The video above brings you way back (we think) to 1958, when Joan Baez was only 17, to a con­cert she played at the leg­endary Club 47 in Cam­bridge, Mass. While the teenage ingénue broke onto the folk scene, Bob Dylan was still a stu­dent back in Hib­bing, Min­neso­ta. Five years lat­er, Baez intro­duced Dylan to the music world; the two dat­ed for a while; and then, even while going their sep­a­rate ways, they put their stamp on the 60s folk scene – a sto­ry that gets well doc­u­ment­ed in the book, Pos­i­tive­ly 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fari­na and Richard Fari­na. If you click here, you can watch Baez, now in her prime, per­form a com­plete con­cert in 1965. The show runs 65 min­utes and fea­tures 18 songs.

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Relat­ed Con­tent:

Woody Guthrie’s Fan Let­ter To John Cage and Alan Hov­haness (1947)

Two Leg­ends Togeth­er: A Young Bob Dylan Talks and Plays on The Studs Terkel Pro­gram, 1963

The Alan Lomax Sound Archive Now Online: Fea­tures 17,000 Record­ings

Antho­ny Tom­masi­ni, the chief music crit­ic for the New York Times, has start­ed the year with a play­ful way of find­ing out “what makes great music great?” To answer the ques­tion, he has invit­ed read­ers to make a list of the Top 10 com­posers in his­to­ry. And that invites answers to a series of sec­ondary ques­tions: “Should influ­ence mat­ter, or just the works them­selves? What about pop­u­lar­i­ty? Are there any objec­tive cri­te­ria?” The Times will actu­al­ly post a bal­lot next week. (Keep an eye on the Arts­Beat blog.) But, in the mean­time, Tom­masi­ni has kicked off the project by post­ing a video (above) focus­ing on the tow­er­ing Baroque com­pos­er, J.S. Bach. And, speak­ing of Bach, don’t miss our pre­vi­ous post show­ing where you can down­load the com­plete organ works of Johann Sebas­t­ian Bach for free.  Thanks to Joshua and Robin for the tip on the NYTimes project!

Relat­ed Con­tent:

How a Bach Canon Works

A Young Glenn Gould Plays Bach