Search Results for "feed"

The Aurora Borealis Viewed from Orbit (and What Creates Those Northern Lights?)

Ear­li­er this week, NASA astro­naut Clay­ton Ander­son tweet­ed a 14 sec­ond time-lapse film of the Auro­ra Bore­alis tak­en from the Inter­na­tion­al Space Sta­tion. The short clip called to mind a more exten­sive view of the North­ern Lights shot by Don Pet­tit, also work­ing in the ISS, back in 2008. (Watch above.) And it raised the basic ques­tion: What caus­es the Auro­ra Bore­alis any­way?

The beau­ti­ful nat­ur­al phe­nom­e­non starts deep inside the core of the sun, and the rest of the sto­ry gets explained in a five minute ani­mat­ed video cre­at­ed by Nor­we­gian film­mak­er Per Byhring and the Physics Depart­ment at the Uni­ver­si­ty of Oslo.

Both clips now appear in our col­lec­tion of 125 Great Sci­ence Videos.

via Coudal Part­ners Blend­ed Feed and Brain­Pick­ings

Read More...

Kenneth Branagh Stars in Radio Dramatization of Epic Soviet Novel, Life and Fate (Free Audio)

Le Monde has called Life and Fate “the great­est Russ­ian nov­el of the twen­ti­eth cen­tu­ry,” and Mar­tin Amis once described its author, Vasi­ly Gross­man, as “the Tol­stoy of the USSR.” Now, if you haven’t read the nov­el, you can begin to under­stand the rea­son for all of the high praise.

Start­ing this week, the BBC will air an eight-hour drama­ti­za­tion of the mas­ter­piece that offered a sweep­ing account of the siege of Stal­in­grad, one of the blood­i­est bat­tles of World War II. Although orig­i­nal­ly writ­ten in 1959, the book was offi­cial­ly cen­sored in the Sovi­et Union until 1988 because, in the esti­ma­tion of the appa­ratchiks, it threat­ened to do more harm to the USSR than Paster­nak’s Doc­tor Zhiva­go.

Ken­neth Branagh and David Ten­nant star in the 13-episode series that will be broad­cast from 18 to 25 Sep­tem­ber on Radio 4. You can access the audio files online or via iTues, RSS Feed, and oth­er for­mats here.

For more drama­ti­za­tions of lit­er­ary clas­sics, please vis­it:

Aldous Hux­ley Reads Dra­ma­tized Ver­sion of Brave New World

HG Wells’ The War of the Worlds Nar­rat­ed by Orson Welles

Free Audio Books: Down­load Great Books for Free

50 Clas­sic Russ­ian Films (Includ­ing Tarkovsky’s Finest) Now Online

Read More...

The Sounds That Made Pop

Ear­li­er this sum­mer, the good folks at The Word assem­bled 40 Nois­es That Built Pop, a col­lec­tion of dis­tinc­tive pop music sounds that have “caused your ears to prick up, or your eye­brows to raise.” Some were orig­i­nal­ly cre­at­ed in quite cal­cu­lat­ed ways. Oth­ers were hap­py acci­dents. Either way, the­ses sounds are now part of the pop tra­di­tion. We have high­light­ed four sounds that speak to us. But you should real­ly dive into and enjoy The Word’s col­lec­tion that was clear­ly put togeth­er with lov­ing care.

The Pow­er Chord from The Kinks: You Real­ly Got Me (1964)
“It’s the essen­tial build­ing block of rock; the root and the fifth of the chord played at sub­stan­tial vol­ume on gui­tar and dis­tort­ed to taste. It’s also the musi­cal equiv­a­lent of the pok­er face; with just the two notes, it’s nei­ther a sun­ny-sound­ing major chord nor a gloomy minor… With­out the pow­er chord entire gen­res of met­al sim­ply would­n’t exist.”

