LEGO Releases the Most Elaborate Lord of the Rings Set: A 6,167-Piece Rivendell

in Literature | February 10th, 2023

Many of us built our first LEGO models in childhood and, a few years thereafter in adolescence, read our first Lord of the Rings novel. We continue to look fondly back on such formative cultural experiences in adulthood, and indeed, some of us retain a genuine appreciation for the artifacts themselves well into middle age.

It is toward that very intersection of enthusiasm and means that LEGO has targeted its latest and largest Lord of the Rings-themed set: a 6,167-piece model of the Rivendell, the sanctuary located in the eponymous Elvish valley, which is set to retail for $500 USD.

This new LEGO Rivendell has room “for the entire Fellowship to debate The One Ring, and the shards of a particularly noteworthy sword,” writes The Verge’s Sean Hollister, and it includes “tiled rooftops, imaginative arches, and enough distinct spaces to recreate multiple scenes from the movies.”

This marks a considerable improvement on the sets that came out at the time of Peter Jackson’s Lord of the Rings movies in the early 2000s: Andrew Liszewski at Gizmodo notes that “the largest one was a 1,300+-piece recreation of the Battle of Helm’s Deep that, by today’s LEGO standards, was relatively small. The collection also included a tiny 243-piece recreation of the Council of Elrond, which, understandably, left LOTR fans disappointed.”

You can see an in-depth review of the new Rivendell set in the video just above from LEGO Youtuber Bricksie. He has a great deal of praise for the details of its components, yet whatever resources LEGO can put toward an official consumer product, they can hardly match the power of sheer fan obsession.

If you want to experience a truly faithful re-creation of Rivendell in the medium of LEGO, you’ll have to attend a convention with Alice Finch and David Frank, builders of an elaborate model that includes no fewer than 200,000 bricks: a sprawling monument to the kind of quasi-religious (and sometimes lifelong) devotion inspired by both the imagination of Tolkien and the possibilities of LEGO.

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

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When Leonard Bernstein Turned Voltaire’s Candide into an Opera (with Help from Lillian Hellman, Dorothy Parker & Stephen Sondheim)

in Literature, Opera | January 30th, 2023

The seventeen-fifties found Western civilization in the middle of its Age of Enlightenment. That long era introduced on a large scale the notion that, through the use of rationality and scientific knowledge, humanity could make progress. For the Enlightenment’s true believers, it would have eventually become quite easy indeed to assume that we had nowhere to go but up, and would sooner or later attain a state of perfection. No such fantasies, of course, for Jean-Marie Arouet, better known as Voltaire. Despite being an Enlightenment icon, he pulled no punches in attacking what he saw as its delusions, most lastingly in his 1759 satirical novel Candide, ou l’Optimisme.

Two centuries later, Western civilization, and especially the freshly formed civilization of the United States of America, had entered a new age of reason. Or rather, it had entered an age of technical, industrial, and organizational “know-how.”

The conviction that America could be perfected through engineered systems played its part in generating a degree of prosperity the world had never known (and would have scarcely been imaginable in Voltaire’s day). But it also had grimmer manifestations, such as McCarthyism and the House Un-American Activities Committee, whose procedures ground away at the core of the anti-Communist “red scare.”

In Candide, Voltaire takes to task a variety of not just beliefs but institutions, including the Portuguese Inquisition. The playwright Lillian Hellman, who’d been blacklisted after appearing before the HUAC in 1947, “observed a sinister parallel between the Inquisition’s church-sponsored purges and the ‘Washington Witch Trials,’ fueled by anti-Communist hysteria.” So says the web site of Leonard Bernstein, Hellman’s collaborator on what would become a comic-operetta adaptation of Candide. With contributions from lyricist John LaTouche, poet Richard Wilbur, and Algonquin Round Table wit Dorothy Parker, their production was ready to open in the fall of 1956.

Stripped in the eleventh hour of Hellman’s most direct topical attacks, and even then criticized for over-seriousness, the original Broadway production of Candide ended after 73 performances. (Recordings of the original production can be purchased online.) Nevertheless, there was cause for optimism about its future: the show would be revived in London with a revised book two years later, with further new versions to follow in the nineteen-seventies and eighties, its lyrics supplemented by no less a Broadway master than Stephen Sondheim. The two-and-a-half hour video above combines highlights of two consecutive performances in 1989, conducted by Bernstein himself in the year before his death. “Like its hero, Candide is perhaps destined never to find its perfect form and function,” notes Bernstein’s site. “In the final analysis, however, that may prove philosophically appropriate.”

