For the longest time, Facebook gave you no ability to control what content you see in your Facebook newsfeed. Some 378,000 people have “liked” our Facebook page. But only a fraction actually see Open Culture posts in their newsfeed. That’s because a Facebook algorithm started making the decisions for you, showing you material from some people/publishers, and not others.
Now, Facebook has finally introduced a new feature that will let you control what you see. Please check out the instructions below. When you’re done reading them, consider giving us a Like on Facebook, and then set your newsfeed accordingly. (You get bonus points if you Follow us on Twitter too!)
Hope all of that makes sense.
Read More...A quick note for our readers: This week, we soft launched a new mobile web site for Open Culture – one designed to give our readers the ability to access Open Culture content with far greater ease on their smartphones. If you have an iPhone, iPod Touch, Android phone (or any phone with an advanced web browser), you should be able to read our posts, watch videos, and listen to audio much more cleanly, no matter where you are. Simply pick up your phone, visit any page on openculture.com, and you will see what I mean.
This mobile site is still in “beta.” So if you experience any problems, or have any feedback, please send it our way. We want your input. And, if you don’t prefer the mobile site, you can always turn it off. Just scroll to the bottom of the mobile page and click “Switch to Standard View.”
Finally, as you can imagine, this project required some time and expense. If you can comfortably afford it, please consider making a donation via PayPal to support this initiative and others like it. And if you can’t swing it, that’s a‑okay. Maybe just tell a friend about the site (or about our Free iPhone app) and otherwise enjoy the ride.
Thanks for any feedback you might have, and hope you enjoy the mobile version of Open Culture.
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As you probably know, Open Culture launched a new look last week, and it seemed worth devoting a few words to it. With the new design, I was hoping to give the site a more inviting look and streamline the overall navigation. I was also hoping to make it clear that user contributions are always welcome. If you have tips on good media, send them our way. And if you ever want to write a guest blog post, please feel free to let me know what you have in mind. The more individual readers contribute, the more our community of readers benefits.
I definitely want to send a word of thanks to the folks at Rolling Orange, who handled all of the design and implementation. An excellent group to work with. Also, I want to thank Eric Oberle who has been very generous with his tech support since the beginning.
Lastly, this is a great time to ask you what you would like to see from Open Culture in the future. What should the site do more of? What should it do less of? What good things haven’t we thought about? Your input would be really appreciated. Feel free to send thoughts from the contact page, or add any thoughts in the comments section below. Thanks in advance to all…
Read More...The only downside to using a feed reader (Bloglines, Google Reader, MyYahoo, etc.) to access Open Culture
is that you won’t be able to see our podcast directories which reside
in our left nav bar. To assist you, we have pasted links below that
will give you direct access to the podcast collections. We’ll post this reminder from time to time.
If you like what we’re doing here, please email your friends and let them know about Open Culture.
If you need a new/bigger iPod or iPod Gear to listen to our podcasts, visit our new Amazon store.
Read More...The only downside to using a feed reader (Bloglines, Google Reader, MyYahoo, etc.) to access Open Culture is that you won’t be able to see our podcast directories which reside in our left nav bar. To assist you, we have pasted links below that will give you direct access to the podcast collections. Bookmark & enjoy.
In the two-thousands, the magician-comedians Penn and Teller hosted a television series called Bullshit! In it, they took on a variety of cultural phenomena they regarded as worthy of the titular epithet, from ESP to Area 51, exorcism to creationism, feng shui to haute cuisine. Their sardonic arguments were enriched by clips of assorted interviewees —speaking in defense of the topic of the day. Penn once addressed the viewers, saying that we might wonder why anyone agrees to come on the show, given how they must know it will make them come off. But everyone, he explained, confidently believes that their own ideas are the correct ones.
That episode came right to mind while watching the new Veritasium video above, which deals with the phenomenon of overconfidence. Like the oft-cited 93 percent of Americans who believe themselves better drivers than the median, we all fall victim to that affliction at one time or another, to one degree or another; the more interesting matter under investigation is why that should be so.
