Henry Rollins: Education is the Cure to “Disaster Capitalism”

We’ve already fea­tured for­mer Black Flag front­man and cur­rent spo­ken-word artist Hen­ry Rollins explain­ing why, to his mind, only edu­ca­tion can restore democ­ra­cy. He also believes it can cure some­thing he calls “dis­as­ter cap­i­tal­ism,” and you can hear more from him about it in the Big Think video above. He address­es, in his char­ac­ter­is­ti­cal­ly straight­for­ward man­ner, the ques­tions of what exact­ly ails the Amer­i­can econ­o­my, how that ail­ment might have come about, and how the coun­try can edu­cate itself back to health. We may indi­vid­u­al­ly get our edu­ca­tions now, he grants, but “how long will it be until Amer­i­ca fis­cal­ly turns itself around” to the point of repay­ing “the risk of the invest­ment on that stu­dent loan to get a per­son through four years of col­lege? Will that per­son get a job where pay­ing off that loan and get­ting a house and afford­ing a fam­i­ly, will that be a pos­si­bil­i­ty? In the present Amer­i­ca, it doesn’t look like it is.”

See­ing a dire nation­al sit­u­a­tion, Rollins rec­om­mends doing like Chi­na, but not in the way you might assume. He sug­gests look­ing “500 years at a time,” much far­ther up the road than we have of late. “I’d be look­ing up the road so far my eyes would fall out of my head.” He wants the coun­try to become “like Europe, where they’ll edu­cate your kid until his head explodes,” pro­duc­ing “three doc­tors per floor of every apart­ment build­ing” and doing so by mak­ing “col­lege tuition either free or real­ly low.” Gen­er­al­ly thought of as lib­er­al, Rollins sums this up in a way that might appeal to his ide­o­log­i­cal oppo­nents: “If you have a coun­try full of whip-crack smart peo­ple, you have a coun­try the rest of the world will fear. They will not invade a coun­try of edu­cat­ed peo­ple because we are so smart we’ll build a laser that will burn you, the ene­my, in your sleep before you can even mobi­lize your air force to kill us. We will kill you so fast because we are so smart and we will have for­eign pol­i­cy that will not piss you off to the point to where you have to attack us.”

Relat­ed Con­tent:

Hen­ry Rollins Pitch­es Edu­ca­tion as the Key to Restor­ing Democ­ra­cy

Hen­ry Rollins Tells Young Peo­ple to Avoid Resent­ment and to Pur­sue Suc­cess with a “Monas­tic Obses­sion”

Hen­ry Rollins Remem­bers the Life-Chang­ing Deci­sion That Brought Him From Häa­gen-Dazs to Black Flag

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­les, A Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Rare 1910 Audio: Sarah Bernhardt, ‘The Most Famous Actress the World Has Ever Known,’ in Racine’s Phèdre

Sarah_Berhardt_dans_Phèdre

The French actress Sarah Bern­hardt is often remem­bered as the first inter­na­tion­al super­star. Her hyp­not­ic pres­ence and flam­boy­ant per­son­al­i­ty are leg­endary. “She could con­trive thrill after thrill,” wrote Lyt­ton Stra­chey of Bern­hardt’s act­ing abil­i­ty, “she could seize and tear the nerves of her audi­ence, she could touch, she could ter­ri­fy, to the top of her aston­ish­ing bent.” Bern­hardt died before the age of talk­ing movies, notes her biog­ra­ph­er Robert Got­tlieb, “yet she remains the most famous actress the world has ever known.”

How good was she? Lis­ten below, and you can begin to form your own opin­ion. The record­ing was made in Feb­ru­ary of 1910, when Bern­hardt and her troupe were tour­ing Amer­i­ca. To tap into the emerg­ing phono­graph­ic record mar­ket, Bern­hardt stopped by Thomas Edis­on’s lab­o­ra­to­ry in West Orange, New Jer­sey, to cut some wax cylin­ders. For one record­ing, she chose a scene from Jean Racine’s 1677 tragedy Phè­dre, which is based on Euripi­des’ Hip­poly­tus and Seneca’s Phae­dra. Bern­hardt plays the title role oppo­site an unknown actor in the high­ly dra­mat­ic Act II Scene V, in which Phè­dre declares her love for Hypoly­te, her step­son:

Unfor­tu­nate­ly, the video image moves in a dis­tract­ing way. So per­haps the best way to enjoy the audio is to for­get the image and read along with Bern­hardt. A full tran­script fol­lows the jump:

(more…)

The Atheism Tapes Presents Lengthy Interviews with Arthur Miller, Daniel Dennett & Richard Dawkins About Religion and Unbelief

The his­to­ry of religion(s) is a fas­ci­nat­ing sub­ject, one that should be cov­ered, in my hum­ble opin­ion, as an inte­gral part of every lib­er­al arts edu­ca­tion. But the his­to­ry of atheism—of disbelief—is a sub­ject that only emerges piece­meal, in oppo­si­tion­al con­texts, espe­cial­ly in the wake of recent fun­da­men­tal­ist upris­ings in the past decade or so. We cov­ered one such his­to­ry recent­ly, the 2004 BBC series Athe­ism: A Rough His­to­ry of Dis­be­lief, made by direc­tor Jonathan Miller and fea­tur­ing such high-pro­file thinkers as Richard Dawkins, Daniel Den­nett, Arthur Miller, and physi­cist Steven Wein­berg.

Miller’s series orig­i­nal­ly includ­ed much more mate­r­i­al than he could air, and so the BBC agreed to let him pro­duce the out­take inter­views as a sep­a­rate pro­gram called The Athe­ism Tapes. It’s a series in six parts, fea­tur­ing inter­views with Eng­lish philoso­pher Col­in McGinn, Wein­berg, Miller, Dawkins, Den­nett, and British the­olo­gian Denys Turn­er. At the top, watch Miller’s intro to The Athe­ism Tapes and his inter­view with Col­in McGinn. It’s an inter­est­ing angle—Miller gets to quiz McGinn on “what it means to be a skep­ti­cal Eng­lish philoso­pher in such a seem­ing­ly reli­gious coun­try as the Unit­ed States.” Many read­ers may sym­pa­thize with McGinn’s dif­fi­cul­ty in com­mu­ni­cat­ing his unbe­lief to those who find the con­cept total­ly alien.

Direct­ly above, watch Daniel Den­nett (after the intro) dis­cuss the rela­tion­ship between athe­ism and Darwin’s rev­o­lu­tion­ary the­o­ry. Miller is a won­der­ful interviewer—sympathetic, prob­ing, informed, humor­ous, human­ist. He is the per­fect per­son to bring all these fig­ures togeth­er and get their var­i­ous takes on mod­ern unbe­lief, because despite his own pro­fes­sions, Miller real­ly cares about these big meta­phys­i­cal ques­tions, and his pas­sion and curios­i­ty are shared by all of his inter­vie­wees. In the intro­duc­tion to his inter­view with play­wright Arthur Miller (below), Jonathan Miller makes the provoca­tive claim that Chris­tian­i­ty believes “there’s some­thing pecu­liar about the Jews that makes them pecu­liar­ly sus­cep­ti­ble to pro­fane dis­be­lief.” Watch Arthur Miller’s response below.

One would hope that all man­ner of people—believers, athe­ists, and the non-committal—would come away from The Athe­ism Tapes with at least a healthy respect for the integri­ty of philo­soph­i­cal and sci­en­tif­ic inquiry and doubt. See the full series on YouTube here. Or pur­chase your copy on Ama­zon here.

Relat­ed Con­tent:

Athe­ism: A Rough His­to­ry of Dis­be­lief, with Jonathan Miller

Richard Dawkins Makes the Case for Evo­lu­tion in the 1987 Doc­u­men­tary, The Blind Watch­mak­er

Philoso­pher Daniel Den­nett Presents Sev­en Tools For Crit­i­cal Think­ing

Josh Jones is a writer and musi­cian based in Wash­ing­ton, DC. Fol­low him at @jdmagness

Video: Bob Marley Plays a Soccer Match in Brazil, 1980

“Foot­ball is a whole skill to itself. A whole world. A whole uni­verse to itself. Me love it because you have to be skill­ful to play it! Free­dom! Foot­ball is free­dom.”

