By now the news of Carrie Fisher’s death has hit hard all over the world. It’s true that for an entire generation of people, her breakout role at 19 as Princess Leia in the original Star Wars trilogy has made her a sci-fi icon and a childhood crush—both roles she longed to escape.[...]
While nothing could make me personally want to return to childhood, children do, for better or for worse, perceive the world more vividly than adults.[...]
The life of Russian-born poet, novelist, critic, and first female psychologist Lou Andreas-Salomé has provided fodder for both salacious speculation and intellectual drama in film and on the page for the amount of romantic attention she attracted from European intellectuals like philosopher Paul Rée, poet Ranier Maria Rilke, and Friedrich Nietzs[...]
Martin Amis once criticized his fellow novelist J.M. Coetzee for writing in a style “predicated on transmitting absolutely no pleasure.[...]
“A screenplay isn’t meant to be read,” said no less a directing-screenwriting auteur than Stanley Kubrick. “It’s to be realized on film.” The quote comes up in “The Shining — Quietly Going Insane Together,” an episode of the video essay series Lessons from the Screenplay.[...]
Image by Daniele Prati, via Flickr Commons
I wish I’d had a teacher who framed his or her assignments as letters…
Which is really just another way of saying I wish I’d been lucky enough to have taken a class with writers Kurt Vonnegut or Lynda Barry.
A couple months ago we featured a video of eight writers on how to face the blank page produced by Denmark’s Louisiana Museum of Modern Art. (And if you should ever find yourself in Copenhagen with time for a bit of a train ride, I do recommend a visit to the museum itself.[...]
So you want to be a writer? Good, you’ll find plenty of advice from the best here at Open Culture. Oh, you want to be a science fiction writer? The great Ursula K. Le Guin has offered readers a wealth of writing advice, though she won’t tell us “how to sell a ship, but how to sail one.[...]
We should all learn from the best, and in the domain of cinema, that means studying under masters like Akira Kurosawa.[...]
“Jorge Luis Borges 1951, by Grete Stern” via Wikimedia Commons.
When we first read the work of Jorge Luis Borges, we may wish to write like him. When we soon discover that nobody but Borges can write like Borges, we may wish instead that we could have collaborated with him.