Behold 3,000 Digitized Manuscripts from the Bibliotheca Palatina: The Mother of All Medieval Libraries Is Getting Reconstructed Online

The inter­net, one occa­sion­al­ly hears, has over­tak­en the func­tion of the library. In terms of stor­ing and mak­ing acces­si­ble all of human knowl­edge, the ways in which the capac­i­ties of the inter­net match or exceed those of even the most enor­mous library seem obvi­ous. In the­o­ry, dig­i­tal libraries don’t burn down, at least when prop­er­ly set up, nor, with their abil­i­ty to exist above nation­al bound­aries, do they get sacked by invad­ing armies. Even so, as Google recent­ly proved when its years-long book-dig­i­ti­za­tion effort Project Ocean came up against legal obsta­cles, the phys­i­cal realm has­n’t quite ced­ed to the online one.

“When the library at Alexan­dria burned it was said to be an ‘inter­na­tion­al cat­a­stro­phe,’ ” writes The Atlantic’s James Somers in a piece on the ambi­tious, trou­bled project. When the court ruled against Google’s ver­sion, though, few­er tears were shed.

At least when Hei­del­berg’s Bib­lio­the­ca Palati­na, the most impor­tant library of the Ger­main Renais­sance, became a piece of booty in the Thir­ty Years’ War in 1622, its 5,000 print­ed books and 3,524 man­u­scripts remained, in some sense, avail­able — albeit split, from then on, between Hei­del­berg and the Vat­i­can’s Bib­liote­ca Apos­toli­ca Vat­i­cana.

“At the begin­ning of the 17th cen­tu­ry,” says Medievalists.net, the Bib­lio­the­ca Palati­na “was known as ‘the great­est trea­sure of Germany’s learned.’ As a uni­ver­sal library, it con­tains not only the­o­log­i­cal, philo­log­i­cal, philo­soph­i­cal, and his­tor­i­cal works but also med­ical, nat­ur­al his­to­ry, and astro­nom­i­cal texts.” Now, its “core inven­to­ry” of approx­i­mate­ly 3,000 man­u­scripts has become avail­able free online at the Bib­lio­the­ca Palati­na Dig­i­tal. Since 2001, says its site, “Hei­del­berg Uni­ver­si­ty Library has been work­ing on sev­er­al projects that aim to dig­i­tize parts of this great col­lec­tion, the final goal being a com­plete vir­tu­al recon­struc­tion of the ‘moth­er of all libraries.’ ”

From there you can browse the Bib­lio­the­ca Palati­na Dig­i­tal’s Codices Pala­ti­ni ger­mani­ci, “the largest and old­est undi­vid­ed col­lec­tion of extant Ger­man-lan­guage man­u­scripts”; the Codices Pala­ti­ni lati­ni, where “you will even­tu­al­ly be able to access more than 2,000 Latin man­u­scripts”; and the Codices Pala­ti­ni grae­ci, which hous­es “dig­i­tal fac­sim­i­les of 29 Greek man­u­scripts which are now kept in Hei­del­berg Uni­ver­si­ty Library.” It also offers sec­tions on the his­to­ry of the Bib­lio­the­ca Palati­na; on the Codex Manesse, “the world’s rich­est anthol­o­gy of medi­ae­val Ger­man song”; and (for now in Ger­man only) on the man­u­scripts’ dec­o­ra­tions and the insight they pro­vide into “the the­mat­i­cal­ly diverse art of medi­ae­val book-mak­ing.” And none of it sub­ject to sack­ing — unless, of course, his­to­ry has a par­tic­u­lar­ly nasty sur­prise in store for us.

Enter the Dig­i­tal Bib­lio­the­ca Palati­na here.