Bob Mar­ley spoke those lines in 1979, two years before his life was cut short by melanoma, reveal­ing his pas­sion for the world’s game, or what we call “soc­cer” here in Amer­i­ca. Casu­al fans might not know this, but Mar­ley fol­lowed Brazil­ian foot­ball close­ly, revered Pele, made the sport part of his dai­ly rou­tine, and when he trav­eled to Rio de Janeiro in 1980, he took part in a now leg­endary match on musi­cian Chico Buarque’s pri­vate pitch. Team A con­sist­ed of Mar­ley, Junior Mar­vin (mem­ber of the Wail­ers), Paulo César Caju (mem­ber of the Brazil 1970 squad), Toquin­ho (Brazil­ian musi­cian), Chico Buar­que and Jacob Miller (lead singer of Inner Cir­cle). Team B fea­tured Alceu Valença (Brazil­ian musi­cian), Chicão (mem­ber of Jorge Ben’s band) and four staff mem­bers from Island Records, recalls Russ Slater in Sounds and Colours. The short clip above shows Mar­ley scor­ing a goal, despite being well into his bat­tle with melanoma.

In the sec­ond clip above, you can watch footage of Mar­ley drib­bling the ball a lit­tle more. At Retro­naut, you’ll find umpteen pho­tos of Mar­ley in his foot­ball glo­ry.

If you would like to sign up for Open Culture’s free email newslet­ter, please find it here. It’s a great way to see our new posts, all bun­dled in one email, each day.

If you would like to sup­port the mis­sion of Open Cul­ture, con­sid­er mak­ing a dona­tion to our site. It’s hard to rely 100% on ads, and your con­tri­bu­tions will help us con­tin­ue pro­vid­ing the best free cul­tur­al and edu­ca­tion­al mate­ri­als to learn­ers every­where. You can con­tribute through Pay­Pal, Patre­on, and Ven­mo (@openculture). Thanks!

Relat­ed Con­tent:

Watch “The Secret Tour­na­ment” & “The Rematch,” Ter­ry Gilliam’s Star-Stud­ded Soc­cer Ads for Nike

The Mon­ty Python Phi­los­o­phy Foot­ball Match: The Greeks v. the Ger­mans

Amaz­ing Flip­book Ani­ma­tion Shows Off the Skills of Ronald­in­ho

by | Permalink | Make a Comment ( 1 ) |

The Way Too Philosophical Pop Song

Sec­ond City has giv­en us many great improv com­e­dy sketch­es and come­di­ans over the decades … and now com­ic videos on YouTube too. From this video col­lec­tion comes the “Too Philo­soph­i­cal Pop Song,” whose open­ing lines resem­ble the hack­neyed lyrics of so many con­tem­po­rary pop tunes.

We’ve got to be young while we live, and live while we are young.
We’ve got to live for tonight because tomor­row won’t come.

We’ve all heard these exis­ten­tial clichés before, right? But then, the “Too Philo­soph­i­cal Pop Song” gets, well, too philo­soph­i­cal, swerv­ing dark­ly of course.

We have to par­ty like we’ll nev­er see tomor­row, there­by destroy­ing the intrin­sic val­ue of this moment and our­selves.
The cer­tain­ty of death inval­i­dates our actions tonight.
We’re thrown into this uni­verse with no pur­pose, com­pelled to fab­ri­cate mean­ing.
There is no good, there is no right, and our morals are craft­ed out of rea­son.

Makes it a lit­tle hard to get your groove on … unless you’re a UVA grad stu­dent or one of those heady guys at Par­tial­lyEx­am­inedLife. Don’t miss their pod­cast.

via Leit­er Reports

Relat­ed Con­tent:

Free Phi­los­o­phy Cours­es from Great Uni­ver­si­ties

Rap­ping About Sci­ence: Watch High School Senior Jabari John­son Talk Physics with Poet­ic Lyrics

A Song of Our Warm­ing Plan­et: Cel­list Turns 130 Years of Cli­mate Change Data into Music

by | Permalink | Make a Comment ( 1 ) |

Watch Pitch Tar Finally Drip in One of World’s Oldest, Slowest-Moving Experiments

Let’s take a lit­tle break from our fast-mov­ing world and watch one of the world’s old­est and slow­est-mov­ing exper­i­ments in action. Begun in Octo­ber 1944 at Trin­i­ty Col­lege Dublin’s School of Physics, the Tar Drop exper­i­ment has attempt­ed to mea­sure the vis­cos­i­ty of pitch tar, a poly­mer that seems sol­id at room tem­per­a­ture. The goal of the exper­i­ment? To demon­strate that pitch tar actu­al­ly flows and to cap­ture a drop falling from a fun­nel — some­thing that hap­pens about once a decade. Above, you can watch a time­lapse video of all the excit­ing action. It marks the first time a pitch drop has ever been cap­tured on film.

