Listen to a Heartfelt Musical Retelling of O. Henry’s “Gift of the Magi” with Hanky in Hand

It’s that time of year when cer­tain songs con­spire with cer­tain moods to hit you right in the ol’ brisket.

The feel­ing is volup­tuous, and not nec­es­sar­i­ly unpleas­ant, pro­vid­ed there’s a bath­room stall or spare bed­room should you need to flee a par­ty like Cin­derel­la, as some old chest­nut threat­ens to turn you into a blub­ber­ing mess.

Let the kid­dies deck the halls, jin­gle bells, and prance about with Rudolph and Frosty. The best sec­u­lar songs for grown ups are the ones with a thick cur­rent of long­ing just under the sur­face, a yearn­ing for those who aren’t here with us, for a bet­ter future, for the way we were…

There’s got to be some hope in the bal­ance though, some sweet­ness to savor as we mud­dle through.

(Judy Gar­land famous­ly stonewalled on the first ver­sion of “Have Your­self a Mer­ry Lit­tle Christ­mas” until lyri­cist Hugh Mar­tin agreed to light­en things up a bit. In the end, both got what they want­ed. She got her update:

Have your­self a mer­ry lit­tle Christ­mas

Let your heart be light 

Next year all our trou­bles will be out of sight

But the ten­sion between the promise of a bet­ter tomor­row and her emo­tion­al deliv­ery holds a place for Hugh­es’ appeal­ing­ly dark sen­ti­ment:

Have your­self a mer­ry lit­tle Christ­mas

It may be your last 

Next year we may all be liv­ing in the past

I’ll Be Home for Christ­mas” man­ages to ring some of those same bells.

As a rule, the oldies are the good­ies in this depart­ment.

More recent bids by Cold­play and Tay­lor Swift have failed to achieve the prop­er mix of hope and hope­less­ness.

It’s a dif­fi­cult bal­ance, but singer-song­writer Ellia Bisker pulls it off beau­ti­ful­ly, above, by turn­ing to O. Henry’s endur­ing short sto­ry, “The Gift of the Magi.”

Accom­pa­ny­ing her­self on ukulele as she per­forms under her par­lor rock pseu­do­nym, Sweet Soubrette, Bisker’s sound is both sun­ny and plain­tive. It’s an appro­pri­ate choice for a young bride who parts with her most valu­able asset, in order to give her cher­ished hus­band a “wor­thy” gift:

I want to give you some­thing that I can’t afford,

Let you believe with me we’re real­ly not so poor.

You see that pack­age wait­ing under­neath the tree? 

It’s just a token of how much you mean to me.

(Spoil­er for the hand­ful of peo­ple unfa­mil­iar with this tale: he does the same, thus negat­ing the util­i­ty of both cost­ly presents.)

In an inter­view with Open Cul­ture, Bisker praised the O. Hen­ry story’s iron­ic sym­me­try:

It’s a lit­tle like the death scene in Romeo & Juli­et, but with­out the tragedy. The sto­ry itself still feels sur­pris­ing­ly fresh, despite the peri­od details. It has more humor and sym­pa­thy to it than sen­ti­ment. It sur­pris­es you with real emo­tion. 

The Romeo and Juli­et com­par­i­son is apt. The sto­ry cov­ers a time peri­od so brief that the new­ly­weds’ feel­ings for each oth­er nev­er stray from purest won­der and admi­ra­tion.

Bisker taps into those feel­ings in a way Joni Mitchell’s mean­der­ing, unre­leased take on the same mate­r­i­al did not.

The Squir­rel Nut Zip­pers also took a crack at musi­cal­iz­ing “The Gift of the Magi,” but the sound is more Ozarks than shab­by, urban New York, with back­ground har­monies hint­ing that the young cou­ple may be part of a larg­er sup­port net­work.

Bisker’s song starts, as it ends, with a pair of young, broke lovers who only have eyes for each oth­er.

Let’s not for­get O. Hen­ry’s part­ing words:

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invent­ed the art of giv­ing Christ­mas presents. Being wise, their gifts were no doubt wise ones, pos­si­bly bear­ing the priv­i­lege of exchange in case of dupli­ca­tion. And here I have lame­ly relat­ed to you the unevent­ful chron­i­cle of two fool­ish chil­dren in a flat who most unwise­ly sac­ri­ficed for each oth­er the great­est trea­sures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wis­est. Of all who give and receive gifts, such as they are wis­est. Every­where they are wis­est. They are the magi. 

Enjoy this musi­cal gift, read­ers. The artist has made the track free for down­load­ing, though per­haps you could scratch up a few coins in thanks, with­out pawn­ing your watch or cut­ting your hair.

Read O. Hen­ry’s short sto­ry “The Gift of the Magi” here.

Lis­ten to Ellia Bisker’s “Gift of the Magi,” and four oth­er tracks off of Sweet Soubrette’s name-your-own-price Hap­py Hol­i­days album here.

