Old Books Bound in Human Skin Found in Harvard Libraries (and Elsewhere in Boston)

Practicarum-Cover-and-Spine

For at least a decade now, the “death of print” has seemed all but inevitable. Amidst all the nos­tal­gia for print­ed lit­er­a­ture, it’s easy to for­get that mass-pro­duced books and media, and a lit­er­ate pop­u­la­tion, are fair­ly recent phe­nom­e­na in human his­to­ry. Books—whether print­ed or hand-copied—had a totemic sta­tus for thou­sands of years, giv­en that they were kept under the pro­tec­tion of an edu­cat­ed elite, who were among the few able to read and inter­pret them. Even after the age of print­ing, books were rare and hard to come by, large­ly too expen­sive for most peo­ple to afford until the advent of paper­backs.

A gris­ly reminder of the book’s sta­tus as an almost mag­i­cal object sur­faced in Harvard’s rare book col­lec­tion a few years ago. In 2006, librar­i­ans dis­cov­ered at least three vol­umes bound in human skin—and as trav­el site Road­trip­pers reports, “in one case, skin har­vest­ed from a man who was flayed alive.” Grue­some as all this seems, the prac­tice of skin-bind­ing was appar­ent­ly not the sole province of ser­i­al killers:

As it turns out, the prac­tice of using human skin to bind books was actu­al­ly pret­ty pop­u­lar dur­ing the 17th cen­tu­ry. It’s referred to as Anthro­po­der­mic bib­liop­e­gy and proved pret­ty com­mon when it came to anatom­i­cal text­books. Med­ical pro­fes­sion­als would often use the flesh of cadav­ers they’d dis­sect­ed dur­ing their research.

The book sup­pos­ed­ly made of flayed skin is a Span­ish law text from the sev­en­teenth cen­tu­ry titled Prac­ti­carum quaes­tion­um cir­ca leg­es regias (above). Despite an inscrip­tion nam­ing the deceased and claim­ing his skin as the bind­ing, this vol­ume has actu­al­ly just been iden­ti­fied as sheepskin—according to a Har­vard Law Library blog post from yesterday—“thanks to a tech­nique for iden­ti­fy­ing pro­teins that was devel­oped in the last twen­ty years.” Spec­u­lates the Law Library post:

Per­haps before it arrived at HLS [Har­vard Law School] in 1946, the book was bound in a dif­fer­ent bind­ing at some point in its his­to­ry. Or per­haps the inscrip­tion was sim­ply the prod­uct of someone’s macabre imag­i­na­tion.

Nev­er­the­less, oth­er human skin-bound books exist—as far as librar­i­ans and sci­en­tists can deter­mine. For­mer direc­tor of libraries for the Uni­ver­si­ty of Ken­tucky Lawrence S. Thomp­son claims that the prac­tice dates as far back as a 13th cen­tu­ry French Bible and became more com­mon in the 16th and 17th cen­turies. A 1933 Crim­son arti­cle men­tioned anoth­er skin-bound book in a col­lec­tion of minia­ture books, includ­ing this graph­ic detail: “removal of 20 square inch­es of skin from his back failed to impair the health of its donor, who is still alive and in the best of con­di­tion.”

Anoth­er skin-bound vol­ume, which Thomp­son calls “the most famous of all anthro­po­der­mic bind­ings,” resides across the riv­er from Har­vard at inde­pen­dent library the Boston Athenaeum. Called The High­way­man: Nar­ra­tive of the Life of James Allen alias George Wal­ton (above), the book is a mem­oir of the tit­u­lar out­law. The author, reports the Crim­son, “was impressed by the courage of a man whom he once attacked, and when Wal­ton was fac­ing exe­cu­tion, he asked to have his mem­oir bound in his own skin and pre­sent­ed to the brave man.” Thumb through (so to speak) a dig­i­tal copy of Walton’s 1837 mem­oir above, and imag­ine being the recip­i­ent of such a gift.

via Road­trip­pers

Relat­ed Con­tent:  

Medieval Cats Behav­ing Bad­ly: Kit­ties That Left Paw Prints … and Peed … on 15th Cen­tu­ry Man­u­scripts

How a Book Thief Forged a Rare Edi­tion of Galileo’s Sci­en­tif­ic Work, and Almost Pulled it Off