Relat­ed Con­tent:

Dis­cov­er Euro­peana Col­lec­tions, a Por­tal of 48 Mil­lion Free Art­works, Books, Videos, Arti­facts & Sounds from Across Europe

Dis­cov­er the Jacobean Trav­el­ing Library: The 17th Cen­tu­ry Pre­cur­sor to the Kin­dle

How Illu­mi­nat­ed Medieval Man­u­scripts Were Made: A Step-by-Step Look at this Beau­ti­ful, Cen­turies-Old Craft

Won­der­ful­ly Weird & Inge­nious Medieval Books

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Hidden Ancient Greek Medical Text Read for the First Time in a Thousand Years — with a Particle Accelerator

Image by Far­rin Abbott/SLAC, via Flickr Com­mons

Long before human­i­ty had paper to write on, we had papyrus. Made of the pith of the wet­land plant Cype­r­us papyrus and first used in ancient Egypt, it made for quite a step up in terms of con­ve­nience from, say, the stone tablet. And not only could you write on it, you could rewrite on it. In that sense it was less the paper of its day than the first-gen­er­a­tion video tape: giv­en the expense of the stuff, it often made sense to erase the con­tent already writ­ten on a piece of papyrus in order to record some­thing more time­ly. But you could­n’t com­plete­ly oblit­er­ate the pre­vi­ous lay­ers of text, a fact that has long held out promise to schol­ars of ancient his­to­ry look­ing to expand their field of pri­ma­ry sources.

The decid­ed­ly non-ancient solu­tion: par­ti­cle accel­er­a­tors. Researchers at the Stan­ford Syn­chro­tron Radi­a­tion Light­source (SSRL) recent­ly used one to find the hid­den text in what’s now called the Syr­i­ac Galen Palimpsest. It con­tains, some­where deep in its pages, “On the Mix­tures and Pow­ers of Sim­ple Drugs,” an “impor­tant phar­ma­ceu­ti­cal text that would help edu­cate fel­low Greek-Roman doc­tors,” writes Aman­da Sol­l­i­day at the SLAC Nation­al Accel­er­a­tor Lab­o­ra­to­ry.

Orig­i­nal­ly com­posed by Galen of Perg­a­mon, “an influ­en­tial physi­cian and a philoso­pher of ear­ly West­ern med­i­cine,” the work made its way into the 6th-cen­tu­ry Islam­ic world through a trans­la­tion into a lan­guage between Greek and Ara­bic called Syr­i­ac.

Image by Far­rin Abbott/SLAC, via Flickr Com­mons

Alas, “despite the physician’s fame, the most com­plete sur­viv­ing ver­sion of the trans­lat­ed man­u­script was erased and writ­ten over with hymns in the 11th cen­tu­ry – a com­mon prac­tice at the time.” Palimpsest, the word coined to describe such texts writ­ten, erased, and writ­ten over on pre-paper mate­ri­als like papyrus and parch­ment, has long since had a place in the lex­i­con as a metaphor for any­thing long-his­to­ried, mul­ti-lay­ered, and ful­ly under­stand­able only with effort. The Stan­ford team’s effort involved a tech­nique called X‑ray flu­o­res­cence (XRF), whose rays “knock out elec­trons close to the nuclei of met­al atoms, and these holes are filled with out­er elec­trons result­ing in char­ac­ter­is­tic X‑ray flu­o­res­cence that can be picked up by a sen­si­tive detec­tor.”

Those rays “pen­e­trate through lay­ers of text and cal­ci­um, and the hid­den Galen text and the new­er reli­gious text flu­o­resce in slight­ly dif­fer­ent ways because their inks con­tain dif­fer­ent com­bi­na­tions of met­als such as iron, zinc, mer­cury and cop­per.” Each of the leather-bound book’s 26 pages takes ten hours to scan, and the enor­mous amounts of new data col­lect­ed will pre­sum­ably occu­py a vari­ety of experts on the ancient world — on the Greek and Islam­ic civ­i­liza­tions, on their lan­guages, on their med­i­cine — for much longer there­after. But you do have to won­der: what kind of unimag­in­ably advanced tech­nol­o­gy will our descen­dants a mil­len­ni­um and a half years from now be using to read all of the stuff we thought we’d erased?

via SLAC

Relat­ed Con­tent:

2,000-Year-Old Man­u­script of the Ten Com­mand­ments Gets Dig­i­tized: See/Download “Nash Papyrus” in High Res­o­lu­tion

The Turin Erot­ic Papyrus: The Old­est Known Depic­tion of Human Sex­u­al­i­ty (Cir­ca 1150 B.C.E.)

