Do Look Back: Pennebaker and Marcus Talk Bob Dylan

D.A. Pen­nebak­er’s clas­sic 1967 doc­u­men­tary Don’t Look Back will be re-released on Blu-Ray on April 24. As a fea­tured extra, it will include this ter­rif­ic rem­i­nis­cence between Pen­nebak­er and music journalist/cultural crit­ic Greil Mar­cus, who wrote two of our favorite Dylan books:  The Old, Weird Amer­i­ca: Bob Dylan’s Base­ment Tapes and Like a Rolling Stone: Bob Dylan at the Cross­roads.

Our oth­er favorite is of course lit­er­ary crit­ic Christo­pher Ricks’ nut­ty and won­der­ful Dylan’s Vision of Sin. Ricks and Mar­cus approach the artist through very dif­fer­ent prisms — for a fun chance to com­pare and con­trast, check out their recent joint lec­ture at the Hey­man School for the Human­i­ties. (The video clocks in at over an hour and forty min­utes, too long for some, not near­ly long enough for the Dylan-obsessed.)

via Fla­vor­wire

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

The Billion-Bug Highway You Can’t See

When you look up in the sky, what do you see besides the blue sky, clouds, the occa­sion­al bird and plane, the Sun, and the Moon? In this whim­si­cal ani­mat­ed video from NPR, we learn about the var­i­ous insects – the wasps, aphids, bee­tles, etc. – that inhab­it the upper lev­els of the tro­pos­phere. What’s incred­i­ble is that in the peak sum­mer months, there are bil­lions of these insects high in the sky, with some cruis­ing at an alti­tude of 19,000 feet, equiv­a­lent to the height of Mount McKin­ley!

For the botanists out there: the title of the video is a lit­tle mis­lead­ing, as the word bug actu­al­ly refers to an insect of the order Hemiptera; to be pre­cise, we have to call it the bil­lion-insect high­way…

High­ly rec­om­mend­ed: the accom­pa­ny­ing NPR sto­ry from Robert Krul­wich.

Eugene Buchko is a blog­ger and pho­tog­ra­ph­er liv­ing in Atlanta, GA. He main­tains a pho­to­blog, Eru­dite Expres­sions, and writes about what he reads on his read­ing blog.

Kinetic Strandbeests on the Beach: Alchemy of Art & Engineering

Since 1990, Dutch artist Theo Jansen has giv­en life to Strand­beests. They’re made of noth­ing more than a mass of yel­low plas­tic tubes. But these kinet­ic sculp­tures feed off of the wind. They roam the beach­es on their own. And they evolve. Soon enough, Jansen says, you will see Strand­beests liv­ing in herds, and who knows what the alche­my of art and engi­neer­ing will bring next.

This clip comes from a BBC pro­duc­tion, Nature Knows Best, that aired late last year. You can also catch Jansen intro­duc­ing his self-pro­pelling beach ani­mals at TED.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Dementia 13: Coppola’s First Full-Length Feature

Would the 1963 hor­ror film Demen­tia 13 be remem­bered today with­out the sub­se­quent achieve­ments of its young direc­tor, Fran­cis Ford Cop­po­la? It’s hard to say. Con­tem­po­raries seem to have thought oth­er­wise: The New York Times review­er described the film’s direc­tion as “stol­id” and its cast as “unlucky,” and the pro­duc­er, B‑Movie king Roger Cor­man, furi­ous­ly took the reins from his pro­tege the minute he saw the first cut.

But Demen­tia 13 was still the first full-length fea­ture of a man who would go on to direct three of the great­est films ever made, and so it’s tempt­ing (and fun) to scour Demen­tia 13 for ear­ly man­i­fes­ta­tions of genius. Watch it and judge for your­self — and look out for the dolls.

Cop­po­la’s film appears in the Noir, Thriller and Hor­ror sec­tion of our col­lec­tion of Free Movies Online, along with oth­er Roger Cor­man movies. The Inter­net Archive hosts an alter­nate ver­sion of the film as well.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Scifoo: How Would You Spend a Billion Dollars?

Sci­foo is an annu­al “uncon­fer­ence” c0-host­ed in Moun­tain View, Cal­i­for­nia by Google, O’Reil­ly Media and Nature pub­lish­ing. It’s par­tic­i­pant-dri­ven, cross-pol­li­nat­ing, and high­ly unstruc­tured, rely­ing more on brain­storms and erasable white boards than Pow­er­Point pre­sen­ta­tions and lec­ture halls. Accord­ing to Nature’s page for Sci­foo 2011:

200 lead­ing sci­en­tists, tech­nol­o­gists, writ­ers and oth­er thought-lead­ers will gath­er once more at the Google­plex for a week­end of unbri­dled dis­cus­sion, demon­stra­tion and debate.