We were young and broke, but we didn’t care 

You had your pock­et­watch, I had my gold­en hair 

We were just scrap­ing by, wait­ing to make it big 

I was an ingénue, you were just a kid 

But it was Christ­mas eve, didn’t know what to do 

How could I hope to buy some kind of gift for you 

Ain’t got no trust fund hon, ain’t got no sav­ings bond 

Just got my stu­dent loans, the clothes that I’ve got on 

I want to give you some­thing that I can’t afford 

Let you believe with me we’re real­ly not so poor 

You see that pack­age wait­ing under­neath the tree 

It’s just a token of how much you mean to me 

Frank­in­cense (here’s what I wish, what I imag­ine) 

Gold and myrrh (that I could give, give what you are worth) 

Put them in (this is the gift, gift of the magi) 

The manger (it’s not a frac­tion of all that you deserve) 

I used to win­dow shop, I would nev­er tell 

There was a pair of combs made out of tor­toise­shell 

I tried them on one time, put up my long long hair 

If I were rich and famous that’s what I would wear 

You wore your father’s watch, it was a vin­tage piece 

It made you feel like fifty mil­lion bucks at least 

But it was fas­tened with a flim­sy nick­el chain 

You want­ed bet­ter but you said it’s all the same 

I want to give a token to you of my love 

A lit­tle lux­u­ry to keep your spir­its up 

I’ll cut and sell my hair, the only gold I’ve got 

To buy a gold­en chain for your pock­et­watch 

Frank­in­cense (here’s what I wish, what I imag­ine) 

Gold and myrrh (that I could give, give what you are worth) 

Put them in (this is the gift, gift of the magi) 

The manger (it’s not a frac­tion of all that you deserve) 

I can’t for­get the look that flashed across your face 

When I walked into our apart­ment late that day 

And I took off my hat revealed a pix­ie cut 

Gave you a lit­tle box told you to open up 

You pulled out the gold­en chain that lay inside 

Were you about to laugh were you about to cry 

You said I shouldn’t have, because your watch was sold 

So you could buy for me a pret­ty pair of combs

Relat­ed Con­tent:

The Sto­ry of The Pogues’ “Fairy­tale of New York,” the Boozy Bal­lad That Has Become One of the Most Beloved Christ­mas Songs of All Time

Hear Paul McCartney’s Exper­i­men­tal Christ­mas Mix­tape: A Rare & For­got­ten Record­ing from 1965

Stream 22 Hours of Funky, Rock­ing & Swing­ing Christ­mas Albums: From James Brown and John­ny Cash to Christo­pher Lee & The Ven­tures

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  See her onstage in New York City this Jan­u­ary as host of  The­ater of the Apes book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

A Beautiful Short Documentary Takes You Inside New York City’s Last Great Chess Store

Chess Forum in Green­wich Vil­lage is, like Gramer­cy Type­writer and the Upper East Side’s Ten­der But­tons, the sort of shop New York­ers feel pro­tec­tive of, even if they’ve nev­er actu­al­ly crossed the thresh­old.

“How can it still exist?” is a ques­tion left unan­swered by “King of the Night,” Lone­ly Leap’s love­ly short pro­file of Chess Forum’s own­er, Imad Khachan, above, but no mat­ter. We’re just glad it does.

The store, locat­ed a block and a half south of Wash­ing­ton Square, looks old­er than it is. Khachan, hung out his shin­gle in 1995, after five years as an employ­ee of the now-defunct Vil­lage Chess Shop, a rift that riled the New York chess com­mu­ni­ty.

Now, things are much more placid, though the film incor­rect­ly sug­gests that Chess Forum is the only refuge where chess lov­ing New York­ers can avail them­selves of an impromp­tu game, take lessons, and buy sets. (There are also shops in Brook­lyn, Harlem, and the Upper East Side.) That said, Chess Forum might not be wrong to call itself “New York’s last great chess store.” It may well be the best of the last.

The nar­row shop’s inte­ri­or trig­gers nos­tal­gia with­out seem­ing cal­cu­la­tion, an organ­ic reminder of the Village’s Bohemi­an past, when beret-clad folkies, artists, and stu­dents wiled away hours at bat­tered wood­en tables in its many cheap cafes and bars. (Two blocks away, sole sur­vivor Caf­fé Reggio’s ambi­ence is intact, but the prices have kept pace with the neigh­bor­hood, and the major­i­ty of its clien­tele are clutch­ing guide­books or the dig­i­tal equiv­a­lent there­of.)

Khachan, born in Lebanon to Pales­tin­ian refugees, gives a warm wel­come to tourists and locals alike, espe­cial­ly those who might make for an uneasy fit at tonier neigh­bor­hood estab­lish­ments.

In an inter­view with the Green­wich Vil­lage Soci­ety for His­toric Preser­va­tion, he recalled a “well-dressed and high­ly edu­cat­ed doc­tor who would come in wear­ing his Har­vard logo sweater, and lose repeat­ed­ly to a home­less man who was a reg­u­lar at Chess Forum and a chess mas­ter.”

The game also pro­vides com­mon ground for strangers who share no com­mon tongue. In Jonathan Lord’s rougher New York City chess-themed doc, Pass­port Play, Khachan points out how dia­grams in chess books speak vol­umes to expe­ri­enced play­ers, regard­less of the lan­guage in which the book is writ­ten.

