You’re not squeaÂmish, are you? A team of stuÂdents at the FilÂmakademie Baden-WĂĽrtÂtemÂberg, in GerÂmany, has takÂen the aesÂthetÂic senÂsiÂbilÂiÂties of the horÂror and action movie genÂres and importÂed them into the realm of the microÂscopÂic, creÂatÂing a stunÂning work of 3D aniÂmaÂtion called Loom, about a spiÂder and a very unlucky moth. DirectÂed by Jan Bitzer, IliÂja Brunck and CsaÂba Letay of the stuÂdio PolyÂnoid, Loom presents a highÂly stylÂized depicÂtion of the the sort of vioÂlence that hapÂpens all around us in nature, usuÂalÂly beyond our notice. Loom and anothÂer short film (Der Besuch, by AusÂtriÂan direcÂtor ConÂrad TamÂbour) shared first prize in the aniÂmatÂed film catÂeÂgoÂry at last monÂth’s SehsĂĽchte InterÂnaÂtionÂal StuÂdent Film FesÂtiÂval in PotsÂdam. Despite its dazÂzling techÂniÂcal brilÂliance, you may find the film to be a bit … creepy.
The narÂraÂtor of this rare clip describes James Joyce — arguably the greatÂest novÂelÂist of the 20th cenÂtuÂry — as a “small, thin, unathÂletÂic man with very bad eyes.” Ouch. And it gets worse. AccordÂing to the voiceover, when Joyce and drinkÂing budÂdy Ernest HemÂingÂway faced a potenÂtial brawl, Joyce would hide behind his more imposÂing comÂrade and shout “Deal with him, HemÂingÂway, deal with him!!!’
But we bet they were both just hidÂing behind Gertrude Stein.
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SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
The stars shined upon the Ivy League schools this gradÂuÂaÂtion seaÂson. Tom HanÂks at Yale, Amy Poehler at HarÂvard, DenÂzel WashÂingÂton at U Penn. These kids have it good, but nowhere near as good as the DartÂmouth grads. This weekÂend, Conan O’Brien rolled into Hanover, New HampÂshire and dished out plenÂty of jokes:
ParÂents, if your child majored in fine arts or phiÂlosÂoÂphy, you have good reaÂson to be worÂried. The only place where they are now realÂly qualÂiÂfied to get a job is ancient Greece. Good luck with that degree.
You know, New HampÂshire is such a speÂcial place. When I arrived I took a deep breath of this crisp New EngÂland air and thought, “Wow, I’m in the state that’s next to the state where Ben and JerÂry’s ice cream is made.”
To this day I canÂnot help but wonÂder: What if I had gone to DartÂmouth? If I had gone to DartÂmouth, I might have spent at least some of my colÂlege years outÂside and today I might not be allerÂgic to all plant life, as well as most types of rock. If I had gone to DartÂmouth, right now I’d be wearÂing a fleece thong instead of a lace thong… If I had gone to DartÂmouth, I’d have a livÂer the size and conÂsisÂtenÂcy of a bean bag chair. FinalÂly, if I had gone to DartÂmouth, today I’d be getÂting an honÂorary degree at HarÂvard. ImagÂine how aweÂsome that would be.
And a litÂtle wisÂdom for life, which, honÂestÂly, holds entireÂly true.
For decades, in show busiÂness, the ultiÂmate goal of every comeÂdiÂan was to host The Tonight Show. It was the Holy Grail, and like many peoÂple I thought that achievÂing that goal would define me as sucÂcessÂful. But that is not true. No speÂcifÂic job or career goal defines me, and it should not define you. In 2000—in 2000—I told gradÂuÂates to not be afraid to fail, and I still believe that. But today I tell you that whether you fear it or not, disÂapÂpointÂment will come. The beauÂty is that through disÂapÂpointÂment you can gain clarÂiÂty, and with clarÂiÂty comes conÂvicÂtion and true origÂiÂnalÂiÂty.
You may recÂogÂnize Luka Sulic and Stjepan Hauser, aka 2CELLOS, from their rockÂing arrangeÂment of Michael JackÂson’s Smooth CrimÂiÂnal earÂliÂer this year. This time, the clasÂsiÂcalÂly-trained musiÂcians have done themÂselves one betÂter, with a freÂnetÂic, hard-hitÂting take on GNR’s “WelÂcome To The JunÂgle” that would give Slash himÂself a run for his hardÂcore cred.
