New York Public Library Puts 20,000 Hi-Res Maps Online & Makes Them Free to Download and Use

1863CentralPark

When I was a kid, my father brought home from I know not where an enor­mous col­lec­tion of Nation­al Geo­graph­ic mag­a­zines span­ning the years 1917 to 1985. I found, tucked in almost every issue, one of the magazine’s gor­geous maps—of the Moon, St. Peters­burg, the Himalayas, East­ern Europe’s ever-shift­ing bound­aries. I became a car­tog­ra­phy enthu­si­ast and geo­graph­i­cal sponge, por­ing over them for years just for the sheer enjoy­ment of it, a plea­sure that remains with me today. Whether you’re like me and sim­ply love the imag­i­na­tive exer­cise of trac­ing a map’s lines and con­tours and absorb­ing infor­ma­tion, or you love to do that and you get paid for it, you’ll find innu­mer­able ways to spend your time on the new Open Access Maps project at the New York Pub­lic Library. The NYPL announces the release with the expla­na­tion below:

The Lionel Pin­cus & Princess Firyal Map Divi­sion is very proud to announce the release of more than 20,000 car­to­graph­ic works as high res­o­lu­tion down­loads. We believe these maps have no known US copy­right restric­tions.* To the extent that some juris­dic­tions grant NYPL an addi­tion­al copy­right in the dig­i­tal repro­duc­tions of these maps, NYPL is dis­trib­ut­ing these images under a Cre­ative Com­mons CC0 1.0 Uni­ver­sal Pub­lic Domain Ded­i­ca­tion. The maps can be viewed through the New York Pub­lic Library’s Dig­i­tal Col­lec­tions page, and down­loaded (!), through the Map Warp­er.

What does this mean? Sim­ply put, “it means you can have the maps, all of them if you want, for free, in high res­o­lu­tion.” Maps like that above, of New York’s Cen­tral Park, issued in 1863, ten years before Fred­er­ick Law Olm­st­ed and Calvert Vaux com­plet­ed their his­toric re-design.

Can you—as I did with my neat­ly fold­ed, yel­low­ing archive—have all the maps in full-col­or print? Well, no, unless you’re pre­pared to bear the cost in ink and paper and have some spe­cial­ized print­ing equip­ment that can ren­der each map in its orig­i­nal dimen­sions. But you can access some­thing worlds away from what I could have imagined—a dig­i­tal enhance­ment tech­nol­o­gy called “warp­ing,” also known as “geo­rec­ti­fi­ca­tion.”

nypl map

This, explains the NYPL, “is the process where dig­i­tal images of maps are stretched, plac­ing the maps them­selves into their geo­graph­ic con­text, ren­dered either on the web­site or with tools such as Google Earth.” For exam­ple, below see a “warp­ing” of the 1916 Redraft of the 1660 “Castel­lo Plan” for then-New Ams­ter­dam over a cur­rent-day Google Earth image of low­er Man­hat­tan (and note how much the island has been expand­ed past its 17th cen­tu­ry shores). The “warp­ing” tech­nol­o­gy is open access, mean­ing that “any­body with a com­put­er can cre­ate an account, log in, and begin warp­ing and trac­ing maps.” User con­tri­bu­tions remain, “a la Wikipedia,” and add “one more piece to this new his­tor­i­cal geo­graph­ic data mod­el.”

Castello_Plan_Warp

The “warp­er” is a spe­cial fea­ture that helps place his­tor­i­cal maps in a mod­ern visu­al field, but it in no way ruins the enjoy­ment of those maps as archival pieces or art objects. You can see car­tog­ra­ph­er John Wol­cott Adams orig­i­nal 1916 Castel­lo Plan redraft below, and vis­it NYPL’s Dig­i­tal Col­lec­tions for a high res­o­lu­tion image, ful­ly zoomable and, yes, print­able. For more on the incred­i­ble warp­ing tech­nol­o­gy NYPL makes avail­able to us, see this extend­ed blog post, “Unbind­ing the Atlas: Work­ing with Dig­i­tal Maps.” Over ten thou­sand of the collection’s maps are of New York and New Jer­sey, dat­ing from 1852 to 1922, includ­ing prop­er­ty, zon­ing, and topo­graph­ic maps. In addi­tion, over one thou­sand of the maps depict Mid-Atlantic cities from the 16th to the 19th cen­turies, and over 700 are topo­graph­ic maps of the Aus­tro-Hun­gar­i­an Empire between 1877 and 1914. That should be enough to keep any ama­teur or pro­fes­sion­al map-lover busy for a good long while. Start dig­ging into the maps here.