The store’s mot­tos also bear wit­ness to the val­ue its own­er places on face-to-face human inter­ac­tion:

Cool in the sum­mer, warm in the win­ter and fuzzy all year long.

Chess Forum: An expe­ri­ence not a trans­ac­tion

Smart peo­ple not smart phones.  (You can play a game of chess on your phone, Khachan admits, but don’t fool your­self into think­ing that it’s giv­ing you a full chess expe­ri­ence.)

An hour of play costs about the same as a small lat­te in a cof­fee­house chain (whose preva­lence Khachan refers to as the Bostoniza­tion of NYC.) Senior cit­i­zens and chil­dren, both revered groups at Chess Forum, get an even bet­ter deal—from $1/hour to free.

Although the store’s offi­cial clos­ing time is mid­night, Khachan, sin­gle and child­less, is always will­ing to oblige play­ers who would stay lat­er. His soli­tary mus­ings on the neighborhood’s wee hours trans­for­ma­tion sup­ply the film’s title and med­i­ta­tive vibe, while remind­ing us that this gen­tle New York char­ac­ter was orig­i­nal­ly drawn to the city by the specter of a PhD in lit­er­a­ture at near­by NYU.

Read­ers who would like to con­tribute to the health of this inde­pen­dent­ly owned New York City estab­lish­ment from afar can do so by pur­chas­ing a chess or backgam­mon set online.

Relat­ed Con­tent:

When John Cage & Mar­cel Duchamp Played Chess on a Chess­board That Turned Chess Moves Into Elec­tron­ic Music (1968)

Chess Grand­mas­ter Gar­ry Kas­parov Relives His Four Most Mem­o­rable Games

Man Ray Designs a Supreme­ly Ele­gant, Geo­met­ric Chess Set in 1920–and It Now Gets Re-Issued

A Human Chess Match Gets Played in Leningrad, 1924

A Free 700-Page Chess Man­u­al Explains 1,000 Chess Tac­tics in Plain Eng­lish

Clay­ma­tion Film Recre­ates His­toric Chess Match Immor­tal­ized in Kubrick’s 2001: A Space Odyssey

Play Chess Against the Ghost of Mar­cel Duchamp: A Free Online Chess Game

Chess Grand­mas­ter Mau­rice Ash­ley Plays Unsus­pect­ing Trash Talk­er in Wash­ing­ton Square Park

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  See her onstage in New York City through Decem­ber 20th in the 10th anniver­sary pro­duc­tion of Greg Kotis’ apoc­a­lyp­tic hol­i­day tale, The Truth About San­ta. Fol­low her @AyunHalliday.

How Music Can Awaken Patients with Alzheimer’s and Dementia

In the late 1950’s, pio­neer­ing free jazz band­leader Sun Ra played a gig at a Chica­go men­tal hos­pi­tal, booked there by his man­ag­er Alton Abra­ham, who had an inter­est in alter­na­tive med­i­cine. The exper­i­ment in musi­cal ther­a­py worked won­ders. One patient who had not moved or spo­ken in years report­ed­ly got up, walked over to the piano, and yelled out, “you call that music!”

The anec­dote illus­trates just one expe­ri­ence among untold mil­lions in which a per­son suf­fer­ing from a debil­i­tat­ing neu­ro­log­i­cal con­di­tion responds pos­i­tive­ly, even mirac­u­lous­ly, it seems, to music.

As famed neu­rol­o­gist and writer Oliv­er Sacks puts it in his book Musi­cophil­ia, “musi­cal per­cep­tion, musi­cal sen­si­bil­i­ty, musi­cal emo­tion and musi­cal mem­o­ry can sur­vive long after oth­er forms of mem­o­ry have dis­ap­peared.”

This med­ical fact makes musi­cal ther­a­py an ide­al inter­ven­tion for patients suf­fer­ing from Alzheimer’s dis­ease and demen­tia. In the short video above, Sacks describes his vis­its to patients in var­i­ous old age homes. “Some of them are con­fused, some are agi­tat­ed, some are lethar­gic, some have almost lost lan­guage,” he says, “but all of them, with­out excep­tion, respond to music.”

We can see just such a response in the clip at the top, in which the bare­ly respon­sive Hen­ry Dry­er, a 92-year-old nurs­ing home res­i­dent with demen­tia, trans­forms when he hears music. “The philoso­pher Kant called music ‘the quick­en­ing art,’ and Henry’s being quick­ened,” says Sacks says of the dra­mat­ic change, “he’s being brought to life.” Sud­den­ly lucid and hap­py, Hen­ry looks up and says, “I’m crazy about music. Beau­ti­ful sounds.”

The clip comes from a doc­u­men­tary called Alive Inside, win­ner of a 2014 Sun­dance Audi­ence Award (see the trail­er above), a film that shows us sev­er­al musi­cal “quick­en­ings” like Henry’s. “Before Dry­er start­ed using his iPod,” notes The Week, “he could only answer yes-or-no questions—and some­times he sat silent­ly and still for hours at a time.” Now, he sings, car­ries on con­ver­sa­tions and can “even recall things from years ago.”

