-pro­file depic­tions of Jesus we’ve all seen. For many around the world today, the “default rep­re­sen­ta­tion” is the down­right glam­orous 1940 por­trait Head of Christ by the Amer­i­can painter Warn­er Sall­man (a Chicagoan, inci­den­tal­ly, much like the new­ly elect­ed Pope Leo XIV). One could see that art­work as the cul­mi­na­tion of a fair­ly long his­to­ry of visu­al depic­tions of Jesus, which first became abun­dant in the Roman Empire of the fourth cen­tu­ry under Con­stan­tine. Accord­ing to Gre­co-Roman mythol­o­gy, “hav­ing long hair and a beard were sym­bols of divine pow­er.” Ear­ly Chris­tians thus “want­ed to present their god using sim­i­lar artis­tic con­ven­tions,” plac­ing Jesus in a league with the likes of Zeus.

That’s the basic look Jesus has in most rep­re­sen­ta­tions, from the botched Span­ish fres­co that became a meme to the cru­ci­fied Mr. Uni­verse in South Korea, where I live, to Andy Warhol’s Christ $9.98. And yet, accord­ing to the dic­tates of Leviti­cus, “you shall not round the cor­ners of your heads, nei­ther shalt thou mar the cor­ners of thy beard.” Trelawny takes this into account when attempt­ing to recon­struct the his­tor­i­cal Jesus, also not­ing that, since Jesus could only be iden­ti­fied by Judas’ kiss of betray­al, he must have looked much like all the oth­er men around him. The result, when all of this is fed into an arti­fi­cial-intel­li­gence image gen­er­a­tor, is very much an every­man, which may be as his­tor­i­cal­ly accu­rate as we can get. But then, each time and place cre­ates its own Jesus — and now, with AI, each of us can do the same for our­selves.

Relat­ed con­tent:

The Ten Ear­li­est Depic­tions of Jesus: How Art Visu­al­ized Jesus in the First Cen­turies After His Death

What Makes Caravaggio’s The Tak­ing of Christ a Time­less, Great Paint­ing?

How Leonar­do da Vin­ci Paint­ed The Last Sup­per: A Deep Dive Into a Mas­ter­piece

The Real Sto­ry of East­er: How We Got from the First East­er in the Bible to Bun­nies, Eggs & Choco­late

Intro­duc­tion to New Tes­ta­ment His­to­ry and Lit­er­a­ture: A Free Yale Course

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

How a Papal Conclave Works, and Who Might Be the Next Pope

On Tues­day, the car­di­nals locked them­selves into the Sis­tine Chapel, offi­cial­ly begin­ning the con­clave to elect the 267th pope. First for­mal­ized by Pope Gre­go­ry X in 1274, the con­clave (a word derived from the Latin words cum clave, mean­ing “with a key”) fol­lows a high­ly script­ed process honed over the past 800 years. How the con­clave works, and how it came into being—all of that gets cov­ered in the Reli­gion for Break­fast video above. It’s host­ed by the reli­gious stud­ies schol­ar Dr. Andrew M. Hen­ry.

Below, you can also delve into the more recent his­to­ry of papal elec­tions. Cre­at­ed by Use­ful Charts, this video cov­ers every papal con­clave since 1958 and includes a pre­dic­tion for who the next pope will be once the white smoke ris­es. Who is the next like­ly pon­tiff? No spoil­ers here. You’ll have to watch the video to find out.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent 

Take a 3D Vir­tu­al Tour of the Sis­tine Chapel & Explore Michelangelo’s Mas­ter­pieces Up Close

When There Were Three Popes at Once: An Ani­mat­ed Video Drawn in the Style of Medieval Illu­mi­nat­ed Man­u­script

Pope Fran­cis Set to Release a Rock/Pop Album: Lis­ten to the First Sin­gle

Pope John Paul II Takes Bat­ting Prac­tice in Cal­i­for­nia, 1987

 

Take a 3D Virtual Tour of the Sistine Chapel & Explore Michelangelo’s Masterpieces Up Close