Try the Old­est Known Recipe For Tooth­paste: From Ancient Egypt, Cir­ca the 4th Cen­tu­ry BC

Learn Ancient Greek in 64 Free Lessons: A Free Course from Bran­deis & Har­vard

Intro­duc­tion to Ancient Greek His­to­ry: A Free Online Course from Yale

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Patti Smith’s 40 Favorite Books

Image of Pat­ti Smith per­form­ing in Rio de Janeiro by Dai­go Oli­va

As a lit­tle girl, Pat­ti Smith found lib­er­a­tion in words — first through the bed­time prayers she made up her­self, and lat­er in books. “I was com­plete­ly smit­ten by the book,” she writes in her mem­oir, Just Kids.  “I longed to read them all, and the things I read of pro­duced new yearn­ings.”

Smith found a role mod­el in Jo, the tomboy writer in Louisa May Alcot­t’s Lit­tle Women. “She gave me the courage of a new goal,” writes Smith, “and soon I was craft­ing lit­tle sto­ries and spin­ning long yarns for my broth­er and sis­ter.” As a teenag­er she dis­cov­ered the French Sym­bol­ist poets Charles Baude­laire and espe­cial­ly Arthur Rim­baud, who inspired her and helped shape her own artis­tic per­sona as a poet and punk rock­er.

Despite her fame as a rock ’n’ roll musi­cian, Smith has always described her­self as essen­tial­ly a book­ish per­son. It was around the time of Smith’s appear­ance at the 2008 Mel­bourne Inter­na­tion­al Arts Fes­ti­val, accord­ing to Ver­ti­go, that Smith released this list of her favorite books. Not sur­pris­ing­ly, it’s an eclec­tic and fas­ci­nat­ing group of books:

Smith’s read­ing rec­om­men­da­tions have no doubt evolved since the list was giv­en. Ear­li­er this year a writer for Elle asked what books she would sug­gest. “I could rec­om­mend a mil­lion,” Smith respond­ed. “I would just say read any­thing by [Rober­to] Bolaño. Re-read all the great clas­sics. Read The Scar­let Let­ter, read Moby Dick, read [Haru­ki] Muraka­mi. But Rober­to Bolaño’s 2666 is the first mas­ter­piece of the 21st cen­tu­ry.”

You can find a num­ber of the texts list­ed above in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Note: An ear­li­er ver­sion of this post appeared on our site in April 2015.

Relat­ed Con­tent:

David Bowie’s Top 100 Books

Hayao Miyaza­ki Picks His 50 Favorite Children’s Books

29 Lists of Rec­om­mend­ed Books Cre­at­ed by Well-Known Authors, Artists & Thinkers

How Bill Gates Reads Books

If you’re a ded­i­cat­ed read­er of our site, you know that we’ve peri­od­i­cal­ly high­light­ed Bill Gates’ favorite books. (See his lists from 20152016 and 2017, plus this rec­om­men­da­tion made ear­li­er this year.) You also know that his read­ing diet skews heav­i­ly towards non-fiction–towards books like Enlight­en­ment Now by Steven PinkerSapi­ens: A Brief His­to­ry of Humankind by Noah Yuval Harari, and Mind­set: The New Psy­chol­o­gy of Suc­cess by Car­ol S. Dweck.

That’s what Gates likes to read. But how about how he reads? How does Gates get the most out of his time spent read­ing? As he explains in the Quartz video above, it boils down to this:

  1. Take Notes in the Mar­gins: That sim­ple step helps ensure that you’re real­ly pay­ing atten­tion and engag­ing crit­i­cal­ly with the text. It lets you “take in new knowl­edge and attach it to knowl­edge you already have.”
  2. Don’t Start What You Can’t Fin­ish: Gates does­n’t explain why you should nev­er cut your loss­es. Maybe it’s a form of self-dis­ci­pline. Maybe it’s a fear of miss­ing out on what a book promis­es to deliv­er. Or maybe it’s the sunk cost fal­la­cy. Either way, Gates does rec­om­mend pick­ing your books care­ful­ly before you get start­ed.
  3. Paper Books, Not eBooks: Bet­ter for mar­gin­a­lia, for sure.
  4. Block Out an Hour of Read­ing Time: You can’t read a seri­ous book in a short sit­ting. To real­ly engage with a book, give it a good hour each day. A tall order, I known, in our age of ever-declin­ing atten­tion spans.

