EarÂliÂer this week, NASA astroÂnaut ClayÂton AnderÂson tweetÂed a 14 secÂond time-lapse film of the AuroÂra BoreÂalis takÂen from the InterÂnaÂtionÂal Space StaÂtion. The short clip called to mind a more extenÂsive view of the NorthÂern Lights shot by Don PetÂtit, also workÂing in the ISS, back in 2008. (Watch above.) And it raised the basic quesÂtion: What causÂes the AuroÂra BoreÂalis anyÂway?
The beauÂtiÂful natÂurÂal pheÂnomÂeÂnon starts deep inside the core of the sun, and the rest of the stoÂry gets explained in a five minute aniÂmatÂed video creÂatÂed by NorÂweÂgian filmÂmakÂer Per Byhring and the Physics DepartÂment at the UniÂverÂsiÂty of Oslo.
Both clips now appear in our colÂlecÂtion of 125 Great SciÂence Videos.
via Coudal PartÂners BlendÂed Feed and BrainÂPickÂings
Read More...Le Monde has called Life and Fate “the greatÂest RussÂian novÂel of the twenÂtiÂeth cenÂtuÂry,” and MarÂtin Amis once described its author, VasiÂly GrossÂman, as “the TolÂstoy of the USSR.” Now, if you haven’t read the novÂel, you can begin to underÂstand the reaÂson for all of the high praise.
StartÂing this week, the BBC will air an eight-hour dramaÂtiÂzaÂtion of the masÂterÂpiece that offered a sweepÂing account of the siege of StalÂinÂgrad, one of the bloodÂiÂest batÂtles of World War II. Although origÂiÂnalÂly writÂten in 1959, the book was offiÂcialÂly cenÂsored in the SoviÂet Union until 1988 because, in the estiÂmaÂtion of the appaÂratchiks, it threatÂened to do more harm to the USSR than PasterÂnak’s DocÂtor ZhivaÂgo.
KenÂneth Branagh and David TenÂnant star in the 13-episode series that will be broadÂcast from 18 to 25 SepÂtemÂber on Radio 4. You can access the audio files online or via iTues, RSS Feed, and othÂer forÂmats here.
For more dramaÂtiÂzaÂtions of litÂerÂary clasÂsics, please visÂit:
Aldous HuxÂley Reads DraÂmaÂtized VerÂsion of Brave New World
HG Wells’ The War of the Worlds NarÂratÂed by Orson Welles
Free Audio Books: DownÂload Great Books for Free
50 ClasÂsic RussÂian Films (IncludÂing Tarkovsky’s Finest) Now Online
Read More...EarÂliÂer this sumÂmer, the good folks at The Word assemÂbled 40 NoisÂes That Built Pop, a colÂlecÂtion of disÂtincÂtive pop music sounds that have “caused your ears to prick up, or your eyeÂbrows to raise.” Some were origÂiÂnalÂly creÂatÂed in quite calÂcuÂlatÂed ways. OthÂers were hapÂpy acciÂdents. Either way, theÂses sounds are now part of the pop traÂdiÂtion. We have highÂlightÂed four sounds that speak to us. But you should realÂly dive into and enjoy The Word’s colÂlecÂtion that was clearÂly put togethÂer with lovÂing care.
The PowÂer Chord from The Kinks: You RealÂly Got Me (1964)
“It’s the essenÂtial buildÂing block of rock; the root and the fifth of the chord played at subÂstanÂtial volÂume on guiÂtar and disÂtortÂed to taste. It’s also the musiÂcal equivÂaÂlent of the pokÂer face; with just the two notes, it’s neiÂther a sunÂny-soundÂing major chord nor a gloomy minor… WithÂout the powÂer chord entire genÂres of metÂal simÂply wouldÂn’t exist.”
Vinyl Scratch from HerÂbie HanÂcock: RockÂit (1983)
“Any DJ cueÂing up a record through one ear of a pair of headÂphones will have heard the sound of scratchÂing, but it wasÂn’t until the earÂly days of hip hop that it was incorÂpoÂratÂed into musiÂcal perÂforÂmance… GrandÂmasÂter Flash, AfriÂka BamÂbaataa and Kool Herc became the pioÂneers of “turntabÂlism”, while Grand MixÂer DXT’s work on RockÂit proÂpelled the sound into the mainÂstream and transÂformed the DJ into an unlikeÂly frontÂman.”