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Books You Think Every Intelligent Person Should Read: Crime and Punishment, Moby-Dick & Beyond (Many Free Online)

crime and punishment cover

While I nor­mal­ly try not to get involved with com­ments on web sites (you know what I mean), I’d rather get involved with the com­ments of some web sites than oth­ers. I doubt that under­neath any Youtube video, for exam­ple,  you’d find dozens and dozens of well-con­sid­ered sug­ges­tions for the canon of books every intel­li­gent per­son should read, as we did here at Open Cul­ture when we put the ques­tion to you on Wednes­day. In the com­ments to that post as well as on our Face­book Page, we received a host of respons­es scat­tered sat­is­fy­ing­ly across the tex­tu­al map: every­thing from Michel Fou­cault to Fou­cault’s Pen­du­lum, Gib­bon’s His­to­ry of the Decline and Fall of the Roman Empire to Bryson’s Short His­to­ry of Near­ly Every­thing, 18th-cen­tu­ry Ger­man philoso­pher Immanuel Kant to rep­til­ian con­spir­a­cy-envi­sion­ing ex-foot­baller David Icke. The top-rank­ing vol­ume? Fyo­dor Dos­toyevsky’s Crime and Pun­ish­ment (avail­able, inci­den­tal­ly, in our free eBook col­lec­tionKin­dle from Ama­zon – Read Online), fol­lowed by Her­man Melville’s Moby-Dick (avail­able there too: iPad/iPhone — Kin­dle + Oth­er For­mats). Let none say that Open Cul­ture read­ers shy away from weighty lit­er­a­ture.

Oth­er, short­er nov­els pop­u­lar­ly sug­gest­ed include Voltaire’s Can­dide (iPad/iPhone — Kin­dle + Oth­er For­mats), Joseph Con­rad’s Heart of Dark­ness (iPad/iPhone – Kin­dle + Oth­er For­mats), and George Orwell’s 1984 (Read Online). We also received a num­ber of votes for books famous­ly pored over for thou­sands upon thou­sands of hours by their enthu­si­asts, such as the Bible, Dan­te’s Divine Com­e­dy (iPad/iPhone – Kin­dle + Oth­er For­mats), and Ayn Rand’s Atlas Shrugged. (Giv­en the for­mi­da­ble inter­net pres­ence of Rand’s read­ers, I expect­ed more of an inun­da­tion of her titles, but they must not have turned out in force this time.) Such clas­sic and decep­tive­ly uni­ver­sal guides to strat­e­gy as Sun Tzu’s The Art of War (iPad/iPhone — Kin­dle + Oth­er For­mats – Read Online) and Nic­colò Machi­avel­li’s The Prince (iPad/iPhone — Kin­dle + Oth­er For­mats) also placed well, as did books like Pla­to’s Repub­lic (iPad/iPhone – Kin­dle + Oth­er For­mats — Read Online), Hen­ry David Thore­au’s Walden (iPad/iPhone – Kin­dle + Oth­er For­mats), and Her­mann Hes­se’s Sid­dartha (Kin­dle + Oth­er For­mats) — the ones you prob­a­bly got assigned once, but that you may not then have under­stood why you should actu­al­ly read. 

The rec­om­men­da­tions fas­ci­nate, but so do their jus­ti­fi­ca­tions. (My per­son­al favorite: “It’s a book about shaman­ism, although it’s not what you would expect from a social­ly accept­ed descrip­tion of shaman­ism.”) Jo Stafford calls Crime and Pun­ish­ment and Moby-Dick, the two big win­ners, “per­fect exam­ples of how great fic­tion can pose the ‘big ques­tions’, par­tic­u­lar­ly around what it means to act moral­ly.” Moira pitch­es Robert M. Pir­sig’s Zen and the Art of Motor­cy­cle Main­te­nance as a “mod­ern study of the schism between clas­si­cist and roman­ti­cist think­ing.” Nick Williams says Can­dide “still feeds the inner cyn­ic,” and Jason con­sid­ers Walden “a bet­ter les­son on cap­i­tal­ism than The Wealth of Nations.” Arthur McMil­lan rec­om­mends Julian Barnes’ A His­to­ry of the World in 10½ Chap­ters by hold­ing out the promise that it “encap­su­lates the sheer futil­i­ty of everything[ness].” Anoth­er read­er sug­gests William Godwin’s Polit­i­cal Enquiry “to be remind­ed what books inspired us to be: free.” Wise words indeed, Mr. Beer N. Hock­ey.