To be sure, you have your own read­ing prac­tices to rec­om­mend. Please don’t hes­i­tate to add them to the com­ments sec­tion below.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Bill Gates, Book Crit­ic, Names His Top 5 Books of 2015

Six Books (and One Blog) Bill Gates Wants You to Read This Sum­mer

Take Big His­to­ry: A Free Short Course on 13.8 Bil­lion Years of His­to­ry, Fund­ed by Bill Gates

View Bill Gates’ Mobile Library: The Books & Cours­es That Help Him Change The World

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How Illuminated Medieval Manuscripts Were Made: A Step-by-Step Look at this Beautiful, Centuries-Old Craft

What place does the paper book have in our increas­ing­ly all-dig­i­tal present? While some util­i­tar­i­an argu­ments once mar­shaled in its favor (“You can read them in the bath­tub” and the like) have fall­en into dis­use, oth­er, more aes­thet­i­cal­ly focused argu­ments have arisen: that a work in print, for exam­ple, can achieve a state of beau­ty as an object in and of itself, the way a file on a lap­top, phone, or read­er nev­er can. In a sense, this case for the paper book in the 21st cen­tu­ry comes back around to the case for the paper book from the 12th cen­tu­ry and even ear­li­er, the age of the illu­mi­nat­ed man­u­script.

Book­mak­ers back then had to con­cen­trate on pres­tige prod­ucts, giv­en that they could­n’t make books in any­thing like the num­bers even the hum­blest, most anti­quat­ed print­ing oper­a­tion can run off today.

In the video above, the Get­ty Muse­um reveals the painstak­ing phys­i­cal process behind the medieval illu­mi­nat­ed man­u­script: the sourc­ing, soak­ing, and stretch­ing of ani­mal skin for the parch­ment; the con­ver­sion of feath­ers into the quills and nuts into the ink with which scribes would write the text; the appli­ca­tion of gold leaf and oth­er col­ors by the illu­mi­na­tor as they drew in their designs; and the sewing of the bind­ing before encas­ing the whole pack­age tight­ly between clasped leather cov­ers.

Some illu­mi­nat­ed man­u­scripts also bear elab­o­rate cov­er designs sculpt­ed of pre­cious met­al, but even with­out those, these elab­o­rate books — what with all the art and craft that went into them, not to men­tion all those pricey mate­ri­als — came out even more valu­able, at the time, than even the most cov­et­ed lap­top, phone, read­er, or oth­er con­sumer elec­tron­ic device today. Most of us in the devel­oped world can now buy one of those, but the non-insti­tu­tion­al patrons will­ing and able to com­mis­sion the most splen­did illu­mi­nat­ed man­u­scripts in the Mid­dle Ages and ear­ly Renais­sance includ­ed most­ly “soci­ety’s rulers: emper­ors, kings, dukes, car­di­nals, and bish­ops.”

To ful­ly under­stand the mak­ing of the devices we use to read elec­tron­i­cal­ly today would require years and years of study, and so there’s some­thing sat­is­fy­ing in the fact that we can grasp so much about the mak­ing of illu­mi­nat­ed man­u­scripts with rel­a­tive ease: see, for exam­ple, the two-minute Get­ty video just above, “The Struc­ture of a Medieval Man­u­script.” A fuller under­stand­ing of the nature of illu­mi­nat­ed man­u­scripts, both in the sense of their con­struc­tion and their place in soci­ety, makes for a fuller under­stand­ing of how rare the chance was to own beau­ti­ful books of their kind in their own time — and how much rar­er the exact com­bi­na­tion of skills need­ed to cre­ate that beau­ty.