2CELLOS are curÂrentÂly tourÂing with Elton John, and you can pre-order their debut CD, which includes covÂers of NirÂvana’s “Smells Like Teen SpirÂit” and U2’s “With or WithÂout You.”
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
Time to roll out a new media colÂlecÂtion — a big colÂlecÂtion of CulÂturÂal Icons. Here you will find great writÂers, dazÂzling filmÂmakÂers and musiÂcians, brilÂliant philosoÂphers and sciÂenÂtists — figÂures who have changed our culÂturÂal landÂscape throughÂout the years. You’ll see them in video, or hear their voicÂes in audio.
The list curÂrentÂly feaÂtures 230 icons, all speakÂing in their own words. The colÂlecÂtion will inevitably grow as we add more mateÂrÂiÂal, or as you send sugÂgesÂtions our way. For now, how about we whet your appetite with 10 favorites? Then you can rumÂmage through the full colÂlecÂtion of CulÂturÂal Icons here.
(Note: Down the road, you can access this colÂlecÂtion by clickÂing “CulÂturÂal Icons” in the top navÂiÂgaÂtion bar.)
SalÂvador Dali - Video – SurÂreÂalÂist artist appears on “What’s My Line?” (1952)
JohnÂny Depp - Video – The verÂsaÂtile actor reads a letÂter from Gonzo jourÂnalÂist Hunter S. ThompÂson.
Anne Frank - Video – It is the only known footage of Anne Frank, author of the world’s most famous diary, and it’s now online.
PatÂti Smith — Video — The “godÂmothÂer of punk” recalls her friendÂship with artist Robert MapÂplethorÂpe.
Quentin TaranÂtiÂno - Video – Pulp FicÂtion direcÂtor lists his favorites films since 1992.
Leo TolÂstoy – Video – Great footage of the last days of the towÂerÂing RussÂian novÂelÂist. 1910.
Mark Twain – Video – America’s fabled writer capÂtured on film by Thomas EdiÂson in 1909.
Andy Warhol - Video – In 1979, Warhol creÂatÂed pubÂlic access teleÂviÂsion proÂgrams. In this episode, he chats with BianÂca JagÂger & Steven SpielÂberg.
Tom Waits - Video – The raspy singer reads “The LaughÂing Heart” by Charles BukowsÂki.
VirÂginia Woolf — Audio — RecordÂing comes from a 1937 BBC radio broadÂcast. The talk, entiÂtled “CraftsÂmanÂship,” was part of a series called “Words Fail Me.” The only known recordÂing of her voice.
A witÂty renÂdiÂtion of Queen’s clasÂsic played by the Finnish award winÂning street band PorkÂka PlayÂboys. More of their work appears on the band’s YouTube chanÂnel. Enjoy…
FYI: It looks like “Inside Job,” the Oscar-WinÂning DocÂuÂmenÂtary on the 2008 finanÂcial meltÂdown, is back online, thanks to the InterÂnet Archive.
We’re a bit embarÂrassed to admit that it took us three times to spot the change in this fasÂciÂnatÂing video illuÂsion at New SciÂenÂtist, even after readÂing about the research behind the video. The test was develÂoped by Kevin O’ReÂgan and his team at the UniÂverÂsiÂty of Paris Descartes as part of their work on perÂcepÂtion. O’ReÂgan is best known for his work on change blindÂness, our relÂaÂtive inabilÂiÂty to perÂceive gradÂual change, and our tenÂdenÂcy to focus soleÂly on what we perÂceive to be the most dynamÂic or interÂestÂing eleÂment of a scene.
