Voltaire: “Those Who Can Make You Believe Absurdities, Can Make You Commit Atrocities”

Voltaire

Voltaire, the clear­est of Enlight­en­ment thinkers wrote those words in his 1765 essay, “Ques­tions sur les mir­a­cles.” And they res­onate as much now, 250 years lat­er, as they did then.

I rarely say much about myself on the site. But I’ll just say today that I did my doc­tor­al work on the French Rev­o­lu­tion, spent a cou­ple years liv­ing in Paris, and devel­oped a deep affec­tion for the city, as many oth­ers have. What hap­pened tonight is heart­break­ing, trag­ic and down­right mad­den­ing. My thoughts are with all Parisians tonight, friends and strangers alike.

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A 103-Year-Old Harlem Renaissance Dancer Sees Herself on Film for the First Time & Becomes an Internet Star

The Harlem Renais­sance lives in the form of Alice Bark­er, a soft spo­ken lady who just last week received a belat­ed Hap­py 103rd Birth­day card from the Oba­mas.

That’s her on the right in the first clip, below. She’s in the back right at the 2:07 mark. Perched on a lunch counter stool, show­ing off her shape­ly stems at 9:32.

Barker’s new­found celebri­ty is an unex­pect­ed reward for one who was nev­er a mar­quee name.

She was a mem­ber of the chorus—a pret­ty, tal­ent­ed, hard­work­ing young lady, whose name was mis­spelled on one of the occa­sions when she was cred­it­ed. She danced through­out the 1930s and 40s in leg­endary Harlem venues like the Apol­lo, the Cot­ton Club, and the Zanz­ibar Club. Shared the stage with Frank Sina­tra, Gene Kel­ly, and Bill “Bojan­gles” Robin­son. Racked up a num­ber of film, com­mer­cial and TV cred­its, get­ting paid to do some­thing she lat­er con­fid­ed from a nurs­ing home bed she would have glad­ly done for free.

Barker’s cho­rus girl days had been moth­balled for decades when she crossed paths with video edi­tor David Shuff, a vol­un­teer vis­i­tor to the nurs­ing home where she lives. Shuff seems to be a kin­dred spir­it to the writer David Green­berg­er, whose Duplex Plan­et zines—and lat­er books, comics, and performances—captured the sto­ries (and per­son­al­i­ties) of the elder­ly res­i­dents of a Boston nurs­ing home where he served as activ­i­ties direc­tor.

Intrigued by glim­mers of Barker’s glam­orous past, Shuff joined forces with recre­ation­al ther­a­pist Gail Camp­bell, to see if they could truf­fle up any evi­dence. Bark­er her­self had lost all of the pho­tos and mem­o­ra­bil­ia that would have backed up her claims.

Even­tu­al­ly, their search led them to his­to­ri­ans Ali­cia Thomp­son and Mark Can­tor, who were able to iden­ti­fy Bark­er strut­ting her stuff in a hand­ful of extant 1940s juke­box shorts, aka “soundies.”

Though Bark­er had caught her­self in a cou­ple of com­mer­cials, she had nev­er seen any of her soundie per­for­mances. A friend of Shuff’s serendip­i­tous­ly decid­ed to record her reac­tion to her first pri­vate screen­ing on Shuff’s iPad. The video went viral as soon as it hit the Inter­net, and sud­den­ly, Bark­er was a star.

The loveli­est aspect of her late-in-life celebri­ty is an abun­dance of old fash­ioned fan mail, flow­ers and art­work. She also received a Jim­mie Lunce­ford Lega­cy Award for excel­lence in music and music edu­ca­tion.

Fame is heady, but seems not to have gone to Bark­er’s, as evi­denced by a remark she made to Shuff a cou­ple of months after she blew up the Inter­net, “I got jobs because I had great legs, but also, I knew how to wink.”

