Google Data Analytics Certificate: 8 Courses Will Help Prepare Students for an Entry-Level Job in 6 Months

Dur­ing the pan­dem­ic, Google launched a series of Career Cer­tifi­cates that will “pre­pare learn­ers for an entry-lev­el role in under six months.” The new career ini­tia­tive includes cer­tifi­cates con­cen­trat­ing on Project Man­age­ment and UX Design. And now also Data Ana­lyt­ics, a bur­geon­ing field that focus­es on “the col­lec­tion, trans­for­ma­tion, and orga­ni­za­tion of data in order to draw con­clu­sions, make pre­dic­tions, and dri­ve informed deci­sion mak­ing.”

Offered on the Cours­era plat­form, the Data Ana­lyt­ics Pro­fes­sion­al Cer­tifi­cate con­sists of eight cours­es, includ­ing “Foun­da­tions: Data, Data, Every­where,” “Pre­pare Data for Explo­ration,” “Data Analy­sis with R Pro­gram­ming,” and “Share Data Through the Art of Visu­al­iza­tion.” Over­all this pro­gram “includes over 180 hours of instruc­tion and hun­dreds of prac­tice-based assess­ments, which will help you sim­u­late real-world data ana­lyt­ics sce­nar­ios that are crit­i­cal for suc­cess in the work­place. The con­tent is high­ly inter­ac­tive and exclu­sive­ly devel­oped by Google employ­ees with decades of expe­ri­ence in data ana­lyt­ics.”

Upon com­ple­tion, students–even those who haven’t pur­sued a col­lege degree–can direct­ly apply for jobs (e.g., junior or asso­ciate data ana­lyst, data­base admin­is­tra­tor, etc.) with Google and over 130 U.S. employ­ers, includ­ing Wal­mart, Best Buy, and Astreya. You can start a 7‑day free tri­al and explore the cours­es here. If you con­tin­ue beyond the free tri­al, Google/Coursera will charge $39 USD per month. That trans­lates to about $235 after 6 months, the time esti­mat­ed to com­plete the cer­tifi­cate.

Explore the Data Ana­lyt­ics Cer­tifi­cate by watch­ing the video above. Learn more about the over­all Google career cer­tifi­cate ini­tia­tive here. And find oth­er Google pro­fes­sion­al cer­tifi­cates here.

Note: Open Cul­ture has a part­ner­ship with Cours­era. If read­ers enroll in cer­tain Cours­era cours­es and pro­grams, it helps sup­port Open Cul­ture.

Relat­ed Con­tent:

Online Degrees & Mini Degrees: Explore Mas­ters, Mini Mas­ters, Bach­e­lors & Mini Bach­e­lors from Top Uni­ver­si­ties.

Google Intro­duces 6‑Month Career Cer­tifi­cates, Threat­en­ing to Dis­rupt High­er Edu­ca­tion with “the Equiv­a­lent of a Four-Year Degree”

Cours­era and Google Launch an Online Cer­tifi­cate Pro­gram to Help Stu­dents Become IT Pro­fes­sion­als & Get Attrac­tive Jobs

Google’s UX Design Pro­fes­sion­al Cer­tifi­cate: 7 Cours­es Will Help Pre­pare Stu­dents for an Entry-Lev­el Job in 6 Months

Become a Project Man­ag­er With­out a Col­lege Degree with Google’s Project Man­age­ment Cer­tifi­cate

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ABBA Set to Release Their First Album in 40 Years: Hear Two New Tracks, and Get a Glimpse of Their Digital Live Show

45 years ago, ABBA’s music was inescapable. 25 years ago, it had become a seem­ing­ly unwel­come reminder of the inani­ties of the 1970s in gen­er­al and the days of dis­co in par­tic­u­lar. But now, it’s revered: rare is the 21st-cen­tu­ry music crit­ic who absolute­ly refus­es to acknowl­edge the Swedish four­some’s mas­tery of pure pop song­writ­ing and stu­dio pro­duc­tion. With cur­rent musi­cians, too, nam­ing ABBA among their inspi­ra­tions with­out embar­rass­ment, the time has sure­ly come for ABBA them­selves to return to the spot­light — a spot­light that first illu­mi­nat­ed them for the world in 1974, when their per­for­mance of “Water­loo” won the Euro­vi­sion Song Con­test.

