The aniÂmatÂed video for David Gilmour’s “The Girl in the YelÂlow Dress” opens on a saxÂoÂphonÂist with a familÂiar story—one so well-known to his bandÂmates they can read it on his face. But then the perÂspecÂtive shifts, and we folÂlow instead the woman (or “girl”) of his woes, as she comes to see him play, gets ogled and turned into a fanÂtaÂsy by the men in the club, purÂsues the resÂiÂdent lothario, crushÂing the hearts of them all, includÂing the saxÂoÂphonÂist, who plays his blues instead of colÂlapsÂing into a drink.

At least that seems to be the stoÂry, a typÂiÂcal nightlife scene renÂdered in a very dynamÂic, atypÂiÂcal way. The video, from a track off Gilmour’s 2015 album RatÂtle that Lock, was directÂed by DanÂny MadÂden for Ornana Films, who write, “The music video is made of about 9,000 frames of aniÂmaÂtion that were touched by sevÂerÂal hands to get the layÂered conÂtours, vibrant colÂors, and exagÂgerÂatÂed charÂacÂter design of old French LithÂoÂgraph posters. We wantÂed to creÂate a movÂing verÂsion of that look, as if each frame had all the layÂers stamped on the page.”

An incredÂiÂble amount of intenÂsive artisÂtic labor went into creÂatÂing the boozy, swirling effects in each scene. “We aniÂmatÂed with penÂcil, then conÂtour lines were gone over with a brush tip markÂer. We used gouache to get nice life in the varyÂing brushÂstrokes, then we layÂered the conÂtours over the paint layÂer in the comÂpositÂing step so that the colours would do interÂestÂing things when they ran togethÂer.” Maybe these images could be recreÂatÂed conÂvincÂingÂly with digÂiÂtal effects… but I susÂpect not.

The song “looks back at [Gilmour’s] earÂliÂest musiÂcal influÂence,” writes a Guardian review of the RatÂtle that Lock. If so, it’s a nascent influÂence that did not emerge often in his Pink Floyd playÂing, though the song may also indiÂrectÂly pay tribÂute to the jazz-trained Richard Wright, memoÂriÂalÂized elseÂwhere on the album. You can see sevÂerÂal more scenes from this extraÂorÂdiÂnary video at Dezeen.
via LaughÂing Squid
RelatÂed ConÂtent:
David Gilmour Talks About the MysÂterÂies of His Famous GuiÂtar Tone
Watch Tom Waits For No One, the PioÂneerÂing AniÂmatÂed Music Video from 1979
Josh Jones is a writer and musiÂcian based in Durham, NC. FolÂlow him at @jdmagness