1660CastelloPlan

Relat­ed Con­tent:

The British Library Puts 1,000,000 Images into the Pub­lic Domain, Mak­ing Them Free to Reuse & Remix

Down­load 15,000+ Free Gold­en Age Comics from the Dig­i­tal Com­ic Muse­um

Down­load Over 250 Free Art Books From the Get­ty Muse­um

14,000 Free Images from the French Rev­o­lu­tion Now Avail­able Online

Josh Jones is a writer and musi­cian based in Durham, NC. Fol­low him at @jdmagness

New Google-Powered Site Tracks Global Deforestation in ‘Near-Real-Time’

In Sep­tem­ber we told you about tril­lions of satel­lite images of Earth, gen­er­at­ed by the Land­sat, that are now avail­able to the pub­lic.

Now we can share an inter­ac­tive tool that is using some of those Land­sat images to stop ille­gal defor­esta­tion.

With help from Google Earth Engine, the World Resources Insti­tute launched Glob­al For­est Watch, an online for­est mon­i­tor­ing and alert sys­tem that allows indi­vid­ual com­put­er users to watch forests around the world change in an almost real-time stream of imagery.

Whis­tle blow­ers are mak­ing pow­er­ful use of the Glob­al For­est Watch tool. Using spa­tial data streams avail­able on the site to observe for­est changes in south­east­ern Peru, a num­ber of users sub­mit­ted alerts about rapid­ly esca­lat­ing defor­esta­tion near a gold mine and riv­er val­ley. In anoth­er case, observers sub­mit­ted an alert about ille­gal log­ging in the Repub­lic of the Con­go.

Five years ago, NASA and the U.S. Geo­log­i­cal Sur­vey lift­ed pro­to­cols that kept Land­sat images pro­pri­etary. Now, agen­cies like the World Resources Institute—and even tiny cit­i­zen watch­dog groups around the world—have access to incred­i­bly rich tools and data. Some of the imagery is hard to inter­pret. Glob­al For­est Watch devel­oped a num­ber of dif­fer­ent data lay­ers for users to apply, mak­ing it pos­si­ble to mon­i­tor for­est areas for trends or ille­gal log­ging. The video at the top of this page gives a good overview of how the site works. This one gives more detail about how to use the maps on the Glob­al For­est Watch site.

Select an area of the world and then select a data set that inter­ests you. Choose to look at ter­rain, satel­lite, road, tree height, or com­pos­ite images of a par­tic­u­lar region. Data lay­ers can be lay­ered on top of one anoth­er to show trends in for­est man­age­ment. In Indone­sia, for exam­ple, you can use the FORMA alerts but­ton to see what has already been report­ed in that area of the humid trop­ics.

How can you tell if for­est change is due to ille­gal log­ging? Turn on the For­est Use fil­ters to see which areas are autho­rized for log­ging and min­ing and which are pro­tect­ed. In Indone­sia, many areas are des­ig­nat­ed for oil palm pro­duc­tion, but expan­sion of those crops are often asso­ci­at­ed with loss of nat­ur­al for­est.

Do your own sleuthing. The site is designed to har­ness data from gov­ern­ment and aca­d­e­m­ic sci­en­tists, along with obser­va­tion from indi­vid­u­als (us). There is even infor­ma­tion about com­pa­nies that are grow­ing oil palm trees, so it’s pos­si­ble that a dili­gent user could catch an over-aggres­sive grow­er step­ping over the for­est bound­ary.

Relat­ed Con­tent:

A Plan­e­tary Per­spec­tive: Tril­lions of Pic­tures of the Earth Avail­able Through Google Earth Engine

Trace Darwin’s Foot­steps with Google’s New Vir­tu­al Tour of the Gala­pa­gos Islands

Reef View: Google Gives Us Stun­ning Under­wa­ter Shots of Great Coral Reefs

Kate Rix writes about dig­i­tal media and edu­ca­tion. Fol­low her on Twit­ter.

Jack Kerouac’s On The Road Turned Into Google Driving Directions & Published as a Free eBook

A cou­ple weeks ago, Col­in Mar­shall high­light­ed for you Jack Kerouac’s Hand-Drawn Map of the Hitch­hik­ing Trip Nar­rat­ed in On the Road. Now we have anoth­er Ker­oua­cian map for you — a map for our times. Gre­gor Weich­brodt, a Ger­man col­lege stu­dent, took all of the geo­graph­ic stops men­tioned in On the Road, plugged them into Google Maps, and end­ed up with a 45-page man­u­al of dri­ving direc­tions, divid­ed into chap­ters par­al­lel­ing those of Ker­ouac’s orig­i­nal book. You can read the man­u­al — On the Road for 17,527 Miles– as a free ebook. Just click the image above to view it online (or click here). Like­wise, you can pur­chase a print copy on Lulu and per­haps make it the basis for your own road trip. Won­der­ing how long such a trip might take? Google Maps indi­cates that Ker­ouac’s jour­ney cov­ered some 17,527 miles and the­o­ret­i­cal­ly took some 272 hours.