ABBA’s streak last­ed until the ear­ly 1980s, end­ing in a hia­tus that ulti­mate­ly stretched out to some 40 years. Pop cul­ture has changed quite a bit in that time, but tech­nol­o­gy much more so. The band have thus put togeth­er a thor­ough­ly mod­ern come­back involv­ing not just a new album, but also a live show star­ring com­put­er-gen­er­at­ed ver­sions of mem­bers Björn Ulvaeus, Ben­ny Ander­s­son, Agnetha Fält­skog, and Anni-Frid Lyn­gstad — “Abbatars,” as Ulvaeus calls them.

Begin­ning next year, they’ll play ABBA’s hits in a cus­tom-built 3,000-seat are­na in Lon­don’s Olympic park, engi­neered to accom­pa­ny each song with their own elab­o­rate light show. Ani­mat­ed with motion-cap­tured per­for­mances by the real ABBA, their appear­ance has been mod­eled after the way the band looked in the 1970s (if not quite the way they dressed).

Titled Voy­age, this dig­i­tal ABBA expe­ri­ence will open in 2022, thus solv­ing the prob­lem of tour­ing that had long dis­cour­aged a reunion. “We would like peo­ple to remem­ber us as we were,” Ulvaeus said in the late 2000s. “Young, exu­ber­ant, full of ener­gy and ambi­tion.” But with all four now-sep­tu­a­ge­nar­i­an mem­bers still alive and able to make music, remain­ing whol­ly inac­tive seems to have start­ed feel­ing like a shame. They made their return to the stu­dio in 2018, record­ing the new songs “I Still Have Faith in You” and “Don’t Shut Me Down,” both of which will appear on the new album, also called Voy­age, com­ing out in Novem­ber. All this will bring back mem­o­ries for long­time fans, as well as pro­vide a thrilling expe­ri­ence for their many lis­ten­ers too young to have expe­ri­enced an ABBA show or album release before. But I can’t be the only mem­ber of my gen­er­a­tion won­der­ing if, twen­ty years from now, we’ll be buy­ing tick­ets for a dig­i­tal­ly re-cre­at­ed Ace of Base.

Relat­ed Con­tent:

How ABBA Won Euro­vi­sion and Became Inter­na­tion­al Pop Stars (1974)

When ABBA Wrote Music for the Cold War-Themed Musi­cal, Chess: “One of the Best Rock Scores Ever Pro­duced for the The­atre” (1984)

Lis­ten to ABBA’s “Danc­ing Queen” Played on a 1914 Fair­ground Organ

This Man Flew to Japan to Sing ABBA’s “Mam­ma Mia” in a Big Cold Riv­er

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

How the COVID-19 Vaccines Could Be Created So Quickly: Two Animated Videos Explain the How mRNA Vaccines Were Developed, and How They Work

The world now has COVID-19 vac­cines, of which more and more peo­ple are receiv­ing their dos­es every day. A year and a half ago the world did not have COVID-19 vac­cines, though it was fast becom­ing clear how soon it would need them. The sub­se­quent devel­op­ment of the ones now being deployed around the world took not just less than a year and a half but less than a year, an impres­sive speed even to many of us who nev­er dug deep into med­ical sci­ence. The achieve­ment owes in part to the use of mRNA, a term most of us may recall only dim­ly from biol­o­gy class­es; through the pan­dem­ic, mes­sen­ger ribonu­cle­ic acid, to use its full name, has proven if not the sav­ior of human­i­ty, then at least the very mol­e­cule we need­ed.

One should­n’t get “the idea that these vac­cines came out of nowhere.” On Twit­ter, Dan Rather — these days a more out­spo­ken  fig­ure than ever — calls the preva­lence such a notion “a fail­ure of sci­ence com­mu­ni­ca­tion with trag­ic results,” describ­ing the vac­cines as “the result of DECADES of basic research in MULTIPLE fields build­ing on the BREADTH and DEPTH of human knowl­edge.”

