How to Send an E‑mail: A 1984 British Television Broadcast Explains This “Simple” Process

Ear­li­er this month, the world got news of the death of a man whose name many of us had nev­er heard but whose act of inno­va­tion shaped what we do every day. “When his­to­ri­ans of the future study the ways infor­ma­tion tech­nol­o­gy affect­ed people’s lives in the late 20th cen­tu­ry,” said his Econ­o­mist obit­u­ary, â€śthey will sure­ly recog­nise e‑mail as one of the most pro­found. Today, about 2.5m e‑mails are sent every sec­ond. The first e‑mail of all, though” — to be pre­cise, “the first mes­sage between ter­mi­nals attached to sep­a­rate CPUs, albeit that these two com­put­ers stood side-by-side in the same room” — “was sent 45 years ago by Ray Tom­lin­son.”

Fif­teen years after that qui­et­ly his­to­ry-mak­ing trans­mis­sion, e‑mail had evolved to the point that it had become a sub­ject in the news. This 1984 seg­ment of the Thames Tele­vi­sion com­put­er show Data­base shows how one ear­ly-adopt­ing cou­ple, Pat and Julian Green of north Lon­don, com­mu­ni­cate with the world by con­nect­ing their com­put­er to, of all things, the tele­phone line. “It’s sim­ple, real­ly,” says Julian, unplug­ging a British Tele­com cable from one sock­et and plug­ging it into a modem, plug­ging a dif­fer­ent wire from the modem into the first sock­et, switch­ing on the modem, and then hand-dial­ing the num­ber of a â€śmain com­put­er” — with his rotary phone. “Extreme­ly sim­ple,” he reit­er­ates.

What can they do on Micronet, their ser­vice provider, once con­nect­ed? They might read the news, have a look at “reviews of the soft­ware that’s cur­rent­ly avail­able” and even down­load some of it, or use the fea­ture that Pat (in addi­tion to her use of the com­put­er for “keep­ing house­hold records, such as what I have in the freez­er, and people’s tele­phone num­bers and address­es,” as well as “a word proces­sor for my let­ters, which always come out per­fect now”) describes as most excit­ing of all: “the mail­box where I write to oth­er peo­ple.” We see how she can use this new elec­tron­ic mail to ask her doc­tor to refill a pre­scrip­tion, and even to send a mes­sage to the Data­base stu­dio.

All this must have intrigued the view­ers of the day, who, if they had their own com­put­ers at the ready, could even “down­load” soft­ware straight from the broad­cast by record­ing the tone that plays over the show’s end cred­its. (As long as their com­put­ers were BBC Micros, that is, at least in this par­tic­u­lar episode.) The past 32 years have seen enthu­si­asm for new tech­nol­o­gy spread all across the world, turn­ing us all, in some sense, into Pat and Julian Greens. Today we mar­vel at all what we can do with our smart­phones, devices that would’ve seemed mag­i­cal in 1984, but in three decades from now, even our cur­rent tech­no­log­i­cal lives will sure­ly look quaint­er than any­thing in the Data­base archives.

via Atlas Obscu­ra

Relat­ed Con­tent:

The Inter­net Imag­ined in 1969

From the Annals of Opti­mism: The News­pa­per Indus­try in 1981 Imag­ines its Dig­i­tal Future

Where Is Tech­nol­o­gy Tak­ing Us?

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Peter Sellers Recites The Beatles’ “A Hard Day’s Night” in the Style of Shakespeare’s Richard III

“Now is the win­ter of our dis­con­tent….” If you know noth­ing else of Shakespeare’s Richard III, you’ll know this famous open­ing line, and it’s like­ly many of us know it through Lau­rence Olivier’s per­for­mance of Richard as a “melo­dra­mat­ic bad­die” in the famous 1955 film. If not, take a look at the clip below to famil­iar­ize your­self with Olivier’s dis­tinc­tive man­ner­isms and speech. The ref­er­ence may large­ly be lost these days, but in 1965, at the very height of The Bea­t­les’ fame, Olivier’s per­for­mance was still fresh in the minds of the TV view­ing pub­lic. And the mer­cu­r­ial Eng­lish come­di­an Peter Sell­ers put it to good use in a Bea­t­les-trib­ute vari­ety pro­gram called The Music of Lennon and McCart­ney that aired in the UK. In the clip above, Sell­ers recites the lyrics to “A Hard Day’s Night” in char­ac­ter as Olivier’s dandy­ish Richard.