Note: You can find lec­tures (1 + 2) dis­cussing the impor­tance of On the Road in Yale’s course, The Amer­i­can Nov­el Since 1945. It appears in the Lit­er­a­ture sec­tion of our col­lec­tion, 1,700 Free Online Cours­es from Top Uni­ver­si­ties.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

via @SteveSilberman and PRI

Relat­ed Con­tent:

Jack Ker­ouac Lists 9 Essen­tials for Writ­ing Spon­ta­neous Prose

Pull My Daisy: 1959 Beat­nik Film Stars Jack Ker­ouac and Allen Gins­berg

Jack Ker­ouac Reads from On the Road (1959)

500 Free eBooks: Down­load Great Books for Free

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The Tom Waits Map: A Mapping of Every Place Waits Has Sung About, From L.A. to Africa’s Jungles

“And what becomes of all the lit­tle boys who nev­er comb their hair? They’re lined up all around the block, on the Nick­el over there.” So sings Tom Waits on 1980’s “On the Nick­el,” which he orig­i­nal­ly com­posed for Ralph Wait­e’s epony­mous fea­ture film, a sto­ry of shame, degra­da­tion, and good times in the sketchi­est part of down­town Los Ange­les, through which runs 5th Street — the “Nick­el” of the title. That part of town has man­aged an aston­ish­ing cleanup since 1980 (then again, most parts of town have, includ­ing the once-seething cor­ner ref­er­enced by Heartat­tack and Vine, the title of Waits’ album from that year) to the point that you’ll now find, just off 5th, the new-wave retro, hip­ster-friend­ly Nick­el Din­er: a favorite eatery of mine, inci­den­tal­ly, but hard­ly one describ­able with Waits’ sig­na­ture rasp, a force­ful­ly resigned instru­ment tuned to evoke the clas­si­cal­ly, near-mytho­log­i­cal­ly ragged Amer­i­can life.

Still, you can find the old Nick­el on The Tom Waits Map, which marks out all the lyri­cal­ly iden­ti­fi­able places in Waits’ Amer­i­ca, from Min­neapo­lis’ 9th Street (“Hey Char­lie, I’m preg­nant and liv­ing on the 9th street,” goes “Christ­mas Card From A Hook­er In Min­neapo­lis”) to the state of Ida­ho (“Dan­ny says we got­ta go, got­ta go to Ida­ho, but we can’t go surf­ing ’cause it’s 20 below,” on “Dan­ny Says”).

We may think of Waits’ artis­tic per­sona as a cer­tain low­er slice of Amer­i­ca made song, but this map, when zoomed out to a glob­al lev­el, reveals ref­er­ences to many exot­ic lands, as when he sings about “a Hong Kong driz­zle on Cuban heels,” from the per­spec­tive of a char­ac­ter who “drank with all the Chi­na­men, walked the sew­ers of Paris” and of “Radion the human tor­so, deep from the jun­gles of Africa.”

The Tom Waits map itself, in fact, comes from an obvi­ous­ly die-hard Swedish fan by the name of Jonas Nord­ström. As he and the rest of the Waits faith­ful know, the man does­n’t just speak to an askew sen­si­bil­i­ty in Amer­i­ca; he speaks to askew sen­si­bil­i­ties all through­out human­i­ty.

via @sheerly

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch Big Time, the Con­cert Film Cap­tur­ing Tom Waits on His Best Tour Ever (1988)

Tom Waits’ Clas­sic Appear­ance on Aus­tralian TV, 1979

Tom Waits Reads Charles Bukows­ki

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on cities, Asia, film, lit­er­a­ture, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall or on his brand new Face­book page.