You can get a clear­er sense of what that research has involved through videos like the ani­mat­ed TED-Ed explain­er above. “In the twen­ti­eth cen­tu­ry, most vac­cines took well over a decade to research, test, and pro­duce,” says its nar­ra­tor. “But the vac­cines for COVID-19 cleared the thresh­old for use in less than eleven months.” The “secret”? mRNA.

A “nat­u­ral­ly occur­ring mol­e­cule that encodes the instruc­tions for occur­ring pro­teins,” mRNA can be used in vac­cines to “safe­ly intro­duce our body to a virus.” Researchers first “encode tril­lions of mRNA mol­e­cules with instruc­tions for a spe­cif­ic viral pro­tein.” Then they inject those mol­e­cules into a spe­cial­ly designed “nanopar­ti­cle” also con­tain­ing lipids, sug­ars, and salts. When it reach­es our cells, this nanopar­ti­cle trig­gers our immune response: the body pro­duces “anti­bod­ies to fight that viral pro­tein, that will then stick around to defend against future COVID-19 infec­tions.” And all of this hap­pens with­out the vac­cine alter­ing out DNA,

While mRNA vac­cines will “have a big impact on how we fight COVID-19,” says the nar­ra­tor of the Vox video above, “their real impact is just begin­ning.” Their devel­op­ment marked “a turn­ing point for the pan­dem­ic,” but giv­en their poten­tial appli­ca­tions in the bat­tles against a host of oth­er, even dead­lier dis­eases (e.g., HIV), “the pan­dem­ic might also be a turn­ing point for vac­cines.”

Relat­ed Con­tent:

How Fast Can a Vac­cine Be Made?: An Ani­mat­ed Intro­duc­tion

How Do Vac­cines (Includ­ing the COVID-19 Vac­cines) Work?: Watch Ani­mat­ed Intro­duc­tions

How Vac­cines Improved Our World In One Graph­ic

19th Cen­tu­ry Maps Visu­al­ize Measles in Amer­i­ca Before the Mir­a­cle of Vac­cines

Roald Dahl, Who Lost His Daugh­ter to Measles, Writes a Heart­break­ing Let­ter about Vac­ci­na­tions: “It Is Almost a Crime to Allow Your Child to Go Unim­mu­nised”

Yo-Yo Ma Plays an Impromp­tu Per­for­mance in Vac­cine Clin­ic After Receiv­ing 2nd Dose

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Become a Project Manager Without a College Degree with Google’s Project Management Certificate

As we first men­tioned last year, Google has launched a series of Career Cer­tifi­cate pro­grams that allow stu­dents to gain exper­tise in a field, ide­al­ly enough to start work­ing with­out a 4‑year col­lege degree. This ini­tia­tive now includes a Cer­tifi­cate in Project Man­age­ment, which con­sists of six cours­es.

  • Foun­da­tions of Project Man­age­ment
  • Project Ini­ti­a­tion: Start­ing a Suc­cess­ful Project
  • Project Plan­ning: Putting It All Togeth­er
  • Project Exe­cu­tion: Run­ning the Project
  • Agile Project Man­age­ment
  • Cap­stone: Apply­ing Project Man­age­ment in the Real World

Above, a Pro­gram Man­ag­er talks about “her path from drop­ping out of high school and earn­ing a GED, join­ing the mil­i­tary, and work­ing as a coder, to learn­ing about pro­gram man­age­ment and switch­ing into that career track.” An intro­duc­tion to the Project Man­age­ment cer­tifi­cate appears below.

The Project Man­age­ment pro­gram takes about six months to com­plete, and should cost about $250 in total. Stu­dents get charged $39 per month until they com­plete the pro­gram.

You can explore the Project Man­age­ment cer­tifi­cate here. And find oth­er Google career cer­tifi­cates in oth­er fields–e.g. UX Design and Data Ana­lyt­ics–over on this page. All Google career cours­es are host­ed on the Cours­era plat­form.

Note: Open Cul­ture has a part­ner­ship with Cours­era. If read­ers enroll in cer­tain Cours­era cours­es and pro­grams, it helps sup­port Open Cul­ture.