Today, 133 car­di­nals from around the world enter the con­clave to deter­mine the next pope, dur­ing which they’ll cast their votes in the Sis­tine Chapel. Despite being one of the most famous tourist attrac­tions in Europe, the Sis­tine Chapel still serves as a venue for such impor­tant offi­cial func­tions, just as it has since its com­ple­tion in 1481. When its name­sake Pope Six­tus IV com­mis­sioned it, he also ordered its walls cov­ered in fres­coes by some of the finest artists of that peri­od of the Renais­sance, includ­ing San­dro Bot­ti­cel­li, Domeni­co Ghirlandaio, and Cosi­mo Rossel­li. He also made the unusu­al choice of hav­ing the cross-vault ceil­ing cov­ered by a blue-and-gold paint­ing of the night sky, ably exe­cut­ed by Pier­mat­teo Lau­ro de’ Man­fre­di da Amelia.

No longer do the car­di­nals vote for their next leader under the stars, nor have they for about half a mil­len­ni­um. Even if you’ve nev­er set foot in the Sis­tine Chapel, you sure­ly know it as the build­ing whose ceil­ing was paint­ed by Michelan­ge­lo, lying flat on a scaf­fold all the while (a pleas­ing but high­ly doubt­ful image in the col­lec­tive cul­tur­al mem­o­ry).

In fact, that mas­ter of Renais­sance mas­ters did­n’t touch his brush to the place until 1508. He’d been brought in by a lat­er pope, Julius II, after hav­ing first resist­ed the com­mis­sion, insist­ing that he was a sculp­tor first, not a painter. For­tu­nate­ly for Renais­sance art enthu­si­asts, not only did Julius II pre­vail upon Michelan­ge­lo, so, near­ly thir­ty years lat­er, did Paul III, who had him paint over the altar the work that turned out to be the Last Judg­ment.

In the video at the top of the post, his­to­ry-and-archi­tec­ture YouTu­ber Manuel Bra­vo (pre­vi­ous­ly fea­tured here on Open Cul­ture for his expla­na­tions of his­toric places like Venice, Pom­peii, the Cathe­dral of San­ta Maria del Fiore, and St. Peter’s Basil­i­ca, which was also touched by the hand of Michelan­ge­lo) nar­rates a 3D vir­tu­al tour of the Sis­tine Chapel. That for­mat makes it pos­si­ble to see not only its numer­ous works of Bib­li­cal art, by Michelan­ge­lo and a host of oth­er painters besides, from every pos­si­ble angle, but also the build­ing itself just as it would have looked in eras past, even before Michelan­ge­lo made his con­tri­bu­tion. The more you under­stand each indi­vid­ual ele­ment, the bet­ter you can appre­ci­ate this “ver­i­ta­ble Div­ina Com­me­dia of the Renais­sance,” as Bra­vo calls it, when next you can see it in per­son. That, of course, will only be after the con­clave fin­ish­es up: in a few hours, or days, or weeks, or maybe — a phe­nom­e­non not unex­am­pled in the his­to­ry of the church — a few years.

Relat­ed con­tent:

The Sis­tine Chapel: A $22,000 Art-Book Col­lec­tion Fea­tures Remark­able High-Res­o­lu­tion Views of the Murals of Michelan­ge­lo, Bot­ti­cel­li & Oth­er Renais­sance Mas­ters

Take a 3D Vir­tu­al Tour of the Sis­tine Chapel, St. Peter’s Basil­i­ca and Oth­er Art-Adorned Vat­i­can Spaces

The Vat­i­can Library Goes Online and Dig­i­tizes Tens of Thou­sands of Man­u­scripts, Books, Coins, and More

Michelangelo’s David: The Fas­ci­nat­ing Sto­ry Behind the Renais­sance Mar­ble Cre­ation

A Secret Room with Draw­ings Attrib­uted to Michelan­ge­lo Opens to Vis­i­tors in Flo­rence

Michelangelo’s Illus­trat­ed Gro­cery List

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

A Japanese Zen Monk Explains What Zen Is Really About

Despite devel­op­ing in Asia, as the Chi­nese form of a reli­gion orig­i­nal­ly brought over from India and lat­er refined in Japan, Zen Bud­dhism has long appealed to West­ern­ers as well. Some of that owes to the spare, ele­gant aes­thet­ics with which pop­u­lar cul­ture asso­ciates it, and more to the promise it holds out: free­dom from stress, anx­i­ety, and indeed suf­fer­ing of all kinds. In the­o­ry, the Zen prac­ti­tion­er attains that free­dom not through mas­ter­ing a body of knowl­edge or ascend­ing a hier­ar­chy, but through direct expe­ri­ence of real­i­ty, unmedi­at­ed by thoughts, unwarped by desires, and undi­vid­ed by the clas­si­fi­ca­tion schemes that sep­a­rate one thing from anoth­er. That’s eas­i­er said than done, of course, and for some, not even a life­time of med­i­ta­tion does the trick.