Shuff main­tains a web­site for fans who want to stay abreast of Alice Bark­er. You can also write her at the address below:

Alice Bark­er
c/o Brook­lyn Gar­dens
835 Herkimer Street
Brook­lyn, NY11233

Relat­ed Con­tent:

The Great­est Jazz Films Ever Fea­tures Clas­sic Per­for­mances by Miles, Dizzy, Bird, Bil­lie & More

Cab Calloway’s “Hep­ster Dic­tio­nary,” A 1939 Glos­sary of the Lin­go (the “Jive”) of the Harlem Renais­sance

A 1932 Illus­trat­ed Map of Harlem’s Night Clubs: From the Cot­ton Club to the Savoy Ball­room

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her play, Fawn­book, is run­ning through Novem­ber 20 in New York City. Fol­low her @AyunHalliday

Stephen Hawking Wonders Whether Capitalism or Artificial Intelligence Will Doom the Human Race

hawking capitalism future

Cre­ative Com­mons image via NASA

It should­n’t be espe­cial­ly con­tro­ver­sial to point out that we live in a piv­otal time in human history—that the actions we col­lec­tive­ly take (or that plu­to­crats and tech­nocrats take) will deter­mine the future of the human species—or whether we even have a future in the com­ing cen­turies. The threats posed by cli­mate change and war are exac­er­bat­ed and accel­er­at­ed by rapid­ly wors­en­ing eco­nom­ic inequal­i­ty. Expo­nen­tial advances in tech­nol­o­gy threat­en to eclipse our abil­i­ty to con­trol machines rather than be con­trolled, or stamped out, by them.

It’s also the case that our most well-regard­ed sci­en­tists and tech­no­log­i­cal inno­va­tors have not remained silent in the face of these crises. Physi­cist Stephen Hawk­ing has issued some dire warn­ings late­ly when it comes to human­i­ty’s future. Sev­er­al years ago, he pre­dict­ed that “our only chance of long term sur­vival” may be to “spread out into space,” a la Inter­stel­lar. In addi­tion to the wors­en­ing cli­mate cri­sis, the rise of arti­fi­cial intel­li­gence con­cerns Hawk­ing. Along with Bill Gates and Elon Musk, he has warned of what futur­ist Ray Kurzweil has called “the sin­gu­lar­i­ty,” the point at which machine intel­li­gence sur­pass­es our own.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Where Kurzweil has seen this event through an opti­mistic, New Age lens, Hawk­ing’s view seems more in line with dystopi­an sci-fi visions of robot apoc­a­lypse. “Suc­cess in AI would be the biggest event in human his­to­ry,” he wrote in The Inde­pen­dent last year, â€śUnfor­tu­nate­ly it might also be the last.” Giv­en the design of autonomous weapons sys­tems and, as he told the BBC, the fact that “Humans, who are lim­it­ed by slow bio­log­i­cal evo­lu­tion, could­n’t com­pete and would be super­seded,” the prospect looks chill­ing, but it isn’t inevitable.

Our tech isn’t active­ly out to get us. “The real risk with AI isn’t mal­ice but com­pe­tence,” Hawk­ing clar­i­fied, in a fas­ci­nat­ing Red­dit “Ask Me Any­thing” ses­sion last month. Due to the physi­cist’s phys­i­cal lim­i­ta­tions, read­ers post­ed ques­tions and vot­ed on their favorites. From these, Hawk­ing elect­ed the “ones he feels he can give answers to.” In response to a top-rat­ed ques­tion about the so-called “Ter­mi­na­tor Con­ver­sa­tion,” he wrote, “A super­in­tel­li­gent AI will be extreme­ly good at accom­plish­ing its goals, and if those goals aren’t aligned with ours, we’re in trou­ble.”

This prob­lem of mis­aligned goals is not of course lim­it­ed to our rela­tion­ship with machines. Our pre­car­i­ous eco­nom­ic rela­tion­ships with each oth­er pose a sep­a­rate threat, espe­cial­ly in the face of mas­sive job loss due to future automa­tion. We’d like to imag­ine a future where tech­nol­o­gy frees us of toil and want, the kind of soci­ety Buck­min­ster Fuller sought to cre­ate. But the truth is that wealth and income inequal­i­ty, at their high­est lev­els in the U.S. since at least the Gild­ed Age, may deter­mine a very dif­fer­ent path—one we might think of in terms of “The Ely­si­um Con­ver­sa­tion.” Asked in the same AMA Red­dit ses­sion, “Do you fore­see a world where peo­ple work less because so much work is auto­mat­ed? Do you think peo­ple will always either find work or man­u­fac­ture more work to be done?,” Hawk­ing elab­o­rat­ed,

If machines pro­duce every­thing we need, the out­come will depend on how things are dis­trib­uted. Every­one can enjoy a life of lux­u­ri­ous leisure if the machine-pro­duced wealth is shared, or most peo­ple can end up mis­er­ably poor if the machine-own­ers suc­cess­ful­ly lob­by against wealth redis­tri­b­u­tion. So far, the trend seems to be toward the sec­ond option, with tech­nol­o­gy dri­ving ever-increas­ing inequal­i­ty.