Unsur­pris­ing­ly, Sell­ers and the Bea­t­les had hit it off right away when they were intro­duced by George Mar­tin, and as we showed you in a recent post, the come­di­an milked their lyrics for more mate­r­i­al, read­ing “She Loves You,” in a vari­ety of accents. Sell­ers’ ren­di­tion of “A Hard Day’s Night” was hard­ly the first Shake­speare­an turn for the band.

The pre­vi­ous year, they appeared in anoth­er vari­ety tele­vi­sion spe­cial called Around the Bea­t­les, “pro­duced con­cur­rent­ly,” writes Dan­ger­ous Minds, “while A Hard Day’s Night was being shot.” (Around the Bea­t­les was direct­ed by pro­duc­er and man­ag­er Jack Good, a “Shake­speare fan,” who also, it turns out, con­vinced rock­a­bil­ly star Gene Vin­cent to dress up like Richard III.) In this ear­li­er pro­gram, the band—always good sports about this kind of thing—dressed up in Shake­speare­an garb and staged a rau­cous per­for­mance of a scene from A Mid­sum­mer Night’s Dream.

Relat­ed Con­tent:

Peter Sell­ers Reads The Bea­t­les’ “She Loves You” in 4 Dif­fer­ent Accents: Dr. Strangelove, Cock­ney, Irish & Upper Crust

The Bea­t­les Sat­ur­day Morn­ing Car­toon Show: The Com­plete 1965–1969 Series

The 15 Worst Cov­ers of Bea­t­les Songs: William Shat­ner, Bill Cos­by, Tiny Tim, Sean Con­nery & Your Excel­lent Picks

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Julia Child Marathon: 201 Episodes of “The French Chef” Streaming Free (for a Limited Time)

julia child

Had to give you a quick heads up on this:

Twitch.tv is launch­ing a new Food Chan­nel. And it’s get­ting things going with a marathon stream­ing of all 201 episodes of Julia Child’s now leg­endary TV series “The French Chef.”

Today, Twitch Cre­ative is cel­e­brat­ing the joy of cook­ing with the launch of a brand new chan­nel ded­i­cat­ed to all things food! Twitch.tv/Food will show­case cook­ing con­tent 24/7 on Twitch Cre­ative, and we’re kick­ing things off with an almighty marathon of all 201 episodes of Julia Child’s clas­sic PBS cook­ing show, The French Chef.

If you click here, you can jump into the marathon view­ing here. Twitch has more info on the marathon here.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via Metafil­ter

Who’s Out There?: Orson Welles Narrates a Documentary Asking Whether There’s Extraterrestrial Life in the Universe (1975)

Does intel­li­gent life exist else­where in the uni­verse? The ques­tion has cap­ti­vat­ed humankind for cen­turies upon cen­turies; long before the X‑Files pop­u­lar­ized the dec­la­ra­tion, we’ve want­ed to believe. But this curios­i­ty-dri­ven desire goes hand-in-hand with mor­tal fear: what if intel­li­gent life does exist else­where in the uni­verse, and it decides to come to Earth and exter­mi­nate us? Turn-of-the-cen­tu­ry sci-fi mas­ter H.G. Wells tapped into that emo­tion­al cur­rent with The War of the Worlds; forty years lat­er, Orson Welles tapped it deep­er still with his adap­ta­tion of Wells’ nov­el, “a cer­tain noto­ri­ous radio broad­cast which some of you may remem­ber.”

That’s how Welles puts it from the nar­ra­tor’s seat of Who’s Out There?, a half-hour tele­vi­sion doc­u­men­tary orig­i­nal­ly broad­cast in 1971. “It starts off strong with its Doc­tor Who-esque cred­its sequence,” writes io9’s Katharine Tren­da­cos­ta. “Then Welles talks about becom­ing friends with H.G. Wells after his infa­mous War of the Worlds radio play. Then they inter­view peo­ple who had been scared by the broad­cast. It gets bare­ly more nor­mal as it goes on. Once Carl Sagan showed up, my head explod­ed.”

I lis­tened to Welles’ War of the Worlds over and over again on tape as a kid, but by that time it had already passed into the realm of his­tor­i­cal arti­fact. When Who’s Out There? debuted, how­ev­er, that infa­mous Hal­loween broad­cast had aired less than 35 years before (Who’s Out There? itself, by com­par­i­son, aired 45 years ago), so the fright it caused remained in liv­ing mem­o­ry. Even more recent­ly, David Bowie had cap­i­tal­ized artis­ti­cal­ly on a new wave of out­er-space fas­ci­na­tion with “Space Odd­i­ty” in 1969 and, more direct­ly, “Life on Mars?” two years lat­er.