Relat­ed Con­tent:

575 Free eBooks: Down­load Great Books for Free

What Books Should Every Intel­li­gent Per­son Read?: Tell Us Your Picks; We’ll Tell You Ours

See Nobel Lau­re­ate Joseph Brodsky’s Read­ing List For Hav­ing an Intel­li­gent Con­ver­sa­tion

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

What Books Should Every Intelligent Person Read?: Tell Us Your Picks; We’ll Tell You Ours

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Back in 2011 we fea­tured astro­physi­cist Neil DeGrasse Tyson’s list of the books “every sin­gle intel­li­gent per­son on the plan­et” should read. His picks include the Bible (“to learn that it’s eas­i­er to be told by oth­ers what to think and believe than it is to think for your­self”); Adam Smith’s The Wealth of Nations (“to learn that cap­i­tal­ism is an econ­o­my of greed, a force of nature unto itself”); and Machi­avel­li’s The Prince (“to learn that peo­ple not in pow­er will do all they can to acquire it, and peo­ple in pow­er will do all they can to keep it”). The list, which has gen­er­at­ed a great deal of inter­est and dis­cus­sion, leads you to think about the very nature of not just what con­sti­tutes essen­tial read­ing, but what defines an “intel­li­gent per­son.” Should every such indi­vid­ual real­ly read any book in par­tic­u­lar? Does it mat­ter if oth­ers already acknowl­edge these books as essen­tial, or can they have gone thus far undis­cov­ered?

Admirably, Tyson man­ages to com­pile his selec­tions of books well-known across the Eng­lish-speak­ing world into a list that, as a whole, some­how avoids dull­ness or pre­dictabil­i­ty. In eschew­ing obscu­ran­tism, he makes the per­haps dar­ing impli­ca­tion that an intel­li­gent per­son must con­nect to a wide­ly shared cul­ture, rather than demon­strat­ing their brain­pow­er by get­ting through vol­ume upon lit­tle-read vol­ume, writ­ten in the most labyrinthine lan­guage, expound­ing on the most abstract sub­ject mat­ter, or grap­pling with the knot­ti­est philo­soph­i­cal prob­lems. This inspires me to high­light five more pieces of read­ing mate­r­i­al, all intel­lec­tu­al­ly stim­u­lat­ing but acces­si­bly writ­ten, all ref­er­enced fre­quent­ly in count­less areas of human endeav­or, and all avail­able in our col­lec­tion of free eBooks:

  • Mar­cus Aure­lius’ Med­i­ta­tions (iPad/iPhone – Kin­dle + Oth­er For­mats), because the ideas that “you have pow­er over your mind, not out­side events,” or that “the hap­pi­ness of your life depends upon the qual­i­ty of your thoughts,” or that “every­thing we hear is an opin­ion, not a fact” and “every­thing we see is a per­spec­tive, not the truth” apply as much today as they did in antiq­ui­ty.
  • Miguel de Cer­vantes’ Don Quixote (iPad/iPhone (Vol 1 – Vol 2) – Kin­dle + Oth­er For­mats), because we could all use a firmer grasp on what we mean when we label some­one “quixot­ic,” a sim­ple descrip­tion that takes its name from a sur­pris­ing­ly com­plex and unex­pect­ed­ly admirable char­ac­ter.
  • James Joyce’s A Por­trait of the Artist as a Young Man (iPad/iPhone – Kin­dle + Oth­er For­mats) because, what­ev­er ideas you may have about Joyce — pos­i­tive or neg­a­tive — if you haven’t yet cracked his first nov­el, I guar­an­tee a read­ing expe­ri­ence unlike any you might expect.
  • Michel de Mon­taigne’s Essays (iPad/iPhone – Kin­dle + Oth­er For­mats), because not only do his pieces exem­pli­fy (because they prac­ti­cal­ly invent­ed) the strongest short form to cap­ture the paths of human thought, but they feel espe­cial­ly rel­e­vant now in this inter­net-dri­ven “age of the essay.”
  • Alex­is de Toc­queville’s Democ­ra­cy in Amer­i­ca (vol­ume 1: iPad/iPhone – Kin­dle + Oth­er For­mats — Read Online; vol­ume 2: iPad/iPhone — Kin­dle + Oth­er For­mats — Read Online), because the French­man’s diag­no­sis of the advan­tages and lia­bil­i­ties of this then-young and exper­i­men­tal coun­try still give us much to con­sid­er today, not just in regard to Amer­i­ca, but — now that so many coun­tries have gone demo­c­ra­t­ic, each in their own way — most of the world.

None will have come as news to you, but some it may take you a moment to real­ize that, hey, you nev­er did get around to them in the first place. Take in books like these, and not only will they res­onate rich­ly with every­thing else already knock­ing around your brain — you do read Open Cul­ture, after all — but they’ll let you in on what, exact­ly, all those read­ers and writ­ers around the world and through his­to­ry have meant when they cite them so read­i­ly.