The event is invi­ta­tion-only, but if your own posi­tion as glob­al thought-leader has not yet been rec­og­nized, you can take com­fort in these engag­ing short videos from past Sci­foo con­fer­ences. In addi­tion to film­ing the oblig­a­tory gen­er­al overview, Nature also asked some of the atten­dees – includ­ing a cli­mate sci­en­tist, an astro­bi­ol­o­gist, and a Nobel lau­re­ate in physics – for short answers on spe­cif­ic top­ics, like fears for the futurepre­dic­tions for the next decade and our per­son­al favorite ques­tion: “If you had $1 bil­lion to spend on just one project, what would it be?”

Some­thing that should inspire teach­ers: A good chunk of these experts’ dream projects involved push­es for wide­spread edu­ca­tion reform and dis­sem­i­na­tion of exist­ing knowl­edge, rather than financ­ing for advances in their par­tic­u­lar spe­cial­ties. We par­tic­u­lar­ly liked skep­tic Michael Sher­mer’s vision of world­wide crit­i­cal think­ing pro­grams that would teach stu­dents “not what to think, but how to think.” (2:34)

For more infor­ma­tion on Sci­foo Camp, click here.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

James Earl Jones Reads Othello at White House Poetry Jam

Not long after tak­ing office, Pres­i­dent Oba­ma host­ed the first White House poet­ry jam – an evening ded­i­cat­ed to the spo­ken word and bring­ing vers­es to life. Esper­an­za Spald­ing’s per­for­mance was a high point. And lat­er came James Earl Jones, arguably the best spe­cial effect in Star Wars, who recit­ed lines from Shake­speare instead of Dr. Seuss (since Jesse Jack­son already cov­ered that lit­er­ary ter­ri­to­ry back in 1991). The read­ing comes from Oth­el­lo. Specif­i­cal­ly, we’re wit­ness­ing Othello’s address to the Venet­ian sen­a­tors.

You can read Oth­el­lo, along with the rest of Shake­speare’s com­plete works, at MIT’s web­site for free. Or you can down­load the works as a free ebook via iTune­sU. We have more on that here…

via DIY Schol­ar

by | Permalink | Make a Comment ( 1 ) |

Passages from James Joyce’s Finnegans Wake: The Film

Due to its styl­is­tic and lin­guis­tic com­plex­i­ty, James Joyce’s Finnegans Wake ranks among the most dif­fi­cult works of fic­tion. And that is why vir­tu­al­ly no film­mak­er has ever tried to adapt Joyce’s final work for the screen. But after Mary Man­ning Howe adapt­ed pas­sages from the book for the stage (lis­ten to her read­ing from Finnegans Wake here), Amer­i­can ani­ma­tor Mary Ellen Bute accept­ed the chal­lenge and turned Man­ning’s play into a film.

Sad­ly, Mary Ellen Bute’s short films are almost for­got­ten today, but from the 1930s to 1950s her abstract musi­cal shorts were known to a wide audi­ence. Don’t miss her first col­or film from 1938.

Between 1965 and 1967, Bute cre­at­ed her last film, and only fea­ture film, Pas­sages from Finnegans Wake. The movie was screened at the Cannes Film Fes­ti­val and named Best Debut of the Year (1965). The video above shows only the open­ing sequence, but the whole film can be enjoyed online cour­tesy of UbuWeb.

Bonus: You can read Roger Ebert’s 1968 review of Bute’s film here. He admits that he did­n’t enjoy it too much, but con­cedes this may have been because he had­n’t actu­al­ly read the book.

By pro­fes­sion, Matthias Rasch­er teach­es Eng­lish and His­to­ry at a High School in north­ern Bavaria, Ger­many. In his free time he scours the web for good links and posts the best finds on Twit­ter.

Biology That Makes Us Tick: Free Stanford Course by Robert Sapolsky

First thing you need to know: Before doing any­thing else, you should sim­ply click “play” and start watch­ing the video above. It does­n’t take long for Robert Sapol­sky, one of Stan­ford’s finest teach­ers, to pull you right into his course. Bet­ter to watch him than lis­ten to me.

