Today is the birthday of the writer Joseph Conrad. He was born Józef Teodor Konrad Korzniowski on December 3, 1857 in Berdichev, in the Polish Ukraine. As a young man he traveled the world as a merchant sailer, an experience that furnished material and inspiration for his English-language books, which include such classics as Nostromo, Lord Jim and Heart of Darkness.
To mark the occasion we bring you a recording of Orson Welles reading (listen to it here) Conrad’s short story “The Secret Sharer” in 1985 as one of his selections for The Orson Welles Library. “I think I’m made for Conrad,” Welles once said. “I think every Conrad story is a movie.” Conrad wrote “The Secret Sharer” in 1909. The story is told by the captain of a ship. One night, while on watch in waters near the Gulf of Siam, the captain discovers a naked swimmer clinging desperately to the side of the ship. He helps the mysterious man aboard and learns his story. The captain is then faced with a dilemma: Should he help the man, or turn him over to the people who are looking for him?
You can find “The Secret Sharer” and other works by Joseph Conrad in our collections of Free Audio Books and Free eBooks. And for more readings by Welles, please see our meta post: Orson Welles Narrates Plato’s Cave Allegory, Kafka’s Parable, and Freedom River.
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Introducing a new YouTube Channel that gives you every Apple ad ever aired on TV — 485 ads, in total.
You can start with the iconic ones — the 1984 Super Bowl commercial directed by Ridley Scott, which aired just weeks after Steve Jobs demoed the first MacIntosh ever. Or, the famous “Think Different” campaign from the late 1990s. The official “Think Different” video was narrated by Richard Dreyfuss, but we’d encourage you to spend time with the never-aired version narrated by Jobs himself. Other vintage ads can be found in these chronologically-organized lists: 1977–1985, 1985–1996, 1996–2007 and 2007–2011. The 1981 Dick Cavett clip above appears in the first group.
But the collection also lets you sort ads thematically. So, for example, you can jump into the U.S. Get a Mac campaign, where you’ll get plenty of John Hodgman. Also find versions of the same campaign from the UK and Japan. Finally, Apple ads featuring celebrities — from Bob Dylan to Zooey Deschanel to Spike Lee — are all neatly packaged together too. H/T @coudal
Prior to public radio superstardom, Ira Glass enjoyed modest success as an amateur teenage magician with a side in balloon animals. At the behest of Rookie, an online magazine by and for teen girls, Glass shared some trade secrets gleaned from the 1974 pamphlet, Roger’s Rubber Ark, Volume II. Ignore the diabolical squeaking, and you’ll come out of this video knowing every step that goes into a seated Snoopy and a surprisingly elegant French poodle.
Even better than the balloon how-tos are Glass’ straightforward responses to Rookie readers’ questions, a challenge previously faced by Jon Hamm and Paul Rudd.
He applauds the courage of “Anonymous,” who revealed her true feelings to a crush via text message. But, when presented with the facts, Glass concludes unequivocally that her sentiment is not shared. (It’s not.)
The entirety of womankind will embrace him for what he has to say to nerdy girls and those with short hairdos.
And when the topic turns to condom etiquette and fellatio, well, let’s just say that the teenagers of the world could use more sex educators like Ira Glass.
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Cheetahs are the fastest land animals on Earth, able to reach speeds of up to 70 miles per hour.
Earlier this year, the team at National Geographic visited the Cincinnati Zoo and filmed cheetahs running at full sprint, as seen in the majestic video above. The National Geographic team used a Phantom camera filming at 1,200 frames per second to capture every nuance in the cheetah’s gallop. The filming took three days and, so as not to burden the animals, five different cheetahs were filmed.
You can read more about this initiative here. Also be sure to check out the accompanying National Geographic article, “Cheetahs on the Edge.”
Eugene Buchko is a blogger and photographer living in Atlanta, GA. He maintains a photoblog, Erudite Expressions, and writes about what he reads on his reading blog.
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So what is human nature? Who are we, how do we think, feel and act? What are our limitations, and how can we overcome them? What do we share, how we are different, how we can be fooled and how lucky are we to be alive?