We also invite you to tell us: which books, freely avail­able or oth­er­wise, do you con­sid­er essen­tial read­ing for the intel­li­gent? Have I missed the boat by fail­ing to include Finnegans Wake (Read Online), say, or the Trac­ta­tus Logi­co-Philo­soph­i­cus (iPad/iPhone — Kin­dle + Oth­er For­mats — Read Online)? Let loose your own rec­om­men­da­tions and we’ll cre­ate a com­pi­la­tion of your best picks in the com­ings days.

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

Read an Excerpt of J.R.R. Tolkien’s 1926 Translation of Beowulf Before It’s Finally Published Next Month

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For the first time, J.R.R. Tolkien’s 1926 trans­la­tion of the 11th cen­tu­ry epic poem Beowulf will be pub­lished this May by Harper­Collins, edit­ed and with com­men­tary by his son Christo­pher. The elder Tolkien, says his son, “seems nev­er to have con­sid­ered its pub­li­ca­tion.” He left it along with sev­er­al oth­er unpub­lished man­u­scripts at the time of his death in 1973. The edi­tion will also include a sto­ry called Sel­l­ic Spell and excerpts from a series of lec­tures on Beowulf Tolkien deliv­ered at Oxford in the 1930s. Tolkien did pub­lish one of those lec­tures, “The Mon­ster and the Crit­ic,” in 1936. In this “epoch-mak­ing paper,” writes Sea­mus Heaney in the intro­duc­tion to his huge­ly pop­u­lar 1999 dual lan­guage verse edi­tion, Tolkien treat­ed the Beowulf poet as “an imag­i­na­tive writer,” not a his­tor­i­cal recon­struc­tion. His “bril­liant lit­er­ary treat­ment changed the way the poem was val­ued and ini­ti­at­ed a new era—and new terms—of appre­ci­a­tion.” This very same thing could be said of Heaney’s trans­la­tion which, true to his stat­ed goals, brought the poem out of aca­d­e­m­ic con­fer­ences and class­rooms and into liv­ing rooms and cof­fee shops every­where. (You can hear Heaney read from that trans­la­tion here.)

Nowhere in Heaney’s intro­duc­tion to his ver­sion does he men­tion Tolkien’s trans­la­tion of the poem, so we must pre­sume he did not know of it. Long before Tolkien’s lec­tures and trans­la­tion, Beowulf had been per­haps the most revered poem in the Eng­lish lan­guage, at least since the 18th cen­tu­ry, when the sole man­u­script was res­cued from fire and and trans­lat­ed and dis­sem­i­nat­ed wide­ly. Despite that sta­tus, Beowulf was not actu­al­ly writ­ten in English—not an Eng­lish we would recognize—but in Old Eng­lish, or Anglo-Sax­on. As read­ers of Heaney’s dual trans­la­tion will know, that dis­tant provin­cial ances­tor of the mod­ern glob­al lan­guage, named for the mix­ture of Ger­man­ic peo­ples who inhab­it­ed Eng­land 1000 years ago, appears most­ly alien to us now. (To add to the strange­ness, its unfa­mil­iar alpha­bet once con­sist­ed entire­ly of runes).

The poem, more­over, is not set in Eng­land, but where Shake­speare set his Ham­let, Den­mark. Its tit­u­lar hero, a prince from Geat (ancient Swe­den), stalks a mon­ster named Gren­del on behalf of Dan­ish king Hroð­gar, killing the monster’s moth­er along the way. Tolkien’s almost uni­ver­sal­ly beloved body of fic­tion was deeply influ­enced by Beowulf. Nev­er­the­less, his trans­la­tion may be less acces­si­ble than Heaney’s, though no less beau­ti­ful, per­haps, for dif­fer­ent rea­sons. In Heaney’s verse, one hears Ted Hugh­es, some echoes of Mil­ton, Heaney’s own voice. If we are to cred­it the red­di­tor who post­ed a now-defunct 2003 arti­cle from Cana­di­an news­pa­per Nation­al Post that quotes from Tolkien’s trans­la­tion, the Hob­bit author’s verse hews to a more direct cor­re­spon­dence with the Anglo Sax­on, a lan­guage made of giant rocks and tim­ber and crash­ing waves, not ele­gant, elab­o­rat­ed claus­es. The Nation­al Post arti­cle announces the dis­cov­ery at Oxford of the Tolkien trans­la­tion by Eng­lish Pro­fes­sor Michael Drout (a sto­ry he’s since debunked), and quotes from both Heaney and Tolkien. See the com­par­i­son below:

Heaney’s trans­la­tion:

Time went by, the boat was
on water,
in close under the cliffs.
Men climbed eager­ly up the
gang­plank,
sand churned in surf, war­riors
loaded
a car­go of weapons, shin­ing
war-gear
in the ves­sel’s hold, then
heaved out,
away with a will in their
wood-wreathed ship.