Relat­ed Con­tent 

Google Intro­duces 6‑Month Career Cer­tifi­cates, Threat­en­ing to Dis­rupt High­er Edu­ca­tion with “the Equiv­a­lent of a Four-Year Degree”

Google & Cours­era Launch Career Cer­tifi­cates That Pre­pare Stu­dents for Jobs in 6 Months: Data Ana­lyt­ics, Project Man­age­ment and UX Design

Google’s UX Design Pro­fes­sion­al Cer­tifi­cate: 7 Cours­es Will Help Pre­pare Stu­dents for an Entry-Lev­el Job in 6 Months

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The Birth of Espresso: The Story Behind the Coffee Shots That Fuel Modern Life

Espres­so is nei­ther bean nor roast.

It is a method of pres­sur­ized cof­fee brew­ing that ensures speedy deliv­ery, and it has birthed a whole cul­ture.

Amer­i­cans may be accus­tomed to camp­ing out in cafes with their lap­tops for hours, but Ital­ian cof­fee bars are fast-paced envi­ron­ments where cus­tomers buzz in for a quick pick me up, then right back out, no seat required.

It’s the sort of effi­cien­cy the Father of the Mod­ern Adver­tis­ing Poster, Leonet­to Cap­piel­lo, allud­ed to in his famous 1922 image for the Vic­to­ria Arduino machine (below).

Let 21st-cen­tu­ry cof­fee afi­ciona­dos cul­ti­vate their Zen­like patience with slow pourovers. A hun­dred years ago, the goal was a qual­i­ty prod­uct that the suc­cess­ful busi­nessper­son could enjoy with­out break­ing stride.

As cof­fee expert James Hoff­mann, author of The World Atlas of Cof­fee points out in the above video, the Steam Age was on the way out, but Cappiello’s image is “absolute­ly lever­ag­ing the idea that steam equals speed.”

That had been the goal since 1884, when inven­tor Ange­lo Morion­do patent­ed the first espres­so machine (see below).

The bulk brew­er caused a stir at the Turin Gen­er­al Expo­si­tion. Speed wise, it was a great improve­ment over the old method, in which indi­vid­ual cups were brewed in the Turk­ish style, requir­ing five min­utes per order.

This “new steam machin­ery for the eco­nom­ic and instan­ta­neous con­fec­tion of cof­fee bev­er­age” fea­tured a gas or wood burn­er at the bot­tom of an upright boil­er, and two sight glass­es that the oper­a­tor could mon­i­tor to get a feel for when to open the var­i­ous taps, to yield a large quan­ti­ty of fil­tered cof­fee. It was fast, but demand­ed some skill on the part of its human oper­a­tor.

As Jim­my Stamp explains in a Smith­son­ian arti­cle on the his­to­ry of the espres­so machine, there were  also a few bugs to work out.

Ear­ly machines’ hand-oper­at­ed pres­sure valves posed a risk to work­ers, and the cof­fee itself had a burnt taste.

Milanese café own­er Achille Gag­gia cracked the code after WWII, with a small, steam­less lever-dri­ven machine that upped the pres­sure to pro­duce the con­cen­trat­ed brew that is what we now think of as espres­so.

Stamp describes how Gaggia’s machine also stan­dard­ized the size of the espres­so, giv­ing rise to some now-famil­iar cof­fee­house vocab­u­lary:

The cylin­der on lever groups could only hold an ounce of water, lim­it­ing the vol­ume that could be used to pre­pare an espres­so. With the lever machines also came some some new jar­gon: baris­tas oper­at­ing Gaggia’s spring-loaded levers coined the term “pulling a shot” of espres­so. But per­haps most impor­tant­ly, with the inven­tion of the high-pres­sure lever machine came the dis­cov­ery of cre­ma – the foam float­ing over the cof­fee liq­uid that is the defin­ing char­ac­ter­is­tic of a qual­i­ty espres­so. A his­tor­i­cal anec­dote claims that ear­ly con­sumers were dubi­ous of this “scum” float­ing over their cof­fee until Gag­gia began refer­ring to it as “caffe creme,“ sug­gest­ing that the cof­fee was of such qual­i­ty that it pro­duced its own creme.