Vinyl Scratch from Her­bie Han­cock: Rock­it (1983)
“Any DJ cue­ing up a record through one ear of a pair of head­phones will have heard the sound of scratch­ing, but it was­n’t until the ear­ly days of hip hop that it was incor­po­rat­ed into musi­cal per­for­mance… Grand­mas­ter Flash, Afri­ka Bam­baataa and Kool Herc became the pio­neers of “turntab­lism”, while Grand Mix­er DXT’s work on Rock­it pro­pelled the sound into the main­stream and trans­formed the DJ into an unlike­ly front­man.”

Hand­clap from Kool & The Gang: Ladies Night (1979)
“As a per­cus­sive sound, [the hand­clap has] been used by every­one from fla­men­co dancers to Steve Reich, but it was in the mid-1970s when it found its true call­ing. Lay­ered on top of the snare drum to empha­sise the sec­ond and fourth beats of the bar, its for­mi­da­ble “crack” can be heard through­out dis­co and funk, and has since been employed by any­one wish­ing to hint at a par­ty atmos­phere…”

Gui­tar Feed­back from Gang Of Four: Anthrax (1981)
“A clas­sic case of rock music tak­ing an unde­sir­able noise and mould­ing it to suit its own pur­pos­es. The rea­son for feed­back is sim­ple: the gui­tar pick­up “hears” itself being blast­ed out of a speak­er cab­i­net, process­es the sound and pass­es it to the speak­er: noise piled upon noise. As rock music became less polite, more lib­er­ties were tak­en with feed­back; while there’s an unin­ten­tion­al burst at the front end of I Feel Fine by The Bea­t­les, the out­ro to The Who’s My Gen­er­a­tion uses the sound more cre­ative­ly.”

H/T Metafil­ter

And, on a total­ly unre­lat­ed note: Sun Ra and The Blues Project do Bat­man & Robin songs. Cour­tesy of the WFMU Blog Way­back Machine.

Read More...

The History of Philosophy … Without Any Gaps

On Mon­day, we told you where you can down­load Free Cours­es from Top Philoso­phers (Fou­cault, Sear­le, Rus­sell and the rest). As the day went along, our list grew thanks to read­er sug­ges­tions, and we also dis­cov­ered anoth­er promis­ing resource — a pod­cast called “The His­to­ry of Phi­los­o­phy With­out Any Gaps,” cre­at­ed by Peter Adam­son, Pro­fes­sor of Ancient and Medieval Phi­los­o­phy at King’s Col­lege Lon­don:

Begin­ning with the ear­li­est ancient thinkers, the series will look at the ideas and lives of the major philoso­phers (even­tu­al­ly cov­er­ing in detail such giants as Pla­to, Aris­to­tle, Avi­cen­na, Aquinas, Descartes, and Kant) as well as the less­er-known fig­ures of the tra­di­tion.

That’s what Adam­son promis­es, and he does­n’t dis­ap­point. Over the past 34 months, Adam­son has pro­duced 136 episodes, each about 20 min­utes long, cov­er­ing the Pre­So­crat­ics (Pythago­ras, Zeno, Par­menides, etc) and then Socrates, Pla­to and Aris­to­tle. That’s rough­ly 45 hours of audio, and there’s no telling how many more hours of audio will bring us to the mod­ern peri­od. The more, the bet­ter, we say.

You can access all episodes via these links: iTunes — RSS Feed — Web Site. Or find oth­er free phi­los­o­phy cours­es in our big col­lec­tion of Free Cours­es Online.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent: 

Free Online Phi­los­o­phy Cours­es

Take First-Class Phi­los­o­phy Cours­es Any­where with Free Oxford Pod­casts

Learn The His­to­ry of Phi­los­o­phy in 247 Pod­casts (With More to Come)

Read More...

