WarnÂings of dicÂtaÂtorÂship are nothÂing new in AmerÂiÂca. We have them now, and we’ve had them before, and we’ve even had them come from the intelÂliÂgentsia at times. Above, Aldous HuxÂley, author of Brave New World (get free text here), talks with Mike WalÂlace in 1958 — smack in the midÂdle of the Cold War — about the major threats to AmerÂiÂcan freeÂdom. Who were the vilÂlains? Not electÂed repÂreÂsenÂtaÂtives who passed laws with a majorÂiÂty in ConÂgress. No, it was a difÂferÂent set of charÂacÂters: overÂpopÂuÂlaÂtion, bureauÂcraÂcy, proÂpaÂganÂda, drugs, adverÂtisÂing, and, yes, teleÂviÂsion. Part 1 of the interÂview appears above, and you can conÂtinÂue with Part 2, and Part 3. For more interÂviews from The Mike WalÂlace InterÂview (1957–1960), please revisÂit our earÂliÂer piece. You’ll find some more thought proÂvokÂing interÂviews there (and lots of cigÂaÂrette pedÂdling).
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
Read More...I had no idea that MarÂlon BranÂdo was much of a writer, but this 1955 letÂter to TenÂnessee Williams is superb. PerÂhaps I just can’t help idenÂtiÂfyÂing him with StanÂley KowalÂsÂki of the “NapoleonÂic code,” StelÂla!” and “Hoity-toity, describÂin’ me like a ape.” EspeÂcialÂly interÂestÂing is his attiÂtude towards sucÂcess. (Note some of the lanÂguage is a litÂtle strong/racy):
I have been afraid for you someÂtimes, because sucÂcess sings a deadÂly lulÂlaÂby to most peoÂple. SucÂcess is a real and subÂtle whore, who would like nothÂing betÂter than to catch you sleepÂing and bite your cock off. You have been as brave as anyÂbody I’ve known, and it is comÂfortÂing to think about it. You probÂaÂbly don’t think of yourÂself as brave because nobody who realÂly has courage does, but I know you are and I get food from that.
This pasÂsage echoes Williams’ own views on sucÂcess, espeÂcialÂly his beauÂtiÂful (and ironÂiÂcalÂly inspirÂing) essay On a StreetÂcar Named SucÂcess, writÂten eight years earÂliÂer:
It is nevÂer altoÂgethÂer too late, unless you embrace the Bitch GodÂdess, as William James called her, with both arms and find in her smothÂerÂing caressÂes exactÂly what the homeÂsick litÂtle boy in you always wantÂed, absolute proÂtecÂtion and utter effortÂlessÂness. SecuÂriÂty is a kind of death, I think, and it can come to you in a storm of royÂalÂty checks beside a kidÂney-shaped pool in BevÂerÂly Hills or anyÂwhere at all that is removed from the conÂdiÂtions that made you an artist, if that’s what you are or were intendÂed to be. Ask anyÂone who has expeÂriÂenced the kind of sucÂcess I am talkÂing about–What good is it? PerÂhaps to get an honÂest answer you will have to give him a shot of truth-serum but the word he will finalÂly groan is unprintÂable in genÂteel pubÂliÂcaÂtions.
You’ll find the rest of BranÂdo’s letÂter (includÂing an image of the origÂiÂnal) — which includes reflecÂtions on actors Anna MagÂnani and Burt LanÂcastÂer — here.
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.
Read More...Just wantÂed to send out a quick birthÂday wish to YouTube EDU, which celÂeÂbrates its first birthÂday today. The site now feaÂtures over 65,000 acaÂdÂeÂmÂic videos and 350 full coursÂes, many comÂing from uniÂverÂsiÂties like StanÂford, Yale, and MIT. My proÂgram at StanÂford has hapÂpiÂly conÂtributed 12 coursÂes to the colÂlecÂtion (find them here), and they’ve been downÂloaded by thouÂsands of viewÂers across the world. It’s all very gratÂiÂfyÂing.
If you want to learn more about YouTube EDU, you can read this piece I postÂed shortÂly after it launched. But, betÂter yet, you should give the site itself a visÂit. And, to the folks at YouTube, keep up the good work!
PS If you’re lookÂing for more intelÂliÂgent conÂtent on YouTube, you should peruse our page that highÂlights the smartest video chanÂnels on the Tube. NASA, The New York Times, The New YorkÂer, Google Talks, TED Talks — they’re all listÂed here.
Read More...What’s good, and what’s evil? TraÂdiÂtionÂalÂly, reliÂgion and phiÂlosÂoÂphy have answered these quesÂtions, pushÂing sciÂence to the side, askÂing it to stick to the world of natÂurÂal laws and knowÂable facts. But Sam HarÂris wants to change things. At TED, he’s arguÂing that sciÂence (parÂticÂuÂlarÂly neuÂroÂscience) can address moral quesÂtions preÂciseÂly because these quesÂtions fall into the world of knowÂable facts. And, even betÂter, sciÂence can proÂvide definÂiÂtive, highÂly objecÂtive answers to such quesÂtions. Just as there are sciÂenÂtifÂic answers to all quesÂtions in physics, so there are clear answers in the moral realm. This applies, for examÂple, to whether chilÂdren should be subÂjectÂed to corÂpoÂral punÂishÂment, or how sociÂety deals with very meanÂingÂful genÂder quesÂtions. (Things get a litÂtle emoÂtionÂal on this topÂic at about 11 minÂutes in.) The upshot is that HarÂris isn’t buyÂing a radÂiÂcalÂly relÂaÂtivist posiÂtion on moralÂiÂty, and this will disÂapÂpoint many post-modÂernists. The EnlightÂenÂment project is alive and well, ready to make its comeÂback.