“Life on Mars?” acts as more or less the ani­mat­ing ques­tion of this doc­u­men­tary, which both exam­ines the then-cur­rent evi­dence for such a phe­nom­e­non, on the Red Plan­et or else­where, and pon­ders why we so often assume that vis­i­tors from out­er space will come with malev­o­lent inten­tions. (Welles won­ders aloud if it has to do with our hav­ing named Mars after the Roman god of war, and I sup­pose he has a point.) Still, our curios­i­ty has­n’t gone away, as evi­denced by Exo­Mars, the joint mis­sion of the Euro­pean Space Agency and the Russ­ian Fed­er­al Space Agency which today launch­es probes out to search for, yes, life on mars. If who­ev­er’s out there won’t come to us, well then, we’ll just have to go to them.

Find more doc­u­men­taries in our col­lec­tion, 4,000+ Free Movies Online: Great Clas­sics, Indies, Noir, West­erns, Doc­u­men­taries & More.

via io9

Relat­ed Con­tent:

Orson Welles Meets H.G. Wells in 1940: The Leg­ends Dis­cuss War of the Worlds, Cit­i­zen Kane, and WWII

Leonard Nimoy Nar­rates Short Film About NASA’s Dawn: A Voy­age to the Ori­gins of the Solar Sys­tem

The Great Leonard Nimoy Reads H.G. Wells’ Sem­i­nal Sci-Fi Nov­el The War of the Worlds

Carl Jung’s Fas­ci­nat­ing 1957 Let­ter on UFOs

Free NASA eBook The­o­rizes How We Will Com­mu­ni­cate with Aliens

Future Shock: Orson Welles Nar­rates a 1972 Film About the Per­ils of Tech­no­log­i­cal Change

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities, lan­guage, and style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer, the video series The City in Cin­e­ma, the crowd­fund­ed jour­nal­ism project Where Is the City of the Future?, and the Los Ange­les Review of Books’ Korea Blog. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

American History: An Off-Kilter 1992 Student Film from South Park Creator Trey Parker

Here’s a lit­tle exer­cise:

Spend five min­utes record­ing your­self recap­ping every­thing you know about Japan­ese his­to­ry.

(Inter­na­tion­al Stud­ies majors and Japan­ese cit­i­zens, please sit this one out.)

Most of us will wind up with a pas­tiche that’s heavy on pop cul­ture and rel­a­tive­ly recent events. The aver­age Japan­ese school­child should have no dif­fi­cul­ty iden­ti­fy­ing the glar­ing holes and fac­tu­al errors in our nar­ra­tives.

If this idea amus­es you, you’ll like­ly enjoy Amer­i­can His­to­ry, above, South Park cre­ator Trey Park­er’s ear­ly ani­mat­ed short, a 1993 Stu­dent Acad­e­my Award sil­ver medal­ist.

Parker’s Japan­ese-born Uni­ver­si­ty of Col­orado class­mate, Junichi Nishimu­ra, pro­vid­ed the nar­ra­tion, begin­ning with Christo­pher Colum­bus in 1492 and end­ing with the “Japan bash­ing” 41st pres­i­dent, George H.W. Bush. High­lights along the way include the Salem Witch Tri­als, the Boston Tea Par­ty, the assas­si­na­tions of Pres­i­dents Lin­coln and Kennedy, Leave It to Beaver, and that time Bush barfed at a state din­ner host­ed by Japan­ese Prime Min­is­ter Kiichi Miyaza­wa.

He also remem­bers the Alamo, prov­ing one Red­dit wag’s hypoth­e­sis: If there’s one thing peo­ple remem­ber about the Alamo, it is to remem­ber the Alamo…

And then….

Park­er and anoth­er class­mate, Chris Graves, his soon-to-be DP on Can­ni­bal: The Musi­cal, ani­mat­ed the results using the most rudi­men­ta­ry of paper cut outs. It’s easy to spot the fledg­ling South Park style, as well as Python ani­ma­tor Ter­ry Gilliam’s influ­ence. This may be Amer­i­can his­to­ry, but the anony­mous top hat­ted hordes bear an awful­ly close resem­blance to South Park’s res­i­dent Cana­di­ans, Ter­rance and Phillip.