Relat­ed Con­tent:

How the Bril­liant Col­ors of Medieval Illu­mi­nat­ed Man­u­scripts Were Made with Alche­my

Behold the Beau­ti­ful Pages from a Medieval Monk’s Sketch­book: A Win­dow Into How Illu­mi­nat­ed Man­u­scripts Were Made (1494)

The Aberdeen Bes­tiary, One of the Great Medieval Illu­mi­nat­ed Man­u­scripts, Now Dig­i­tized in High Res­o­lu­tion & Made Avail­able Online

1,600-Year-Old Illu­mi­nat­ed Man­u­script of the Aeneid Dig­i­tized & Put Online by The Vat­i­can

Dante’s Divine Com­e­dy Illus­trat­ed in a Remark­able Illu­mi­nat­ed Medieval Man­u­script (c. 1450)

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Get Free Drawing Lessons from Katsushika Hokusai, Who Famously Painted The Great Wave of Kanagawa: Read His How-To Book, Quick Lessons in Simplified Drawings

Even if you don’t know eigh­teenth and nine­teenth cen­tu­ry Japan­ese art, you def­i­nite­ly know the work of eigh­teenth and nine­teenth cen­tu­ry Japan­ese artist Kat­sushi­ka Hoku­sai — specif­i­cal­ly his Great Wave off Kana­gawa. (And if you’d like to know a lit­tle more about it, have a look at this short video from PBS’ The Art Assign­ment.) But if that so often repro­duced, imi­tat­ed, and par­o­died 1830s wood­block print stands for Hoku­sai’s oeu­vre, it also obscures it, for in his long life he cre­at­ed not just many oth­er works of art but works that helped, and con­tin­ue to help, oth­ers cre­ate art as well.

Hoku­sai’s bib­li­og­ra­phy, writes a Metafil­ter user by the name of Theodo­lite, includes “a lit­tle-known how-to book: 略画早指南, or Quick Lessons in Sim­pli­fied Draw­ings, a man­u­al in three parts. Vol­ume I breaks every draw­ing down into sim­ple geo­met­ric shapes; vol­ume II decom­pos­es them into frag­men­tary con­tours; and vol­ume III neat­ly dia­grams each stroke and the order in which they were drawn.”

Fol­low those links and you can read each of the books page-by-page, and not to wor­ry if you don’t read Japan­ese; the artist ren­ders his exam­ples so clear­ly that the astute stu­dent can eas­i­ly fol­low them.

Not that an under­stand­ing of Japan­ese would­n’t enrich the read­ing expe­ri­ence: “Those are not all con­tours — they’re often char­ac­ters,” notes anoth­er Mefite in the com­ments. “On page 4, there are draw­ings based on の, no, and the cranes start with ふ, fu. On page 9, the draw­ing of the man on the right is elab­o­rat­ed from み, mi. The hill on page 12 comes from 山, san, ‘moun­tain.’ The rocks on page 19 are from 石, ishi, ‘stone.’ ” These pages thus pro­vide the espe­cial­ly astute stu­dent a way to learn Hoku­sai’s style of draw­ing and the ele­ments of the writ­ten Japan­ese lan­guage at once.

In addi­tion to the Quick Lessons books, adds Theodo­lite, Hoku­sai’s “oth­er ped­a­gog­i­cal works include his Draw­ing Meth­ods, Quick Pic­to­r­i­al Dic­tio­naryDance Instruc­tion Man­u­al, and the love­ly, three-col­or Pic­tures Drawn in One Stroke.” Con­sid­er­ing the immense respect accord­ed to Hoku­sai today from all cor­ners of the world — up to and includ­ing sub­tle trib­utes paid in major motion pic­tures — it sur­pris­es some to learn that he con­sid­ered him­self a “mere” com­mer­cial artist. But per­haps that very atti­tude endowed him with a rel­a­tive­ly com­mon touch, of the kind that enabled him to share his tech­niques with the read­ing pub­lic so open­ly, and so ele­gant­ly.

(via Metafil­ter)

Relat­ed Con­tent:

Enter a Dig­i­tal Archive of 213,000+ Beau­ti­ful Japan­ese Wood­block Prints

Down­load 2,500 Beau­ti­ful Wood­block Prints and Draw­ings by Japan­ese Mas­ters (1600–1915)

Down­load Hun­dreds of 19th-Cen­tu­ry Japan­ese Wood­block Prints by Mas­ters of the Tra­di­tion

1,000+ His­toric Japan­ese Illus­trat­ed Books Dig­i­tized & Put Online by the Smith­son­ian: From the Edo & Meji Eras (1600–1912)