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

by Colin Marshall | Permalink | Make a Comment ( 1 ) |

Liam Neeson Stars as Raymond Chandler’s Legendary Detective Philip Marlowe: Watch the Trailer for the New Film

in Film, Literature | January 26th, 2023

Behold the new trailer for Marlowe, a new film directed by Neil Jordan. As the title suggests, the film centers around Philip Marlowe, the gumshoe detective that Raymond Chandler first unveiled in The Big Sleep in 1939. Between then and now, Marlowe has been portrayed in films by Humphrey Bogart, Robert Mitchum, Elliott Gould, and James Garner. Now, Liam Neeson takes his turn. Here’s how the producers pitch the film:

MARLOWE, a gripping noir crime thriller set in late 1930’s Los Angeles, centers around a street-wise, down on his luck detective; Philip Marlowe, played by Liam Neeson, who is hired to find the ex-lover of a glamorous heiress (Diane Kruger), daughter of a well-known movie star (Jessica Lange). The disappearance unearths a web of lies, and soon Marlowe is involved in a dangerous, deadly investigation where everyone involved has something to hide.

Marlowe arrives in theaters on February 15.

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via BoingBoing

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The Only Footage of Mark Twain: The Original & Digitally Restored Films Shot by Thomas Edison

in History, Literature | January 23rd, 2023

We know what Mark Twain looked like, and we think we know what he sounded like. Just above see what he looked like in motion, strolling around Stormfield, his house in Redding, Connecticut—signature white suit draped loosely around his frame, signature cigar puffing white smoke between his fingers. After Twain’s leisurely walk along the house’s façade, we see him with his daughters, Clara and Jean, seated indoors. Below you can see the original murky version, featured on our site way back in 2010. A digital restoration (top) does wonders for the watchability of this priceless silent artifact, so vividly capturing the writer/contrarian/raconteur’s essence that you’ll find yourself reaching to turn the volume up, expecting to hear that familiar curmudgeonly drawl.

Shot by Thomas Edison in 1909, the short film is most likely the only moving image of Twain in existence. We might assume that Edison also recorded Twain’s voice, since we seem to know it so well, from portrayals of the great American humorist in pop cultural touchstones like Star Trek: The Next Generation and parodies by Alec Baldwin and Val Kilmer.

Kilmer’s surprisingly funny in the role, but he doesn’t come near the pitch perfect impersonation Hal Holbrook had given us for the better part of sixty years in his masterful Mark Twain Tonight. Holbrook’s vocal mannerisms have become a definitive model for actors playing Twain on stage and screen.

Given the number of Twain vocal impersonations out there, and Edison’s interest in documenting the author, we might be surprised to learn that no original recordings of his voice exist. Twain, we find out in the short film below, experimented with audio recording technology, but abandoned his efforts. It seems that none of the wax cylinders he worked with have survived—perhaps he destroyed them himself.

As narrator Rod Rawlings—himself a Twain impersonator and aficionado—informs us, what we do have is a recording made in 1934 by actor and playwright William Gillette, an able mimic of Twain, his patron and longtime neighbor. Like Holbrook, Gillette spent a good part of his career traveling from town to town playing Mark Twain. Below, you’ll hear Gillette address a class of students at Harvard, first in his own voice, then in the voice of the author, reading from “The Celebrated Jumping Frog of Calaveras County.” Gillette’s performance is likely the closest we’ll ever come to hearing the voice of the real Twain, whose major works appear in our collection of Free Audio Books and Free eBooks.

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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.

by OC | Permalink | Make a Comment ( 2 ) |

Contribute a Song to WNYC’s Public Song Project & Use Your Creativity to Explore the Public Domain

in Books, Film, Literature, Music | January 20th, 2023

We recognize that Open Culture readers are a creative bunch.

As proof, we point to your Getty Museum Challenge entries and the fact that one of your number won Yale University Press’s Kafka Caption Contest.

We’ve identified another opportunity to show off your creative streak, compliments of All Of It with Alison Stewart, a daily live culture program on WNYC, New York City’s public radio station.