Take Stanford Computer Science Courses This Fall: Free Worldwide

This fall, pro­fes­sors from Stan­ford’s pres­ti­gious School of Engi­neer­ing will offer online three of its most pop­u­lar com­put­er sci­ence cours­es: Machine Learn­ingIntro­duc­tion to Arti­fi­cial Intel­li­gence and Intro­duc­tion to Data­bas­es. (You can sign up by click­ing on these links.) The cours­es will fea­ture short, inter­ac­tive video clips that stu­dents can watch when­ev­er and wher­ev­er they want; short quizzes that pro­vide instant feed­back; and the abil­i­ty to rank ques­tions to be answered by Stan­ford instruc­tors. Accord­ing to the Stan­ford Report, “Already more than 58,000 peo­ple have expressed inter­est in the arti­fi­cial intel­li­gence course taught by Sebas­t­ian Thrun, a Stan­ford research pro­fes­sor of com­put­er sci­ence and a Google Fel­low, and Google Direc­tor of Research Peter Norvig.”

This isn’t the first time Stan­ford has offered free com­put­er sci­ence cours­es to the world. Back in 2008, Stan­ford Engi­neer­ing Every­where pre­sent­ed lec­tures from 10 com­plete online com­put­er sci­ence and elec­tri­cal engi­neer­ing cours­es. This includes the three-course “Intro­duc­tion to Com­put­er Sci­ence” sequence tak­en by the major­i­ty of Stan­ford under­grad­u­ates. These cours­es are all list­ed in the Com­put­er Sci­ence and Elec­tri­cal Engi­neer­ing sec­tions of our big col­lec­tion of Free Online Cours­es. H/T @eugenephoto

via Stan­ford News

Relat­ed Con­tent:

Intro­duc­tion to Com­put­er Sci­ence & Pro­gram­ming: Free Cours­es

Devel­op­ing Apps for iPhone & iPad: A Free Stan­ford Course

Read More...

Ken Kesey’s First LSD Trip Animated

Back in 1959, Ken Kesey, then a grad stu­dent in Stan­ford’s cre­ative writ­ing pro­gram, start­ed par­tic­i­pat­ing in gov­ern­ment-spon­sored med­ical research that test­ed a range of hal­lu­cino­gens — LSD, psilo­cy­bin, mesca­line, and the rest. As part of the research project, Kesey spoke into a tapere­corder and recount­ed the ins-and-outs of his hal­lu­ci­na­tions. These tapes were even­tu­al­ly stored away, and Kesey went on to write One Flew Over the Cuck­oo’s Nest, a book that now sits on TIME’s list of the 100 Best Eng­lish-Lan­guage Nov­els since 1923.

A half cen­tu­ry lat­er (and ten years after Kesey’s own death), the LSD tapes live again. This week, the film­mak­er Alex Gib­ney will release Mag­ic Trip, a new doc­u­men­tary that revis­its Kesey’s fabled road trip across Amer­i­ca with the Mer­ry Pranksters and their psy­che­del­ic “Fur­ther” bus. (Tom Wolfe, you might recall, famous­ly cov­ered this trip with The Elec­tric Kool-Aid Acid Test, pub­lished in 1968.) Tak­en from the new film, the sequence above mix­es the redis­cov­ered tapes with some art­ful ani­ma­tion, and it cap­tures the whole mood of Kesey’s first trip …

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Beyond Tim­o­thy Leary: 2002 Film Revis­its His­to­ry of LSD

Tim­o­thy Leary’s Wild Ride and the Fol­som Prison Inter­view

via Wired

Read More...

Hear Voices from the 19th Century: Tennyson, Gladstone & Tchaikovsky


Head over to Sound­Cloud, and you’ll find 10 audio files that span three cen­turies. It’s a fair­ly ran­dom col­lec­tion, we’ll admit. But two record­ings from the 19th cen­tu­ry imme­di­ate­ly stand out.

First we have Alfred Lord Ten­nyson (1809 – 1892), Poet Lau­re­ate of the Unit­ed King­dom dur­ing Queen Vic­to­ri­a’s reign, read­ing “The Charge of the Light Brigade” on the wax cylin­der in 1890.