If this video isn’t enough to conÂvince of you of O’ReÂgan’s theÂoÂries, he’s postÂed a whole slew of demonÂstraÂtions at his webÂsite. BetÂter yet, you can disÂpel any remainÂing doubts (or self-esteem) by takÂing this awareÂness test, which is even more draÂmatÂic. It bowled us over. Let us know in the comÂments if it did the same for you.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
In 1937, Walt DisÂney StuÂdios shot Snow White and the SevÂen Dwarfs with a new-fanÂgled camÂera, the mulÂtiÂplane camÂera, which allowed carÂtoon aniÂmaÂtion to take a quanÂtum leap forÂward. Thanks to this new “super carÂtoon camÂera,” aniÂmatÂed scenes sudÂdenÂly looked more realÂisÂtic and three-dimenÂsionÂal. You only need to watch this preÂsenÂtaÂtion by Walt DisÂney himÂself (recordÂed in 1957) and you’ll see what I mean. DisÂney shot many of its clasÂsic feaÂture films – PinocÂchio, FanÂtaÂsia, BamÂbi, and Peter Pan – with the mulÂtiÂplane camÂera, and it remained in proÂducÂtion right through The LitÂtle MerÂmaid, filmed in 1989. Today, only three origÂiÂnal DisÂney mulÂtiÂplane camÂeras surÂvive.
A big thanks to Sergey for sendÂing this vinÂtage clip our way. If you see a good piece of open culÂture, don’t hesÂiÂtate to send it our way…
Google celÂeÂbratÂed Les Pauls’ 96th birthÂday today with a playable elecÂtric guiÂtar dooÂdle. And, natÂuÂralÂly, some tried to make it sing. Above, we have a verÂsion of Led ZepÂpelin’s StairÂway to HeavÂen, while othÂers strummed out verÂsions of The BeaÂtÂles’ Ob-la-di Ob-la-da, Michael JackÂson’s BilÂlie Jean, and Lady Gaga’s Paparazzi. By popÂuÂlar demand, the dooÂdle will stay live on Google’s homeÂpage for an extra day.
We told you this was comÂing, and now it’s here. The British Library has startÂed to release 60,000+ texts from the 19th cenÂtuÂry in digÂiÂtal forÂmat. And they’re getÂting rolled out with the release of a new iPad app. (If you have any probÂlems downÂloadÂing the app, try doing it directÂly from the app store on your iPad.)
The upside: The new app curÂrentÂly feaÂtures 1,000 works, includÂing Mary ShelÂley’s FrankenÂstein, Charles DickÂens’ OlivÂer Twist and othÂer British clasÂsics. The colÂlecÂtion gives you scans of the origÂiÂnal ediÂtions. So you can read the works as they origÂiÂnalÂly appeared.
The downÂside: The app won’t be free for long. EvenÂtuÂalÂly, you’ll have to pay. So get in while you can, or just skim through our colÂlecÂtion of Free eBooks and Audio Books. All clasÂsics, all the time…
Samuel BeckÂetÂt’s hauntÂing short stoÂry “The Lost Ones,” which tells of a group of peoÂple doomed to wanÂder forÂevÂer inside a narÂrow cylinÂdriÂcal prison, makes WaitÂing for Godot seem like LitÂtle Miss SunÂshine. It is also nearÂly unadaptÂable since a stoÂry driÂven by the cerÂtainÂty of damnaÂtion leaves litÂtle room for draÂmatÂic tenÂsion … until now, perÂhaps.
This monÂth’s New SciÂenÂtist has a nice piece up about UnmakeÂablelove, a 3‑D interÂacÂtive simÂuÂlaÂtion based on “The Lost Ones” in which virÂtuÂal bodÂies (creÂatÂed with motion capÂture, the same techÂnique James Cameron used in Avatar) beat themÂselves, colÂlide into each othÂer, and slouch eterÂnalÂly towards nowhere, all driÂven by a force even more implacaÂble than fate: the comÂputÂer algoÂrithms with which the piece was proÂgrammed.
And as with any good work of ExisÂtenÂtialÂist Despair That Dooms All of HumanÂiÂty to A Future WithÂout MeanÂing or Hope, this one impliÂcates the audiÂence — specÂtaÂtors can only see inside the exhibÂit if they staÂtion themÂselves by one of six torchÂes surÂroundÂing the 30-foot space. And when they do so, infrared video camÂeras project their own likeÂnessÂes into the cylinÂder. There are no specÂtaÂtors.
SheerÂly Avni is a San FranÂcisÂco-based arts and culÂture writer. Her work has appeared in Salon, LA WeekÂly, MothÂer Jones, and many othÂer pubÂliÂcaÂtions. You can folÂlow her on twitÂter at @sheerly.
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