If the pho­net­ic spellings of non-native speak­er Nishimura’s pro­nun­ci­a­tion makes you uncom­fort­able, it’s worth not­ing that he not only worked as an ani­ma­tor on South Park, but also rep­re­sent­ed his coun­try by play­ing â€śPres­i­dent” Hiro­hi­to on the extreme­ly fun­ny (and NSFW) “Chin­pokomon” episode.

Amer­i­can His­to­ry will be added to the Ani­ma­tion sec­tion of our col­lec­tion,

via Boing­Bo­ing

Relat­ed Con­tent:

The Zen Wis­dom of Alan Watts Ani­mat­ed by the Cre­ators of South Park, Trey Park­er and Matt Stone

John Green’s Crash Course in U.S. His­to­ry: From Colo­nial­ism to Oba­ma in 47 Videos

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Read her most recent dra­ma-in-real com­ic on Nar­ra­tive­ly. Fol­low her @AyunHalliday

Watch Star Trek: New Voyages: The Original Fan-Made Sequel to the 1960s TV Series

Sev­er­al weeks back, we fea­tured for you Star Trek Con­tin­ues, the crit­i­cal­ly-acclaimed, fan-made sequel to the orig­i­nal TV series, which tries to answer the ques­tions: What if Star Trek had con­tin­ued? How would the sto­ry have played out?

Oth­ers have tried to offer up answers to those ques­tions too. And we’d be remiss, a read­er remind­ed us, if we did­n’t give a lit­tle air­time to Star Trek: New Voy­ages, “the longest-run­ning, Star Trek orig­i­nal series fan pro­duc­tion in the world.” Here’s a lit­tle more infor­ma­tion about the pro­duc­tion from the show’s web site:

Cre­at­ed in 2003 by James Caw­ley, along with pro­duc­er Jack Mar­shall, the show strives to com­plete the “five-year mis­sion” of the Star­ship Enter­prise, “to bold­ly go where no man has gone before.” It’s cel­e­bra­tion of Gene Roddenberry’s lega­cy has won crit­i­cal acclaim and numer­ous acco­lades, as well as attract­ing the atten­tion and par­tic­i­pa­tion of Star Trek alum­ni such as George Takei and Wal­ter Koenig, who have returned to reprise their roles on NEW VOYAGES. We have even pro­vid­ed prop items for the actu­al STAR TREK fran­chise series “Enter­prise”!

All 10 episodes can viewed online or down­loaded from the show’s web­site. And you can also find them on YouTube too. Start with Episode 1 above.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch Star Trek Con­tin­ues: The Crit­i­cal­ly-Acclaimed, Fan-Made Sequel to the Orig­i­nal TV Series

City of Scars: The Impres­sive Bat­man Fan Film Made for $27,000 in 21 Days

How Isaac Asi­mov Went from Star Trek Crit­ic to Star Trek­Fan & Advi­sor

Nichelle Nichols Explains How Mar­tin Luther King Con­vinced Her to Stay on Star Trek

27 Movies References in The Simpsons Put Side-by-Side with the Movie Scenes They Paid Tribute To

If an entire gen­er­a­tion of Amer­i­can adults suf­fers from Cin­e­mat­ic Chick­en Vs. Egg Syn­drome, it’s The Simp­sons’ fault.

Edi­tor Celia GĂłmez’ side-by-side shot com­par­i­son above makes plain how a 30-year-old Cit­i­zen Kane vir­gin could expe­ri­ence a sense of deja vu on his or her inau­gur­al view­ing. The Simp­sons pulled from it for “Two Cars in Every Garage and Three Eyes on Every Fish” when said view­er was but a lit­tle tot. Three years lat­er, they did it again wit 1993’s “Rose­bud.”

Par­ents who would nev­er have allowed their sen­si­tive lit­tle dar­lings in the room while screen­ing Full Met­al Jack­et or Requiem for a Dream relaxed their vig­i­lance where the fam­i­ly from Spring­field was con­cerned.

When The Simp­sons’ kilt­ed Groundskeep­er Willie chaste­ly recross­es his legs in an inter­ro­ga­tion room, no kid is going to fix­ate on what lies beneath. (FYI, it’s a noto­ri­ous­ly com­man­do Sharon Stone in 1992’s NSFW thriller, Basic Instinct.)

What makes these homages so great is the atten­tion to detail. Be it Itchy and Scratchy or Michael Mad­sen and Kirk Baltz as his cop vic­tim in Reser­voir Dogs, count on the cam­era to drift to an emp­ty door­way when the action gets too intense.

Spoil­ers abound. Those who’ve not yet seen Thel­ma and Louise, Psy­cho, or One Flew Over the Cuckoo’s Nest can con­sid­er them­selves fore­warned.