Tolkien’s trans­la­tion of Beowulf and his men set­ting sail:

On went the hours:
on
ocean afloat
under cliff was their craft.
Now climb blithe­ly
brave man aboard;
break­ers pound­ing
ground the shin­gle.
Gleam­ing har­ness
they hove to the bosom of the
bark, armour
with cun­ning forged then cast
her forth
to voy­age tri­umphant,
valiant-tim­bered
fleet foam twist­ed.

One won­ders what the recent­ly depart­ed Irish poet would have said had he lived to read this Tolkien edi­tion. Might it, as Heaney said of his lec­tures, change the way the poem is val­ued? Or might he see it resem­bling oth­er dif­fi­cult attempts to make mod­ern Eng­lish repli­cate the strong­ly inflect­ed built-in rhythms of Anglo-Saxon—a lan­guage, Tolkien once said, from “the dark hea­then ages beyond the mem­o­ry of song.”

You can pre-order a copy of Tolkien’s trans­la­tion of Beowulf here.

Relat­ed Con­tent:

Sea­mus Heaney Reads His Exquis­ite Trans­la­tion of Beowulf and His Mem­o­rable 1995 Nobel Lec­ture

Dis­cov­er J.R.R. Tolkien’s Per­son­al Book Cov­er Designs for The Lord of the Rings Tril­o­gy

“The Tolkien Pro­fes­sor” Presents Three Free Cours­es on The Lord of the Rings

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

Lists of the Best Sentences — Opening, Closing, and Otherwise — in English-Language Novels

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I go to encounter for the mil­lionth time the real­i­ty of expe­ri­ence and to forge in the smithy of my soul the uncre­at­ed con­science of my race.

— James Joyce, A Por­trait of the Artist as a Young Man

For what do we live, but to make sport for our neigh­bors, and laugh at them in our turn?

— Jane Austen, Pride and Prej­u­dice

There is noth­ing more atro­cious­ly cru­el than an adored child.

— Vladimir Nabokov, Loli­ta

You’ve almost cer­tain­ly read all three of these sen­tences before, or even if you don’t remem­ber the lines in par­tic­u­lar, you’ve prob­a­bly read the famous nov­els they come from. The Amer­i­can Schol­ar high­lights them as three of the ten finest in Eng­lish-lan­guage lit­er­a­ture, along­side oth­er sen­tences com­posed by the likes of F. Scott Fitzger­ald, John Hersey, and Ernest Hem­ing­way. Writ­ing at Poynter.org, Roy Peter Clark explains just what makes these sen­tences so great, from Joyce’s use of “forge” (“For the nar­ra­tor it means to strength­en met­al in fire. But it also means to fake, to coun­ter­feit, per­haps a gen­tle tug at [the pro­tag­o­nist’s] hubris”) to Austen’s struc­tur­al ele­gance (“Who could not admire a sen­tence with such a clear demar­ca­tion begin­ning, mid­dle, and end?”) to Nabokov’s reflec­tion of his nar­ra­tor’s self-delu­sion.

At The Atlantic, Joe Fassler has sep­a­rate­ly col­lect­ed 22 writ­ers’ own favorite nov­el-open­ing lines, a list that includes the one from Nabokov’s high­ly quotable nov­el and anoth­er from lat­er in Joyce’s oeu­vre:

Loli­ta, light of my life, fire of my loins.

— Vladimir Nabokov, Loli­ta, cho­sen by Jonathan Santofler

State­ly, plump Buck Mul­li­gan came from the stair­head, bear­ing a bowl of lath­er on which a mir­ror and a razor lay crossed.

— James Joyce, Ulysses, cho­sen by Lydia Davis

I have nev­er seen any­thing like it: two lit­tle discs of glass sus­pend­ed in front of his eyes in loops of wire.

— J.M. Coet­zee, Wait­ing for the Bar­bar­ians, cho­sen by Antho­ny Mar­ra

If all these don’t sati­ate your appetite for well-wrought sen­tences, the Amer­i­can Book Review has not just its own run­down of the 100 best first lines from nov­els, but of the 100 best last lines as well, a list that fea­tures Coet­zee’s grim colo­nial fable as well as the work of Franzen him­self:

This is not the scene I dreamed of. Like much else nowa­days I leave it feel­ing stu­pid, like a man who lost his way long ago but press­es on along a road that may lead nowhere.