Sacks com­ments that “music imprints itself on the brain deep­er than any oth­er human expe­ri­ence,” evok­ing emo­tions in ways that noth­ing else can. A 2010 Boston Uni­ver­si­ty study showed that Alzheimer’s patients “learned more lyrics when they were set to music rather than just spo­ken.” Like­wise, researchers at the Uni­ver­si­ty of Utah found music to be “an alter­na­tive route for com­mu­ni­cat­ing with patients.”

As senior author of the Utah study, Dr. Nor­man Fos­ter, says, “lan­guage and visu­al mem­o­ry path­ways are dam­aged ear­ly as the dis­ease pro­gress­es, but per­son­al­ized music pro­grams can acti­vate the brain, espe­cial­ly for patients who are los­ing con­tact with their envi­ron­ment.” See the effects for your­self in this extra­or­di­nary film, and learn more about Sacks’ adven­tures with music and the brain in the 2007 dis­cus­sion of Musi­cophil­ia, just above.

Relat­ed Con­tent:

Sun Ra Plays a Music Ther­a­py Gig at a Men­tal Hos­pi­tal; Inspires Patient to Talk for the First Time in Years

Dis­cov­er the Retire­ment Home for Elder­ly Musi­cians Cre­at­ed by Giuseppe Ver­di: Cre­at­ed in 1899, It Still Lives On Today

The French Vil­lage Designed to Pro­mote the Well-Being of Alzheimer’s Patients: A Visu­al Intro­duc­tion to the Pio­neer­ing Exper­i­ment

In Touch­ing Video, Peo­ple with Alzheimer’s Tell Us Which Mem­o­ries They Nev­er Want to For­get

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

John Lennon’s Report Card at Age 15: “He Has Too Many Wrong Ambitions and His Energy Is Too Often Misplaced”

In Sep­tem­ber 1956, a young John Lennon took home a dis­mal report card–the kind that many smart, way­ward kids can prob­a­bly relate to.

French teacher: “An intel­li­gent boy who could be very much bet­ter with a lit­tle con­cen­tra­tion in class.”

Math teacher: “He is cer­tain­ly on the road to fail­ure if this goes on.”

Physics teacher: “His work always lacks effort. He is con­tent to ‘drift’ instead of using his abil­i­ties.”

Reli­gion teacher: “Atti­tude in class most unsat­is­fac­to­ry.”

Head mas­ter: “He has too many wrong ambi­tions and his ener­gy is too often mis­placed.”

Guess they had him all fig­ured out…

via @Michael Beschloss

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

9‑Year-Old Edward Hop­per Draws a Pic­ture on the Back of His 3rd Grade Report Card

Hip 1960s Latin Teacher Trans­lat­ed Bea­t­les Songs into Latin for His Stu­dents: Read Lyrics for “O Teneum Manum,” “Diei Duri Nox” & More

Famous Writ­ers’ Report Cards: Ernest Hem­ing­way, William Faulkn­er, Nor­man Mail­er, E.E. Cum­mings & Anne Sex­ton

The John Lennon Sketch­book, a Short Ani­ma­tion Made of Lennon’s Draw­ings, Pre­mieres on YouTube

John Lennon Sums Up Elvis, Yoko & Howard Cosell in One Word

 

Celebrate Emily Dickinson’s 188th Birthday with Her Own Cake Recipes: Coconut Cake, Gingerbread, Doughnuts & More

Hap­py Emi­ly Dick­in­son Day!

What are you doing to cel­e­brate the poet’s 188th birth­day?

The Emi­ly Dick­in­son Muse­um took advan­tage of the week­end to cel­e­brate the occa­sion a cou­ple of days ear­ly with Vic­to­ri­an crafts, read­ings, fes­tive piano music, a dis­play explor­ing the Dick­in­son fam­i­ly’s gift-giv­ing tra­di­tion, and slices of coconut cake, baked from the birth­day girl’s own recipe.

Giv­en the Belle’s pen­chant for home-baked good­ies, we’re dis­pens­ing with the more high-mind­ed endeav­ors to con­cen­trate on the sweet side of this lit­er­ary hol­i­day.

LitHub reports that

…when­ev­er Dick­in­son saw chil­dren play­ing in her fam­i­ly gar­dens, “she head­ed for the pantry, filled a bas­ket with cook­ies or slices of cake—often gingerbread—carried it upstairs to a win­dow in the rear of the house (so their moth­ers wouldn’t see), and attached the bas­ket to a rope to slow­ly low­er it to the “storm-tossed, starv­ing pirates” or the “lost, roam­ing cir­cus per­form­ers” eager­ly wait­ing below.

Tru­ly, we owe it to her to return the favor.

Shall we start with some Emi­ly Dick­in­son dough­nuts?

Like many expe­ri­enced home cooks of the peri­od, Dickinson’s instruc­tions are a bit vague. She seems to have got­ten the recipe from an acquain­tance named Kate, jot­ting down mea­sure­ments and ingre­di­ents, after which, she knew what to do.

If you’ve nev­er worked with yeast before, you might want to pro­ceed straight to her Black Cake recipe…

Or not. You may have 5 pounds of raisins on hand, but this is no spur-of-the-moment recipe.