And then we get to hear echoes of the voice of William Glad­stone, the four-time Prime Min­is­ter of Great Britain (1809 — 1898). Here, Glad­stone’s voice was record­ed by Thomas Edis­on’s phono­graph cylin­der (1888), the same device that lets us lis­ten to Tchaikovsky (The Nut­crack­er, the 1812 Over­ture, etc.) chat­ting with his friends. Some have doubt­ed the authen­tic­i­ty of the Glad­stone record­ing, but it still remains gen­er­al­ly accept­ed.

For more on record­ings from the 19th cen­tu­ry, we’d rec­om­mend spend­ing some time with a five-part BBC series called Gramo­phones & Grooves. It takes you into the ear­ly record­ing indus­try and lets you hear count­less oth­er voic­es.

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Read More...

Animated: Stephen Fry & Ann Widdecombe Debate the Catholic Church

Intel­li­gence Squared (iTunes – Feed – Web Site) brings Oxford-style debat­ing to Amer­i­ca. Each debate fea­tures one motion, one mod­er­a­tor, and three pan­elists argu­ing for a motion, and three argu­ing against. Should Air­ports Use Racial and Reli­gious Pro­fil­ing? Is Islam A Reli­gion Of Peace? Is The Two-Par­ty Sys­tem Mak­ing the U.S. Ungovern­able? These are some of the recent top­ics that have been tack­led.

Now, tak­ing a page out of the RSA play­book, Intel­li­gence Squared has pro­duced a short ani­mat­ed video that gives artis­tic life to a debate held in Octo­ber 2009. The motion — “The Catholic Church is a force for good in the world” — was sup­port­ed by Ann Noreen Wid­de­combe, a for­mer British Con­ser­v­a­tive Par­ty politi­cian turned nov­el­ist. And tak­ing the con­trary posi­tion was pop­u­lar British actor and writer Stephen Fry.

You can watch the ani­mat­ed ver­sion above, and the full debate (which also fea­tured Christo­pher Hitchens) here. More iq2 videos can be found at their Youtube Chan­nel, which oth­er­wise appears in our col­lec­tion of Intel­li­gent YouTube Chan­nels. H/T @joabaldwin

Relat­ed Con­tent:

Stephen Fry on Phi­los­o­phy and Unbe­lief

Stephen Fry: What I Wish I Had Known When I Was 18

Stephen Fry Gets Ani­mat­ed about Lan­guage

Read More...

The Year According to The New York Times, in 12,000 Screenshots

As if your Twit­ter, Google +, and RSS feeds weren’t over­whelm­ing enough, you can now watch a time lapse video of a year’s worth of The New York Times — in 12,000 screen­shots. Enjoy, and try not get dizzy.

via Giz­mo­do

Relat­ed Con­tent:

Gay Talese: Drink­ing at New York Times Put Mad Men to Shame

Hard Words in The New York Times

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Read More...

Jack Kerouac Plays Pool, 1967

Kudos to How to be A Retro­naut for find­ing this great clip of Jack Ker­ouac play­ing pool in ear­ly 1967. We bet he was the coolest play­er in that par­tic­u­lar room (at the Paw­tuck­etville Social Club, in Low­ell, Mass). But we’d also bet that he copied that cool, taut per­sona from Paul New­man’s turn as “Fast Eddie” Fel­son in the clas­sic movie The Hus­tler filmed six years ear­li­er.

For more great moments in Beat his­to­ry, check out Ker­ouac and Gore Vidal meet­ing William F. Buck­ley, Alan Gins­berg’s Tug­boat Ride and William S. Bur­roughs Shoot­ing Shake­speare, all oth­er­wise found in our col­lec­tion of 275 Cul­tur­al Icons.

Sheer­ly Avni is a San Fran­cis­co-based arts and cul­ture writer. Her work has appeared in Salon, LA Week­ly, Moth­er Jones, and many oth­er pub­li­ca­tions. You can fol­low her on twit­ter at @sheerly.

Read More...

Quantcast