Those are the questions at the heart of the 2012 edition of TEDxAmsterdam, and you can watch it live online, in HD, starting tomorrow morning at 9am Amsterdam time. (The video will stream from the TEDxAmsterdam homepage here.)
If you check out the program, you’ll see that Dan Ariely will be among the speakers. He’s the Duke prof who will teach “A Beginner’s Guide to Irrational Behavior,” a Massive Open Online Course (MOOC) starting next year. (It’s in our collection of Free Online Certificate Courses & MOOCs from Great Universities.)
In anticipation of the event, artist Guido Verhoef blew up 15,000 balloons to reveal the true face of human nature. You can see what it looks like above.
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Recently we featured a video of Neil Young performing on The Johnny Cash Show in 1971. Today we bring you another extraordinary moment from the very same episode: Johnny Cash introducing his now-classic song, “Man in Black.”
It’s from a special called “Johnny Cash on Campus” which aired on February 17, 1971. The performance was taped in front of an all-student audience at the Ryman Auditorium in downtown Nashville. A few days earlier Cash had traveled across town to visit students on the campus of Vanderbilt University and, as he explains here in the introduction, an idea began brewing.
1971 was a time of widespread student protests over the Vietnam War and other issues. The Kent State shootings had happened the year before. As a protest song, “Man in Black” shows Cash’s ability to reach across generations and appeal to audiences much wider than those usually afforded to country music.
When Cash first played the song at Ryman Auditorium it was so new he needed cue cards to follow the words. The video offers a rare glimpse of an artist trying out a major work when the paint was still wet.
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Somehow this one slipped by me, and perhaps by you too. In recent weeks, Chinese dissident artist Ai Weiwei posted a video parodying Gangnam Style, the unexpectedly massive hit recorded by the South Korean rapper Psy. To date, the music video for Gangnam Style has been viewed 792 million times on YouTube. That has to be some kind of record. And everyone has had fun riffing on it. The North Koreans have used it to mock rival South Korean politicians. And Ai Weiwei seems to be taking a shot at China’s ruling party (you see the handcuffs, no?). Or maybe he’s just blowing off some steam.
Earlier this month, the artist also produced a new video titled “How to Scientifically Remove a Shiny Screw with Chinese Characteristics From a Moving Vehicle in Eighteen Turns.” The video, writes Hintmag, follows Ai Weiwei “on a bus making its way through Beijing—notably passing by Tiananmen Square—while literally unscrewing a screw. It’s thought to be a statement on the Communist Party of China and the new 18th National Congress, which took office two weeks ago.” You can watch it right below.
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We thought that Brazenhead Books might qualify as the quirkiest bookstore we’ve encountered. After all, it’s run out of Michael Seidenberg’s apartment in New York City. But get a load of this: The Monkey’s Paw, which calls itself “Toronto’s most idiosyncratic second-hand bookshop,” has installed the Biblio-mat, a vending machine that dispenses random books for a very nominal fee — $2 per book. (If you’re looking for $0, see our lists below.) In a recent interview with QuillandQuire.com, Stephen Fowler, the bookstore’s owner, explained the story behind the Biblio-mat:
I went fishing this past summer with Craig Small, co-founder of The Juggernaut, an animation studio in Toronto. I had this idea that I would love to have a vending machine that gave out random books. I pictured it as a painted refrigerator box with one of my assistants inside; people would put in a coin and he would drop a book out. But Craig is more pragmatic and visionary then I am. He said, “You need to have an actual mechanical vending machine.” That was beyond my wildest imaginings, but not Craig’s, so he just built it for me.
Thanks to Small, you can now watch the Biblio-mat in action above. It whirrs. It vibrates. And it finally delivers a book with a satisfying clunk.
via Galley Cat
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After half a century and 31 books, Philip Roth casually announced last month in an interview with a French magazine that he was calling it quits. He actually made the decision back in 2010, after the publication of his Booker Prize-winning novel Nemesis. “I didn’t say anything about it because I wanted to be sure it was true,” the 79-year-old Roth told New York Times reporter Charles McGrath last week in what he said would be his last interview. “I thought, ‘Wait a minute, don’t announce your retirement and then come out of it.’ I’m not Frank Sinatra. So I didn’t say anything to anyone, just to see if it was so.”