In the inter­view clip above, Rin­zai zen monk Yodo Kono explains how he arrived in the world of Zen. Hav­ing come from a line of monks, he inher­it­ed the role after the deaths of his grand­fa­ther and his father. Already in his late twen­ties, he’d been work­ing as a physics teacher, an occu­pa­tion that — how­ev­er fash­ion­able the sup­posed con­cor­dances between advanced phys­i­cal and Bud­dhist truths — hard­ly pre­pared him for the rig­ors of the tem­ple.

“I entered a role com­plete­ly oppo­site to log­ic,” he remem­bers, “a world where log­ic does­n’t exist.” Think of the Zen kĹŤans we’ve all heard, which demand seem­ing­ly impos­si­ble answers about the sound of one hand clap­ping, or the appear­ance of your face before your par­ents were born.

Advised by his mas­ter to stop try­ing to gain knowl­edge, skills, and under­stand­ing, the frus­trat­ed Yodo Kono began to real­ize that “Zen is every­thing,” the key ques­tion being “how to live with­out wor­ries with­in Zen.” That can’t be learned from any amount of study, but expe­ri­ence alone. Only direct­ly can one feel how we cre­ate our own suf­fer­ing in our minds, and also that we can’t help but do so. This leaves us no choice but to relin­quish our notions of con­trol over real­i­ty. In dai­ly life, he explains in the clip just above (also from the doc­u­men­tary Free­dom From Suf­fer­ing, about the vari­eties of Bud­dhism), one must be able to move freely between “the undi­vid­ed Zen world and the divid­ed world,” the lat­ter being where near­ly all of us already spend our days: not with­out our plea­sures, of course, but also not with­out won­der­ing, every so often, if we can ever know per­ma­nent sat­is­fac­tion.

Relat­ed con­tent:

A 6‑Step Guide to Zen Bud­dhism, Pre­sent­ed by Psy­chi­a­trist-Zen Mas­ter Robert Waldinger

What Is a Zen Koan? An Ani­mat­ed Intro­duc­tion to East­ern Philo­soph­i­cal Thought Exper­i­ments

Japan­ese Priest Tries to Revive Bud­dhism by Bring­ing Tech­no Music into the Tem­ple: Attend a Psy­che­del­ic 23-Minute Ser­vice

Exer­cise Extreme Mind­ful­ness with These Calm­ing Zen Rock Gar­den Videos

A Beat­box­ing Bud­dhist Monk Cre­ates Music for Med­i­ta­tion

Bud­dhism 101: A Short Intro­duc­to­ry Lec­ture by Jorge Luis Borges

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Real Story of Easter: How We Got from the First Easter in the Bible to Bunnies, Eggs & Chocolate

Pop­u­lar cul­ture has long since claimed East­er as an occa­sion for trick­ster rab­bits, dyed-egg hunts, and marsh­mal­low chicks of unnat­ur­al hues — none of which are actu­al­ly in the Bible. Though that prob­a­bly does­n’t sur­prise you, you may not be aware of just how far the mod­ern hol­i­day has drift­ed from its tex­tu­al ori­gins. In the new Hochela­ga video above, that Youtube chan­nel’s Tom­mie Trelawny recounts first the Bib­li­cal sto­ry at the basis of all this, that of the death and res­ur­rec­tion of Jesus. Then he exam­ines how the lat­ter event has since been com­mem­o­rat­ed, an evo­lu­tion that has led to the East­er we know today.

“Jesus’ res­ur­rec­tion would have been cel­e­brat­ed in the very ear­li­est days of Chris­tian­i­ty,” Trelawny explains. “Ini­tial­ly, it was held on the feast of Passover, but even­tu­al­ly, it branched off into its own dis­tinct hol­i­day.” That ini­tial over­lap is reflect­ed in the resem­blance between Pesach, the Hebrew word for Passover, and the Span­ish and French names for East­er, Pas­cua and Pâques.