Sec­ond thing to know: Sapol­sky is a MacArthur Fel­low, a world renowned neu­ro­bi­ol­o­gist, and an adept sci­ence writer best known for his book, Why Zebras Don’t Get Ulcers. Much of his research focus­es on the inter­play between the mind and body (how biol­o­gy affects the mind, and the mind, the body), and that rela­tion­ship lies at the heart of this course called “Human Behav­ioral Biol­o­gy.”

Now the third: Human Behav­ioral Biol­o­gy is avail­able on YouTube and iTunes for free. The course, con­sist­ing of 25 videos span­ning 36 hours (watch them all below), is oth­er­wise list­ed in the Biol­o­gy sec­tion of our big list of Free Online cours­es (now 1,700 cours­es in total).

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Athe­ist Stan­ford Biol­o­gist Robert Sapol­sky Explains How Reli­gious Beliefs Reduce Stress

Stanford’s Robert Sapol­sky Demys­ti­fies Depres­sion, Which, Like Dia­betes, Is Root­ed in Biol­o­gy

Robert Sapol­sky Explains the Bio­log­i­cal Basis of Reli­gios­i­ty, and What It Shares in Com­mon with OCD, Schiz­o­phre­nia & Epilep­sy

How Bud­dhism & Neu­ro­science Can Help You Change How Your Mind Works: A New Course by Best­selling Author Robert Wright

by | Permalink | Make a Comment ( 28 ) |

Free Grateful Dead Concert Archive

“One More Sat­ur­day Night” for your Sat­ur­day night.

If this vin­tage clip filmed in Copen­hagen in 1972 reawak­ens your inner Dead Head, then you can always wade your way into the Inter­net Archive’s Grate­ful Dead col­lec­tion, which hosts dozens of Dead shows from the 1970s through the 1990s. Some con­certs (usu­al­ly record­ed by mem­bers of the audi­ence) can be down­loaded. Oth­er audio (usu­al­ly tak­en from the sound­board) can be streamed. All togeth­er, you will find hun­dreds of hours of free con­cert record­ings.

A few items worth sam­pling include: Live at the Boston Gar­den (May 7, 1977); Live at the RFK Sta­di­um (June 10, 1973); or Live at Madi­son Square Gar­den (Sep­tem­ber 4, 1979).

David Lynch “Directs” Duran Duran Concert in L.A.

This past Wednes­day, YouTube streamed a web­cast of the lat­est install­ment of the Unstaged con­cert series. Arcade Fire kicked off the series last August in New York City. Now we cut to the Mayan The­ater in Los Ange­les, where Duran Duran took the stage. The 80s band is still around, still mak­ing music. And they’re smart­ly col­lab­o­rat­ing with David Lynch, who cre­at­ed visu­als that were dou­ble-exposed over the live per­for­mance. Huff­Po inter­viewed Lynch about the col­lab­o­ra­tion (and more) here, and you can always head to YouTube to find videos of indi­vid­ual songs played dur­ing the show.

Blinky™: A Touching Short Film About A Killer Robot

That’s right, touch­ing.

From Blade Run­ner to Ter­mi­na­tor to at least 30 per­cent of what made Bat­tlestar Galac­ti­ca great, vio­lent robot revolt is noth­ing new. But 27-year old Irish film­mak­er Ruairi Robin­son, who was nom­i­nat­ed for an Oscar for his ani­mat­ed short Fifty Per­cent Grey, tweaks the for­mu­la by shrink­ing the are­na: This bat­tle­field isn’t a galaxy, a solar sys­tem or even a plan­et; it’s just the lone­ly sub­ur­ban home of a boy whose par­ents fight all day.

Max Record (Where the Wild Things Are) is fine as the angry son who hopes a new toy will solve all of his prob­lems, but this movie belongs to the robot: More WALL‑E than cylon, more R2-D2 than ED-209, and priced at just $999.99, Blinky is a machine the whole fam­i­ly can love. He catch­es, he cleans, he plays hide and seek, he’ll wait for you in the rain, and he just wants to be your friend.…Until he does­n’t.

A warn­ing here: Even though at its best Blinky speaks direct­ly to the bloody-mind­ed fifth-grad­er in all of us, we sug­gest watch­ing the whole thing before show­ing it to chil­dren, or even squea­mish adults.

(Vis­it the always excel­lent io9 for more free sci­ence fic­tion film rec­om­men­da­tions.)

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.


  • Great Lectures

  • Sign up for Newsletter

  • About Us

    Open Culture scours the web for the best educational media. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.


    Advertise With Us

  • Archives

  • Search

  • Quantcast