The University of Richmond Animates the 1932 Atlas of the Historical Geography of the United States

rates_of_travel

In 1902, the new­ly estab­lished Carnegie Insti­tu­tion of Wash­ing­ton set out to devel­op “a real­ly first rate atlas of Amer­i­can his­to­ry.” Work on the atlas began in earnest in 1912, under the direc­tion of the naval his­to­ri­an Charles O. Paullin, who spent the bet­ter part of the next 15 years bring­ing it to life. In 1929, the Amer­i­can Geo­graph­ic Soci­ety (AGS), along with the emi­nent geo­g­ra­ph­er John K. Wright, took over the project and brought it to com­ple­tion. The Atlas of the His­tor­i­cal Geog­ra­phy of the Unit­ed States was final­ly pub­lished in 1932 to wide crit­i­cal acclaim. Called a “mon­u­ment to his­tor­i­cal schol­ar­ship,” the com­pendi­um fea­tured near­ly 700 indi­vid­ual maps that gave visu­al insights into 500 years of Amer­i­can his­to­ry. Top­ic cov­ered includ­ed the “explo­ration and set­tle­ment of the North Amer­i­can con­ti­nent, the loca­tion of col­leges and church­es, dis­putes over inter­na­tion­al and state bound­aries, vot­ing in pres­i­den­tial elec­tions and in Con­gress, reforms from women’s suf­frage to workmen’s com­pen­sa­tion, trans­porta­tion, indus­tries, agri­cul­ture, com­merce, the dis­tri­b­u­tion of wealthmil­i­tary his­to­ry” and much more.

The Atlas of the His­tor­i­cal Geog­ra­phy of the Unit­ed States remains a valu­able his­tor­i­cal resource today. But, for all of these years, it had one notable short­com­ing. Around the time of its first pub­li­ca­tion, John K. Wright acknowl­edged that “The ide­al his­tor­i­cal atlas might well be a col­lec­tion of motion-pic­ture maps, if these could be dis­played on the pages of a book with­out the para­pher­na­lia of pro­jec­tor, reel, and screen.” The tech­nol­o­gy that would lend itself to cre­at­ing motion-pic­ture maps was­n’t avail­able in the 1930s. But it is today. And thanks to the Uni­ver­si­ty of Richmond’s Dig­i­tal Schol­ar­ship Lab, we can now view The Atlas of the His­tor­i­cal Geog­ra­phy of the Unit­ed States in a new dig­i­tal, some­times ani­mat­ed for­mat. If you want to see a good exam­ple of his­tor­i­cal data put into motion, then you might want to check out this map of Amer­i­can Explo­rations in the West, 1803–1852. (Click here and then click “Ani­mate” at the bot­tom of the screen.) This map will trace for you the expe­di­tions of Lewis and Clark and many oth­er explor­ers. Then, if you’re ready to be an explor­er your­self, you can start your jour­ney through the dig­i­tized atlas by enter­ing the Table of Con­tents.

via The New York Times

Relat­ed Con­tent:

Visu­al­iz­ing Slav­ery: The Map Abra­ham Lin­coln Spent Hours Study­ing Dur­ing the Civ­il War

Hen­ry David Thoreau’s Hand-Drawn Map of Cape Cod (1866)

An Inter­ac­tive Map of Odysseus’ 10-Year Jour­ney in Homer’s Odyssey

Geog­ra­phy of World Cul­tures by Mar­tin Lewis (Stan­ford) in our col­lec­tion of 825 Free Online Cours­es

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An Interactive Map of Odysseus’ 10-Year Journey in Homer’s Odyssey

odyssey interactive map

The Odyssey, one of Home­r’s two great epics, nar­rates Odysseus’ long, strange trip home after the Tro­jan war. Dur­ing their ten-year jour­ney, Odysseus and his men had to over­come divine and nat­ur­al forces, from bat­ter­ing storms and winds to dif­fi­cult encoun­ters with the Cyclops Polyphe­mus, the can­ni­bal­is­tic Laestry­gones, the witch-god­dess Circe and the rest. And they took a most cir­cuitous route, bounc­ing all over the Mediter­ranean, mov­ing first down to Crete and Tunisia. Next over to Sici­ly, then off toward Spain, and back to Greece again.

If you’re look­ing for an easy way to visu­al­ize all of the twists and turns in The Odyssey, then we’d rec­om­mend spend­ing some time with the inter­ac­tive map host­ed on the Uni­ver­si­ty of Penn­syl­va­ni­a’s web­site. The map breaks down Odysseus’ voy­age into 14 key scenes and locates them on a mod­ern map.