HandÂclap from Kool & The Gang: Ladies Night (1979)
“As a perÂcusÂsive sound, [the handÂclap has] been used by everyÂone from flaÂmenÂco dancers to Steve Reich, but it was in the mid-1970s when it found its true callÂing. LayÂered on top of the snare drum to emphaÂsise the secÂond and fourth beats of the bar, its forÂmiÂdaÂble “crack” can be heard throughÂout disÂco and funk, and has since been employed by anyÂone wishÂing to hint at a parÂty atmosÂphere…”
GuiÂtar FeedÂback from Gang Of Four: Anthrax (1981)
“A clasÂsic case of rock music takÂing an undeÂsirÂable noise and mouldÂing it to suit its own purÂposÂes. The reaÂson for feedÂback is simÂple: the guiÂtar pickÂup “hears” itself being blastÂed out of a speakÂer cabÂiÂnet, processÂes the sound and passÂes it to the speakÂer: noise piled upon noise. As rock music became less polite, more libÂerÂties were takÂen with feedÂback; while there’s an uninÂtenÂtionÂal burst at the front end of I Feel Fine by The BeaÂtÂles, the outÂro to The Who’s My GenÂerÂaÂtion uses the sound more creÂativeÂly.”
H/T MetafilÂter
And, on a totalÂly unreÂlatÂed note: Sun Ra and The Blues Project do BatÂman & Robin songs. CourÂtesy of the WFMU Blog WayÂback Machine.
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On MonÂday, we told you where you can downÂload Free CoursÂes from Top PhilosoÂphers (FouÂcault, SearÂle, RusÂsell and the rest). As the day went along, our list grew thanks to readÂer sugÂgesÂtions, and we also disÂcovÂered anothÂer promisÂing resource — a podÂcast called “The HisÂtoÂry of PhiÂlosÂoÂphy WithÂout Any Gaps,” creÂatÂed by Peter AdamÂson, ProÂfesÂsor of Ancient and Medieval PhiÂlosÂoÂphy at King’s ColÂlege LonÂdon:
BeginÂning with the earÂliÂest ancient thinkers, the series will look at the ideas and lives of the major philosoÂphers (evenÂtuÂalÂly covÂerÂing in detail such giants as PlaÂto, ArisÂtoÂtle, AviÂcenÂna, Aquinas, Descartes, and Kant) as well as the lessÂer-known figÂures of the traÂdiÂtion.
That’s what AdamÂson promisÂes, and he doesÂn’t disÂapÂpoint. Over the past 34 months, AdamÂson has proÂduced 136 episodes, each about 20 minÂutes long, covÂerÂing the PreÂSoÂcratÂics (PythagoÂras, Zeno, ParÂmenides, etc) and then Socrates, PlaÂto and ArisÂtoÂtle. That’s roughÂly 45 hours of audio, and there’s no telling how many more hours of audio will bring us to the modÂern periÂod. The more, the betÂter, we say.
You can access all episodes via these links: iTunes — RSS Feed — Web Site. Or find othÂer free phiÂlosÂoÂphy coursÂes in our big colÂlecÂtion of Free CoursÂes Online.