You have until February 13 to write and record an original song inspired by a work in the public domain, and submit it to The All Of It Public Song Project.

Amateurs are welcome to take a crack at it and any genre is cricket, including rap, spoken word, and instrumentals.

Even if you limit yourself to the works that entered the public domain on January 1 of this year, the possibilities are almost endless.

Should you be inclined toward a faithful cover, we encourage you to consider one of 1927’s deep cuts, like Fats Waller’s “Soothin’ Syrup Stomp” or Jelly Roll Morton’s “Hyena Stomp,” though we understand the attraction of Irving Berlin’s enduringly popular “Puttin’ on the Ritz”.

Apologies to Emily Joy, the accomplished young classical pianist, above — participation is limited to entrants aged 18 or older.

The rest of us are free to invent new lyrics for an existing composition, or a brand new tune for existing lyrics.

You might musicalize a poem or speech, some dialogue from a film, or a page from a book.

A bluegrass spin on Fritz Lang’s Metropolis, perhaps?

A death metal re-envisioning of Buttercup Days from A.A. Milne’s Now We Are Six?

How about a sissy bounce take on these lines from “The Adventure of the Mazarin Stone,” the first short story in Arthur Conan Doyle’s collection, The Case-Book of Sherlock Holmes:

“Billy, you will see a large and ugly gentleman outside the front door. Ask him to come up.”

“If he won’t come, sir?”

“No violence, Billy. Don’t be rough with him. If you tell him that Count Sylvius wants him he will certainly come.”

“What are you going to do now?” asked the Count as Billy disappeared.

“My friend Watson was with me just now. I told him that I had a shark and a gudgeon in my net; now I am drawing the net and up they come together.”

The Count had risen from his chair, and his hand was behind his back. Holmes held something half protruding from the pocket of his dressing-gown.

“You won’t die in your bed, Holmes.”

Okay, we’re being silly, but only because we don’t want to put ideas in your head!

You could even concoct something entirely new — perhaps a ballad from the POV of To the Lighthouse’s young James Ramsay, or a ditty apologizing to Virginia Woolf for reading the Cliffs Notes instead of the actual novel when it was assigned in your college Women’s Literature class.

…we’re doing it again, aren’t we?

All right, we’ll leave you to it, with a reminder that anything outside of your public domain source material must be wholly original — no borrowing a catchy tune from Lennon and McCartney, capisci?

Winners will get a chance to discuss their works on WNYC and all qualifying entries will be posted at contest’s end for the public’s listening pleasure.

Contest rules and information on how to submit to The All Of It Public Song Project can be found here.

Good luck! We can’t wait to hear what you come up with.

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- Ayun Halliday is the Chief Primatologist of the East Village Inky zine and author, most recently, of Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.

by Ayun Halliday | Permalink | Make a Comment ( None ) |

The Charles Dickens Illustrated Gallery: A New Online Collection Presents All of the Original Illustrations from Charles Dickens’ Novels

in Art, Books, Literature | January 17th, 2023

At the height of his fame, Charles Dickens could have commanded any illustrator he liked for his novels. But at the beginning of his literary career, it was he who was charged with accompanying the artist, not the other way around. His first serialized novel The Posthumous Papers of the Pickwick Club, better known as The Pickwick Papers, began as a series of comical “cockney sporting plates” by Robert Seymour. Honest enough to admit his ignorance of the cockney sporting life but shrewd enough to know an opportunity when he saw one, the young Dickens accepted the publisher’s request for stories meant to elaborate on the images.

Even then, Dickens possessed irrepressible talent as a popular storyteller, and it was his writing — which evidenced scant interest in adherence to the existing art — that made The Pickwick Papers into a great success, a mass-cultural phenomenon comparable to a hit sitcom avant la lettre.

187 years later there remains a whiff of scandal around this chapter of literary history, Seymour having committed suicide early in the serialization process the day after an argument with Dickens. Eventually the author found a permanent replacement for Seymour in Hablot Knight Browne, or Phiz, who would go on to provide the artwork for most of his novels.