As librar­i­ans Heather Cole, Emi­lie Hard­man, and Emi­ly Wal­hout demon­strate below, this whop­per needs to spend 3 weeks wrapped in a brandy-soaked cheese­cloth after it comes out of the oven.

Onward then to Miss Dickinson’s gin­ger­bread.

As if those with Decem­ber birth­days aren’t over­shad­owed enough by the tyran­ny of Christ­mas! Must their spe­cial day’s cake fla­vor be dic­tat­ed by that big goril­la too? (For those who say yes, Rosa Lil­lo of Pem­ber­ley Cup and Cakes breaks the recipe down 21st-cen­tu­ry style, adding a sim­ple icing sug­ar glaze and an embossed flo­ral pat­tern.)

Per­haps that famous coconut cake real­ly is the best choice for observ­ing Emi­ly Dick­in­son Day.

See if you can detect a note of inspi­ra­tion in that but­tery fla­vor. As was her habit, Dick­in­son flipped the scrap of paper on which she’d list­ed the ingre­di­ents, and pen­cilled in the begin­nings of a poem:

The Things that nev­er can come back, are sev­er­al —

Child­hood — some forms of Hope — the Dead —

Though Joys — like Men — may some­times make a Jour­ney —

And still abide —

We do not mourn for Trav­el­er, or Sailor,

Their Routes are fair —

But think enlarged of all that they will tell us

Return­ing here —

“Here!” There are typ­ic “Heres” —

Fore­told Loca­tions —

The Spir­it does not stand —

Him­self — at what­so­ev­er Fath­om

His Native Land —

Those whose Emi­ly Dick­in­son Day gift giv­ing list includes a poet­ry lover / ama­teur cook may wish to stuff their stock­ings with a copy of the 1976 book Emi­ly Dick­in­son: Pro­file of the Poet as Cook with Select­ed Recipes.

Relat­ed Con­tent:

Emi­ly Dickinson’s Hand­writ­ten Coconut Cake Recipe Hints at How Bak­ing Fig­ured Into Her Cre­ative Process

The Online Emi­ly Dick­in­son Archive Makes Thou­sands of the Poet’s Man­u­scripts Freely Avail­able

An 8‑Hour Marathon Read­ing of 500 Emi­ly Dick­in­son Poems

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  See her onstage in New York City through Decem­ber 20th in the 10th anniver­sary pro­duc­tion of Greg Kotis’ apoc­a­lyp­tic hol­i­day tale, The Truth About San­ta, and tonight, as the host of the book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Movie Accent Expert Analyzes 31 Actors Playing Other Famous People: Jamie Foxx as Ray Charles, Natalie Portman as Jackie Kennedy, Cate Blanchett as Bob Dylan, and More

Well-known fig­ures’ voic­es are often as dis­tinc­tive as their thou­sand-watt smiles and influ­en­tial hair­dos.

While there is some evi­dence as to the accents and idio­syn­crat­ic speech pat­terns of such his­tor­i­cal heavy hit­ters as Thomas Edi­son, Flo­rence Nightin­gale, and Har­ry Hou­di­ni, tech­no­log­i­cal improve­ments have real­ly upped the ante for those charged with imper­son­at­ing real life peo­ple from the mid 20th-cen­tu­ry onward.

Natal­ie Port­man had to sus­tain her Jack­ie Kennedy imper­son­ation for an entire fea­ture-length biopic, a per­for­mance dialect coach Erik Singer gives high marks, above. Port­man, he explains, has tru­ly inter­nal­ized Jackie’s idi­olect, the indi­vid­ual quirks that add yet anoth­er lay­er to such sig­ni­fiers as class and region.

As evi­dence, he sub­mits a side-by-side com­par­i­son of the First Lady’s famous 1962 tele­vised tour of the White House ren­o­va­tions she had spear­head­ed, and Portman’s recre­ation there­of.

Port­man has done her home­work with regard to breath pat­tern, pitch, and the refine­ment that strikes most 21st cen­tu­ry ears as a bit stilt­ed and strange. Most impres­sive to Singer is the way Port­man trans­fers Kennedy’s odd­ly musi­cal elon­ga­tion of cer­tain syl­la­bles to oth­er words in the script. Tis no mere par­rot job.

Jamie Foxx’s Oscar-win­ning turn as Ray Charles suc­ceeds on copi­ous research and his abil­i­ty to inhab­it Charles’ habit­u­al smile. Obvi­ous­ly, the pos­ture in which an indi­vid­ual holds their mouth has a lot to do with the sound of their voice, and Foxx was blessed with plen­ty of source mate­r­i­al.

The 1982 epic Gand­hi pro­vid­ed the ver­sa­tile Ben Kings­ley with the oppor­tu­ni­ty to show­case not one, but two, idi­olects. The adult Gand­hi under­went a dra­mat­ic and well doc­u­ment­ed evo­lu­tion from the British accent he adopt­ed as a young law stu­dent in Lon­don to a proud­ly Indi­an voice bet­ter suit­ed to inspir­ing a nation to uni­fy against its British col­o­niz­ers.