If you would like to sign up for Open Culture’s free email newsletÂter, please find it here. It’s a great way to see our new posts, all bunÂdled in one email, each day.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
RelatÂed ConÂtent:
Free Online PhiÂlosÂoÂphy CoursÂes
Take First-Class PhiÂlosÂoÂphy CoursÂes AnyÂwhere with Free Oxford PodÂcasts
Learn The HisÂtoÂry of PhiÂlosÂoÂphy in 247 PodÂcasts (With More to Come)
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This fall, proÂfesÂsors from StanÂford’s presÂtiÂgious School of EngiÂneerÂing will offer online three of its most popÂuÂlar comÂputÂer sciÂence coursÂes: Machine LearnÂing, IntroÂducÂtion to ArtiÂfiÂcial IntelÂliÂgence and IntroÂducÂtion to DataÂbasÂes. (You can sign up by clickÂing on these links.) The coursÂes will feaÂture short, interÂacÂtive video clips that stuÂdents can watch whenÂevÂer and wherÂevÂer they want; short quizzes that proÂvide instant feedÂback; and the abilÂiÂty to rank quesÂtions to be answered by StanÂford instrucÂtors. AccordÂing to the StanÂford Report, “Already more than 58,000 peoÂple have expressed interÂest in the artiÂfiÂcial intelÂliÂgence course taught by SebasÂtÂian Thrun, a StanÂford research proÂfesÂsor of comÂputÂer sciÂence and a Google FelÂlow, and Google DirecÂtor of Research Peter Norvig.”
This isn’t the first time StanÂford has offered free comÂputÂer sciÂence coursÂes to the world. Back in 2008, StanÂford EngiÂneerÂing EveryÂwhere preÂsentÂed lecÂtures from 10 comÂplete online comÂputÂer sciÂence and elecÂtriÂcal engiÂneerÂing coursÂes. This includes the three-course “IntroÂducÂtion to ComÂputÂer SciÂence” sequence takÂen by the majorÂiÂty of StanÂford underÂgradÂuÂates. These coursÂes are all listÂed in the ComÂputÂer SciÂence and ElecÂtriÂcal EngiÂneerÂing secÂtions of our big colÂlecÂtion of Free Online CoursÂes. H/T @eugenephoto
via StanÂford News
RelatÂed ConÂtent:
IntroÂducÂtion to ComÂputÂer SciÂence & ProÂgramÂming: Free CoursÂes
DevelÂopÂing Apps for iPhone & iPad: A Free StanÂford Course
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Back in 1959, Ken Kesey, then a grad stuÂdent in StanÂford’s creÂative writÂing proÂgram, startÂed parÂticÂiÂpatÂing in govÂernÂment-sponÂsored medÂical research that testÂed a range of halÂluÂcinoÂgens — LSD, psiloÂcyÂbin, mescaÂline, and the rest. As part of the research project, Kesey spoke into a tapereÂcorder and recountÂed the ins-and-outs of his halÂluÂciÂnaÂtions. These tapes were evenÂtuÂalÂly stored away, and Kesey went on to write One Flew Over the CuckÂoo’s Nest, a book that now sits on TIME’s list of the 100 Best EngÂlish-LanÂguage NovÂels since 1923.
A half cenÂtuÂry latÂer (and ten years after Kesey’s own death), the LSD tapes live again. This week, the filmÂmakÂer Alex GibÂney will release MagÂic Trip, a new docÂuÂmenÂtary that revisÂits Kesey’s fabled road trip across AmerÂiÂca with the MerÂry Pranksters and their psyÂcheÂdelÂic “FurÂther” bus. (Tom Wolfe, you might recall, famousÂly covÂered this trip with The ElecÂtric Kool-Aid Acid Test, pubÂlished in 1968.) TakÂen from the new film, the sequence above mixÂes the redisÂcovÂered tapes with some artÂful aniÂmaÂtion, and it capÂtures the whole mood of Kesey’s first trip …
If you would like to sign up for Open Culture’s free email newsletÂter, please find it here. It’s a great way to see our new posts, all bunÂdled in one email, each day.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
RelatÂed ConÂtent:
Beyond TimÂoÂthy Leary: 2002 Film RevisÂits HisÂtoÂry of LSD
TimÂoÂthy Leary’s Wild Ride and the FolÂsom Prison InterÂview
via Wired
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Head over to SoundÂCloud, and you’ll find 10 audio files that span three cenÂturies. It’s a fairÂly ranÂdom colÂlecÂtion, we’ll admit. But two recordÂings from the 19th cenÂtuÂry immeÂdiÂateÂly stand out.
First we have Alfred Lord TenÂnyson (1809 – 1892), Poet LauÂreÂate of the UnitÂed KingÂdom durÂing Queen VicÂtoÂriÂa’s reign, readÂing “The Charge of the Light Brigade” on the wax cylinÂder in 1890.
