It’s a realÂiÂty of big city livÂing that one occaÂsionÂalÂly stumÂbles upon some famous perÂson behavÂing like a mere civilÂian, out walkÂing the dog, buyÂing a latÂte, or takÂing the kids to some child-cenÂtric event. I’m bad at recÂogÂnizÂing these lumiÂnarÂies out of conÂtext, which may be why I’m great at misÂtakÂenÂly believÂing some ranÂdom citÂiÂzen standÂing beside me at an interÂsecÂtion is in fact a notÂed author or beloved charÂacÂter actor. I have thus far nevÂer labored under the deluÂsion that the guy across the aisle on the F train to BrookÂlyn is a one-eared Dutch post-ImpresÂsionÂist who died over a hunÂdred years ago, but that could change.
Or not. AccordÂing to LithuanÂian archiÂtect and phoÂtogÂraÂphÂer Tadao Cern, the friend who served as the modÂel for his digÂiÂtal recreÂation of VinÂcent Van Gogh’s iconÂic self-porÂtrait doesÂn’t resemÂble the painter all that much beyond his ginÂger hair and beard. After takÂing his picÂture, Cern devotÂed a day to adjustÂing colÂors and expoÂsure in LightÂroom and fine tunÂing a host of details in PhoÂtoÂshop. SudÂdenÂly, the simÂiÂlarÂiÂties were uncanÂny.
And since every FrankenÂstein needs a bride, Cern has cobÂbled togethÂer a Mona Lisa to keep Van Gogh comÂpaÂny.
via The Atlantic
RelatÂed ConÂtent:
MorÂphÂing Van Gogh PorÂtraits
Simon Schama Presents Van Gogh and the BeginÂning of ModÂern Art
Ayun HalÂlÂiÂday is postÂing from the wilds of Cape Cod, where she once spotÂted John Waters ridÂing his bicyÂcle to SafeÂway in a yelÂlow slickÂer and matchÂing all-weathÂer pants. FolÂlow her @AyunHalliday