As for the Eng­lish word East­er itself, it res­onates with the name of “the Ancient Sax­on god­dess Ä’ostre, deity of spring and fer­til­i­ty.” Much as the Roman mid-win­ter fes­ti­val Sat­ur­na­lia may have inspired Christ­mas, could the pre-Chris­t­ian hol­i­day for Ä’ostre have inspired East­er?

To an extent, per­haps, though as Trelawny under­scores, East­er was very much derived from Passover. Yet its asso­ci­a­tions with spring­time go well beyond the time of year in which it occurs, not least in the form of all those eggs. In fact, “dec­o­rat­ed eggs are an ancient cus­tom that pre­dates Chris­tian­i­ty by many cen­turies.” Hav­ing stood as “a uni­ver­sal sym­bol for new life,” they also offered Chris­tians an eas­i­ly leg­i­ble “metaphor for Jesus’ sealed tomb, and crack­ing it open as a sym­bol of his res­ur­rec­tion.” As for the East­er Bun­ny, he has a prece­dent in the Ger­man­ic East­er Hare, who “judged chil­dren on whether they’ve been good or bad” — now soft­ened up, pre­dictably, after so many years in Amer­i­ca.

Relat­ed con­tent:

Down­load Beau­ti­ful Free Vin­tage East­er Cards from the New York Pub­lic Library

Stream Andrea Bocelli’s East­er Con­cert from Milan

A Map of All the Coun­tries Men­tioned in the Bible: What The Coun­tries Were Called Then, and Now

A Sur­vival Guide to the Bib­li­cal Apoc­a­lypse

Did the Tow­er of Babel Actu­al­ly Exist?: A Look at the Archae­o­log­i­cal Evi­dence

The Ark Before Noah: Dis­cov­er the Ancient Flood Myths That Came Before the Bible

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Ark Before Noah: Discover the Ancient Flood Myths That Came Before the Bible

The Lord said to Noah, there’s going to be a floody, floody; then to get those chil­dren out of the mud­dy, mud­dy; then to build him an arky, arky. This much we heard while toast­ing marsh­mal­lows around the camp­fire, at least if we grew up in a cer­tain mod­ern Protes­tant tra­di­tion. As adults, we may or may not believe that there ever lived a man called Noah who built an ark to save all the world’s inno­cent ani­mal species from a sin-cleans­ing flood. But unless we’ve tak­en a deep dive into ancient his­to­ry, we prob­a­bly don’t know that this espe­cial­ly famous Bible sto­ry was­n’t the first of its par­tic­u­lar sub­genre. As explained in the Hochela­ga video above, there are even old­er glob­al-del­uge tales to be reck­oned with.

In fact, one such myth appears in the old­est known work of lit­er­a­ture in human his­to­ry, the Epic of Gil­gamesh. “In it, the god Ea learns of this divine flood, and secret­ly warns the humans about this com­ing dis­as­ter,” says Hochela­ga cre­ator Tom­mie Trelawny. Thus informed, the king Utnapish­tim builds a giant cor­a­cle, a kind of cir­cu­lar boat “used to nav­i­gate the rivers of Mesopotamia for cen­turies.”

Like Noah, Utnapish­tim brings his fam­i­ly and a host of ani­mals aboard, and after rid­ing out the worst of the storm, finds that his craft has come to rest on a moun­tain­top. Also like Noah, he then sends birds out to find dry land. But ulti­mate­ly, “the sto­ry takes a strange turn: instead of being pleased, the gods are angry,” though Ea does step in to take respon­si­bil­i­ty and make sure that Utnapish­tim is reward­ed.