How to Draw in the Style of Japan­ese Man­ga: A Series of Free & Wild­ly Pop­u­lar Video Tuto­ri­als from Artist Mark Cril­ley

Based in Seoul, Col­in Mar­shall writes and broad­casts on cities and cul­ture. His projects include the book The State­less City: a Walk through 21st-Cen­tu­ry Los Ange­les and the video series The City in Cin­e­ma. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Leo Tolstoy Makes a List of the 50+ Books That Influenced Him Most (1891)

War and PeaceAnna Karen­i­naThe Death of Ivan Ilyich —many of us have felt the influ­ence, to the good or the ill of our own read­ing and writ­ing, of Leo Tol­stoy. But whose influ­ence did Leo Tol­stoy feel the most? As luck would have it, we can give you chap­ter and verse on this, since the nov­el­ist drew up just such a list in 1891, which would have put him at age 63.

A Russ­ian pub­lish­er had asked 2,000 pro­fes­sors, schol­ars, artists, and men of let­ters, pub­lic fig­ures, and oth­er lumi­nar­ies to name the books impor­tant to them, and Tol­stoy respond­ed with this list divid­ed into five ages of man, with their actu­al degree of influ­ence (“enor­mous,” “v. great,” or mere­ly “great”) not­ed.

It comes as some­thing of a rar­i­ty, up to now only avail­able tran­scribed in a post at Northamp­ton, Mass­a­chu­setts’ Val­ley Advo­cate:

WORKS WHICH MADE AN IMPRESSION

Child­hood to the age of 14 or so

The sto­ry of Joseph from the Bible — Enor­mous

Tales from The Thou­sand and One Nights: the 40 Thieves, Prince Qam-al-Zaman — Great

The Lit­tle Black Hen by Pogorel­sky - V. great

Russ­ian byliny: Dobrynya Nikitich, Ilya Muromets, Alyosha Popovich. Folk Tales — Enor­mous

Puskin’s poems: Napoleon — Great

Age 14 to 20

Matthew’s Gospel: Ser­mon on the Mount — Enor­mous

Sterne’s Sen­ti­men­tal Jour­ney — V. great

Rousseau Con­fes­sions — Enor­mous

Emile — Enor­mous

Nou­velle Héloise — V. great

Pushkin’s Yevge­ny One­gin — V. great

Schiller’s Die Räu­ber — V. great

Gogol’s Over­coat, The Two Ivans, Nevsky Prospect — Great

“Viy” [a sto­ry by Gogol] — Enor­mous

Dead Souls — V. great

Turgenev’s A Sportsman’s Sketch­es — V. great

Druzhinin’s Polin­ka Sachs — V. great

Grigorovich’s The Hap­less Anton — V. great

Dick­ens’ David Cop­per­field — Enor­mous

Lermontov’s A Hero for our Time, Taman — V. great

Prescott’s Con­quest of Mex­i­co — Great

Age 20 to 35

Goethe. Her­mann and Dorothea — V. great

Vic­tor Hugo. Notre Dame de Paris — V. great

Tyutchev’s poems — Great

Koltsov’s poems — Great

The Odyssey and The Ili­ad (read in Russ­ian) — Great

Fet’s poems — Great

Plato’s Phae­do and Sym­po­sium (in Cousin’s trans­la­tion) — Great

Age 35 to 50

The Odyssey and The Ili­ad (in Greek) — V. great

The byliny — V. great

Vic­tor Hugo. Les Mis­érables — Enor­mous

Xenophon’s Anaba­sis — V. great

Mrs. [Hen­ry] Wood. Nov­els — Great

George Eliot. Nov­els — Great

Trol­lope, Nov­els — Great

Age 50 to 63

All the Gospels in Greek — Enor­mous

Book of Gen­e­sis (in Hebrew) — V. great

Hen­ry George. Progress and Pover­ty — V. great

[Theodore] Park­er. Dis­course on reli­gious sub­ject — Great

[Fred­er­ick William] Robertson’s ser­mons — Great

Feuer­bach (I for­get the title; work on Chris­tian­i­ty) [“The Essence of Chris­tian­i­ty”] — Great

Pascal’s Pen­sées — Enor­mous

Epicte­tus — Enor­mous

Con­fu­cius and Men­cius — V. great

On the Bud­dha. Well-known French­man (I for­get) [“Lali­ta Vis­tara”] — Enor­mous