It’s like­ly that many of us have nev­er con­sid­ered the speech-relat­ed build­ing blocks Singer scru­ti­nizes while ana­lyz­ing 29 oth­er per­for­mances for the WIRED video, above—epenthesis, tongue posi­tions, rel­a­tive degrees of emphat­ic mus­cu­lar­i­ty, and retroflex consonants—but it’s easy to see how they play a part.

Singer invites you to expand his research and teach­ing library by record­ing your­self speak­ing extem­po­ra­ne­ous­ly and read­ing from two sam­ple texts here. Pray that who­ev­er plays you in the biopic gets it right.

Relat­ed Con­tent:

Peter Sell­ers Gives a Quick Demon­stra­tion of British Accents

Why Do Peo­ple Talk Fun­ny in Old Movies?, or The Ori­gin of the Mid-Atlantic Accent

Watch Meryl Streep Have Fun with Accents: Bronx, Pol­ish, Irish, Aus­tralian, Yid­dish & More

Ayun Hal­l­i­day is an author, illus­tra­tor, the­ater mak­er and Chief Pri­ma­tol­o­gist of the East Vil­lage Inky zine.  See her onstage in New York City through Decem­ber 20th in the 10th anniver­sary pro­duc­tion of Greg Kotis’ apoc­a­lyp­tic hol­i­day tale, The Truth About San­ta, and the book-based vari­ety show, Necro­mancers of the Pub­lic Domain. Fol­low her @AyunHalliday.

Hunter S. Thompson, Existentialist Life Coach, Presents Tips for Finding Meaning in Life

hst

Image by Steve Ander­son, via Wiki­me­dia Com­mons

At first blush, Hunter S. Thomp­son might be the last per­son you would want to ask for advice. After all, his dai­ly rou­tine involved copi­ous amounts of cocaine, LSD and Chivas Regal. He once raked a neighbor’s house with gun­fire. And he once almost acci­den­tal­ly blew up John­ny Depp. Yet beneath his gonzo per­sona lay a man who thought deeply and often about the mean­ing of it all. He was some­one who spent a life­time star­ing into the abyss.

So in 1958, before he became a counter-cul­ture icon, before he even start­ed writ­ing pro­fes­sion­al­ly, Thomp­son wrote a long let­ter about some of the big ques­tions in life to his friend, Hume Logan, who was in the throes of an exis­ten­tial cri­sis.

While the first cou­ple of para­graphs warns against the dan­gers of seek­ing advice, Hunter then expounds at length on some deep, and sur­pris­ing­ly lev­el-head­ed truths. Below are a few pearls of wis­dom:

  • Whether to float with the tide, or to swim for a goal. It is a choice we must all make con­scious­ly or uncon­scious­ly at one time in our lives. So few peo­ple under­stand this!
  • You might also try some­thing called Being and Noth­ing­ness by Jean-Paul Sartre, and anoth­er lit­tle thing called Exis­ten­tial­ism: From Dos­toyevsky to Sartre. These are mere­ly sug­ges­tions. If you’re gen­uine­ly sat­is­fied with what you are and what you’re doing, then give those books a wide berth. (Let sleep­ing dogs lie.)
  • To put our faith in tan­gi­ble goals would seem to be, at best, unwise. We do not strive to be fire­men, we do not strive to be bankers, nor police­men, nor doc­tors. WE STRIVE TO BE OURSELVES.
  • Let’s assume that you think you have a choice of eight paths to fol­low (all pre-defined paths, of course). And let’s assume that you can’t see any real pur­pose in any of the eight. THEN— and here is the essence of all I’ve said— you MUST FIND A NINTH PATH.
  • Is it worth giv­ing up what I have to look for some­thing bet­ter? I don’t know— is it? Who can make that deci­sion but you? But even by DECIDING TO LOOK, you go a long way toward mak­ing the choice.

The let­ter was pub­lished in the 2013 book, Let­ters of Note. You can read it in its entire­ty below.

April 22, 1958
57 Per­ry Street
New York City

Dear Hume,

You ask advice: ah, what a very human and very dan­ger­ous thing to do! For to give advice to a man who asks what to do with his life implies some­thing very close to ego­ma­nia. To pre­sume to point a man to the right and ulti­mate goal— to point with a trem­bling fin­ger in the RIGHT direc­tion is some­thing only a fool would take upon him­self.

I am not a fool, but I respect your sin­cer­i­ty in ask­ing my advice. I ask you though, in lis­ten­ing to what I say, to remem­ber that all advice can only be a prod­uct of the man who gives it. What is truth to one may be dis­as­ter to anoth­er. I do not see life through your eyes, nor you through mine. If I were to attempt to give you spe­cif­ic advice, it would be too much like the blind lead­ing the blind.

“To be, or not to be: that is the ques­tion: Whether ’tis nobler in the mind to suf­fer the slings and arrows of out­ra­geous for­tune, or to take arms against a sea of trou­bles … ” (Shake­speare)

And indeed, that IS the ques­tion: whether to float with the tide, or to swim for a goal. It is a choice we must all make con­scious­ly or uncon­scious­ly at one time in our lives. So few peo­ple under­stand this! Think of any deci­sion you’ve ever made which had a bear­ing on your future: I may be wrong, but I don’t see how it could have been any­thing but a choice how­ev­er indi­rect— between the two things I’ve men­tioned: the float­ing or the swim­ming.