For decades after the Cold War, cap­i­tal­ism had the sta­tus of an unques­tion­ably sacred doctrine—the end of his­to­ry and the best of all pos­si­ble worlds. Now, not only has Hawk­ing iden­ti­fied its excess­es as dri­vers of human decline, but so have oth­er decid­ed­ly non-Marx­ist fig­ures like Bill Gates, who in a recent Atlantic inter­view described the pri­vate sec­tor as “in gen­er­al inept” and unable to address the cli­mate cri­sis because of its focus on short-term gains and max­i­mal prof­its. “There’s no for­tune to be made,” he said, from deal­ing with some of the biggest threats to our sur­vival. But if we don’t deal with them, the loss­es are incal­cu­la­ble.

via Huff Po

Relat­ed Con­tent:

187 Big Thinkers Answer the Ques­tion: What Do You Think About Machines That Think?

Bertrand Rus­sell & Buck­min­ster Fuller on Why We Should Work Less, and Live & Learn More

Sev­en Ques­tions for Stephen Hawk­ing: What Would He Ask Albert Ein­stein & More

Stephen Hawk­ing: Aban­don Earth Or Face Extinc­tion

Noam Chom­sky Explains Where Arti­fi­cial Intel­li­gence Went Wrong

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Poignant and Unsettling Post-Mortem Family Portraits from the 19th Century

victoriaanse-post-mortem-fotografie-op-de-foto-met-1

The 19th cen­tu­ry wit­nessed the birth of pho­tog­ra­phy. And, before too long, Vic­to­ri­an soci­ety found impor­tant appli­ca­tions for the new medi­um — like memo­ri­al­iz­ing the dead. A recent post on a Dutch ver­sion of Nation­al Geo­graph­ic notes that “Pho­tograph­ing deceased fam­i­ly mem­bers just before their bur­ial was enor­mous­ly pop­u­lar in cer­tain Vic­to­ri­an cir­cles in Europe and the Unit­ed States. Although adults were also pho­tographed, it was main­ly chil­dren who were com­mem­o­rat­ed in this way. In a peri­od plagued by unprece­dent­ed lev­els of infant mor­tal­i­ty, post-mortem pic­tures often pro­vid­ed the only tan­gi­ble mem­o­ry of the deceased child.”

victoriaanse-post-mortem-fotografie-op-de-foto-met

Though unusu­al by mod­ern stan­dards, the pic­tures played an impor­tant role in a fam­i­ly’s griev­ing process and often became one of its cher­ished pos­ses­sions — cher­ished because it was like­ly the only pho­to of the deceased child that fam­i­lies had. Dur­ing the ear­ly days of pho­tog­ra­phy, por­traits were expen­sive, which meant that most fam­i­lies did­n’t take pic­tures dur­ing the course of every­day life. It was only death that gave them a prompt.

post mortem pic 3

The prac­tice of tak­ing post mortem pic­tures peaked in the 19th cen­tu­ry, right around the time when “snap­shot” pho­tog­ra­phy became more preva­lent, allow­ing fam­i­lies to take por­traits at a low­er cost, when every­one was in the full swing of life. Hence obvi­at­ing the need for post-mortem pho­tos. You can learn more about this bygone prac­tice by vis­it­ing the Burns Archive or get­ting the book, Sleep­ing Beau­ty: Memo­r­i­al Pho­tog­ra­phy in Amer­i­ca.

via Dutch Nat Geo/ Sci­ence Dump

Fol­low Open Cul­ture on Face­book and Twit­ter and share intel­li­gent media with your friends. Or bet­ter yet, sign up for our dai­ly email and get a dai­ly dose of Open Cul­ture in your inbox. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

 

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A Short, Powerful Animation on Addiction: Watch Andreas Hykade’s Nuggets

From Andreas Hykade, the Direc­tor of the Ani­ma­tion and Visu­al Effects pro­gram at Germany’s Fil­makademie Baden-WĂĽrt­tem­berg, comes a short ani­mat­ed film called Nuggets. Things start off innocu­ous­ly, with a kiwi tak­ing a casu­al stroll down a road, even­tu­al­ly encoun­ter­ing and tast­ing some gold­en nuggets. The nuggets are deli­cious, it turns out, too deli­cious to resist. Then [spoil­er alert!] things take a dark turn, as we watch our friend­ly kiwi sink into addic­tion and despair. In an inter­view con­duct­ed by the Ani­ma­tion World Net­work, Hykade says that he cre­at­ed the film for young teenagers who might be tempt­ed one day (pre­sum­ably by drugs). And when that day comes, he hopes they’ll think about Nuggets and its strik­ing, stripped-down mes­sage about addic­tion and the life it brings.