It’s worth not­ing that the The Uni­ver­si­ty of Queens­land has its own Pitch Drop Exper­i­ment going. It start­ed back in 1927. And it’s cur­rent­ly list­ed in the Guin­ness Book of World Records as the world’s longest-run­ning lab­o­ra­to­ry exper­i­ment.

In the seg­ment below, Radi­o­lab offers a primer on the famous exper­i­ment.

via CNET

by | Permalink | Make a Comment ( 1 ) |

The Feud Continues: Noam Chomsky Responds to Žižek, Describes Remarks as ‘Sheer Fantasy’

chomsky-zizek-feud-continues

Noam Chom­sky has issued a state­ment in reac­tion to our July 17 post, “Slavoj Žižek Responds to Noam Chom­sky: ‘I Don’t Know a Guy Who Was So Often Empir­i­cal­ly Wrong.’ In an arti­cle post­ed yes­ter­day on ZNet titled “Fan­tasies,”  Chom­sky says Žižek’s crit­i­cism of him is com­plete­ly unground­ed. “Žižek finds noth­ing, lit­er­al­ly noth­ing, that is empir­i­cal­ly wrong,” writes Chom­sky. “That’s hard­ly a sur­prise.”

The rift between the two high-pro­file intel­lec­tu­als began, as you may recall, when Chom­sky crit­i­cized Žižek and oth­er con­ti­nen­tal philoso­phers for essen­tial­ly talk­ing non­sense — for cloak­ing triv­i­al­i­ties in fan­cy lan­guage and using the sci­en­tif­ic-sound­ing term “the­o­ry” to describe propo­si­tions that could nev­er be test­ed empir­i­cal­ly. Žižek lashed back, say­ing of Chom­sky, “I don’t think I know a guy who was so often empir­i­cal­ly wrong.” He went on to crit­i­cize Chom­sky’s con­tro­ver­sial ear­ly posi­tion on Amer­i­can assess­ments of the Khmer Rouge atroc­i­ties in Cam­bo­dia. (To read Žižek’s com­ments, click here to open the ear­li­er post in a new win­dow.) In response yes­ter­day, Chom­sky said he had received numer­ous requests to com­ment on our post:

I had read it, with some inter­est, hop­ing to learn some­thing from it, and giv­en the title, to find some errors that should be cor­rect­ed — of course they exist in vir­tu­al­ly any­thing that reach­es print, even tech­ni­cal schol­ar­ly mono­graphs, as one can see by read­ing reviews in pro­fes­sion­al jour­nals. And when I find them or am informed about them I cor­rect them.

But not here. Žižek finds noth­ing, lit­er­al­ly noth­ing, that is empir­i­cal­ly wrong. That’s hard­ly a sur­prise. Any­one who claims to find empir­i­cal errors, and is min­i­mal­ly seri­ous, will at the very least pro­vide a few par­ti­cles of evi­dence — some quotes, ref­er­ences, at least some­thing. But there is noth­ing here — which, I’m afraid, does­n’t sur­prise me either. I’ve come across instances of Žižek’s con­cept of empir­i­cal fact and rea­soned argu­ment.

Chom­sky goes on to recount an instance when he says Žižek mis­at­trib­uted a “racist com­ment on Oba­ma” to Chom­sky, only to explain it away lat­er and say that he had dis­cussed the issue with Chom­sky on the tele­phone. “Of course,” writes Chom­sky, “sheer fan­ta­sy.” Chom­sky then moves on to Žižek’s com­ments report­ed by Open Cul­ture, which he says are typ­i­cal of Žižek’s meth­ods. “Accord­ing to him,” writes Chom­sky, “I claim that ‘we don’t need any cri­tique of ide­ol­o­gy’ — that is, we don’t need what I’ve devot­ed enor­mous efforts to for many years. His evi­dence? He heard that from some peo­ple who talked to me. Sheer fan­ta­sy again, but anoth­er indi­ca­tion of his con­cept of empir­i­cal fact and ratio­nal dis­cus­sion.”