But why not float if you have no goal? That is anoth­er ques­tion. It is unques­tion­ably bet­ter to enjoy the float­ing than to swim in uncer­tain­ty. So how does a man find a goal? Not a cas­tle in the stars, but a real and tan­gi­ble thing. How can a man be sure he’s not after the “big rock can­dy moun­tain,” the entic­ing sug­ar-can­dy goal that has lit­tle taste and no sub­stance?

The answer— and, in a sense, the tragedy of life— is that we seek to under­stand the goal and not the man. We set up a goal which demands of us cer­tain things: and we do these things. We adjust to the demands of a con­cept which CANNOT be valid. When you were young, let us say that you want­ed to be a fire­man. I feel rea­son­ably safe in say­ing that you no longer want to be a fire­man. Why? Because your per­spec­tive has changed. It’s not the fire­man who has changed, but you. Every man is the sum total of his reac­tions to expe­ri­ence. As your expe­ri­ences dif­fer and mul­ti­ply, you become a dif­fer­ent man, and hence your per­spec­tive changes. This goes on and on. Every reac­tion is a learn­ing process; every sig­nif­i­cant expe­ri­ence alters your per­spec­tive.

So it would seem fool­ish, would it not, to adjust our lives to the demands of a goal we see from a dif­fer­ent angle every day? How could we ever hope to accom­plish any­thing oth­er than gal­lop­ing neu­ro­sis?

The answer, then, must not deal with goals at all, or not with tan­gi­ble goals, any­way. It would take reams of paper to devel­op this sub­ject to ful­fill­ment. God only knows how many books have been writ­ten on “the mean­ing of man” and that sort of thing, and god only knows how many peo­ple have pon­dered the sub­ject. (I use the term “god only knows” pure­ly as an expres­sion.) There’s very lit­tle sense in my try­ing to give it up to you in the prover­bial nut­shell, because I’m the first to admit my absolute lack of qual­i­fi­ca­tions for reduc­ing the mean­ing of life to one or two para­graphs.

I’m going to steer clear of the word “exis­ten­tial­ism,” but you might keep it in mind as a key of sorts. You might also try some­thing called Being and Noth­ing­ness by Jean-Paul Sartre, and anoth­er lit­tle thing called Exis­ten­tial­ism: From Dos­toyevsky to Sartre. These are mere­ly sug­ges­tions. If you’re gen­uine­ly sat­is­fied with what you are and what you’re doing, then give those books a wide berth. (Let sleep­ing dogs lie.) But back to the answer. As I said, to put our faith in tan­gi­ble goals would seem to be, at best, unwise. So we do not strive to be fire­men, we do not strive to be bankers, nor police­men, nor doc­tors. WE STRIVE TO BE OURSELVES.

But don’t mis­un­der­stand me. I don’t mean that we can’t BE fire­men, bankers, or doc­tors— but that we must make the goal con­form to the indi­vid­ual, rather than make the indi­vid­ual con­form to the goal. In every man, hered­i­ty and envi­ron­ment have com­bined to pro­duce a crea­ture of cer­tain abil­i­ties and desires— includ­ing a deeply ingrained need to func­tion in such a way that his life will be MEANINGFUL. A man has to BE some­thing; he has to mat­ter.

As I see it then, the for­mu­la runs some­thing like this: a man must choose a path which will let his ABILITIES func­tion at max­i­mum effi­cien­cy toward the grat­i­fi­ca­tion of his DESIRES. In doing this, he is ful­fill­ing a need (giv­ing him­self iden­ti­ty by func­tion­ing in a set pat­tern toward a set goal), he avoids frus­trat­ing his poten­tial (choos­ing a path which puts no lim­it on his self-devel­op­ment), and he avoids the ter­ror of see­ing his goal wilt or lose its charm as he draws clos­er to it (rather than bend­ing him­self to meet the demands of that which he seeks, he has bent his goal to con­form to his own abil­i­ties and desires).

In short, he has not ded­i­cat­ed his life to reach­ing a pre-defined goal, but he has rather cho­sen a way of life he KNOWS he will enjoy. The goal is absolute­ly sec­ondary: it is the func­tion­ing toward the goal which is impor­tant. And it seems almost ridicu­lous to say that a man MUST func­tion in a pat­tern of his own choos­ing; for to let anoth­er man define your own goals is to give up one of the most mean­ing­ful aspects of life— the defin­i­tive act of will which makes a man an indi­vid­ual.

Let’s assume that you think you have a choice of eight paths to fol­low (all pre-defined paths, of course). And let’s assume that you can’t see any real pur­pose in any of the eight. THEN— and here is the essence of all I’ve said— you MUST FIND A NINTH PATH.

Nat­u­ral­ly, it isn’t as easy as it sounds. You’ve lived a rel­a­tive­ly nar­row life, a ver­ti­cal rather than a hor­i­zon­tal exis­tence. So it isn’t any too dif­fi­cult to under­stand why you seem to feel the way you do. But a man who pro­cras­ti­nates in his CHOOSING will inevitably have his choice made for him by cir­cum­stance.