Lao-Tzu. Julien [S. Julien, French trans­la­tor] — Enor­mous

The writer at the Val­ley Advo­cate, a Tol­stoy afi­ciona­do, came across the list by sheer hap­pen­stance. “On my way to work, I found some­thing just for me in a box of cast-off books on a side­walk,” they write: a biog­ra­phy of Tol­stoy with “some­thing cool­er inside”: a “yel­lowed and frag­ile New York Times Book Review clip­ping” from 1978 con­tain­ing the full list as Tol­stoy wrote it. “Gold,” in oth­er words, “for this wannabe Tol­stoy schol­ar.” If you, too count your­self among the ranks of wannabe Tol­stoy schol­ars — or indeed cre­den­tialed Tol­stoy schol­ars — you’ll no doubt find more than a few intrigu­ing selec­tions here. And if you sim­ply admire Tol­stoy, well, get to read­ing: learn not how to make the same things your idols made, I often say, but to think how they thought. Not that any of us have time to write War and Peace these days any­way, though with luck, we do still have time to read it — along with The Thou­sand and One NightsDavid Cop­per­fieldThe Odyssey, and so on. Many of these works you can find in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Look­ing for free, pro­fes­­sion­al­­ly-read audio books from Audible.com? Here’s a great, no-strings-attached deal. If you start a 30 day free tri­al with Audible.com, you can down­load two free audio books of your choice. Get more details on the offer here.

Note: An ear­li­er ver­sion of this post orig­i­nal­ly appeared on our site in July, 2014.

Relat­ed Con­tent:

Rare Record­ing: Leo Tol­stoy Reads From His Last Major Work in Four Lan­guages, 1909

Why Should We Read Tolstoy’s War and Peace (and Fin­ish It)? A TED-Ed Ani­ma­tion Makes the Case

Vin­tage Footage of Leo Tol­stoy: Video Cap­tures the Great Nov­el­ist Dur­ing His Final Days

The Com­plete Works of Leo Tol­stoy Online: New Archive Will Present 90 Vol­umes for Free (in Russ­ian)

Leo Tolstoy’s Fam­i­ly Recipe for Mac­a­roni and Cheese

Tol­stoy and Gand­hi Exchange Let­ters: Two Thinkers’ Quest for Gen­tle­ness, Humil­i­ty & Love (1909)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

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Amanda Palmer Sings a Heartfelt Musical Tribute to YA Author Judy Blume on Her 80th Birthday

Art saves lives, and so does author Judy Blume. While some of her nov­els are intend­ed for adult read­ers, and oth­ers for the ele­men­tary school set, her best known books are the ones that speak to the expe­ri­ence of being a teenage girl.

For many of us com­ing of age in the ‘70s and ‘80s, Blume was our best—sometimes only—source when it came to sex, men­stru­a­tion, mas­tur­ba­tion, and oth­er top­ics too taboo to dis­cuss. She answered the ques­tions we were too shy to ask. Her char­ac­ters’ inte­ri­or mono­logues mir­rored our own.

The hon­esty of her writ­ing earned her mil­lions of grate­ful young fans, and plen­ty of atten­tion from those who still seek to keep her titles out of libraries and schools.

While her sto­ries are not auto­bi­o­graph­i­cal, her com­pas­sion is born of expe­ri­ence.

Here she is on Are You There, God? It’s Me, Mar­garet, a tat­tered paper­back copy of which made the rounds of my 6th grade class, like the pre­cious con­tra­band it was:

When I was in sixth grade, I longed to devel­op phys­i­cal­ly like my class­mates. I tried doing exer­cis­es, resort­ed to stuff­ing my bra, and lied about get­ting my peri­od. And like Mar­garet, I had a very per­son­al rela­tion­ship with God that had lit­tle to do with orga­nized reli­gion. God was my friend and con­fi­dant. But Mar­garet’s fam­i­ly is very dif­fer­ent from mine, and her sto­ry grew from my imag­i­na­tion.