— J.M. Coet­zee, Wait­ing for the Bar­bar­ians

She was sev­en­ty-five and she was going to make some changes in her life.

— Jonathan Franzen, The Cor­rec­tions

“You can trust me,” R.V. says, watch­ing her hand.” “I’m a man of my

— David Fos­ter Wal­lace, The Broom of the Sys­tem

Before you leave a com­ment point­ing out that appar­ent frag­ment of Wal­lace’s sen­tence just above, let me reas­sure you that it appears exact­ly like that in The Broom of the Sys­tem — the nov­el just stops there — and that, if you read all the way to that point, you’ll find it a pret­ty bril­liant choice. This just goes to show that the sen­tence, though undoubt­ed­ly the fun­da­men­tal unit for any writer (“All you have to do is write one true sen­tence,” Hem­ing­way would say), always needs a con­text. This meta-list of best-sen­tence lists at Metafil­ter has many more high-qual­i­ty sen­tences for you to admire, and a fair few intrigu­ing enough to send you right out to go read them in con­text.

You can find some of the great books men­tioned above in our col­lec­tion of 575 Free eBooks.

Relat­ed Con­tent:

Open­ing Sen­tences From Great Nov­els, Dia­grammed: Loli­ta, 1984 & More

Nabokov Reads Loli­ta, Names the Great Books of the 20th Cen­tu­ry

James Joyce Reads From Ulysses and Finnegans Wake In His Only Two Record­ings (1924/1929)

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, lan­guage, Asia, and men’s style. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on Face­book.

George R.R. Martin Releases a Free Chapter From The Winds of Winter: Read It Online

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In recent days, George R.R. Mar­tin pub­lished a blog post that begins, “Hiya kids, hiya hiya hiya. With sea­son 4 of HBO’s GAME OF THRONES almost upon us, I thought the time was ripe for me to give my read­ers anoth­er taste of WINDS OF WINTER.” The new chap­ter, he tells us, “is actu­al­ly an old chap­ter.  But no, it’s not one I’ve pub­lished or post­ed before.” The chap­ter, called “Mer­cy,” opens with these words:

She woke with a gasp, not know­ing who she was, or where.

The smell of blood was heavy in her nos­trils… or was that her night­mare, lin­ger­ing? She had dreamed of wolves again, of run­ning through some dark pine for­est with a great pack at her hells, hard on the scent of prey.

Half-light filled the room, grey and gloomy. Shiv­er­ing, she sat up in bed and ran a hand across her scalp. Stub­ble bris­tled against her palm. I need to shave before Izem­baro sees. Mer­cy, I’m Mer­cy, and tonight I’ll be raped and mur­dered. Her true name was Merce­dene, but Mer­cy was all any­one ever called her…

Except in dreams. She took a breath to qui­et the howl­ing in her heart, try­ing to remem­ber more of what she’d dreamt, but most of it had gone already. There had been blood in it, though, and a full moon over­head, and a tree that watched her as she ran.

You can read the chap­ter in full here. Mar­tin notes that you can also enjoy a new Tyri­on chap­ter, “that is live and avail­able with the ICE & FIRE app.” It’s free on iTunes.

Relat­ed Con­tent:

Neil Gaiman’s Free Short Sto­ries

Down­load 33 Great Sci-Fi Sto­ries by Philip K. Dick as Free Audio Books & Free eBooks

Free: Isaac Asimov’s Epic Foun­da­tion Tril­o­gy Dra­ma­tized in Clas­sic Audio

The Ware Tetral­o­gy: Free Sci­Fi Down­load

575 Free eBooks: Down­load Great Books for Free

Read All of Shakespeare’s Plays Free Online, Courtesy of the Folger Shakespeare Library

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Just a few short years ago, the world of dig­i­tal schol­ar­ly texts was in its pri­mor­dial stages, and it is still the case that most online edi­tions are sim­ply basic HTML or scanned images from more or less arbi­trar­i­ly cho­sen print edi­tions. An exam­ple of the ear­li­est phas­es of dig­i­tal human­i­ties, MIT’s web edi­tion of the Com­plete Works of William Shake­speare has been online since 1993. The site’s HTML text of the plays is based on the pub­lic domain Moby Text, which—the Fol­ger Shake­speare Library informs us—“reproduces a late-nine­teenth cen­tu­ry ver­sion of the plays,” made “long before schol­ars ful­ly under­stood the prop­er grounds on which to make the thou­sands of deci­sions that Shake­speare edi­tors face.”