Although Roth had been privately telling friends about his retirement for two years, according to David Remnick in The New Yorker, the public announcement came as a shock for many. From his 1959 National Book Award-winning debut Goodbye, Columbus and Five Short Stories and his outrageously funny 1969 classic Portnoy’s Complaint through his remarkably prolific late period, with its steady stream of beautifully crafted novels like Operation Shylock, Sabbath’s Theater and The Human Stain, it seemed as though Roth had the creative energy to keep writing until he took his last breath.
But perhaps if we’d paid closer attention we wouldn’t be so surprised. In this 2011 video, for example, which shows Roth reading a few pages from Nemesis after it won the Man Booker International Prize, he basically says it: “Coming where they do, they’re the pages I like best in Nemesis. They constitute the last pages of the last work of fiction I’ve published–the end of the line after 31 books.”
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While popularly known for his piercing and relentless critiques of U.S. foreign policy and economic neoliberalism, Noam Chomsky made his career as a researcher and professor of linguistics and cognitive science. In his 50 years at MIT he earned the appellation “the father of modern linguistics” and—after overturning B.F. Skinner’s behaviorist paradigm—founder of the “cognitive revolution.” But these are labels the self-effacing Chomsky rejects, in his characteristically understated way, as he rejects all triumphalist narratives that seem to promise more than they deliver.
Such is the case with Artificial Intelligence. The term, coined in 1956 by computer scientist John McCarthy, once described the optimism with which the scientific community pursued the secrets of human cognition in order to map those features onto machines. Optimism has turned to puzzlement, ambivalence, or in Chomsky’s case outright skepticism about the models and methodologies embraced by the field of AI.
Never particularly sanguine about the prospects of unlocking the “black box” of human cognition through so-called “associationist” theories, Chomsky has recently become even more critical of the statistical models that have come to dominate so many of the sciences, though he is not without his critics. At an MIT symposium in May of last year, Chomsky expressed his doubts of a methodology Nobel-winning biologist Sydney Brenner has called “low input, high throughput, no output science.”
Recently Yarden Katz, an MIT graduate student in Cognitive Sciences, sat down with Chomsky to discuss the problems with AI as Chomsky sees them. Katz’s complete interview appeared this month in The Atlantic. He also videotaped the interview and posted clips to his Youtube channel. In the clip above, Katz asks Chomsky about “forgotten methodologies in artificial intelligence.” Chomsky discusses the shift toward practical application in engineering and computing technology, which “directed people away from the original questions.” He also expresses the opinion that the original work was “way too optimistic” and assumed too much from the little data available, and he describes how “throwing a sophisticated machine” at the problem leads to a “self-reinforcing” definition of success that is at odds with scientific discovery.
In the clip below, Chomsky discusses a new field in systems biology called “Connectomics,” an attempt to map the wiring of all the neurons in the brain—an endeavor prickly biologist Sydney Brenner calls “a form of insanity.” Katz asks if the “wiring diagram” of the brain would provide “the right level of abstraction” for understanding its workings.
The interview is worth reading, or watching, in full, especially for students of neuroscience or psychology. Chomsky discusses the work of his onetime colleague David Marr, whose posthumously published book Vision has had an enormous influence on the field of cognitive science. Chomsky also praises the work of Randy Gallistel, who argues that developments in cognitive and information science will transform the field of neuroscience and overturn the paradigms embraced by early researchers in AI. While this is an exciting time to be a cognitive scientist, it seems, perhaps, a difficult time to be a proponent of Artificial Intelligence, given the complexities and challenges the field has yet to meet successfully.
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Josh Jones is a doctoral candidate in English at Fordham University and a co-founder and former managing editor of Guernica / A Magazine of Arts and Politics.
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