I’d be wary of any movie star who invites me to his hotel room to “read poetry” unless said star was documented poetry nut, Bill Murray.
Earlier this year, Leigh Haber, book editor of O, The Oprah Magazine, reached out to Murray to see if he’d share some of his favorite poems in celebration of National Poetry Month.
H.G. Wells’ tales of fantastical inventions, never-before-seen beings, time travel, and alien invasion practically cry out for visual and sonic accompaniment.[...]
Copyright The Quigley Publishing Company, a Division of QP Media, Inc.
Chicago’s famed “second city complex” didn’t spring from organic feelings of inferiority, but rather from the poisonous pen of visiting New Yorker writer, A.J.
You’ve likely heard a good deal recently—especially if you hang around these parts—about the 100th anniversary of Dada, supposedly begun when poet and Cabaret Voltaire owner Hugo Ball penned his manifesto in 1916 and began disseminating the ideas of the nascent anti-art movement.[...]
If your understanding of early punk derives mainly from documentaries, you’re sorely missing out. As I wrote in a post yesterday on international treasure John Peel—the BBC DJ who exposed more than a couple generations to carefully-curated punk rock—finding such music before the internet could be a daunting, and exciting, adventure.[...]
Surrealism, Discordianism, Frank Zappa, Situationism, punk rock, the Residents, Devo… the anarchists of counterculture in all their various guises may never have come into being—or into the being they did—were it not for an anti-art movement that called itself Dada.[...]
We live in an era of genre. Browse through TV shows of the last decade to see what I mean: Horror, sci-fi, fantasy, superheroes, futuristic dystopias…. Take a casual glance at the burgeoning global film franchises or merchandising empires.[...]
From the 18th century onward, the genres of Gothic horror and fantasy have flourished, and with them the sensually visceral images now commonplace in film, TV, and comic books. These genres perhaps reached their aesthetic peak in the 19th century with writers like Edgar Allan Poe and illustrators like Gustave Dore.[...]
From Andrew Lipstein & James Folta comes The Neu Jorker, a great parody of the high-brow magazine, The New Yorker. The table of contents, the contributor bios, the cartoons, the ads, the articles–they’re all imitated in a nearly pitch perfect way, just taken one degree further into the realm of slight absurdity.[...]
I’ve been thinking lately about how and why utopian fiction shades into dystopian. Though we sometimes imagine the two modes as inversions of each other, perhaps they lie instead on a continuum, one along which all societies slide, from functional to dysfunctional.[...]