Want a crash course in The God­fa­ther? Watch the Simp­sons.

No offense to the human actors who orig­i­nat­ed the roles, but it’s incred­i­ble how the ani­ma­tors can imbue their char­ac­ters with all the rel­e­vant emo­tions. Their eyes are lit­tle more than dots on ping­pong balls! (Check out Homer’s dead expres­sion on 1994’s Ter­mi­na­tor 2  par­o­dy, “Homer Loves Flan­ders.”)

The com­plete list of films fea­tured above:

Bram Stok­er’s Drac­u­la (1992)

A Clock­work Orange (1971)

Pulp Fic­tion (1994)

Requiem for a dream (2000)

The Gold Rush (1925)

Full Met­al Jack­et (1987)

The Fugi­tive (1993)

Ter­mi­na­tor 2 (1991)

Reser­voir Dogs (1992)

The Birds (1963)

Risky Busi­ness (1983)

Cit­i­zen Kane (1941)

Psy­cho (1960)

The silence of the lambs (1991)

Raiders of the Lost Ark (1981)

Basic Instinct (1992)

Offi­cial and Gen­tle­man (1982)

One flew over the cuck­oo’s nest (1975)

2001: A space Odis­sey (1968)

Trainspot­ting (1996)

Thel­ma and Louise (1991)

The God­fa­ther (1972)

Taxi Dri­ver (1976)

The Shin­ing (1980)

Spi­der­man (2002)

ET the Extra-Ter­res­tri­al (1982)

Dr. Strange Love (1964)

Relat­ed Con­tent:

The Simp­sons Present Edgar Allan Poe’s “The Raven,” and Teach­ers Now Use It to Teach Kids the Joys of Lit­er­a­ture

The Simp­sons Pay Won­der­ful Trib­ute to the Ani­me of Hayao Miyaza­ki

Thomas Pyn­chon Edits His Lines on The Simp­sons: “Homer is my role mod­el and I can’t speak ill of him.”

Ayun Hal­l­i­day is an author, illus­tra­tor, and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine. Fol­low her @AyunHalliday

Mister Rogers Turns Kids On to Jazz with Help of a Young Wynton Marsalis and Other Jazz Legends (1986)

Fred Rogers gets unfair­ly pegged as a square, and I can see why: the dorky sweaters, aw-shucks Jim­my Stew­art demeanor, soft-spo­ken ethics lessons …. I mean, Mr. Rogers’ Neigh­bor­hood was no Yo Gab­ba Gab­ba, right?

Wrong. It was bet­ter. True, the man him­self may not have been a style icon. And he did­n’t have a hip, flashy stage show (though he does have his own amuse­ment park ride). He knew what worked for him and did­n’t try to be any­thing he was­n’t. But he had a very adven­tur­ous sen­si­bil­i­ty. For one thing, he gave hor­ror auteur George Romero his first job. And when it came to music, Mr. Rogers was deter­mined to bring his young view­ers the very best, whether that meant tak­ing break­danc­ing lessons from a 12-year-old or show­cas­ing the exper­i­men­tal weird­ness of ear­ly elec­tron­ic musi­cians Bruce Haack and Esther Nel­son.

But Rogers’ true love was jazz—his show was full of it thanks to long­time musi­cal direc­tor John­ny Cos­ta and an ensem­ble that includ­ed gui­tarist Joe Negri. In the episode above from 1986, Rogers meets up with jazz trum­pet great Wyn­ton Marsalis at Negri’s neigh­bor­hood music shop. They chat—in Rogers’ inim­itably sooth­ing way—about the impor­tance of prac­tice and the role emo­tions play in mak­ing music. Then they’re joined by Cos­ta, Negri, and the rest of Rogers’ house band to play “It’s You I Like.”

The clip will sure­ly be a treat for fans of Marsalis, then in his 20s, and only a year away from co-found­ing the now world-famous jazz pro­gram at Lin­coln Cen­ter. And it’s of course a treat for fans of Mr. Rogers, who already know how cool he real­ly was.

Relat­ed Con­tent:

Mr. Rogers Goes to Con­gress and Saves PBS: Heart­warm­ing Video from 1969

Mr. Rogers Takes Break­danc­ing Lessons from a 12-Year-Old (1985)

Mr. Rogers Intro­duces Kids to Exper­i­men­tal Elec­tron­ic Music by Bruce Haack & Esther Nel­son (1968)

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness.

« Go BackMore in this category... »
Quantcast