Update: You can find a rebutÂtal to Harris’s theÂsis from physiÂcist Sean CarÂroll here. Thanks Mike for pointÂing that out.
Read More...Both the iPhone and FaceÂbook took off when they opened themÂselves up to outÂside develÂopÂers, letÂting them innoÂvate and build thouÂsands of unforeÂseen apps for users. In the video above, tech guru Tim O’ReilÂly asks how uniÂverÂsiÂties can do the same. How can they let develÂopÂers (in this case, the proÂfesÂsors) innoÂvate and disÂtribÂute conÂtent to users (stuÂdents) in new and effiÂcient ways? There are more quesÂtions than answers here, but if you want to imagÂine the uniÂverÂsiÂty in the 21st cenÂtuÂry, these are the quesÂtions you can’t avoid.
via @drszucker via Beth HarÂris, both at smARThisÂtoÂry.
Read More...Since 2007, Apple has offered uniÂverÂsiÂties around the world a way to disÂtribÂute eduÂcaÂtionÂal media via iTunes U. Fast forÂward to 2010, HarÂvard has now set up its own iTunes U secÂtion, with more than 200 audio and video tracks covÂerÂing everyÂthing from the HarÂvard KuumÂba Singers to a course on JusÂtice with promiÂnent politÂiÂcal philosoÂpher Michael Sandel. OthÂer highÂlights include:
For free coursÂes from HarÂvard and othÂer fine instiÂtuÂtions, visÂit our colÂlecÂtion of Free Online CoursÂes.
via MacÂWorld
Wes Alwan lives in Boston, MassÂaÂchuÂsetts, where he works as a writer and researcher and attends the InstiÂtute for the Study of PsyÂchoÂanalyÂsis and CulÂture. He also parÂticÂiÂpates in The ParÂtialÂly ExamÂined Life, a podÂcast conÂsistÂing of inforÂmal disÂcusÂsions about philoÂsophÂiÂcal texts by three phiÂlosÂoÂphy gradÂuÂate school dropouts.
Read More...AkiÂra KuroÂsawa, the great JapanÂese direcÂtor, would have turned 100 today. And to mark the occaÂsion, The Guardian has assemÂbled a handy guide to ten key KuroÂsawa movies. Above, we highÂlight a clip from SevÂen SamuÂrai (1954), an enorÂmousÂly influÂenÂtial film both in Japan and abroad. The Guardian guide celÂeÂbrates this and nine othÂer major KuroÂsawa films, so it’s defÂiÂniteÂly worth a visÂit. MeanÂwhile, you’ll conÂveÂnientÂly find two imporÂtant KuroÂsawa works (Rashomon and Throne of Blood) listÂed in our colÂlecÂtion of Free Online Movies.
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A litÂtle belatÂed someÂthing for World Water Day (yesÂterÂday): NationÂal GeoÂgraphÂic has released a speÂcial issue that delves into the chalÂlenges facÂing our most essenÂtial natÂurÂal resource. “Water: Our Thirsty World” will be soon availÂable at newsÂstands everyÂwhere. But, right now, you can now downÂload a free interÂacÂtive verÂsion that includes all of the print magÂaÂzine conÂtent, plus lots of extra online goodÂies. The free downÂload requires regÂisÂtraÂtion and is availÂable only until April 2.
A great find by Maria PopoÂva aka @brainpicker
Read More...An intriguÂing bit of news from the Yale BulÂletin. It begins:
For a brief instant, it appears, sciÂenÂtists at Brook haven NationÂal LabÂoÂraÂtoÂry on Long Island recentÂly disÂcovÂered a law of nature had been broÂken.
Action still resultÂed in an equal and oppoÂsite reacÂtion, gravÂiÂty kept the Earth cirÂcling the Sun, and conÂserÂvaÂtion of enerÂgy remained intact. But for the tiniÂest fracÂtion of a secÂond at the RelÂaÂtivisÂtic Heavy Ion ColÂlidÂer (RHIC), physiÂcists creÂatÂed a symÂmeÂtry-breakÂing bubÂble of space where parÂiÂty no longer existÂed.
You can read more about what went down here. And, if you want to brush up your physics, head over to the Physics secÂtion of our Free Online Course colÂlecÂtion. There you’ll find free physics coursÂes from Yale, StanÂford, MIT and othÂer fine instiÂtuÂtions of highÂer learnÂing.
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For cenÂturies, artists and archiÂtects have used some well-known geoÂmetÂriÂcal and mathÂeÂmatÂiÂcal forÂmuÂlas to guide their work: The FibonacÂci Series and SpiÂral, The GoldÂen and Angle Ratios, The Delauney TriÂanÂguÂlaÂtion and Voronoi TesÂselÂlaÂtions, etc. These forÂmuÂlas have a realÂiÂty beyond the minds of mathÂeÂmatiÂcians. They present themÂselves in nature, and that’s what a SpanÂish filmÂmakÂer, CristĂłbal Vila, wantÂed to capÂture with this short film, Nature by NumÂbers. You can learn more about the movie at the filmÂmakÂer’s web site, and also find his latÂest film here: InspiÂraÂtions: A Short Film CelÂeÂbratÂing the MathÂeÂmatÂiÂcal Art of M.C. EschÂer.
If you would like to supÂport the misÂsion of Open CulÂture, conÂsidÂer makÂing a donaÂtion to our site. It’s hard to rely 100% on ads, and your conÂtriÂbuÂtions will help us conÂtinÂue proÂvidÂing the best free culÂturÂal and eduÂcaÂtionÂal mateÂriÂals to learnÂers everyÂwhere. You can conÂtribute through PayÂPal, PatreÂon, and VenÂmo (@openculture). Thanks!
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