
Some describe StuÂdio GhiÂbÂli, the aniÂmaÂtion comÂpaÂny foundÂed by Hayao MiyazaÂki and Isao TakaÂhaÂta, as “the JapanÂese DisÂney.” That does jusÂtice to the true nature of neiÂther GhiÂbÂli nor DisÂney, though both venÂtures have disÂplayed an uncanÂny abilÂiÂty to proÂduce beloved aniÂmatÂed films — and beloved aniÂmatÂed films that haven’t always been easy to see on demand. Just this past sumÂmer we feaÂtured the release of GhiÂbÂli’s SpirÂitÂed Away in ChiÂna, eighÂteen years after its preÂmiere, but even in less politÂiÂcalÂly senÂsiÂtive terÂriÂtoÂries, fans have had their chalÂlenges: findÂing a way to stream GhiÂbÂli movies, for instance, which (at least in North AmerÂiÂca) will become much easÂiÂer on DecemÂber 17th.
On that date, reports VariÂety’s Dave McNary, “GKids will release the entire StuÂdio GhiÂbÂli catÂaÂlog of aniÂmatÂed films for digÂiÂtal purÂchase.” From NauÂsiÂcaä of the ValÂley of the Wind and My NeighÂbor Totoro to From Up on PopÂpy Hill and The Tale of the Princess Kaguya, GhiÂbÂli’s films “will be availÂable to purÂchase in both EngÂlish and JapanÂese lanÂguages on all major digÂiÂtal transÂacÂtionÂal platÂforms.”
This marks “the first time the StuÂdio GhiÂbÂli films will be availÂable for digÂiÂtal purÂchase anyÂwhere in the world,” includÂing the stuÂdio’s homeÂland of Japan — a counÂtry, in any case, with a slightÂly difÂferÂent relaÂtionÂship to the interÂnet than most, and one that tends to result in a prefÂerÂence for physÂiÂcal disÂtriÂbÂuÂtion over digÂiÂtal.
If you’ve nevÂer seriÂousÂly watched StuÂdio GhiÂbÂli’s films, don’t be fooled by the name GKids: the AmerÂiÂcan disÂtribÂuÂtor speÂcialÂizes in artiÂsanal aniÂmaÂtion, mostÂly but not entireÂly JapanÂese (its catÂaÂlog also includes Nina Paley’s Sita Sings the Blues), and those in charge there know full well the draw of GhiÂbÂli for demoÂgraphÂics far beyond those still in childÂhood. One can fairÂly argue, in fact, that youngÂsters aren’t GhiÂbÂli’s priÂmaÂry audiÂence; whereÂas DisÂney makes aniÂmaÂtion for kids that many grown-ups can enjoy, GhiÂbÂli in some sense does the oppoÂsite. The films of MiyazaÂki, TakaÂhaÂta, and GhiÂbÂli’s othÂer stalÂwarts will thus make ideÂal mateÂrÂiÂal for the all-ages at-home movie marathons withÂout which no holÂiÂday seaÂson is comÂplete, seeÂing as their aniÂmatÂed magÂic will arrive in the realm of on-demand not a moment too soon.
RelatÂed ConÂtent:
How the Films of Hayao MiyazaÂki Work Their AniÂmatÂed MagÂic, Explained in 4 Video Essays
Watch Hayao Miyazaki’s Beloved CharÂacÂters Enter the Real World
Based in Seoul, ColÂin MarÂshall writes and broadÂcasts on cities and culÂture. He’s at work on a book about Los AngeÂles, A Los AngeÂles Primer, the video series The City in CinÂeÂma, and the crowdÂfundÂed jourÂnalÂism project Where Is the City of the Future? FolÂlow him on TwitÂter at @colinmarshall or on FaceÂbook.