Chom­sky devotes the rest of his arti­cle to defend­ing his work with Edward Her­man on the Khmer Rouge atroc­i­ties. He claims that no fac­tu­al errors have been found in their work on the sub­ject, and he draws atten­tion to a pas­sage in their book After the Cat­a­clysm, quot­ed last week by Open Cul­ture read­er Poyâ Pâkzâd, in which they write, “our pri­ma­ry con­cern here is not to estab­lish the facts with regard to post­war Indochi­na, but rather to inves­ti­gate their refrac­tion through the prism of West­ern ide­ol­o­gy, a very dif­fer­ent task.”

You can read Chom­sky’s com­plete rebut­tal to Žižek here.

Relat­ed Con­tent:

Noam Chom­sky Slams Žižek and Lacan: Emp­ty ‘Pos­tur­ing’

Slavoj Žižek Responds to Noam Chom­sky: ‘I Don’t Know a Guy Who Was So Often Empir­i­cal­ly Wrong’

Clash of the Titans: Noam Chom­sky & Michel Fou­cault Debate Human Nature & Pow­er on Dutch TV, 1971

 

Bill Murray Reads Great Poetry by Billy Collins, Cole Porter, and Sarah Manguso

Any­one call­ing them­selves even casu­al Bill Mur­ray fans — and we here at Open Cul­ture have tak­en it well beyond casu­al­ness — will by now have read a num­ber of arti­cles on how the actor, come­di­an, and ear­ly Sat­ur­day Night Live alum­nus has rein­vent­ed him­self in the 21st cen­tu­ry. Though he still acts and makes us laugh more than ever in so doing, he picks his projects more care­ful­ly, tends to work with cre­ators pos­sessed of par­tic­u­lar visions (Wes Ander­son comes to mind), and at times appar­ent­ly lives his life like a form of self-sat­i­riz­ing per­for­mance art, pop­ping up now and then in the least expect­ed places amongst the least expect­ed peo­ple. Fans of Mur­ray’s from his Cad­dyshackStripes, and Ghost­busters days cer­tain­ly would­n’t expect to see him, for instance, at a poet­ry read­ing, much less onstage, much less read­ing seri­ous­ly.

And yet here we have three exam­ples, cap­tured live, of Bill Mur­ray’s poet­ry-read­ing acu­men. Up top, you can watch him read for­mer Poet Lau­re­ate of the Unit­ed States Bil­ly Collins’ “For­get­ful­ness” at the 16th Annu­al Poets House Walk Across the Brook­lyn Bridge. Just above, at the same event, Mur­ray reads “Brush Up Your Shake­speare” by song­writer Cole Porter from the lyrics of Porter’s musi­cal Kiss Me, Kate. Below, at the Poets House Walk din­ner, he reads “What We Miss” by Sarah Man­gu­so. We’ll add those three to the list of voic­es Mur­ray’s per­for­mances have done jus­tice — a list that includes such illus­tri­ous fig­ures real and imag­ined as Wal­lace Stevens, Emi­ly Dick­in­son, and Drs. Peter Venkman and Hunter S. Thomp­son.

Relat­ed Con­tent:

Bill Mur­ray Reads Wal­lace Stevens Poems — “The Plan­et on The Table” and “A Rab­bit as King of the Ghosts”

Bill Mur­ray Reads Poet­ry at a Con­struc­tion Site

Col­in Mar­shall hosts and pro­duces Note­book on Cities and Cul­ture and writes essays on lit­er­a­ture, film, cities, Asia, and aes­thet­ics. He’s at work on a book about Los Ange­lesA Los Ange­les Primer. Fol­low him on Twit­ter at @colinmarshall.

Richard Wright Stars as Bigger Thomas in a 1951 Screen Test for Native Son

Stick to what you know goes the con­ven­tion­al wis­dom. Author Richard Wright won acclaim doc­u­ment­ing the African-Amer­i­can expe­ri­ence in the 30’s and 40’s. Lit­er­ary stand­ing in the bag, he could have explored any num­ber of avenues through his writ­ing, or cho­sen to delve deep­er into the rich ter­ri­to­ry from which his career had been mined.

Or, you know, he could’ve starred in a 1951 film adap­ta­tion of Native Son, his best sell­ing Book of the Month Club selec­tion.