Relat­ed Con­tent:

Cof­fee Entre­pre­neur Rena­to Bialet­ti Gets Buried in the Espres­so Mak­er He Made Famous

The Life & Death of an Espres­so Shot in Super Slow Motion

The Bialet­ti Moka Express: The His­to­ry of Italy’s Icon­ic Cof­fee Mak­er, and How to Use It the Right Way

Every­thing You Ever Want­ed to Know about the Bialet­ti Moka Express: A Deep Dive Into Italy’s Most Pop­u­lar Cof­fee Mak­er

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

The Sound of Subways Around the World: A Global Collection of Subway Door Closing Announcements, Beeps & Chimes

The next L train is now arriv­ing on the Man­hat­tan bound track. Please stand away from the plat­form edge. 

Thus begins Brook­lyn sax­o­phone-per­cus­sion trio Moon Hooch’s “Num­ber 9.”

Any­one who’s tak­en the train into the city from Bush­wick or Williams­burg two or three times, you should be able to chant along with no trou­ble.

Mind the gap!” is a sen­ti­men­tal favorite of both native Lon­don­ers and first time vis­i­tors nav­i­gat­ing The Tube with fresh­ly pur­chased Oys­ter Cards.

Res­i­dents of Mon­tre­al are just­ly proud that their Metro’s clos­ing doors sig­nal is a near twin of Aaron Copland’s “Fan­fare for the Com­mon Man.”

Civ­il engi­neer Ted Green has been doc­u­ment­ing the mass tran­sit sounds that cue pas­sen­gers that the sub­way doors are about to close since 2004, when he logged 26 sec­onds on the Pic­cadil­ly Line in Lon­don’s Rus­sell Square Sta­tion:

In 2003 I used the Rus­sell Square sta­tion dai­ly for a week and it’s the first announce­ment that caught my atten­tion… Back then the Pic­cadil­ly Line did not have on-train sta­tion and door clos­ing announce­ments, it had the beeps, but the sta­tions in cen­tral Lon­don had auto­mat­ic announce­ments from plat­form speak­ers aimed at the open train door. Once the Pic­cadil­ly Line received on-train announce­ments a few years lat­er, this announce­ment was phased out.

Over the course of a decade, the project has expand­ed to encom­pass announce­ments on sub­ur­ban rail, rail­ways, trams, and light rail.

His trav­els have tak­en him to Asia, Aus­tralia, Europe, and North Amer­i­ca, where curios­i­ty com­pels him to doc­u­ment what hap­pens dur­ing “dwell time,” the brief peri­od when a train is dis­gorg­ing some rid­ers and tak­ing on oth­ers.

Whether the canned record­ing is ver­bal or non-ver­bal, the intent is to keep things mov­ing smooth­ly, and pre­vent injuries, though pas­sen­gers can become blasé, attempt­ing to force their way on or off by thrust­ing a limb between clos­ing doors at the absolute last minute.

Green’s incred­i­bly pop­u­lar video com­pi­la­tions aren’t near­ly so har­row­ing.

As he told The New York Times’ Sophie Haigney and Denise Lu:

I think the appeal is the sim­plic­i­ty. You won­der, how can there be so many dif­fer­ent vari­a­tions of beeps? And then you lis­ten, and they’re all so dif­fer­ent.

The pan­dem­ic only increased his audi­ence, as locked down com­muters found them­selves long­ing for the sound­track of nor­mal life.

It’s the same impulse that led soft­ware devel­op­er Evan Lewis to make an app of New York City sub­way sounds.

For those who want to bone up on their lines, infor­ma­tion design­er Ilya Bir­man, author of Design­ing Tran­sit Maps, has script­ed lists of Lon­don Under­ground and New York City sub­way announce­ments.

And Brook­lyn-based Met­ro­pol­i­tan Tran­sit Author­i­ty work­er Fred Argoff’s zine Watch the Clos­ing Doors ush­ered civil­ians behind the scenes, some­times explor­ing oth­er cities’ sub­way sys­tems or, in the case of Cincin­nati, lack there­of.