You can see all of Phiz’s work for Dickens at the Charles Dickens Illustrated Gallery, a project of Michael John Goodman, whom we’ve previously featured here on Open Culture for his Victorian Illustrated Shakespeare Archive (and his collection of AI-generated Shakespeare art). “The world of Dickens illustration is beset with poor reproductions of the source material, so for this project I have searched out what I consider to be some of the best editions that feature the original illustrations printed to a decent quality,” Goodman writes on his project’s About page. These tend to date from the early twentieth century and come with “colored frontispieces (which the original novels did not have).”

One such frontispiece appears at the top of this post, depicting the first appearance of The Pickwick Papers’ most beloved character, the cockney valet Samuel Weller (who overtook the title character in popularity in much the same manner as Dickens’ writing overtook the illustrations). The Charles Dickens Illustrated Gallery contains numerous plates from that book, as well as from all the rest: Oliver Twist (a collaboration with not Phiz but George Cruikshank), A Christmas Carol (with John Leech), Bleak House (its grim atmosphere heightened by Phiz’s “dark plates”), even the never-finished The Mystery of Edwin Drood. Today’s readers are likely to dismiss these illustrations, however well-rendered, as extraneous to the text. But we must bear in mind that most were seen and approved by Dickens himself, who knew what he wanted — and even more so, what his readers wanted.

Enter the The Charles Dickens Illustrated Gallery here.

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Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

by Colin Marshall | Permalink | Make a Comment ( None ) |

Benedict Cumberbatch & Ian McKellen Read Epic Letters Written by Kurt Vonnegut

in Books, Environment, Letters, Life, Literature | January 16th, 2023

Kurt Vonnegut is one of those writers whose wit, humanism and lack of sentimentality leave you hankering for more.

Fortunately, the prolific novelist was an equally prolific letter writer.

His published correspondence includes a description of the firebombing of Dresden penned upon his release from the Slaughterhouse Five POW camp, an admission to daughter Nanette that most parental missives “contain a parent’s own lost dreams disguised as good advice,” and some unvarnished exchanges with many of familiar literary names. (“I am cuter than you are,” he taunted Cape Cod neighbor Norman Mailer.)

No wonder these letters are catnip to performers with the pedigree to recognize good writing when they see it.

Having interpreted Shakespeare, Ibsen, and Ionesco, book lover Benedict Cumberbatch obviously relishes the straightforward ire of Vonnegut’s 1973 response to a North Dakota school board chairman who ordered a school janitor to burn all copies of Slaughterhouse-Five assigned by Bruce Severy, a recently hired, young English teacher.

In addition to Slaughterhouse-Five, the board also consigned two other volumes on the syllabus — James Dickey’s Deliverance and an anthology containing short stories by Faulkner, Hemingway and Steinbeck — to the fire.

Revisiting the event, the Bismarck Tribune reports that “the objection to (Slaughterhouse-Five) had to do with profanity, (Deliverance) with some homosexual material and the (anthology) because the first two rendered all of Severy’s choices suspect.”

A decade later, Vonnegut also revisited the school board’s “insulting” objections in the pages of the New York Times:

Even by the standards of Queen Victoria, the only offensive line in the entire novel is this: ”Get out of the road, you dumb m(———–).” This is spoken by an American antitank gunner to an unarmed American chaplain’s assistant during the Battle of the Bulge in Europe in December 1944, the largest single defeat of American arms (the Confederacy excluded) in history. The chaplain’s assistant had attracted enemy fire.

Word is Vonnegut’s letter never received the courtesy of a reply.

One wonders if the recipient burned it, too.

If that 50 year old letter feels germane, check out Vonnegut’s 1988 letter to people living 100 years in the future, a little more than 50 years from where we are now.

In many ways, its commonsense advice surpasses the evergreen words of those it namechecks — Shakespeare’s Polonius, St. John the Divine, and the Big Book of Alcoholics Anonymous. The threat of environmental collapse it seeks to stave off has become even more dire in the ensuing years.

Vonnegut’s advice (listed below) clearly resonates with Cumberbatch, a vegan who leveraged his celebrity to bring attention to the climate crisis when he participated in the Extinction Rebellion Protests in London.

1. Reduce and stabilize your population.

2. Stop poisoning the air, the water, and the topsoil.

3. Stop preparing for war and start dealing with your real problems.

4. Teach your kids, and yourselves, too, while you’re at it, how to inhabit a small planet without helping to kill it.

5. Stop thinking science can fix anything if you give it a trillion dollars.

6. Stop thinking your grandchildren will be OK no matter how wasteful or destructive you may be, since they can go to a nice new planet on a spaceship. That is really mean, and stupid.