There are oth­er ver­sions with oth­er gods, floods, and ark-builders as well. In the Reli­gion for Break­fast video just above, reli­gious stud­ies schol­ar Andrew Mark Hen­ry com­pares the Bib­li­cal sto­ry of Noah and the Utnapish­tim episode of the Epic of Gil­gamesh with the “Sumer­ian flood sto­ry” from the sec­ond mil­len­ni­um BC and the two-cen­turies-old­er “Atra­ha­sis epic.” All of these ver­sions have a good deal in com­mon, not least the exec­u­tive deci­sion by an exas­per­at­ed high­er being (or beings) to wipe out almost entire­ly the human­i­ty they them­selves cre­at­ed. Iron­i­cal­ly, we mod­erns are like­ly to have first encoun­tered this tale of god­ly wrath and sub­se­quent mass destruc­tion in light­heart­ed, even cheer­ful pre­sen­ta­tions. Whether ancient Sume­ri­ans also sang about it in youth groups, no clay tablet has yet revealed.

Relat­ed con­tent:

Dis­cov­er Thomas Jefferson’s Cut-and-Paste Ver­sion of the Bible, and Read the Curi­ous Edi­tion Online

Lit­er­ary Crit­ic Northrop Frye Teach­es “The Bible and Eng­lish Lit­er­a­ture”: All 25 Lec­tures Free Online

A Map of All the Coun­tries Men­tioned in the Bible: What The Coun­tries Were Called Then, and Now

Isaac Asimov’s Guide to the Bible: A Wit­ty, Eru­dite Atheist’s Guide to the World’s Most Famous Book

Did the Tow­er of Babel Actu­al­ly Exist?: A Look at the Archae­o­log­i­cal Evi­dence

The Epic of Gil­gamesh, the Old­est-Known Work of Lit­er­a­ture in World His­to­ry

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

The Ancient Greeks Who Converted to Buddhism

It would hard­ly be notable to make the acquain­tance of a Greek Bud­dhist today. Despite hav­ing orig­i­nat­ed in Asia, that reli­gion — or phi­los­o­phy, or way of life, or what­ev­er you pre­fer to call it — now has adher­ents all over the world. Mod­ern-day Bud­dhists need not make an ardu­ous jour­ney in order to under­take an even more ardu­ous course of study under a rec­og­nized mas­ter; nor are the forms of Bud­dhism they prac­tice always rec­og­niz­able to the lay­man. What’s more sur­pris­ing is that the trans­plan­ta­tion into and hybridiza­tion with oth­er cul­tures that has brought about so many nov­el strains of Bud­dhism was going on even in the ancient world.

Take, for exam­ple, the “Gre­co-Bud­dhism” described in the Reli­gion for Break­fast video above, the sto­ry of which involves a vari­ety of fas­ci­nat­ing fig­ures both uni­ver­sal­ly known and rel­a­tive­ly obscure. The most famous of all of them would be Alexan­der the Great, who, as host Andrew Hen­ry puts it, “con­quered a mas­sive empire stretch­ing from Greece across cen­tral Asia all the way to the Indus Riv­er, Hel­l­eniz­ing the pop­u­la­tions along the way.”

But “the cul­tur­al exchange did­n’t just go one way,” as evi­denced by the still-new Bud­dhist reli­gion also spread­ing in the oth­er direc­tion, illus­trat­ed by pieces of text and works of art clear­ly shaped by both civ­i­liza­tion­al cur­rents.

Oth­er major play­ers in Gre­co-Bud­dhism include the philoso­pher Pyrrho of Elis, who trav­eled with Alexan­der and took ideas of the sus­pen­sion of judg­ment from Indi­a’s “gym­nosophists”; Ashoka, emper­or of the Indi­an sub­con­ti­nent in the third cen­tu­ry BC, an avowed Bud­dhist who renounced vio­lence for com­pas­sion (and pros­e­ly­ti­za­tion); and King Menan­der, “the most famous Greek who con­vert­ed to Bud­dhism,” who appears as a char­ac­ter in an ear­ly Bud­dhist text. It can still be dif­fi­cult to say for sure exact­ly who believed what in that peri­od, but it’s not hard to iden­ti­fy res­o­nances between Bud­dhist prin­ci­ples, broad­ly speak­ing, and those of such wide­ly known ancient Greek schools of thought as Sto­icism. Both of those belief sys­tems now hap­pen to have a good deal of cur­ren­cy in Sil­i­con Val­ley, though what lega­cy they’ll leave to be dis­cov­ered in its ruins a cou­ple mil­len­nia from now remains to be seen.