You can watch more ani­ma­tions by Hykade on his web site. And find more thought-pro­vok­ing Ani­ma­tions in our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via io9

Relat­ed Con­tent:

The Cof­fee Pot That Fueled Hon­oré de Balzac’s Cof­fee Addic­tion

Bela Lugosi Dis­cuss­es His Drug Habit as He Leaves the Hos­pi­tal in 1955

How a Young Sig­mund Freud Researched & Got Addict­ed to Cocaine, the New “Mir­a­cle Drug,” in 1894

Free Online Psy­chol­o­gy Cours­es

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Human: The Movie Features Interviews with 2,020 People from 60 Countries on What It Means to Be Human

What is it that makes us human? And how best to ensure that we all get our fair say?

For direc­tor, pho­tog­ra­ph­er, and envi­ron­men­tal activist Yann Arthus-Bertrand, the answers lay in fram­ing all of his inter­view sub­jects using the same sin­gle image lay­out. The for­mal sim­plic­i­ty and unwa­ver­ing gaze of his new doc­u­men­tary, Human, encour­age view­ers to per­ceive his 2,020 sub­jects as equals in the sto­ry­telling realm.

There’s a deep diver­si­ty of expe­ri­ences on dis­play here, arranged for max­i­mum res­o­nance.

The qui­et­ly con­tent first wife of a polyg­a­mist mar­riage is fol­lowed by a polyamorous fel­low, whose uncon­ven­tion­al lifestyle is a source of both tor­ment and joy.

There’s a death row inmate. A lady so con­fi­dent she appears with her hair in curlers.

Where on earth did he find them?

His sub­jects hail from 60 coun­tries. Arthus-Bertrand obvi­ous­ly went out of his way to be inclu­sive, result­ing in a wide spec­trum of gen­der and sex­u­al ori­en­ta­tions, and sub­jects with dis­abil­i­ties, one a Hiroshi­ma sur­vivor.

Tears, laugh­ter, con­flict­ing emo­tions… stu­dents of the­ater and psy­chi­a­try would do well to book­mark this page. There’s a lot one can glean from observ­ing these sub­jects’ unguard­ed faces.

The project was inspired by an impromp­tu chat with a Malian farmer. The direc­tor was impressed by the frank­ness with which this stranger spoke of his life and dreams:

I dreamed of a film in which the pow­er of words would res­onate with the beau­ty of the world. Putting the ills of human­i­ty at the heart of my work—poverty, war, immi­gra­tion, homophobia—I made cer­tain choic­es. Com­mit­ted, polit­i­cal choic­es. But the men talked to me about every­thing: their dif­fi­cul­ty in grow­ing as well as their love and hap­pi­ness. This rich­ness of the human word lies at the heart of Human. 

In Vol­ume I, above, the inter­vie­wees con­sid­er love, women, work, and pover­ty. Vol­ume II deals with war, for­give­ness, homo­sex­u­al­i­ty, fam­i­ly, and the after­life. Hap­pi­ness, edu­ca­tion, dis­abil­i­ty, immi­gra­tion, cor­rup­tion, and the mean­ing of life are the con­cerns of the third vol­ume .

The inter­view seg­ments are bro­ken up by aer­i­al sequences, rem­i­nis­cent of the images in Arthus-Bertrand’s book, The Earth from Above. It’s a good reminder of how small we all are in the grand scheme of things.

Appro­pri­ate­ly, giv­en the sub­ject mat­ter, and the director’s long­time inter­est in envi­ron­men­tal issues, the film­ing and pro­mo­tion were accom­plished in the most sus­tain­able way, with the sup­port of the Good­Plan­et Foun­da­tion and the Unit­ed Car­bon Action pro­gram. It would be love­ly for all human­i­ty if this is a fea­ture of film­mak­ing going for­ward.

The Google Cul­tur­al Insti­tute has a col­lec­tion of relat­ed mate­r­i­al, from the mak­ing of the sound­track to behind-the-scenes rem­i­nis­cences of the inter­view team.