On It’s Not the End of the World:

…in the ear­ly sev­en­ties I lived in sub­ur­ban New Jer­sey with my hus­band and two chil­dren, who were both in ele­men­tary school. I could see their con­cern and fear each time a fam­i­ly in our neigh­bor­hood divorced. What do you say to your friends when you find out their par­ents are split­ting up? If it could hap­pen to them, could it hap­pen to us?

At the time, my own mar­riage was in trou­ble but I was­n’t ready or able to admit it to myself, let alone any­one else. In the hope that it would get bet­ter I ded­i­cat­ed this book to my hus­band. But a few years lat­er, we, too, divorced. It was hard on all of us, more painful than I could have imag­ined, but some­how we mud­dled through and it was­n’t the end of any of our worlds, though on some days it might have felt like it.

And on For­ev­er, which won an A.L.A. Mar­garet A. Edwards Award for Out­stand­ing Lit­er­a­ture for Young Adults, 20 years after its orig­i­nal pub­li­ca­tion:

My daugh­ter Randy asked for a sto­ry about two nice kids who have sex with­out either of them hav­ing to die. She had read sev­er­al nov­els about teenagers in love. If they had sex the girl was always punished—an unplanned preg­nan­cy, a hasty trip to a rel­a­tive in anoth­er state, a gris­ly abor­tion (ille­gal in the U.S. until the 1970’s), some­times even death. Lies. Secrets. At least one life ruined. Girls in these books had no sex­u­al feel­ings and boys had no feel­ings oth­er than sex­u­al. Nei­ther took respon­si­bil­i­ty for their actions. I want­ed to present anoth­er kind of story—one in which two seniors in high school fall in love, decide togeth­er to have sex, and act respon­si­bly.

The heart­felt lyrics of Aman­da Palmer’s recent paean to Blume, who turned 80 this week, con­firm that the singer-song­writer was among the legions of young girls for whom this author made a dif­fer­ence.

In her essay, “Why Judy Blume Mat­ters,” Palmer recalls com­ing up with a list of influ­ences to sat­is­fy the sort of ques­tion a ris­ing indie musi­cian is fre­quent­ly asked in inter­views. It was a “care­ful­ly curat­ed” assort­ment of rock and roll pedi­gree and obscu­ri­ties, and she lat­er real­ized, almost exclu­sive­ly male.

This song, which name checks so many beloved char­ac­ters, is a pas­sion­ate attempt to cor­rect this over­sight:

Per­haps the biggest com­pli­ment you could give a writer ― or a writer of youth fic­tion ― is that they’re so indeli­ble they van­ish into mem­o­ry, the way a dream slips away upon wak­ing because it’s so deeply knit­ted into the fab­ric of your sub­con­scious. The expe­ri­ences of her teenage char­ac­ters ― Dee­nie, Dav­ey, Tony, Jill, Mar­garet ― are so thor­ough­ly enmeshed with my own mem­o­ries that the line between fact and fic­tion is deli­cious­ly thin. My mem­o­ries of these char­ac­ters, though I’d pre­fer to call them “peo­ple” ― of Dee­nie get­ting felt up in the dark lock­er room dur­ing the school dance; of Dav­ey list­less­ly mak­ing and stir­ring a cup of tea that she has no inten­tion of drink­ing; of Jill watch­ing Lin­da, the fat girl in her class, being tor­ment­ed by gig­gling bul­lies ― are all as vivid, if not more so, as my own mem­o­ries…

Palmer’s hus­band, Neil Gaiman, puts in a cameo in the video’s final moments as one of many read­ers immersed in Blume’s oeu­vre.

Read­ers, did a spe­cial book cov­er from your ado­les­cence put in an appear­ance?

For more on Judy Blume’s approach to char­ac­ter and sto­ry, con­sid­er sign­ing up for her $90 online Mas­ter Class.

Name your own price to down­load Judy Blume by Aman­da Palmer here.

Relat­ed Con­tent:

Judy Blume Now Teach­ing an Online Course on Writ­ing

Hear Aman­da Palmer’s Cov­er of “Pur­ple Rain,” a Gor­geous Stringfelt Send-Off to Prince

Aman­da Palmer Ani­mates & Nar­rates Hus­band Neil Gaiman’s Uncon­scious Mus­ings

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  Fol­low her @AyunHalliday.

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