Mean­while, if you’re inter­est­ed in the whole con­cept of ancient trav­el, I’d sug­gest revis­it­ing one of our pre­vi­ous posts: Play Cae­sar: Trav­el Ancient Rome with Stanford’s Inter­ac­tive Map. It tells you all about ORBIS, a geospa­tial net­work mod­el, that lets you sim­u­late jour­neys in Ancient Roman. You pick the points of ori­gin and des­ti­na­tion for a trip, and ORBIS will recon­struct the dura­tion and finan­cial cost of mak­ing the ancient jour­ney. Pret­ty cool stuff.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Hear Homer’s Ili­ad Read in the Orig­i­nal Ancient Greek

What Ancient Greek Music Sound­ed Like: Hear a Recon­struc­tion That is ‘100% Accu­rate’

Dis­cov­er the “Brazen Bull,” the Ancient Greek Tor­ture Machine That Dou­bled as a Musi­cal Instru­ment

Learn­ing Ancient His­to­ry for Free

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Henry David Thoreau’s Hand-Drawn Map of Cape Cod (1866)

HDT_Cape_Cod_large

Hen­ry David Thore­au wrote in 1866:

“Wish­ing to get a bet­ter view than I had yet had of the ocean, which, we are told, cov­ers more than two thirds of the globe, but of which a man who lives a few miles inland may nev­er see any trace…I have spent, in all, about three weeks on the Cape; walked from East­ham to Province­town twice on the Atlantic side, and once on the Bay side also…but hav­ing come so fresh to the sea, I have got but lit­tle salt­ed.”

You can click the image above to see it in a larg­er for­mat. For many oth­er maps made by Thore­au, vis­it the “Thore­au Lands and Prop­er­ty Sur­vey” col­lec­tion at the Con­cord Free Pub­lic Library. Also find works by Thore­au in our col­lec­tion of Free eBooksand Free Audio Books

via Steve Sil­ber­man

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Watch World War II Rage Across Europe in a 7 Minute Time-Lapse Film: Every Day From 1939 to 1945

The Sec­ond World War was waged over six long years on every con­ti­nent save South Amer­i­ca and Antarc­ti­ca. Sev­en­ty-some years lat­er, the dai­ly shifts of the Euro­pean The­ater’s front lines can be tracked in under sev­en min­utes, thanks to a mys­te­ri­ous, map-lov­ing ani­ma­tor known var­i­ous­ly as Emper­or Tiger­star or Kaiser Tiger­star (the lat­ter accounts for the hel­met-wear­ing kit­ten grac­ing the upper cor­ner of his World War I time-lapse).

The pow­er-shift­ing col­ors (blue for Allies, red for Axis) are mes­mer­iz­ing, as is a relent­less timer tick­ing off the days between Ger­many’s inva­sion of Poland on Sep­tem­ber 1, 1939 and VE Day, May 8, 1945. Roy­al­ty-free music by Kevin MacLeod and audio sam­ples rang­ing from Hitler and Mus­soli­ni’s dec­la­ra­tions of war to Roo­sevelt’s Day of Infamy speech add import.

I def­i­nite­ly felt like throw­ing some tick­er tape around when blue tri­umphed, but most­ly I was curi­ous about this Emper­or Tiger­star, who relied on such dis­parate sources as Chris Bish­op’s Mil­i­tary Atlas of World War II and Wikipedia to cre­ate this extra­or­di­nary record in Win­dows Paint.

Care­ful read­ing of his blog reveals a diehard his­to­ry buff with a weak­ness for met­al music, whole­some CGI movies, and sta­tis­tics.

He’s also a worka­holic. His YouTube chan­nel boasts a bog­gling assort­ment of map ani­ma­tions. This in addi­tion to an alter­nate YouTube channel where he remaps his­to­ry in response to his own “what if” type prompts. Some­how he finds the time to pre­side over  The Blank Atlas, a site whose mem­bers con­tribute unla­beled, non-copy­right­ed maps avail­able for free pub­lic down­load. And he may well be a brony, as evi­denced by the video he was pur­port­ed­ly work­ing on this sum­mer, World War II: As Told by Ponies.

Only time will tell.

Mean­while, let us hope that he makes good on his threat to make a uni­ver­sal World War II map ani­ma­tion. Could that be the secret project he’s aim­ing to launch on Jan­u­ary 1, 2014? I can’t wait to find out.

via io9

Relat­ed Con­tent:

132 Years of Glob­al Warm­ing Visu­al­ized in 26 Dra­mat­i­cal­ly Ani­mat­ed Sec­onds

53 Years of Nuclear Test­ing in 14 Min­utes: A Time Lapse Film by Japan­ese Artist Isao Hashimo­to

5,000 Years of Reli­gion in 90 Sec­onds

Ayun Hal­l­i­day did­n’t know she’d be keep­ing things fresh by fail­ing to lis­ten to a sin­gle sec­ond of 8th grade Geog­ra­phy. Fol­low her @AyunHalliday

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