The schol­ar­ly Shake­speare edi­to­r­i­al process is far too Byzan­tine to get into, but suf­fice it to say that it mat­ters a great deal to seri­ous stu­dents which edi­tions they read and the new­er, often the bet­ter. And those edi­tions can become very cost­ly. Until recent­ly, the Moby Text was as good as it got for a free online edi­tion.

Oth­er online edi­tions of Shakespeare’s works had their own prob­lems. Bartleby.com has dig­i­tized the 1914 Oxford Com­plete Works, but this is not pub­lic-domain and is also out­dat­ed for schol­ar­ly use. Anoth­er online edi­tion from North­west­ern presents copy­right bar­ri­ers (and seems to have gone on indef­i­nite hia­tus). In light of these dif­fi­cul­ties, George Mason University’s Open Source Shake­speare project recent­ly pined for more: “per­haps some­day, a group of indi­vid­u­als will pro­duce a mod­ern, schol­ar­ly, free alter­na­tive to Moby Shake­speare.” Their wish has now been grant­ed. The Fol­ger Shake­speare Library has released all of Shakespeare’s plays as ful­ly search­able dig­i­tal texts, down­load­able as pdfs, in a free, schol­ar­ly edi­tion that makes all of its source code avail­able as well. Tak­en from 2010 Fol­ger Shake­speare Library edi­tions edit­ed by Bar­bara Mowat and Paul Wer­s­tine, the dig­i­tal plays con­sti­tute an invalu­able open resource.

You will still have to pur­chase Fol­ger print edi­tions for the com­plete “appa­ra­tus” (notes, crit­i­cal essays, tex­tu­al vari­ants, etc). But the Fol­ger promis­es new fea­tures in the near future. Cur­rent­ly, the dig­i­tal text is search­able by act/scene/line, key­word, and page and line num­ber (from the Fol­ger print edi­tions). Fol­ger touts its “metic­u­lous­ly accu­rate texts” as the “#1 Shake­speare text in U.S. class­rooms.” Per­haps some prick­ly expert will weigh in with a dis­par­age­ment, but for us non-spe­cial­ists, the free avail­abil­i­ty of these excel­lent online edi­tions is a great gift indeed.

As you know by now, Shake­speare’s plays can always be found in our col­lec­tion of Free eBooks.

Relat­ed Con­tent:

Free Course: A Sur­vey of Shakespeare’s Plays

What Shake­speare Sound­ed Like to Shake­speare: Recon­struct­ing the Bard’s Orig­i­nal Pro­nun­ci­a­tion

Dis­cov­er What Shakespeare’s Hand­writ­ing Looked Like, and How It Solved a Mys­tery of Author­ship

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

The Harvard Classics: Download All 51 Volumes as Free eBooks

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Every rev­o­lu­tion­ary age pro­duces its own kind of nos­tal­gia. Faced with the enor­mous social and eco­nom­ic upheavals at the nine­teenth century’s end, learned Vic­to­ri­ans like Wal­ter Pater, John Ruskin, and Matthew Arnold looked to High Church mod­els and played the bish­ops of West­ern cul­ture, with a monk­ish devo­tion to pre­serv­ing and trans­mit­ting old texts and tra­di­tions and turn­ing back to sim­pler ways of life. It was in 1909, the nadir of this milieu, before the advent of mod­ernism and world war, that The Har­vard Clas­sics took shape. Com­piled by Harvard’s pres­i­dent Charles W. Eliot and called at first Dr. Eliot’s Five Foot Shelf, the com­pendi­um of lit­er­a­ture, phi­los­o­phy, and the sci­ences, writes Adam Kirsch in Har­vard Mag­a­zine, served as a “mon­u­ment from a more humane and con­fi­dent time” (or so its upper class­es believed), and a “time cap­sule…. In 50 vol­umes.”

What does the mas­sive col­lec­tion pre­serve? For one thing, writes Kirsch, it’s “a record of what Pres­i­dent Eliot’s Amer­i­ca, and his Har­vard, thought best in their own her­itage.” Eliot’s inten­tions for his work dif­fered some­what from those of his Eng­lish peers. Rather than sim­ply curat­ing for pos­ter­i­ty “the best that has been thought and said” (in the words of Matthew Arnold), Eliot meant his anthol­o­gy as a “portable university”—a prag­mat­ic set of tools, to be sure, and also, of course, a prod­uct. He sug­gest­ed that the full set of texts might be divid­ed into a set of six cours­es on such con­ser­v­a­tive themes as “The His­to­ry of Civ­i­liza­tion” and “Reli­gion and Phi­los­o­phy,” and yet, writes Kirsch, “in a more pro­found sense, the les­son taught by the Har­vard Clas­sics is ‘Progress.’” “Eliot’s [1910] intro­duc­tion express­es com­plete faith in the ‘inter­mit­tent and irreg­u­lar progress from bar­barism to civ­i­liza­tion.’”