One can always point to what T. S. Eliot called “the endless struggle to think well of themselves”: wanting to believe that we know it all, we take pains to present ourselves as if we do. But as explained by the professors interviewed here, Carnegie Mellon’s Baruch Fischhoff and Berkeley’s Don A. Moore (author of Perfectly Confident: How to Calibrate Your Decisions Wisely), the research has also revealed other potential factors in play.
One important candidate is, as ever, stupidity. Much has been made of the Dunning-Kruger effect, previously featured here on Open Culture, which holds that the less competent people are at a task, the more confident they tend to be about their ability to perform it. That would seem to accord with much of our everyday experience, but we should also consider the role played by the basic cognitive limitations that apply to us all. Our brains can only process so much at once, and when they come up against capacity, they default to simplified, and often too-simplified, versions of the problem before them. It all becomes more difficult if we’re insulated from direct, objective feedback, a condition that often results from the kind of success and esteem that can be achieved by projecting — you guessed it — confidence.
Related content:
Why Incompetent People Think They’re Competent: The Dunning-Kruger Effect, Explained
Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities and the book The Stateless City: a Walk through 21st-Century Los Angeles. Follow him on the social network formerly known as Twitter at @colinmarshall.
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Punk rock and heavy metal were two genres that evolved over the ‘70s, but seemed to run parallel to each other, despite sharing common fashion, sounds, and attitudes. But then there are moments in history, where everybody plays together in the same sandbox. For example, the above remastered audio, which captures the Australian band AC/DC on their first American tour, playing New York’s CBGB, synonymous now with punk and new wave music.
The date is August 24, 1977, and AC/DC were on a cross-country trip that had taken in both club dates and arenas, where they supported—yes, hard to believe, I know—REO Speedwagon. Their album Let There Be Rock had just dropped in June. The band would be in the States until the winter.
This CBGB gig finds them on the same bill as Talking Heads and the Dead Boys, according to a poster from the time. And while there’s no video for this show, you can find a few photos that document the concert here. You can feel the muggy New York summer in these photos, but also the excitement of an unforgettable gig.
At 15 minutes, the set is short, but still three minutes longer than the Ramones’ first set at the same club three years earlier. That’s pretty metal, man.
Note: An earlier version of this post appeared on our site in 2016.
Related Content:
Listen to Patti Smith’s Glorious Three Hour Farewell to CBGB’s on Its Final Night
The Talking Heads Play CBGB, the New York Club That Shaped Their Sound (1975)
Watch an Episode of TV-CBGB, the First Rock ‘n’ Roll Sitcom Ever Aired on Cable TV (1981)
Ted Mills is a freelance writer on the arts.
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Rings with a discreet dual purpose have been in use since before the common era, when Hannibal, facing extradition, allegedly ingested the poison he kept secreted behind a gemstone on his finger. (More recently, poison rings gave rise to a popular Game of Thrones fan theory…)
Victorians prevented their most closely kept secrets—illicit love letters, perhaps? Last wills and testaments?—from falling into the wrong hands by wearing the keys to the boxes containing these items concealed in signet rings and other statement-type pieces.
A tiny concealed blade could be lethal on the finger of a skilled (and no doubt, beautiful) assassin. These days, they might be used to collect a bit of one’s attacker’s DNA.
Enter the fictional world of James Bond, and you’ll find a number of handy dandy spy rings including one that doubles as a camera, and another capable of shattering bulletproof glass with a single twist.

Armillary sphere rings like the ones in the British Museum’s collection and the Swedish Historical Museum (top) serve a more benign purpose. Folded together, the two-part outer hoop and three interior hoops give the illusion of a simple gold band. Slipped off the wearer’s finger, they can fan out into a physical model of celestial longitude and latitude.

Art historian Jessica Stewart writes that in the 17th century, rings such as the above specimen were “used by astronomers to study and make calculations. These pieces of jewelry were considered tokens of knowledge. Inscriptions or zodiac symbols were often used as decorative elements on the bands.”

The armillary sphere rings in the British Museum’s collection are made of a soft high-alloy gold.
Jewelry-loving modern astronomers seeking an old school finger-based calculation tool that really works can order armillary sphere rings from Brooklyn-based designer Black Adept.
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When Astronomer Johannes Kepler Wrote the First Work of Science Fiction, The Dream (1609)
The Rembrandt Book Bracelet: Behold a Functional Bracelet Featuring 1400 Rembrandt Drawings
Ayun Halliday is an author, illustrator, theater maker and Chief Primatologist in New York City.
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