Read­ers, do you have a fond­ness for a par­tic­u­lar under­ground sound? Tell us what and why in the com­ments.

Relat­ed Con­tent: 

Ani­mat­ed GIFs Show How Sub­way Maps of Berlin, New York, Tokyo & Lon­don Com­pare to the Real Geog­ra­phy of Those Great Cities

How the Icon­ic Col­ors of the New York City Sub­way Sys­tem Were Invent­ed: See the 1930 Col­or Chart Cre­at­ed by Archi­tect Squire J. Vick­ers

Design­er Mas­si­mo Vignel­li Revis­its and Defends His Icon­ic 1972 New York City Sub­way Map

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday

Watch Venice’s New $7 Billion Flood Defense System in Action

There are cap­i­tals unlike­ly to be much afflict­ed by ris­ing sea lev­els — Indi­anapo­lis, say, or La Paz — but Venice looks set for a much more dire fate. Still, there is hope for the Float­ing City, a hope held out by large-scale engi­neer­ing projects like the one pro­filed in the Tomor­row’s Build video above. Called MOSE (an acronym stand­ing for MOd­u­lo Sper­i­men­tale Elet­tromec­ca­ni­co), the sys­tem con­sists of “78 gates, each 20 meters wide, that rise up out of the water when flood­ing is immi­nent.” This sounds like just the tick­et for a city that, “built in the mid­dle of a lagoon,” has “been sus­cep­ti­ble to a nat­ur­al phe­nom­e­non known as acqua alta, or ‘high water,’ since its found­ing in the fifth cen­tu­ry.”

MOSE is now “final­ly up and run­ning, eigh­teen years after con­struc­tion began” — and a decade after its orig­i­nal com­ple­tion dead­line. This was too late, unfor­tu­nate­ly, to spare Venice from the 2019 flood that ranked as its worst in 50 years, leav­ing 80 per­cent of the city under­wa­ter.

“The good news is, it passed the first major test,” suc­cess­ful­ly pro­tect­ing the city in Octo­ber of last year “from a 1.3‑meter high tide, and it’s per­formed mul­ti­ple times since. But this does­n’t mean that flood­ing’s been stopped entire­ly. In Decem­ber, it was unable to pre­vent an unex­pect­ed­ly high tide from sweep­ing in and drench­ing the city once again.” Tech­ni­cal­ly, that inci­dent was­n’t MOSE’s fault: “Weath­er fore­cast­ers under­es­ti­mat­ed how high the water would get, so author­i­ties kind of did­n’t think to switch it on.”

This speaks to the dif­fi­cul­ty of not just design­ing and installing a com­plex mechan­i­cal defense mech­a­nism, but also of get­ting it to work in con­cert with the oth­er sys­tems already per­form­ing func­tions of their own (and at var­i­ous lev­els of reli­a­bil­i­ty). At a cost of over €6 bil­lion (or $7 bil­lion), MOSE has become “far more expen­sive than first pre­dict­ed,” and thus faces that much high­er a bur­den of self-jus­ti­fi­ca­tion, espe­cial­ly giv­en the cloud of “cor­rup­tion, envi­ron­men­tal oppo­si­tion, and ques­tions about its long-term effec­tive­ness” hang­ing over it. Seen in action, MOSE remains an unques­tion­ably impres­sive work of engi­neer­ing, but its asso­ci­at­ed headaches have sure­ly con­vert­ed some to the posi­tion on Venice once advanced by no less a schol­ar and lover of that sto­ried city than Jan Mor­ris: “Let her sink.”

via Kot­tke

Relat­ed Con­tent:

How Venice Works: 124 Islands, 183 Canals & 438 Bridges

Huge Hands Rise Out of Venice’s Waters to Sup­port the City Threat­ened by Cli­mate Change: A Poignant New Sculp­ture

The Venice Time Machine: 1,000 Years of Venice’s His­to­ry Gets Dig­i­tal­ly Pre­served with Arti­fi­cial Intel­li­gence and Big Data