And then we get to hear echoes of the voice of William GladÂstone, the four-time Prime MinÂisÂter of Great Britain (1809 — 1898). Here, GladÂstone’s voice was recordÂed by Thomas EdisÂon’s phonoÂgraph cylinÂder (1888), the same device that lets us lisÂten to Tchaikovsky (The NutÂcrackÂer, the 1812 OverÂture, etc.) chatÂting with his friends. Some have doubtÂed the authenÂticÂiÂty of the GladÂstone recordÂing, but it still remains genÂerÂalÂly acceptÂed.
For more on recordÂings from the 19th cenÂtuÂry, we’d recÂomÂmend spendÂing some time with a five-part BBC series called GramoÂphones & Grooves. It takes you into the earÂly recordÂing indusÂtry and lets you hear countÂless othÂer voicÂes.
FolÂlow Open CulÂture on FaceÂbook and TwitÂter and share intelÂliÂgent media with your friends. Or betÂter yet, sign up for our daiÂly email and get a daiÂly dose of Open CulÂture in your inbox. And if you want to make sure that our posts defÂiÂniteÂly appear in your FaceÂbook newsÂfeed, just folÂlow these simÂple steps.
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IntelÂliÂgence Squared (iTunes – Feed – Web Site) brings Oxford-style debatÂing to AmerÂiÂca. Each debate feaÂtures one motion, one modÂerÂaÂtor, and three panÂelists arguÂing for a motion, and three arguÂing against. Should AirÂports Use Racial and ReliÂgious ProÂfilÂing? Is Islam A ReliÂgion Of Peace? Is The Two-ParÂty SysÂtem MakÂing the U.S. UngovernÂable? These are some of the recent topÂics that have been tackÂled.
Now, takÂing a page out of the RSA playÂbook, IntelÂliÂgence Squared has proÂduced a short aniÂmatÂed video that gives artisÂtic life to a debate held in OctoÂber 2009. The motion — “The Catholic Church is a force for good in the world” — was supÂportÂed by Ann Noreen WidÂdeÂcombe, a forÂmer British ConÂserÂvÂaÂtive ParÂty politiÂcian turned novÂelÂist. And takÂing the conÂtrary posiÂtion was popÂuÂlar British actor and writer Stephen Fry.
You can watch the aniÂmatÂed verÂsion above, and the full debate (which also feaÂtured ChristoÂpher Hitchens) here. More iq2 videos can be found at their Youtube ChanÂnel, which othÂerÂwise appears in our colÂlecÂtion of IntelÂliÂgent YouTube ChanÂnels. H/T @joabaldwin
RelatÂed ConÂtent:
Stephen Fry on PhiÂlosÂoÂphy and UnbeÂlief
Stephen Fry: What I Wish I Had Known When I Was 18
Stephen Fry Gets AniÂmatÂed about LanÂguage
Read More...As if your TwitÂter, Google +, and RSS feeds weren’t overÂwhelmÂing enough, you can now watch a time lapse video of a year’s worth of The New York Times — in 12,000 screenÂshots. Enjoy, and try not get dizzy.
via GizÂmoÂdo
RelatÂed ConÂtent:
Gay Talese: DrinkÂing at New York Times Put Mad Men to Shame
Hard Words in The New York Times
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
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Kudos to How to be A RetroÂnaut for findÂing this great clip of Jack KerÂouac playÂing pool in earÂly 1967. We bet he was the coolest playÂer in that parÂticÂuÂlar room (at the PawÂtuckÂetville Social Club, in LowÂell, Mass). But we’d also bet that he copied that cool, taut perÂsona from Paul NewÂman’s turn as “Fast Eddie” FelÂson in the clasÂsic movie The HusÂtler filmed six years earÂliÂer.
For more great moments in Beat hisÂtoÂry, check out KerÂouac and Gore Vidal meetÂing William F. BuckÂley, Alan GinsÂberg’s TugÂboat Ride and William S. BurÂroughs ShootÂing ShakeÂspeare, all othÂerÂwise found in our colÂlecÂtion of 275 CulÂturÂal Icons.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
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