Relat­ed con­tent:

Take Harvard’s Intro­duc­to­ry Course on Bud­dhism, One of Five World Reli­gions Class­es Offered Free Online

Learn the His­to­ry of Indi­an Phi­los­o­phy in a 62 Episode Series from The His­to­ry of Phi­los­o­phy With­out Any Gaps: The Bud­dha, Bha­gavad-Gita, Non Vio­lence & More

One of the Old­est Bud­dhist Man­u­scripts Has Been Dig­i­tized & Put Online: Explore the Gand­hara Scroll

Breath­tak­ing­ly Detailed Tibetan Book Print­ed 40 Years Before the Guten­berg Bible

Dis­cov­er the World’s Old­est Uni­ver­si­ty, Which Opened in 427 CE, Housed 9 Mil­lion Man­u­scripts, and Then Edu­cat­ed Stu­dents for 800 Years

Con­cepts of the Hero in Greek Civ­i­liza­tion (A Free Har­vard Course)

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities and the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

Mahatma Gandhi’s List of the Seven Social Sins; or Tips on How to Avoid Living the Bad Life

Image via Wiki­me­dia Com­mons

In 590 AD, Pope Gre­go­ry I unveiled a list of the Sev­en Dead­ly Sins – lust, glut­tony, greed, sloth, wrath, envy and pride – as a way to keep the flock from stray­ing into the thorny fields of ungod­li­ness. These days, though, for all but the most devout, Pope Gregory’s list seems less like a means to moral behav­ior than a descrip­tion of cable TV pro­gram­ming.

So instead, let’s look to one of the saints of the 20th cen­tu­ry–Mahat­ma Gand­hi. On Octo­ber 22, 1925, Gand­hi pub­lished a list he called the Sev­en Social Sins in his week­ly news­pa­per Young India.

  • Pol­i­tics with­out prin­ci­ples.
  • Wealth with­out work.
  • Plea­sure with­out con­science.
  • Knowl­edge with­out char­ac­ter.
  • Com­merce with­out moral­i­ty.
  • Sci­ence with­out human­i­ty.
  • Wor­ship with­out sac­ri­fice.

The list sprang from a cor­re­spon­dence that Gand­hi had with some­one only iden­ti­fied as a “fair friend.” He pub­lished the list with­out com­men­tary save for the fol­low­ing line: “Nat­u­ral­ly, the friend does not want the read­ers to know these things mere­ly through the intel­lect but to know them through the heart so as to avoid them.”

Unlike the Catholic Church’s list, Gandhi’s list is express­ly focused on the con­duct of the indi­vid­ual in soci­ety. Gand­hi preached non-vio­lence and inter­de­pen­dence and every sin­gle one of these sins are exam­ples of self­ish­ness win­ning out over the com­mon good.

It’s also a list that, if ful­ly absorbed, will make the folks over at the US Cham­ber of Com­merce and Ayn Rand Insti­tute itch. After all, “Wealth with­out work,” is a pret­ty accu­rate descrip­tion of America’s 1%. (Invest­ments ain’t work. Ask Thomas Piket­ty.) “Com­merce with­out moral­i­ty” sounds a lot like every sin­gle oil com­pa­ny out there and “knowl­edge with­out char­ac­ter” describes half the hacks on cable news. “Pol­i­tics with­out prin­ci­ples” describes the oth­er half.

In 1947, Gand­hi gave his fifth grand­son, Arun Gand­hi, a slip of paper with this same list on it, say­ing that it con­tained “the sev­en blun­ders that human soci­ety com­mits, and that cause all the vio­lence.” The next day, Arun returned to his home in South Africa. Three months lat­er, Gand­hi was shot to death by a Hin­du extrem­ist.

Note: An ear­li­er ver­sion of this post appeared on our site in 2014.

Relat­ed Con­tent:

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Albert Ein­stein Express­es His Admi­ra­tion for Mahat­ma Gand­hi, in Let­ter and Audio

Isaac New­ton Cre­ates a List of His 57 Sins (Cir­ca 1662)

Mahat­ma Gand­hi Talks (in First Record­ed Video)

When Mahat­ma Gand­hi Met Char­lie Chap­lin (1931)

Hear Gandhi’s Famous Speech on the Exis­tence of God (1931)

Jonathan Crow is a writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions,

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