Which only real­ly counts as stick­ing with what one knows when one has the act­ing chops to back it up —some­thing the 40 year old Wright, play­ing a char­ac­ter 20 years younger than him­self, did not. It does­n’t help that the peri­od dia­logue sounds stilt­ed to mod­ern ears, and Buenos Aires makes a bizarre geo­graph­ic sub­sti­tute for the orig­i­nal’s Chica­go loca­tion. In the age of the dig­i­tal con­nec­tion, his turn in the lit­tle seen pro­duc­tion assumed train wreck sta­tus.

A cur­so­ry online search reveals a long line of ama­teur crit­ics bust­ing on Wright’s ulti­mate­ly ill-advised cel­lu­loid for­ay. Let us come at things from a slight­ly adjust­ed angle. Most of us have seen, if not been, an imag­i­na­tive child at play, whis­per­ing invent­ed lines for favorite dolls and action fig­ures’ spur of the moment sce­nar­ios.

Could­n’t we hold that that is what Wright is up to here? He may not be the most con­vinc­ing han­dling of a prop gun, but he still bests your aver­age 7‑year-old believ­er. Those will­ing to over­look an untrained actor’s less-than-Oscar inter­pre­ta­tion-cal­iber might be reward­ed with insight…

via The Paris Review

Relat­ed Con­tent:

Hear Zora Neale Hurston Sing Tra­di­tion­al Amer­i­can Folk Song “Mule on the Mount” (1939)

James Bald­win Bests William F. Buck­ley in 1965 Debate at Cam­bridge Uni­ver­si­ty

Ralph Elli­son Reads from His Nov­el-in-Progress, June­teenth, in Rare Video Footage (1966)

Ayun Hal­l­i­day remem­bers the 80’s adap­ta­tion, star­ring Oprah Win­frey. Fol­low her @AyunHalliday

8‑Year-Old Anne Frank Plays in a Sandbox on a Summer Day, 1937

anne frank kid shotBefore Anne Frank was forced into hid­ing dur­ing World War II, there was a time when she, her fam­i­ly and friends could do nor­mal things that many peo­ple take for grant­ed. Like play in a sand­box on a warm sum­mer day. In the shot above, Anne is 2nd from the left. More pho­tos of Frank can be viewed at AnneFrank.org. And here you can watch the only known video show­ing the world’s most famous mem­oir writer.

H/T @Mia­Far­row

Relat­ed Con­tent:

Anne Frank: The Only Exist­ing Video Now Online

Anne Frank’s Diary: From Reject Pile to Best­seller

Google Brings His­to­ry to Life with 42 New Online Exhi­bi­tions

Free Comic Books Turns Kids Onto Physics: Start With the Adventures of Nikola Tesla

physics cartoon for kids

Physic­s­Cen­tral, a web site run by The Amer­i­can Phys­i­cal Soci­ety (an orga­ni­za­tion rep­re­sent­ing 48,000 physi­cists), has cre­at­ed a series of com­ic books designed to get kids excit­ed about physics. If you click here, you can enjoy Niko­la Tes­la and the Elec­tric Fair for free online. The 2008 com­ic book pits Thomas Edi­son against Tes­la, the unsung hero of elec­tric­i­ty and mag­net­ism. Also on the Physics Cen­tral web site, you can enjoy four free comics from the Spec­tra series, which presents the adven­tures of a mid­dle school super­hero, who pos­sess­es all of the great pow­ers of a laser beam.

We’ll be sure to add these comics to our col­lec­tion of Free K‑12 Edu­ca­tion­al Resources.

via Boing­Bo­ing

Relat­ed Con­tent:

Thomas Edi­son and Niko­la Tes­la Face Off in “Epic Rap Bat­tles of His­to­ry”

A Brief, Ani­mat­ed Intro­duc­tion to Thomas Edi­son (and Niko­la Tes­la)

MIT & Khan Acad­e­my Team Up to Devel­op Sci­ence Videos for Kids. Includes The Physics of Uni­cy­cling

Free Physics Cours­es

425 Free eBooks: Down­load to Kin­dle, iPad/iPhone & Nook

by | Permalink | Make a Comment ( 9 ) |


  • Great Lectures

  • Sign up for Newsletter

  • About Us

    Open Culture scours the web for the best educational media. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between.


    Advertise With Us

  • Archives

  • Search

  • Quantcast