What is it that makes us human? And how best to ensure that we all get our fair say?
For direcÂtor, phoÂtogÂraÂphÂer, and enviÂronÂmenÂtal activist Yann Arthus-Bertrand, the answers lay in framÂing all of his interÂview subÂjects using the same sinÂgle image layÂout. The forÂmal simÂplicÂiÂty and unwaÂverÂing gaze of his new docÂuÂmenÂtary, Human, encourÂage viewÂers to perÂceive his 2,020 subÂjects as equals in the stoÂryÂtelling realm.
There’s a deep diverÂsiÂty of expeÂriÂences on disÂplay here, arranged for maxÂiÂmum resÂoÂnance.
The quiÂetÂly conÂtent first wife of a polygÂaÂmist marÂriage is folÂlowed by a polyamorous felÂlow, whose unconÂvenÂtionÂal lifestyle is a source of both torÂment and joy.
There’s a death row inmate. A lady so conÂfiÂdent she appears with her hair in curlers.
Where on earth did he find them?
His subÂjects hail from 60 counÂtries. Arthus-Bertrand obviÂousÂly went out of his way to be incluÂsive, resultÂing in a wide specÂtrum of genÂder and sexÂuÂal oriÂenÂtaÂtions, and subÂjects with disÂabilÂiÂties, one a HiroshiÂma surÂvivor.
Tears, laughÂter, conÂflictÂing emoÂtions… stuÂdents of theÂater and psyÂchiÂaÂtry would do well to bookÂmark this page. There’s a lot one can glean from observÂing these subÂjects’ unguardÂed faces.
The project was inspired by an imprompÂtu chat with a Malian farmer. The direcÂtor was impressed by the frankÂness with which this stranger spoke of his life and dreams:
I dreamed of a film in which the powÂer of words would resÂonate with the beauÂty of the world. Putting the ills of humanÂiÂty at the heart of my work—poverty, war, immiÂgraÂtion, homophobia—I made cerÂtain choicÂes. ComÂmitÂted, politÂiÂcal choicÂes. But the men talked to me about everyÂthing: their difÂfiÂculÂty in growÂing as well as their love and hapÂpiÂness. This richÂness of the human word lies at the heart of Human.
In VolÂume I, above, the interÂvieÂwees conÂsidÂer love, women, work, and poverÂty. VolÂume II deals with war, forÂgiveÂness, homoÂsexÂuÂalÂiÂty, famÂiÂly, and the afterÂlife. HapÂpiÂness, eduÂcaÂtion, disÂabilÂiÂty, immiÂgraÂtion, corÂrupÂtion, and the meanÂing of life are the conÂcerns of the third volÂume .
The interÂview segÂments are broÂken up by aerÂiÂal sequences, remÂiÂnisÂcent of the images in Arthus-Bertrand’s book, The Earth from Above. It’s a good reminder of how small we all are in the grand scheme of things.
ApproÂpriÂateÂly, givÂen the subÂject matÂter, and the director’s longÂtime interÂest in enviÂronÂmenÂtal issues, the filmÂing and proÂmoÂtion were accomÂplished in the most susÂtainÂable way, with the supÂport of the GoodÂPlanÂet FounÂdaÂtion and the UnitÂed CarÂbon Action proÂgram. It would be loveÂly for all humanÂiÂty if this is a feaÂture of filmÂmakÂing going forÂward.
The Google CulÂturÂal InstiÂtute has a colÂlecÂtion of relatÂed mateÂrÂiÂal, from the makÂing of the soundÂtrack to behind-the-scenes remÂiÂnisÂcences of the interÂview team.
Human will be added to our colÂlecÂtion, 4,000+ Free Movies Online: Great ClasÂsics, Indies, Noir, WestÂerns, DocÂuÂmenÂtaries & More.
RelatÂed ConÂtent:
What Makes Us Human?: ChomÂsky, Locke & Marx IntroÂduced by New AniÂmatÂed Videos from the BBC
Richard Dawkins Explains Why There Was NevÂer a First Human Being
BiolÂoÂgy That Makes Us Tick: Free StanÂford Course by Robert SapolÂsky
Ayun HalÂlÂiÂday is an author, illusÂtraÂtor, and Chief PriÂmaÂtolÂoÂgist of the East VilÂlage Inky zine. Her new play, FawnÂbook, opens in New York City latÂer this fall. FolÂlow her @AyunHalliday.