Human will be added to our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

Relat­ed Con­tent:

What Makes Us Human?: Chom­sky, Locke & Marx Intro­duced by New Ani­mat­ed Videos from the BBC

Richard Dawkins Explains Why There Was Nev­er a First Human Being

Biol­o­gy That Makes Us Tick: Free Stan­ford Course by Robert Sapol­sky

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Her new play, Fawn­book, opens in New York City lat­er this fall. Fol­low her @AyunHalliday.

Thomas Dolby Potty Trains His Cat, and There’s Video Proof

One of our favorite curiosi­ties is the The Charles Min­gus CAT-alogue for Toi­let Train­ing Your Cat–a pam­phlet writ­ten by the mer­cu­r­ial jazz musi­cian that offers step-by-step advice on how to get your cat to use the loo. The one thing Min­gus did­n’t pro­vide is video proof that it could actu­al­ly be done.

That’s where anoth­er musi­cian steps in. Above, we have video of Thomas Dol­by’s cat, “Mozart,” in action. Dol­by, best known for his 1982 hit “She Blind­ed Me with Sci­ence,” is a teacher at heart. The son of an Oxford and Cam­bridge don, he’s now the Pro­fes­sor of the Arts at Johns Hop­kins Uni­ver­si­ty. And, on his Youtube chan­nel, he explains how he pulled off the seem­ing­ly impos­si­ble:

This is my cat Mozart, a Cor­nish Rex, pee­ing on the toi­let. Many believed this was not pos­si­ble, but it’s 100% real. When he was a kit­ten we tried to teach him to use the toi­let, using a DVD. We thought it was a no go. But then aged about 3 he sud­den­ly start­ed to do it. Now some­times when I get up in the night to pee Mo nips in ahead of me and I have to wait till he’s done. Next we need to teach him to flush! ~TD

If any­one is famil­iar with the DVD he’s ref­er­enc­ing, please iden­ti­fy it in the com­ments below.

Fol­low us on Face­book, Twit­ter, Google Plus and LinkedIn and share our posts with your friends. And if you want to make sure that our posts def­i­nite­ly appear in your Face­book news­feed, just fol­low these sim­ple steps.

Relat­ed Con­tent:

Thomas Dol­by Explains How a Syn­the­siz­er Works on a Jim Hen­son Kids Show (1989)

Charles Min­gus’ Instruc­tions For Toi­let Train­ing Your Cat, Read by The Wire’s Reg E. Cathey

Insane­ly Cute Cat Com­mer­cials from Stu­dio Ghi­b­li, Hayao Miyazaki’s Leg­endary Ani­ma­tion Shop

The Inspiring Story of Ronald E. McNair, the Astronaut Who Endured Racism & Became One of the First African Americans in Space

On Jan­u­ary 28, 1986, NASA Chal­lenger mis­sion STS-51‑L explod­ed in the sky, into a twist­ing plume of smoke, a mere 73 sec­onds after take­off. It left a nation stunned, and sev­en astro­nauts dead. Among them was the pilot, physi­cist and MIT grad Ronald McNair, who, in 1984, had become only the sec­ond African-Amer­i­can to trav­el into out­er space.

As this ani­ma­tion nar­rat­ed by his own broth­er explains, McNair’s path to becom­ing an astro­naut was­n’t easy. Born and raised in the Jim Crow South (in Lake City, South Car­oli­na, to be pre­cise) McNair encoun­tered racism in his every­day life. One touch­ing sto­ry helps crys­tal­lize what his expe­ri­ence was like. As a nine-year-old, McNair tried to check out books from the â€śpub­lic” library — only to dis­cov­er that “pub­lic” meant books were for whites, not blacks. The video tells the rest of the sto­ry. And I’ll just flag one impor­tant detail men­tioned at the very end: On Jan­u­ary 28, 2011, exact­ly 25 years after his death, the library was renamed The Dr. Ronald E. McNair Life His­to­ry Cen­ter. You’ll also find a Ronald E. McNair Build­ing on MIT’s cam­pus too. And deserved­ly so.

Relat­ed Con­tent:

Nichelle Nichols Explains How Mar­tin Luther King Con­vinced Her to Stay on Star Trek

Albert Ein­stein Called Racism “A Dis­ease of White Peo­ple” in His Lit­tle-Known Fight for Civ­il Rights

How Mar­tin Luther King, Jr. Used Hegel, Kant & Niet­zsche to Over­turn Seg­re­ga­tion in Amer­i­ca

Pro­fes­sor Ronald Mal­lett Wants to Build a Time Machine in this Cen­tu­ry … and He’s Not Kid­ding

Free Online Astron­o­my Cours­es

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