Watch City Out of Time, a Short Trib­ute to Venice, Nar­rat­ed by William Shat­ner in 1959

Venice in a Day: From Day­break to Sun­set in Time­lapse

Venice is Way Under Water…

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Take 193 Free Tech and Business Courses Online at Udacity: Product Design, Programming, A.I., Marketing & More

Each of us now com­mands more tech­no­log­i­cal pow­er than did any human being alive in pre­vi­ous eras. Or rather, we poten­tial­ly com­mand it: what we can do with the tech­nol­o­gy at our fin­ger­tips — and how much mon­ey we can make with it — depends on how well we under­stand it. Luck­i­ly, the devel­op­ment of learn­ing meth­ods has more or less kept pace with the devel­op­ment of every­thing else we now do with com­put­ers. Take the online-edu­ca­tion plat­form Udac­i­ty, which offers “nan­ode­gree” pro­grams in areas like pro­gram­ming, data sci­ence, and cyber­se­cu­ri­ty. While the nan­ode­grees them­selves come with fees, Udac­i­ty does­n’t charge for the con­stituent cours­es: in oth­er words, you can earn what you need to know for free.

Above you’ll find the intro­duc­tion to Udac­i­ty’s Prod­uct Design course by Google (also cre­ator of the Cours­era pro­fes­sion­al-cer­tifi­cate pro­grams pre­vi­ous­ly fea­tured here on Open Cul­ture). “Designed to help you mate­ri­al­ize your game-chang­ing idea and trans­form it into a prod­uct that you can build a busi­ness around,” the course “blends the­o­ry and prac­tice to teach you prod­uct val­i­da­tion, UI/UX prac­tices, Google’s Design Sprint and the process for set­ting and track­ing action­able met­rics.”

This is a high­ly prac­ti­cal learn­ing expe­ri­ence at the inter­sec­tion of tech­nol­o­gy and busi­ness, as are many oth­er of Udac­i­ty’s 193 free cours­es, like App Mar­ket­ingApp Mon­e­ti­za­tion, How to Build a Start­up, and Get Your Start­up Start­ed.

If you have no par­tic­u­lar inter­est in found­ing and run­ning the next Google, Udac­i­ty also hosts plen­ty of cours­es that focus entire­ly on the work­ings of dif­fer­ent branch­es of tech­nol­o­gy, from pro­gram­ming and arti­fi­cial intel­li­gence to 2D game devel­op­ment and 3D graph­ics. (In addi­tion to the broad intro­duc­tions, there are also rel­a­tive­ly advanced cours­es of a much more spe­cif­ic focus: Devel­op­ing Android Apps with Kotlin, say, or Deploy­ing a Hadoop Clus­ter.) And if you’d sim­ply like to get your foot in the door with a job in tech, con­sid­er such offer­ings as Refresh Your Résumé, Strength­en Your LinkedIn Net­work & Brand, and a vari­ety of inter­view-prepa­ra­tion cours­es for jobs in data sci­encemachine learn­ing, prod­uct man­age­ment, vir­tu­al-real­i­ty devel­op­ment, and oth­er sub­fields. And how­ev­er cut­ting-edge their work, who could­n’t anoth­er spin through good old Intro to Psy­chol­o­gy?

Find a list of 193 Free Udac­i­ty cours­es here. For the next week Nan­ode­grees are 75% off (use code JULY75). Find more free cours­es in our list, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

Note: Open Cul­ture has a part­ner­ship with Udac­i­ty. If read­ers enroll in cer­tain Udac­i­ty cours­es and pro­grams that charge a fee, it helps sup­port Open Cul­ture.

Relat­ed Con­tent:

Google’s UX Design Pro­fes­sion­al Cer­tifi­cate: 7 Cours­es Will Help Pre­pare Stu­dents for an Entry-Lev­el Job in 6 Months

Learn How to Code for Free: A DIY Guide for Learn­ing HTML, Python, Javascript & More

1,700 Free Online Cours­es from Top Uni­ver­si­ties

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and cul­ture. His projects include the Sub­stack newslet­ter Books on Cities, the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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