In its expert syn­er­gy of moral uplift and mar­ket­ing, The Har­vard Clas­sics (find links to down­load them as free ebooks below) belong as much to Mark Twain’s bour­geois gild­ed age as to the pseu­do-aris­to­crat­ic age of Victoria—two sides of the same ocean, one might say.

The idea for the col­lec­tion didn’t ini­tial­ly come from Eliot, but from two edi­tors at the pub­lish­er P.F. Col­lier, who intend­ed “a com­mer­cial enter­prise from the begin­ning” after read­ing a speech Eliot gave to a group of work­ers in which he “declared that a five-foot shelf of books could pro­vide”

a good sub­sti­tute for a lib­er­al edu­ca­tion in youth to any­one who would read them with devo­tion, even if he could spare but fif­teen min­utes a day for read­ing.

Col­lier asked Eliot to “pick the titles” and they would pub­lish them as a series. The books appealed to the upward­ly mobile and those hun­gry for knowl­edge and an edu­ca­tion denied them, but the cost would still have been pro­hib­i­tive to many. Over a hun­dred years, and sev­er­al cul­tur­al-evo­lu­tion­ary steps lat­er, and any­one with an inter­net con­nec­tion can read all of the 51-vol­ume set online. In a pre­vi­ous post, we sum­ma­rized the num­ber of ways to get your hands on Charles W. Eliot’s anthol­o­gy:

You can still buy an old set off of eBay for $399 [now $299.99]. But, just as eas­i­ly, you can head to the Inter­net Archive and Project Guten­berg, which have cen­tral­ized links to every text includ­ed in The Har­vard Clas­sics (Wealth of Nations, Ori­gin of Species, Plutarch’s Lives, the list goes on below). Please note that the pre­vi­ous two links won’t give you access to the actu­al anno­tat­ed Har­vard Clas­sics texts edit­ed by Eliot him­self. But if you want just that, you can always click here and get dig­i­tal scans of the true Har­vard Clas­sics.

In addi­tion to these options, Bartle­by has dig­i­tal texts of the entire col­lec­tion of what they call “the most com­pre­hen­sive and well-researched anthol­o­gy of all time.” But wait, there’s more! Much more, in fact, since Eliot and his assis­tant William A. Neil­son com­piled an addi­tion­al twen­ty vol­umes called the “Shelf of Fic­tion.” Read those twen­ty volumes—at fif­teen min­utes a day—starting with Hen­ry Field­ing and end­ing with Nor­we­gian nov­el­ist Alexan­der Kiel­land at Bartle­by.

What may strike mod­ern read­ers of Eliot’s col­lec­tion are pre­cise­ly the “blind spots in Vic­to­ri­an notions of cul­ture and progress” that it rep­re­sents. For exam­ple, those three har­bin­gers of doom for Vic­to­ri­an certitude—Marx, Niet­zsche, and Freud—are nowhere to be seen. Omis­sions like this are quite telling, but, as Kirsch writes, we might not look at Eliot’s achieve­ment as a rel­ic of a naive­ly opti­mistic age, but rather as “an inspir­ing tes­ti­mo­ny to his faith in the pos­si­bil­i­ty of demo­c­ra­t­ic edu­ca­tion with­out the loss of high stan­dards.” This was, and still remains, a noble ide­al, if one that—like the utopi­an dreams of the Victorians—can some­times seem frus­trat­ing­ly unat­tain­able (or cul­tur­al­ly impe­ri­al­ist). But the wide­spread avail­abil­i­ty of free online human­i­ties cer­tain­ly brings us clos­er than Eliot’s time could ever come.

You can find the Har­vard Clas­sics list­ed in our col­lec­tion, 800 Free eBooks for iPad, Kin­dle & Oth­er Devices.

Relat­ed Con­tent:

Harold Bloom Cre­ates a Mas­sive List of Works in The “West­ern Canon”: Read Many of the Books Free Online

W.H. Auden’s 1941 Lit­er­a­ture Syl­labus Asks Stu­dents to Read 32 Great Works, Cov­er­ing 6000 Pages

The Har­vard Clas­sics: A Free, Dig­i­tal Col­lec­tion

975 Free Online Cours­es from Top Uni­ver­si­ties

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

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