7. And so on. Or else.

Vonnegut, who died in 2007 at the age of 84, never lost his touch with young readers. Who better to recite his 2006 letter to his fans in New York City’s Xavier High School’s student body than the ever youthful, ever curious actor and activist, Sir Ian McKelle n?

Cumberbatch is a wonderful reader, but he’d require a bit more seasoning to pull these lines off without the aid of major prosthetics:

You sure know how to cheer up a really old geezer (84) in his sunset years. I don’t make public appearances any more because I now resemble nothing so much as an iguana.

Now if only these gents would attempt a Hoosier accent…

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- Ayun Halliday is the Chief Primatologist of the East Village Inky zine. Its current issue celebrates Kurt Vonnegut’s centennial. Her most recent books are Creative, Not Famous: The Small Potato Manifesto and Creative, Not Famous Activity Book. Follow her @AyunHalliday.

by Ayun Halliday | Permalink | Make a Comment ( None ) |

Hear Neil Gaiman Read A Christmas Carol Just Like Charles Dickens Read It

in Audio Books, Literature | December 15th, 2022

In Christmases past, we featured Charles Dickens’ hand-edited copy of his beloved 1843 novella A Christmas Carol. He did that hand editing for the purposes of giving public readings, a practice that, in his time, “was considered a desecration of one’s art and a lowering of one’s dignity.” That time, however, has gone, and many of the most prestigious writers alive today take the reading aloud of their own work to the level of art, or at least high entertainment, that Dickens must have suspected one could. Some writers even do a bang-up job of reading other writers’ work: modern master storyteller Neil Gaiman gave us a dose of that when we featured his recitation of Lewis Carroll’s “Jabberwocky” from memory. Today, however, comes the full meal: Gaiman’s telling of A Christmas Carol straight from that very Dickens-edited reading copy.

Gaiman read to a full house at the New York Public Library, an institution known for its stimulating events, holiday-themed or otherwise. But he didn’t have to hold up the afternoon himself; taking the stage before him, BBC researcher and The Secret Museum author Molly Oldfield talked about her two years spent seeking out fascinating cultural artifacts the world over, including but not limited to the NYPL’s own collection of things Dickensian. You can hear both Oldfield and Gaiman in the recording below. But perhaps the greatest gift of all came in the form of the latter’s attire for his reading: not only did he go fully Victorian, he even went to the length of replicating the 19th-century literary superstar’s own severe hair part and long goatee. And School Library Journal has pictures. The story really gets started around the 11:00 mark. Gaiman’s reading will be added to our list of Free Audio Books. You can find the text of Dickens’ classic here.

New York Public Library · Neil Gaiman Reads “A Christmas Carol”

Note: An earlier version of this post appeared on our site in December 2014.

Charles Dickens’ Hand-Edited Copy of His Classic Holiday Tale, A Christmas Carol

Hear Charles Dickens’ A Christmas Carol Read by His Great-Granddaughter, Monica

Based in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His projects include the Substack newsletter Books on Cities, the book The Stateless City: a Walk through 21st-Century Los Angeles and the video series The City in Cinema. Follow him on Twitter at @colinmarshall or on Facebook.

by OC | Permalink | Make a Comment ( None ) |

LEGO Releases the Most Elaborate Lord of the Rings Set: A 6,167-Piece Rivendell

When Leonard Bernstein Turned Voltaire’s Candide into an Opera (with Help from Lillian Hellman, Dorothy Parker & Stephen Sondheim)

Liam Neeson Stars as Raymond Chandler’s Legendary Detective Philip Marlowe: Watch the Trailer for the New Film

The Only Footage of Mark Twain: The Original & Digitally Restored Films Shot by Thomas Edison

Contribute a Song to WNYC’s Public Song Project & Use Your Creativity to Explore the Public Domain

The Charles Dickens Illustrated Gallery: A New Online Collection Presents All of the Original Illustrations from Charles Dickens’ Novels

Benedict Cumberbatch & Ian McKellen Read Epic Letters Written by Kurt Vonnegut

Hear Neil Gaiman Read A Christmas Carol Just Like Charles Dickens Read It

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