So if you now num­ber your­self among the dis­en­chant­ed, then you have no choice but to accept things as they are, or to seri­ous­ly seek some­thing else. But beware of look­ing for goals: look for a way of life. Decide how you want to live and then see what you can do to make a liv­ing WITHIN that way of life. But you say, “I don’t know where to look; I don’t know what to look for.”

And there’s the crux. Is it worth giv­ing up what I have to look for some­thing bet­ter? I don’t know— is it? Who can make that deci­sion but you? But even by DECIDING TO LOOK, you go a long way toward mak­ing the choice.

If I don’t call this to a halt, I’m going to find myself writ­ing a book. I hope it’s not as con­fus­ing as it looks at first glance. Keep in mind, of course, that this is MY WAY of look­ing at things. I hap­pen to think that it’s pret­ty gen­er­al­ly applic­a­ble, but you may not. Each of us has to cre­ate our own cre­do— this mere­ly hap­pens to be mine.

If any part of it doesn’t seem to make sense, by all means call it to my atten­tion. I’m not try­ing to send you out “on the road” in search of Val­hal­la, but mere­ly point­ing out that it is not nec­es­sary to accept the choic­es hand­ed down to you by life as you know it. There is more to it than that— no one HAS to do some­thing he doesn’t want to do for the rest of his life. But then again, if that’s what you wind up doing, by all means con­vince your­self that you HAD to do it. You’ll have lots of com­pa­ny.

And that’s it for now. Until I hear from you again, I remain,

your friend,
Hunter

Note: An ear­li­er ver­sion of this post appeared on our site in Feb­ru­ary 2015.

Relat­ed Con­tent:

Read 10 Free Arti­cles by Hunter S. Thomp­son That Span His Gonzo Jour­nal­ist Career (1965–2005)

Hunter S. Thompson’s Deca­dent Dai­ly Break­fast: The “Psy­chic Anchor” of His Fre­net­ic Cre­ative Life

How Hunter S. Thomp­son Gave Birth to Gonzo Jour­nal­ism: Short Film Revis­its Thompson’s Sem­i­nal 1970 Piece on the Ken­tucky Der­by

Hunter S. Thomp­son Chill­ing­ly Pre­dicts the Future, Telling Studs Terkel About the Com­ing Revenge of the Eco­nom­i­cal­ly & Tech­no­log­i­cal­ly “Obso­lete” (1967)

Jonathan Crow is a Los Ange­les-based writer and film­mak­er whose work has appeared in Yahoo!, The Hol­ly­wood Reporter, and oth­er pub­li­ca­tions. You can fol­low him at @jonccrow. And check out his blog Veep­to­pus, fea­tur­ing lots of pic­tures of bad­gers and even more pic­tures of vice pres­i­dents with octo­pus­es on their heads.  The Veep­to­pus store is here.

The Thoughtful Note That George H.W. Bush Left on Bill Clinton’s Desk Before Leaving the White House (1993)

With the pass­ing of George H.W. Bush, Bill Clin­ton reflect­ed on the life and lega­cy of his polit­i­cal pre­de­ces­sor, and par­tic­u­lar­ly the thought­ful note that Bush 41 left on his desk, right before leav­ing the White House. Dat­ed Jan­u­ary 20, 1993, it read:

Dear Bill,

When I walked into this office just now I felt the same sense of won­der and respect that I felt four years ago. I know you will feel that, too.

I wish you great hap­pi­ness here. I nev­er felt the lone­li­ness some Pres­i­dents have described.

There will be very tough times, made even more dif­fi­cult by crit­i­cism you may not think is fair. I’m not a very good one to give advice; but just don’t let the crit­ics dis­cour­age you or push you off course.

You will be our Pres­i­dent when you read this note. I wish you well. I wish your fam­i­ly well.

Your suc­cess now is our country’s suc­cess. I am root­ing hard for you.

Good luck—

George

It’s hard not to see this let­ter as a rel­ic of an irre­triev­able age in Amer­i­can pol­i­tics. But Clin­ton won’t quite buy that. He writes today in the Wash­ing­ton Post: “Giv­en what pol­i­tics looks like in Amer­i­ca and around the world today, it’s easy to sigh and say George H.W. Bush belonged to an era that is gone and nev­er com­ing back — where our oppo­nents are not our ene­mies, where we are open to dif­fer­ent ideas and chang­ing our minds, where facts mat­ter and where our devo­tion to our children’s future leads to hon­est com­pro­mise and shared progress. I know what he would say: ‘Non­sense. It’s your duty to get that Amer­i­ca back.’ ” Soon enough, after enough sturm and drang, the major­i­ty of Amer­i­cans (Elec­toral Col­lege includ­ed) may be ready to sign up for that.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

The 2,000+ Films Watched by Pres­i­dents Nixon, Carter & Rea­gan in the White House

Gonzo Illus­tra­tor Ralph Stead­man Draws the Amer­i­can Pres­i­dents, from Nixon to Trump

Barack Oba­ma Shares a List of Enlight­en­ing Books Worth Read­ing

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